Shakespeare's Sonnets
By Philip Terry
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About this ebook
Inspired by the flotsam of contemporary culture, journalism, and spam emails, this collection of poetry transforms Shakespeare's sonnet sequence into a celebration of the possibilities of language unleashed. Shakespeare's themes of fading beauty, posterity, immortality, and death find their modern-day responses in celebrity gossip, consumer products, vampirism, and the credit crunch. Dynamic and anarchic, this exploration sheds light on Shakespeare and the contemporary world in a disturbing yet entertaining manner.
Philip Terry
Philip Terry was born in Belfast and has taught at the universities of Caen, Plymouth and Essex, where he is currently Director of the Centre for Creative Writing. His books include the anthology of short stories, Ovid Metamorphosed (2000), the poetry collections Oulipoems (2006), Oulipoems 2 (2009) and Shakespeare’s Sonnets (2011), and the novel tapestry (2013), which was shortlisted for the Goldsmiths Prize. He is the translator of Raymond Queneau’s Elementary Morality (2007), and Georges Perec’s I Remember (2014). Dante’s Inferno, which relocates Dante’s poem to current-day Essex, was published in 2014 and was an Independent poetry title of the year.
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Book preview
Shakespeare's Sonnets - Philip Terry
1
I
Clone Kylie
That thereby beauty’s rosin might never die,
As the ripper’s memory fades
In Portman Road.
The contract for her eyes
Falls through
Making a famine where abundance lies.
So lucky in love.
Wembley’s nymph,
Herald to the pink iPod,
Withnail and I without content.
Tender churl
Pity this glutton
To eat the grave and thee.
II
We desire increase from hedge funds
That Ruby’s toes might never drop,
But his hair bare his memory,
As ripe cheese.
But thou (contracted to Middle Earth)
Feed’st thy flight’s male with kneecapped fowl,
Making a famine where Adebayor lives,
Thyself cruel to elves.
Thou that art
Harold to the spring,
Buriest thy corn dolly within thine own beard,
And mak’st waste in noggin.
Putty the world.
2
When fishmongers attack
And dig deep trenches,
Who’s the ice cream for?
I live in London,
Do you mind if I open the window?
The day before yesterday,
At dawn,
Cutlery, a cucumber, dental floss.
We haven’t decided yet,
How much is the 24-hour service?
I’m a teacher, and you?
There’s nobody there.
Can you hear me?
I can’t hear you, could you repeat that?
2
When forty splinters besiege thy prow,
Put a bench by the rhododendrons,
And knock down
The outside lavatory.
Ask’d where thy clackers lie,
To say,
within thy deep-sunken eyes,
Were shame.
If thou couldst answer
‘This American Express card
Shall access my account,
What’s in your wallet?’
This were to be Asterix when thou art Obelix.
3
Leak in the grass and tell the fence thou viewest,
Why you erect no trellis
To posterity,
But, like Buggles, undress barren mothers.
What fit tart wouldn’t
Spread ’em for your plough?
Where is Esso fondled but in tombs
Of austerity?
Shiny mirrors, arsehole,
Reflect the lonely Aprils of Primula,
Jet yoghurt through windows of gestalt seas,
Goose fleshed winkles and bent oysters.
You are curving like a question mark,
Herr Shingle, and your clams lie barren on the strand.
4
This one’s about wanking, he said,
Stepping on stage in a white lab coat,
Nietzsche’s bequest means fuck all,
And being Frank, I am no superman.
Play the bar chords, niggard, abuse
The bounteous gift of The Ramones,
Press distortion,
So great a strum, yet cannot play live.
Stuck in traffic alone,
You’re only kidding yourself.
Time for the encore,
What acceptable audition canst thou leave?
Thy unused beauty pipetted into dry ice
It ain’t Coca Cola, it’s rice.
5
Hours spent in front of the mirror
In Kingston-upon-Thames
Are wasted by the time you reach
Clapham.
Sumo wrestlers
Too hideous
Sit checked with frost their lust quite spent
In KFC.
Scent from Paris
In a distillate of glass
Evaporates like your wage cheque:
Because you’re worth it.
6
Let summer’s glossy