The Medium
Mar 22, 2021
1 minute
LEANA HAFER
plays like an old-school game, minus the gunplay. You navigate Marianne around crumbling, abandoned hotels and claustrophobic Cold War bunkers from fixed camera angles. It can be a bit cumbersome, but it’s is excellent at making you feel like you’re always being watched, and that danger could be lurking just out of view at any time.
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