The American Poetry Review

HEADPHONE MASTERPIECES

When poet/singer Gil Scott-Heron and pianist/arranger Brian Jackson entered DB Sound in Silver Spring, Maryland to record Winter in America in October of 1973, the world outside the studio doors was in turmoil. Despite the fact that the U.S. had signed the Paris Peace Accords, declaring a ceasefire and signaling that the Vietnam war was nearing its eventual end, bombings and military aggression would continue, putting a bloody period on the horrific conflict. Stateside, the war had taken a particularly devastating toll on the Black community. Black soldiers made up 23% of Vietnam combat troops, despite African Americans as a whole only accounting for 11% of the total U.S. population. A violent and brutal war whose aims were in direct opposition to the interests of Black folks and oppressed people everywhere, Vietnam left a bleeding wound in a community that was already struggling to get free.

By 1973, Martin Luther King had been dead for 5 years, shot dead on the balcony

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