LEE BUL
Sep 01, 2018
3 minutes
NED CARTER MILES
A work catching fire and forcing the cancellation of a preview would seem an inauspicious start to any exhibition. The ignition of Lee Bul’s (1991–2018), caused by the volatile potassium-permanganate agent meant to preserve the installation’s sequin-covered fish, however, gave the artist’s midcareer survey at the Hayward Gallery a mythic quality. The mishap was a reminder that exhibitions are not static displays, but living, breathing parts of culture,
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