The Pastel Journal

Finding Success in Variety

New Zealand might be called a fantasyland of flora and fauna.

Isolated by a vast ocean for more than 80 million years and featuring microclimates that vary from rain forests to near-deserts, the country possesses a rich biodiversity. As such, there’s no need for a representational painter to exaggerate color or invent scenes. Photorealist pastel painter Julie Freeman agrees. “To create what I see so realistically pays homage to the beauty that surrounds me every day,” she says.

Freeman’s work possesses a diversity that vies with that of her native country. Her portfolio features both animals and humans, still life florals, and near-abstractions of water lilies and seaweed. “My subjects are varied, and that keeps me motivated and enthusiastic. Many professional artists are known for one style or subject, and when making a living, that’s often advantageous,” she notes. Freeman’s love of variety hasn’t hampered her success and recognition, however.

A NATURAL EVOLUTION

Born just north of Wellington along the Kapiti Coast, Freeman excelled at art in high school. She elected not to pursue art at university, however, considering it) kept her from getting serious about it.

Citiți o mostră, înregistrați-vă pentru a citi în continuare.

Mai multe de la The Pastel Journal

The Pastel Journal7 min citite
Itinerant ARTIST
The New Mexico sky comes alive with clouds during the summer monsoon season: Delicate cumuli swell into towering thunderheads dragging dark brooms of rain across the mesa tops. Toward sundown, the tattered vestiges of storms glow orange and red and p
The Pastel Journal1 min citite
Demonstration Rolls
Step 1: First, I laid in the initial drawing, focusing on the angles of the rolls’ sides to show the correct perspective. Then I began an underpainting on the top left corner. Step 2: I looked at photos from other areas of the same mill to see what
The Pastel Journal2 min citite
It’s Personal
This is one of those occasions when the work of the featured artists in this issue might not appear—on the surface—to have much in common. Bert Collins (page 24), for instance, is best known for pastel landscapes depicting the picturesque scenery in