ArtAsiaPacific

Us, You, #MeToo

It has been one year since the New York Times published a report on the numerous allegations of sexual misconduct against Hollywood producer Harvey Weinstein. The article unleashed the #MeToo movement that has swept across the globe in almost every industry, profession and calling, including art and publishing. To mark the anniversary of this historic moment for women to speak out and share their experiences of sexism and sexual harassment, in our Nov/Dec issue of ArtAsiaPacific we focus on artists who, through their work, highlight the challenges women face.

For our cover Feature, Beijing desk editor Tom Mouna met up (2007). Here, the artist sits in front of the camera speaking calmly about her childhood, specifically her intensely academic-focused upbringing and her parents’ wishing she were a boy. Only at the end does she appear to be in pain as she talks, and it is revealed, through the blood spilling from her lips, that she has spoken for more than seven minutes with a razor blade in her mouth. Ma’s artworks looks at cultural phenomena beyond her own life as well, from the shifting colors of women’s hosiery to online automobile subcultures. Mouna reflects, “Perhaps not surprisingly for an artist whose practice deals with the idea of control or the lack of it—over one’s own agenda, over the female body, over the larger societal shifts occurring in Beijing and China—Ma likes to collect objects, as if to temporarily possess narratives that they carry or for the purpose of allowing her to process conjectured histories.”

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific3 min read
Milan
Pirelli HangarBicocca Thao Nguyen Phan’s works are at once beautiful and devastating, their harrowing stories poetically revealed like emotional gut punches. And one is struck by the extent of the tragedy and the burning shame at knowing almost none
ArtAsiaPacific4 min read
London
Hayward Gallery In 1974, Hiroshi Sugimoto was standing in front of a large diorama at the American Museum of Natural History in New York when he had a sudden revelation. Conceding that the backdrops looked fake, he noticed that by “taking a quick pee
ArtAsiaPacific5 min read
Objects Of Our Emotion
HONG KONG The circulation of global capital often results in an exchange of objects and symbols that connects the internet and the physical world. It is also a transfer that informs Vunkwan Tam’s artistic practice. The Hong Kong-based artist is known

Related