The Atlantic

Shakespeare Wrote His Best Works During a Plague

The qualities for which live theater is celebrated—audiences responding with laughter, tears, gasps, and coughs—accelerate its danger. But the Broadway shutdown could be good for plays.
Source: Kathy Willens / AP

As with everything that the coronavirus leaves in its wake, the suspension of operations by most major theaters around the country feels surreal—though surely both inevitable and necessary—and follows yesterday’s announcement that Broadway will turn off its lights for at least the next month. Only two days prior, the producer Scott Rudin had offered $50 discount tickets to his Broadway shows, including West Side Story and The Book of Mormon. “I can’t pretend that great theater is the panacea we’ve been waiting for, but in the meantime we could all use a few hours away from the evening news,” Rudin said in a press release, implying that his shows might, in some form, offer at least emotional inoculation from a pandemic.

Whether theater provides an entertaining diversion from “the evening news” or might be of the city’s population. The official rule was that once the death rate exceeded thirty per week, performances would be canceled. (As an infant, Shakespeare himself barely survived an outbreak that killed his older siblings.) Like New York’s governor Andrew Cuomo, who has banned gatherings of more than 500 people, worried that people flocking to town to “see certayne stage plays” would be “close pestered together in small romes,” creating the means “whereby great infeccion with the plague, or some other infeccious diseases, may rise and growe, to the great hynderaunce of the common wealth of this citty.”

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