Luis Buñuel's 'The Exterminating Angel' Gets An Off-Kilter Adaption From Screen To Stage
An unseen force keeps patrons from leaving a dinner party. It's the premise of a 1962 surrealist film — and the basis of British composer Thomas Adès' latest opera.
by Naomi Lewin
Nov 05, 2017
2 minutes
Imagine a dinner party that never ends. The guests leave. That's the premise for 's classic 1962 surrealist film . It might seem an unlikely subject for an opera, but that's just what London-born composer has brought to New York's Metropolitan Opera.
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