UNCUT

KUTIMAN

Wachaga SLYAL MUSLC

8/10

IT might seem natural, given his catalogue – and in particular the African nature of this, his fourth album – to assume Israel’s Kutiman took his name in deference to Fela Kuti, one of his most obvious influences. Instead, the 38-year-old kibbutz-dwelling multi-instrumentalist and video artist was merely adapting his birth name, Ophir Kutiel. Kutiman, after all, would never limit himself so

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT2 min read
Uncut
HERE’S Irmin Schmidt, explaining the mercurial brilliance of Can in full flight. “Even if we improvised onstage, we always went in the same direction,” he tells us on page 19. “In a way that it became a music that was not just bullshit. It was not so
UNCUT3 min read
Joana Serrat
Big Wave GRAND CANYON 9/10 Big Wave starts with a big bang. A track called “The Cord” that in a little over three pummelling minutes upends most available notions of what to expect from a Joana Serrat record, the song ending with its chorus repeated
UNCUT7 min read
Irmin Schmidt
FOR a few years now, Irmin Schmidt has been the conscientious curator of the Can legacy – a role that has taken on added poignancy since the recent passing of Damo Suzuki, leaving keyboardist Schmidt as the last surviving member of the classic early-

Related Books & Audiobooks