Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

China Mountain Zhang
China Mountain Zhang
China Mountain Zhang
Ebook373 pages6 hours

China Mountain Zhang

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

Winner of the James Tiptree, Jr. Memorial Award, the Lambda Literary Award, the Locus Award for Best First Novel, and a Hugo and Nebula Award nominee.

With this groundbreaking novel, Maureen F. McHugh established herself as one of the decade's best science fiction writers. In its pages, we enter a postrevolution America, moving from the hyperurbanized eastern seaboard to the Arctic bleakness of Baffin Island; from the new Imperial City to an agricultural commune on Mars. The overlapping lives of cyberkite fliers, lonely colonists, illicit neural-pressball players, and organic engineers blend into a powerful, taut story of a young man's journey of discovery. This is a macroscopic world of microscopic intensity, one of the most brilliant visions of modern SF.


At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateApr 15, 1997
ISBN9781466827134
China Mountain Zhang
Author

Maureen F. McHugh

With her groundbreaking novel, China Mountain Zhang, Maureen F. McHugh established herself as one of the decade's best science fiction writers. She is the winner of the James Tiptree, Jr. Memorial Award, the Lambda Literary Award, the Locus Award for Best First Novel, and a Hugo and Nebula Award nominee.

Read more from Maureen F. Mc Hugh

Related to China Mountain Zhang

Related ebooks

Science Fiction For You

View More

Related articles

Reviews for China Mountain Zhang

Rating: 4.018413519830029 out of 5 stars
4/5

353 ratings22 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 3 out of 5 stars
    3/5
    This book follows four characters in a future where China has taken over most (all?) of Earth, and humans have colonized Mars. The characters are occupy various fringes: a gay man in a culture where homosexuality is illegal, an ugly woman whose parents couldn't afford plastic surgery, a middle-aged loner who has a farm on Mars, and a young athlete in the sport of kite racing. The four stories only barely intersect: all of the characters are acquaintances of the gay man, China Mountain Zhang. Other than that, there is no connection between them, and you could remove any one of the story lines without affecting the others. I found this frustrating. The stories also didn't really seem to go anywhere, except for China's but even his didn't really have a satisfying arc. I was particularly disturbed by the storyline of the ugly woman: there is a long, detailed, and predictable chapter about her date rape, which is totally gratuitous.The world building is pretty interesting, but there's a paradox here: I think the main point of the book is that people strive and struggle to find happiness in connections to other humans, and that people on the margins of society have to swim upstream to find their way. In other words, the point is that people are the same in any time and place. That makes the world-building totally incidental - if people are the same everywhere, then it doesn't matter what the world is, which means that the world is just background and doesn't really play a role in the story. This made the world-building unsatisfying.I found this book very engaging while I was reading it, but then it was over and it was unsatisfying.
  • Rating: 5 out of 5 stars
    5/5
    I thought that this book had a light touch for the sci-fi elements of the story, which left a lot more space for exploring the character aspects and developing believable conflicted characters and a sense of place(s).

    The political dimensions were well rounded and gave a strong contrast to the contemporary (declining) western dominance without ramming a dys/utopian society in your face.

    I got a lot out of the read, and was glad not to have it all tied up to an unbelievable climax, rather left as a fine example of daoist engineering.
  • Rating: 5 out of 5 stars
    5/5
    This book was on one of the featured theme endcaps at the library and caught my eye. I've been wanting to read more female authored scifi, and the list of awards on the back -- Tiptree, Lambda Literary, Hugo, & Nebula? Some awards, some only nominated, but seriously? The Chinese influence, which I've become more interested in as my kids learn the language, was just icing.

    And then! The whole passage on Baffin Island! Totally polar fiction!

    (mild spoilers ahead)
    This book shifts narrative focus between loosely connected characters -- Zhang - a construction tech engineer who struggles with his in-between status as an American Born Chinese, Angel - a flyer in the kite races Zhang loves to watch, Martine - a military vet who has settled on Mars, raising goats and bees, Alexi - a single father at the bottom of Mars' hierarchy, San-xiang - an unattractive girl whose father tried to match her to Zhang (not knowing Zhang is "bent" or gay), whose life changes when her face is reconstructed. (Her story was physically painful for me to read. She has no idea how to handle the new ways people treat her, I wanted to scream at her through the pages.)

    This is such an interesting world to live in through this book. I loved immersing myself in corner after corner of it, it was so well imagined. I kept expecting, though, for all the characters to come crashing together somehow in some crisis. In the final third of the book, I kept racing, faster and faster, turning pages expecting the crisis to come at any moment. It never did.

    As I turned the final page, I exclaimed both, "What the holy crap was that?" and "Oh, dear Lord, I loved it!" Hugging the book to myself, even as it had defied so many of my expectations of what an sf novel should be, I was calculating and weighing whether I could bear to return this book to the library without buying a copy of my own.

    The perfect mesh of literary fiction and speculative fiction. I adore.
  • Rating: 4 out of 5 stars
    4/5
    A science-fictional gen-X late 20's crisis. Zhang "China Mountain" Zhong Shan is an American Born Chinese (ABC) in New York City in a future where the USA has had a socialist revolution and China is the number one country in the world. It's rich and everyone wants to live there or work there. Zhang looks the part -- he appears Chinese and speaks Mandarin. But he is a diffident gay American who tries to conceal parts of his identity daily. Gradually he fumbles his way towards realising what to do with his life. Zhang is the main narrator, but the book is interspersed with perspectives from others in this world. A shy Chinese girl, a cybernetic kite flyer and some homesteaders from a Martian colony are all linked tangentially to Zhang. The Martian connection is the most tenuous, though their stories are still interesting.
  • Rating: 4 out of 5 stars
    4/5
    Zhang is a young queer man who works construction and hopes for a brighter future in an alternate world where communist China overtook the US as the global power. This book blew me away. I read it in a single sitting, instead of sleeping.
  • Rating: 4 out of 5 stars
    4/5
    This was the 2nd book I've read by Maureen McHugh, although it is her first.
    I have to admit, I preferred "Mission Child" - but this was pretty good as well. McHugh is an excellent writer, with a real gift for creating vivid, complex and believable characters.

    However, I felt the structure of this book was slightly awkward - the main plot follows Zhang, an American of half-Chinese heritage, in a near-future where China has become the dominant world power.
    Every so often, the story goes on a tangent, exploring the lives of people that come into contact with Zhang - a settler on Mars that he tutors, athletes involved in a dangerous sport (cybernetic hang-gliding, basically), and a girl that he reluctantly takes out on a few dates.

    Each of these scenarios remarkably quickly comes to life - but remains tangential to the plot. Each dilemma faced by these sub-plot characters is only partially resolved. Much like real life - and I believe it was intentional on the writer's part - but it's still somewhat frustrating.

    The book also has a tendency to, every so often, "jump ahead" a few years - so, although we see Zhang's growth from irresponsible young man to well-respected engineer, it seem to occur in a jerky, slightly disorienting rhythm rather than a flow...

    Regardless of these small things, I'd highly recommend the book - it's a pleasure to read, and deeply insightful of human nature, with a thought-provoking look at a possible near-future...
  • Rating: 5 out of 5 stars
    5/5
    One of my favorite sci-fi books of all time even though surprisingly little happens. McHugh creates a world in which the Chinese rule the world - something that is [today] not hard to imagine happening. And she does it all by showing us the day-to-day routine of a very few people.
  • Rating: 4 out of 5 stars
    4/5
    Slow, scattered, and compulsively readable.In a near-future world, China is economically and culturally dominant and Mars is the new frontier. The United States is no longer an economic force and people there work and play and dream of living in China. But only genetically pure Chinese are allowed that privilege. Everyone else is denied the Middle Kingdom and must make do by emulating its culture, its fashions, and by riding its economic coat-tails.The book is divided into chapters/sections that each follow different protagonists - three on Earth and two on Mars. The bulk of the narrative follows the titular character, Zhang but there is overlap between all of the storylines. None of these characters find much in the way of resolution and, in truth, not much happens with most of them. The conflicts are mostly (but not all) internal.What elevates this book is McHugh's writing; it is evocative and her world-building is breathtaking. There is a melancholy and almost desperate feel to each character as they muddle along looking for improvement and envying others their status. With each step forward, they come to realize that, despite their advancement, there will be no escaping themselves. That seems to be the common thread here. It does not sound like very compelling stuff but, once I began this book, it was difficult to stop. China Mountain Zhang is not action-packed by any means but it is a very memorable and intriguing novel.
  • Rating: 3 out of 5 stars
    3/5
    The same friend as gave me Blankets insisted that I should read this. Another life-changing book, for him, a book that came at the right time. He told me that it wasn't like a lot of SF, that it didn't have some great big plot, that it was just about people getting on with their lives.

    I didn't really get into it at first. The narrative voice feels strange to me, something I had to get used to. It almost felt like I was reading it in translation -- which would be appropriate enough, given the setting. The setting doesn't take long to figure out: the domination of the Chinese, the communism. It's all pretty easy to absorb, but at the same time I didn't get very into the novel or the characters. I kept reading more for my friend's sake, to try and see what he saw in it, than anything else.

    I'm glad I did. It's not a "traditional" novel, I suppose, with the loosely intertwined stories, most of them without any real resolution, like life. I didn't find it life-changing and I don't really have that much to say about it. I didn't find it life-changing, but it was interesting enough to read once I got a little more interested. It's about ordinary people, despite the sci-fi backdrop.
  • Rating: 4 out of 5 stars
    4/5
    A very engaging first novel set in a possible future when China controls the United States. Themes of class struggle, sexuality and spirituality woven throughout. Young Zhang is a engineering technician who is just trying to create a stable future for himself, despite the odds stacked against him. I look forward to reading more from Maureen McHugh.
  • Rating: 3 out of 5 stars
    3/5
    if the plot had been half as interesting as the characters were, or the world they inhabit is, this book would have been fantastic. as it is, only so-so.

    basic concept summary: china has come out on top of the political/ideological dogpile, so the world is a (mostly) socialist sino-centric place. the good schools, the quality jobs, the big money, and all the envy & prestige are gazing toward china. enter zhang, who's chinese/hispanic - his parents had him gene spliced as a kiddo to look purely asian, and it serves him rather well - a sort of dead-end-job slacker feeling some post-adolescent blahs. the plot is very basic & straightforward, and pretty much serves only to push our quasi-hero through interactions with others. the people are all marvelously realized, and somehow you genuinely care about the characters, all the while being completely unsurprised (perhaps even unimpressed) by the plot itself.

    not really standard sci-fi fare (there's a real minimum of space travel, no green-skinned martians, etc), more of the modernist dystopian future sort of speculative fiction. it's an intriguing world with captivating people in it, just wish the story was as engaging to match.
  • Rating: 4 out of 5 stars
    4/5
    Strong character-driven science fiction. I enjoyed reading something with cyberpunk elements that didn't have the gritty, psychedelic feel of traditional cyberpunk. Instead, people in this book feel like real people. They do things like drink beer, study whales, or keep goats.

    This is part of my Readercon Guest List Reading Regimen, as I'm plotting to attend in July, yay.
  • Rating: 4 out of 5 stars
    4/5
    Man, reading decades-old near-future science fiction is always kind of a trip. On a purely technical level it's solid - the writing is plain but functional, the characterizations are thorough and the depictions of relationships - which are the core of the book - are as well-done as anything I've read in a while. It's not a plotty book - it's a coming-of-age story with various supporting vignettes - and I am getting better at not hating those; this one at least comes to a relatively satisfying conclusion.

    In terms of actual content, though... On the one hand, it was nice to read an early-90s book about gay men in New York that didn't involve all of them dying of AIDS. On the other hand, combining communist China and early-90s attitudes towards gay people made this a painful read. (Not the author's attitudes, by any means - the societal attitudes described and extrapolated to this future culture.) I have very little context about the whole China thing, so I'm just going to assume that McHugh knows what she's talking about - it certainly seems like it, and both the American Chinese culture and the set-in-China culture were thoroughly developed, fascinating, and fascinatingly different from one another.

    The non-Zhang vignettes varied in effectiveness for me - the ones set on Mars were great, the one about the flier wasn't bad but seemed unnecessary, and the date-rape one was agonizing in exactly the way it was intended to be. (I don't love rape as a character device, in general, but I have to wonder how common this sort of grimly honest portrayal was twenty years ago.)

    I'm not at all surprised that this is regarded as an important book, and I'm glad I read it. I'm going to be chewing over it for a while.
  • Rating: 4 out of 5 stars
    4/5
    China Mountain Zhang is one of the most unusual science fiction books I've read in a while. There are no epic battles or time travel or bending of the rules of physics. If most science fiction feels like space opera, played out on a large stage, this books reads like a quaint period drama, small in scale, where the dramatic beats occur in tiny spaces—cramped apartments, dorm rooms, kitchens. By most measures, it isn't an exciting book; no one saves the world here and there are no edge-of-your-seat moments. And yet Maureen McHugh has created a fully realized world like no other. The world is eerily ordinary and real; the characters feel true and and solid. There is a line in the book that captures the storytelling: "We are small, governments are large, we survive in the cracks."China Mountain Zhang is beautiful slice-of-life storytelling at its best. Even in such a speculative, futuristic world, people still get by and cope with everyday anxieties and issues (the Mars chapters are particularly well done). It's a world that looks a lot like our own. I was really surprised to discover that the novel was first published in 1992. A sleeper hit that is now a classic I hope.
  • Rating: 5 out of 5 stars
    5/5
    In the 22nd century, when China is the dominant superpower and the US has had a socialist revolution, Zhang is trying to figure out what to do with his life.Whenever I read futuristic science fiction written during the Cold War that assumes the Soviet Union continued as a superpower, I find myself mentally substituting "China" for Soviet Union, just to keep the story believable for me. Now here's a book written in the '90s that actually does posit China as the dominant superpower, and of course, it's a lot different and more realistic than those Soviet-era books. For one thing, the United States has declined quite a lot, as well as having undergone its own socialist revolution. This version of the near future also brings in questions of race -- people of Chinese ethnicity have privilege here -- sexuality, and gender as well as politics.This future is not dystopian, not really (although I'm sure many Americans would consider a socialist USA the worst thing that could ever happen). It's far too realistic for that. The characters are all ordinary people with ordinary concerns about work, success, love, and community. I think that's why I enjoyed this book so much--the story is told by real people with the minor concerns of real life, but it maintains a broad scope. The story begins and ends in New York City, but it travels to an Arctic research station, a rich and glittering Shanghai, even Mars.The characters, however, are all people who don't quite fit into this new normal. The protagonist, Zhang, is gay and half Latino (which has been obscured by genetic manipulation) who must keep both these aspects of himself secret in order to get ahead. He chafes against these restrictions and longs for community, finally choosing to do something very American: he starts his own business. Other sections of the book are told from the points of view of characters that Zhang meets peripherally. One is a Chinese woman with a medical condition that has rendered her "ugly"; once she has that corrected, she unexpectedly faces the possibly worse problems of pretty girls. Another is a loner who has finally moved to a commune on Mars in order to be left alone, but yet finds herself reluctantly helping to build her new community.These are quiet stories, and the events that take place are not big ones. Without the technological enhancements, all of these stories could take place today. Through her speculative premise, McHugh shines a light on the persistent tensions that characterize the human species: the tension between conformity and individuality, and the desire we all have to make our own lives and to truly be ourselves.Read for female science fiction/fantasy month (June 2014).
  • Rating: 4 out of 5 stars
    4/5
    Science fiction is a reflection of its own age. Look at any contemporary sci-fi story, whether it’s Kim Stanley Robinson’s novel 2312 or the time travel film Looper or the TV series Firefly, and it’s commonly accepted that the United States is in decline while China is on the rise – in fact, 60-70% of Americans consistently say just that in polls. Personally, I think this is shortsighted – remember the late 1980s, the time of Nakatomi Plaza and The Rising Sun, when everyone thought the Japanese were going to take over? I have no doubt that China will certainly enjoy its moment in the sun this century, but the further one goes into the future the less likely one’s predictions are to be accurate, and I wouldn’t mind seeing some sci-fi writers buck the trend and focus on a world where the hyperpower is India (the next obvious choice) or something less obvious but just as justifiable given a couple of centuries, like Brazil or Indonesia or Australia. Or a unified Africa. Or the Pan-Pacific Empire. Or whatever.In any case, Maureen McHugh deserves credit for being ahead of the curve on science fiction’s trending geopolitical prediction. China Mountain Zhang was published in 1992, just as the Cold War was wrapping up and before most people thought China might ever make something of itself. Set in the early 22nd century, it proposes that China is the world’s dominant power and the United States has undergone a communist revolution. China Mountain Zhang, the protagonist, is an “ABC” or American-born Chinese. Secretly, he is half Hispanic, but his mother had him genetically modified as a child to make him appear more Asian, which gives him a social advantage in a Chinese-dominated world. (“The Chinese are the worst racists,” his mother opines. Zhang thinks, “This is not surprising but nor is it helpful. Nor is it a good political thing to say but everybody knows it.”) Zhang also has a second, more troubling secret – he is gay. In the US this is socially unacceptable; in China it is a capital crime. The book begins with Zhang’s boss trying to arrange for him to marry his daughter, using the promise of studying in China as a reward, and the uncomfortable situation Zhang is dragged into as a result.China Mountain Zhang is a deeply realistic science fiction novel, primarily in the way that it portrays the situation in the United States. Most American authors would depict a communist, Chinese-dominated USA as a nightmarish dystopia – and, indeed, Zhang’s America is far from wonderful, and despite America’s gross hypocrisy and myriad social problems, I would never seriously compare it to China. Yet the truth is that most people all over the world spend their time just getting by, and it makes not much difference to them whether they live under capitalism or communism, democracy or dictatorship. Just look at the hundreds of millions of new middle class Chinese who are happy to live under the Communist Party as long as they have running water and electricity, or the hundreds of millions of Americans who don’t much care if Obama is murdering American citizens as long as he does something about the economy. Or, as Zhang puts it, “I don’t believe in socialism but I don’t believe in capitalism either. We are small, governments are large, we survive in the cracks. Cold comfort.”It’s clear from early on that this is not an epic sci-fi novel, not even on the politically realistic scale of one of Kim Stanley Robinson’s books. A miniscule amount of humans ever have any grand impact on the world they inhabit, and China Mountain Zhang is about exploring Zhang’s world and developing his personal story rather than chronicling some critical event in a well-developed future history. The “Cleansing Winds” are referred to throughout, and it only gradually becomes clear that this is the name for the American communist revolution. We learn that Canada is still a constitutional monarchy and Australia is on track to become the “next economic power,” but these things are only mentioned in passing. China Mountain Zhang is told from the bottom, looking up – not the top, looking down.China Mountain Zhang is thus a slow-moving, character-driven book, and while I can’t say I hugely enjoyed it, I did find it compelling, readable and worth my time. It deserves its various awards and accolades. Even twenty years on from its initial publication, I found it to be notably different from most mainstream science fiction novels, and it’s certainly worth reading.
  • Rating: 5 out of 5 stars
    5/5
    China has become the dominant in the world, and after the Cleansing Winds campaign in the U.S., socialism is the norm. The U.S. is not quite a third world country, but it is close, and many people living there hope to find their way to China, where there exists the most advanced technology and the best, most respected Universities. Zhang, sometimes called Rafael, has strikes against him in this world. As an ABC ( American Born Chinese) he's at the top of the chain for being a foreigner, however the fact that he is only half Chinese (his mother is Latina) and is bent (homosexual) means that his prospects in the world are somewhat limited. The first could keep him from getting and keeping a descent job, the second could get him a trip to a prison camp or a bullet to the back of the head. One of the things I loved about this book, along with the clean writing style, is how McHugh shapes a complex world, when she could have easily fallen back on socialism cliches. Instead she looks at the world from many levels and from many cultural points of view, while showing the intricate and subtle ways the dominate culture infiltrates everyday life. (I especially like that "Marx", "Lennon", and "Mao" are used as curse words, the way "Jesus Christ" is now.)Part of how she accomplishes this is through the presentation of a variety of characters, who are all complex and interesting. Though Zhang is the main character and his quest to define himself is the main arc of the novel, in every other McHugh switches to a short story from the point of view of a different character. Each of these characters' lives intersects with Zhang's in some small way (a great, simple way to keep the story coherent), but their stories are their own and each, like Zhang, is trying to find a way to define themselves, to pursue their own passion and possibly achieve some measure of contentment and peace, if not outright happiness. This is a beautiful book, one that's been sitting on my bookshelf for a long time, but that I am so thrilled to own, because it's definitely a favorite.
  • Rating: 4 out of 5 stars
    4/5
    I loved the format of this book, the way it's made up of one long first person narrative broken up by a bunch of other, shorter narratives set in the same universe. I'm not sure I've encountered this exact format anywhere else, but it seems like it would be useful in other science fiction novels.I thought the characterization was great, especially compared to most science fiction, and I also think the author did a fabulous job integrating the specifics of the fictional universe into the characters' lives. There were only a few places that felt at all 'info-dumpy', and these were limited to moments in the narrative that made logical sense (i.e., you can get away with an info-dump on alternate history in the context of a class lecture). This only gets 4 rather than 5 stars for the institutionalized homophobia. While I think it was portrayed relatively realistically (I mean, as realistically as you can get within the context of a fictional future), I just am not sure logically why it was there, other than to add pathos and drama. It's very possible that this springs from historical state-sanctioned homophobia in China's past, but as a Westerner, I know nothing about historical attitudes toward homosexuality in China. If this is the case...I wish there had been some explanation of it in the book, if only because fear of being outed is such a constant in the main character's story.
  • Rating: 4 out of 5 stars
    4/5
    Zhang lives his life and you get to see it. Different parts are told from the points of views of various characters and they weave together to form a subtle, single tale.It's a story about life in the future. Though it's sci-fi it stays simple, and stays true to the feelings of its characters.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book. It wasn't a typical sci-fi but more like a novel that spent its pages ruminating over life's questions rather than moving a plot along. McHugh's writing is lovely and her ideas about the future where China is the only world power seemed very likely and a little unnerving. The book takes place in New York, the north pole, China, and a colony on Mars. I wish we would have learned more about what happened to the other countries but it focused only on China and the US.In addition to the struggles of the characters who deal with an oppressive government, relationships, gender issues, and beauty the novel also gives fanciful descriptions of a new sport where humans race with giant glider wings attached, zen architecture where your mind interfaces with a computer, and they ate lots of Thai food which made me very hungry.
  • Rating: 5 out of 5 stars
    5/5
    amazing novel of a world in which Chinese Marxism-Leninism is triumphant and the U.S. is a colonial backwater... main character is an ABC (American-born Chinese) but not, and he's gay, so it's all very complicated. Incredible job of showing this altered world without saying exactly how it got that way. When I read it in 1999 it seemed slightly odd, but every day we seem to move closer to that world!
  • Rating: 2 out of 5 stars
    2/5
    I don't know if I'll finish it, it's just not gripping my attention

Book preview

China Mountain Zhang - Maureen F. McHugh

china mountain

Zhang

The foreman chatters in Meihua, the beautiful tongue, Singapore English. Get he over here. All this trash here! Got little time. He is a stocky little Chinese man who has suffered disappointments. "Someone work that cutter, xing buxing?"

Someone is me, the tech on the job. "Xing, I say, Okay." Good equipment can’t be trusted to stupid New York natives. I heft the cutter, balance it against my thigh. My goggles darken, shutting out the buildings, even the lot we are clearing to build.

Okay, he says, backing away, glad to have an ABC engineer. ABC—American Born Chinese, or like the waiguoren, the non-Chink say, Another Bastard Chink. With my goggles dark I can’t see anything but the glow at the end of the cutter as it goes through rusted, twisted steel, girders in tangles and lying there like string dropped in a pile. Where the cutter touches it goes through like butter, and where the steel is cut it will shine clean and rust-free. Steel drops spatter like quicksilver, glowing metal white. The air smells like a thunderstorm coming.

I swear softly at the foreman in Spanish, but he is too far away to hear anything, which is good. He does not know I speak Spanish. ABC; he knows I speak Mandarin—Poutonghua—and American Standard and the Singapore English Asians call Meihua and waiguoren call Chinglish. (Waiguoren don’t get the joke. Meihua, beautiful language, because this is Meiguo—America. In Mandarin, Meiguo means beautiful country because Meiguo approximated the sound in A-mer-i-ca to Chinese ears.)

The foreman is all right, for someone born inside. He speaks English as if he learned it in school in Shanghai, which he did, but at least he speaks it unaugmented. He likes me; I work hard and I speak Mandarin better than most ABC. I am almost like a real Chinese person. My manners are good. An example of how breeding will out, even in a second rate country like this. He can talk to me, and there are probably very few people Foreman Qian sees each day who he can talk to. You here what for? he asks me. You smart. You go Shanghai? Everyone inside thinks that all the rest of us are dying to go to China.

If I went to China to study I’d be doing a great deal better than working as a tech engineer on a construction crew. Maybe the rest of us are dying to go to China, maybe even me. But maybe Spanish is the first language I ever learned because my mother’s birth name was Teresa Luis and it’s just because my parents paid to adjust the genetic make-up of their son that I look like a slope-head like my father. So Qian doesn’t know; my last name is Zhang and I speak Mandarin and when he asks me why I don’t go to Shanghai or Guangzhou to study I just shrug.

It infuriates him, that shrug. He thinks it is a native characteristic, that it indicates indifference and a kind of self-defeating fatalism. But just looking Chinese is not enough to get someone to China. My parents weren’t rich and tinkering with genes is expensive. Maybe I would map close enough to Chinese standard to pass; then again, maybe something in them would prove me Hidalgo. I don’t apply so I don’t ever have to take the medical.

Pretty soon the steel is lying in pieces that can be carried away. I shut off the cutter, my goggles lighten and I’m back in the real world. Give it fifteen minutes to cool, I say, then get it out of here. The crew has been watching me cut, they’ll stop to watch anything. The foreman stands there with his hands on his hips. Waiguoren think that Chinese never show any expression, so of course he’s not showing any and neither am I. So the crew thinks we are angry because they’re not doing anything and drifts back to work. They’re a good crew except when Foreman Qian is here, then I can’t get them to do a damn thing.

Zhang, the foreman says and so I follow him into the office. Inside, over the door it says, The Revolution lives in the people’s hearts, but the paint is wearing thin. It was probably painted during the Great Cleansing Winds campaign. I don’t think Foreman Qian is very pure ideologically, he has too much interest in the bottom line. It is like the crucifix in the hall of the apartment where I grew up, something everyone passes every day. I have no religion, neither Christ nor Mao Zedong.

I often ask you, what you do with your life, you pretty good boy, Foreman Qian says. "We each and each respect, dui budui?"

"Dui," I say. Right.

Here, you tech engineer, job so-so.

"Bu-cuo," I answer, Not bad.

I have daughter, Foreman Qian says. "Request you to my home come, meet her, hao buhao?"

I have the momentary sense that this conversation, which Foreman Qian and I have had before, has just gone way out of my depth. Foreman Qian, I say, stuttering, I—I cannot … I am only tech engineer.…

Not be fool, he says and drops into Mandarin. How old are you, twenty-five?

Twenty-six, sir.

My wife and I, together we have one daughter. There is no one here for her, I would like her to meet a nice young man.

Foreman Qian. I do not know what to say.

I have no son, and I will not get to go back to China— He is a Chinese citizen and if the best he can do is a job as a construction foreman, he’s in disgrace. I wonder what Foreman Qian did during the Great Cleansing Wind to get in trouble. I have a cousin at Shanghai University. I would sponsor a son-in-law there.

This is unexpected. This is disaster. Whatever has old Qian thinking that I would make a good son-in-law? It looks great from the outside, offer a twenty-six-year-old a chance at Shanghai University and citizenship-by-marriage which is almost as good as born-inside-citizenship. Maybe I would get a chance to stay inside, then his daughter would have a home there. Foreman Qian and his wife would retire to China and live with their daughter and son-in-law.

I understand that you have not even met my daughter, Foreman Qian says. I mean nothing except that you should meet.

I cannot, Elder Qian. I am quaintly formal in my attempt to say something, falling back on school book Mandarin, ludicrous phrases. I am unworthy. Mea culpa. I am violently flushed, for the first time in years I am so embarrassed that I actually feel hot. I, I am a foreigner.

He waves that away. Accident of birth place.

I open my mouth to say no, but I cannot say it. Not only is it rude, but I can’t say it. I am impure, a mongrel. I am an imposter. And there is more that he doesn’t know. When I tell him what I am, he will look foolish because he has mistaken me for Chinese, he will lose face. We will pretend that nothing was ever said. Then when this job is finished he will inform me that the company can no longer use me. It is not easy to find jobs.

You think about it, meet her. Maybe you will not get along, maybe you will. No harm in meeting.

I should finish this now, explain, but I flee.


I meet my mother for lunch every six months or so. Filial duty. Teresa Luis lives in Pennsylvania and commutes to work here in Manhattan. She has another family, a husband and two sons. She and my father were divorced during the Great Cleansing Winds. Elder Zhang lives out on the West Coast where he is an office manager for a company that builds robots to do precision robotics. I have not seen him for fifteen years.

I meet her in the market, getting off the subway at Times Square.

I don’t know why she likes to eat in the market; I think it is a tacky place with all the close streets and the booths and sidewalk sellers. She says it has charm. My mother works at Citinet in International Banking. She is a clerk. She always wears those suits that are almost like uniforms—drab colors with tails to the backs of her knees. Never short tails, never the long ones. She is very religious and she believes in Marx and Mao Zedong. Do not make the mistake of thinking her stupid; she has to juggle a lot of Kierkegaard and Heiler to explain but she manages a full wipe.

Hello, she says and takes my arm. I am never sure I am her son, although I don’t rationally doubt it. It’s just that the connection between us is very tenuous. Perhaps I have so few of her genes that we are more like cousins.

Zhong Shan, what’s wrong? Zhong Shan is my Chinese name, Rafael is my Spanish name. There isn’t any similarity. I am named for a Chinese revolutionary, and for her Spanish great-great-grandfather, who was a union organizer before the great collapse. He was a party member in the secret days of the Second Depression, and later, during the American Liberation War, a martyr.

I am in trouble, I say, and tell her about Foreman Qian. While I am talking I watch the copper marks under the skin of her wrist. Then I watch the copper marks on my wrist, almost like bruises. She ties into her terminal every day, I use my jacks only when I’m working with machinery. With those jacks, Foreman Qian can access my records. But only my surface records, not my deep records, he doesn’t have clearance. There is nothing personal in my surface records, and my mother’s name is listed as Li Taiming, her name from when she was active in the party.

When I am finished she says, The Chinese are the worst racists in the world. This is not surprising, nor is it helpful. Nor is it a good political thing to say but everybody knows it. What are you going to do? she asks.

Turn him down. I don’t even know the girl. Even if it worked out, when I apply they’ll do a medical. They’ll do a background check. If I pass a medical I’ll still fail the background check. Legally everyone is equal, but even here at the other end of the world in the Socialist Union of American States we all know better than that. Be it Rome or Beijing, we bring tribute but we are not admitted. Unfortunate day I was born.

You can go to dinner, she says. Maybe the daughter won’t like you. Maybe you’ll forget your upbringing and sneeze at the table.

It’s a lie, I say, and you always told me that a lie always creates complications. But my face is a lie as well, and she condoned that. I am sure she hears the accusation, but we never talk about my mother’s contradictions.

She does not touch me, although for a moment I think she is going to cover my hand with hers and I am afraid.

It is not the revolution that is at fault, she says, it is the people who are implementing it.

I don’t believe in socialism but I don’t believe in capitalism either. We are small, governments are large, we survive in the cracks. Cold comfort.


There is a game I play when I am out by myself among people. I play it on my way home, descending into the bowels of the city, taking a three-hundred-year-old train to the bottom of the island and under the choked harbor to Brooklyn. The subway sways and like idiots we all nod together. My game is this: I become other people.

A man reading a cheatsheet flimsie, picking the horses. An office clerk in his boxy suit. This evening I am a power tech, a young woman sitting under a subway sign listing the number to call for info on resettlement on Mars. She’s wearing Edison Fission Authority green, her sturdy calves outlined by the tight legs of her coveralls. All day she sells and channels power and I imagine the city’s energy pouring through her hands, the hair on her head rising with the build-up of static charge. Of course that’s not true, she sits at a terminal and feeds information, watches the lines, drains the power reservoirs when they’re needed and fills them when demand falls.

The train stops at Lawrence and the doors open. My power tech gets off and I’m just Zhang: 1.80 meters (almost), sixty-four kilos, leaning against the door with my feet spread to brace myself, right under the sign that says in English, Spanish and Chinese, Do not lean against doors. I could go cruising, stay on the train and head for Coney Island and see what I could pick up. But that’s just to avoid thinking about Foreman Qian and anyway, I’m too tired from work.

Still, I don’t get off at my stop, I ride the train all the way to the end. Coney Island used to be a nice neighborhood, condos on the water and all, until the smell in the water drove everybody away. The smell is better now, what with the project to filter all the water that comes into the bay, but Coney Island is still the end of the line. The young couples are starting to move in and brave the crime to get permits to cheap condos and establish communes where everybody knows everybody else in the building. Pretty soon everybody will be begging permits to move out here and the little free-market greengrocers will open up, but right now Coney Island is gray in the transition and the hawks like me ride the train there to spread our wings.

Gray is a good word; when I come up on the street it’s twilight, the buildings are gray, the wind off the water smells gray and ashy. It’s quiet. A quiet neighborhood is a bad sign out here. My jacket isn’t very warm but I walk down to the water. I wonder if part of the harbor has been burning again, but the ash at the water’s edge could be old.

I walk the cracked concrete walk beside the water, my shoes crunching in the sand blown across it. A young man leans against a bench and my heart quickens. He looks twenty, younger than me. He is wearing coveralls, utility blue, and they hug his legs and pelvis. He is dark though, and I have blond Peter on my mind. Our eyes meet and he is arrogant, dangerous-looking, but his gaze lingers with the possibility of invitation. I think about slowing down, asking him what he’s doing, I just keep walking. I didn’t really come out here for a coney. When I glance back he is prowling stiff-legged in the other direction.

So I find a public call box. The chain on the bracelet is short, to reduce the chances that someone will yank it out, so once I get the bracelet on I have to fumble one-handed for my number book. I read Peter’s number, the call clicks through. Waiting for him to answer, the only part of me that’s warm is my wrist where the contact’s made, and that’s just an illusion anyway, just excited nerves at the periphery of contact.

It’s Zhang, I say.

Hey, Peter says, looking preoccupied, by which I mean he is looking at something on his lap rather than me.

Hey. I’m out on the beach.

That perks him up, blue-gray eyes on me and he sounds interested. Yeah? Come up.

Peter lives in a wretched commune, Lenin knows how they ever got a permit. Just goes to prove that five years ago anyone could get permission to live in Coney Island. The slogan over the door says, The force at the core of the people is the Revolution from the Xiao Hongshu, the Little Red Book. I press my wrist against the contact and Peter has told the building to expect me because the street door opens.

I climb the stairs because I have a theory that Peter’s building dislikes me and I won’t get in the elevator. Peter only lives two flights up. I knock on the door and he opens it and kisses me there in the hall. He swears nobody cares but I still hate when he does it; if anyone suspected I’m bent it could cost me my job. Not that Lisa and Aruba, who live next door, are in any position to complain about our morals.

China Mountain, he says, where the hell have you been? China Mountain is a possible translation of my name, Peter likes it.

I work, I say. "Got any pijiu?"

He hands me a beer. Peter and I lived together for three months, we’re still friends. Better friends than lovers. Want to go to the kite races? he asks. Peter works in an office but sleep deprivation has never seemed to bother him.

No, I don’t want to go to the kite races. Foreman Qian wants to sponsor me to Shanghai University. I sit in one of his big cushions, sink into it like it was a hug and it thrums gently and starts to warm me up.

Isn’t that kind of surprising? Peter frowns. Three little lines appear in the middle of his forehead. His eyebrows arch like gull wings. They are lighter than his summer tan, just beginning to fade.

He wants me to marry his daughter. Then I’ll go to the university, get a job in China, and he can retire back inside.

For a moment Peter looks as if he is going to laugh but he takes a long pull on his beer instead. He’s kidding, isn’t he? I mean, arranged marriages are pretty feudal, you know.

He’s a pretty feudal kind of guy.

He thinks a moment. Can you tell him you already have a fiancée?

No, he’s asked before.

Peter shakes his head. You have such a complicated personal life.

No kidding.

Hey, China Mountain, don’t sit there all stony. You’re all in your skull again. Come on, Rafael, don’t go all Chink.

Maybe I shouldn’t have come, I say, sulking.

"Guilt, guilt, guilt, I feel horrible. Now get off your ass and let’s go to the kite races. I’ll introduce you to a flier and he’s skinny and blond and you can polish your obsession for yellow hairs. He doesn’t have a brain in his perfect little cranium but he’s still hao kan."

If I go I’ll be up all night and I’ll be a wreck at work tomorrow. But I go, and we watch the silk gliders race all night above Washington Square; red and yellow sails swooping and skimming in the searchlights. Peter never does find his flier.


Next day, Friday. I get back to my flat, shower, change and catch the train back to Manhattan. How does Peter do it? I am at work at six forty-five, pouring coffee in the vain hope that if I drink enough I won’t accidentally cut my foot off with the cutter. Foreman Qian is there at seven thirty. I do not know what I will say to him. I will tell him that there is really a girl. I will tell him that I am involved in the sale and transfer of illegal goods and not a suitable choice. I will tell him I am against feudal arrangements like this. I will tell him I have an incurable disease and only have six months to live.

I follow him into his office and he sits down. I notice his jowls hang a little, like a tired bulldog’s. Then I stare at the wall in back of him.

Engineer Zhang, he says in Mandarin, please you come to dinner on Sunday.

The wall is white and needs painting. Thank you, Foreman Qian, I say, I would be honored. And then slink out onto the site.

Long terrible day, with Foreman Qian smiling at me as prospective son-in-law. The crew knows something is up, and with Foreman Qian lurking around the site, nothing gets done. I do not ever reprimand them directly, it is not the way to get them to work, instead I find small ways to express my displeasure. But my heart is not in it. At noon I lie in the sun on a sack of cement—it’s not comfortable but I only mean to sit a minute. I put my forearm over my eyes and fall asleep, jerk awake and drink more coffee. We finally finish at four. As I pass out pay chits I look at each one, Your hard-earned pay, I say.

I hear Kevin from Queens mutter, Qian been bustin’ the bastard’s ass again.

Little do you know.

Friday evening I sleep for about five hours and then meet Peter at eleven to drop in on a friend’s party. I fully intend to be home by two o’clock, three o’clock at the latest. When I get home it’s eight in the morning and I sleep the day away. Saturday I promise myself I will stay home that evening, but I end up meeting a couple of guys for a vid. Sunday morning finds me, as always, tired, broke and with a flat that desperately needs cleaning. It’s not a big flat, it doesn’t take any time to straighten up, I just don’t get around to it for weeks on end.

At six I present myself at apartment sixteen, in a complex on Bay Shore. I am carrying a carefully wrapped copy of Sun-zi’s classic on strategy. Not that I think Foreman Qian is such a fan of military strategy but because I think he will be flattered by the insinuation he reads the classics.

Foreman Qian’s daughter answers the door, You are Engineer Zhang? she says. I am Qian San-xiang.

She is astonishingly ugly. More than ugly, there is something wrong with the bones of her face.

She is a flat-faced southern-looking Chinese girl of twenty or twenty-two. She has a little square face like a monkey and small eyes even by Chinese standards. Her little wizened face is so unexpected I blink. I think instantly of some sort of bone defect that would create that almost nonexistent chin. She looks at me expressionlessly and then drops her eyes and glances sideways at her mother. Her mother is a matronly-looking woman clasping her hands together and smiling at me; Foreman Qian comes into the doorway to the little foyer and says hello and there we all are, four of us crowded into this little space. San-xiang slides between her mother and father and disappears into the next room.

Let me take your jacket, her mother says. I am Liu Su-ping. Chinese women do not take their husband’s names, and it is evident that I have left the West in the hall.

I shrug out of my jacket and casually leave my package on the little table by the door. As a polite person I do not call attention to the gift; as polite people the Qians pretend not to have noticed it. We go into the living room, full of heavy wooden furniture clearly brought over from China. The elaborately paned window faces the harbor. The apartment is pretty but extraordinarily cramped. I sit and am offered something to drink, which I decline.

No, please have something, Liu Su-ping insists. She has small soft-looking hands which she keeps clasped tightly together. I decline respectfully. Am I certain I would not like some tea? San-xiang, she calls, bring Engineer Zhang some tea.

No, do not bother yourself, I say. I am not an engineer, I’m an engineering tech. A technician. Two-year degree, not four. I hate when people call me an engineer.

It is sent by my sister, Dragon Well tea, from Huangzhou, she says.

Having politely declined three times I can now say yes, I would be pleased to have some tea. It is always easier to let people give you something than to convince them that you are not being polite, that you really just don’t want it.

Now, however, while San-xiang makes tea, silence falls.

So, I say in Mandarin, I have always meant to ask you, Foreman Qian, where is your family from? There is a little burst of conversation. His family is from Chengde, in the west. Her family is from Wenzhou, in the south. They met when he was on a two-year assignment in her province. Where is my family from?

I can only say I don’t know. Elder Zhang was born and raised in the States. I have a grandfather on the West Coast but I haven’t seen him in twenty years. And there is no need to discuss my mother so I don’t mention her.

You speak Mandarin very well, Liu Su-ping says. "Where did you learn

Enjoying the preview?
Page 1 of 1