in this issue
Nov 16, 2019
2 minutes
–Wes Pitts, Editor
hotography, as a medium, sits at the crossroads between interpretive art and objective documentary. For some, it’s too mechanical and literal to be considered a high art, while for others any subjective departure or manipulation on the part of the photographer borders on nefarious deception. Recently, during a panel discussion in which I was a participant, one of the other
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