The Millions

Past Made Present: On Felix Gonzalez-Torres’s ‘Photostats’

A year ago I revisited the HBO adaptation of Tony Kushner’s Angels in America. I’m still convinced I first saw the play on a high school field trip in the mid ’90s, though I can’t find any documentation that it was staged at the University of Maryland. Still, I remember being profoundly moved by its beauty and gravity, the tragedy of so many lives lost so early, and the prevailing homophobia of the mid ’80s. But what struck me this time, when watching the miniseries, wasn’t any of these things. Instead I was floored by Al Pacino as the dying Roy Cohn, Donald Trump’s mentor and former attorney, who provides a direct political through line from McCarthyism (Cohn was Joseph McCarthy’s chief counsel) to our current political mayhem. Watching Angels in America, the foundations of Trumpism had never been more apparent. 

And now, in 2020, the parallels are even more striking.

Then: the president didn’t acknowledge AIDS publicly died. 

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