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Eifelheim
Eifelheim
Eifelheim
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Eifelheim

Rating: 4 out of 5 stars

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The alien world of medieval Europe lives again, transformed by the physics of the future, by a winner of the Heinlein Award

Over the centuries, one small town in Germany has disappeared and never been resettled. Tom, a historian, and his theoretical physicist girlfriend Sharon, become interested. By all logic, the town should have survived. What's so special about Eifelheim?


Father Dietrich is the village priest of Eifelheim, in the year 1348, when the Black Death is gathering strength but is still not nearby. Dietrich is an educated man, and to his astonishment becomes the first contact person between humanity and an alien race from a distant star, when their ship crashes in the nearby forest. It is a time of wonders, in the shadow of the plague. Flynn gives us the full richness and strangeness of medieval life, as well as some terrific aliens.

Tom and Sharon, and Father Deitrich have a strange destiny of tragedy and triumph in Eifelheim, the brilliant science fiction novel by Michael Flynn.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateOct 17, 2006
ISBN9781429927161
Eifelheim
Author

Michael Flynn

Michael Flynn lives in Easton, Pennsylvania. He is the winner of the Robert A. Heinlein award, and a Hugo Nominee for Eifelheim. He is the author of the Firestar series of novels, and is an Analog magazine alumnus whose fiction now appears regularly in all the major SF magazines.

Read more from Michael Flynn

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Rating: 3.802486241712707 out of 5 stars
4/5

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  • Rating: 3 out of 5 stars
    3/5
    It has taken me many pages to get pulled into this book - having progressed a bit further, I cannot say it has drawn me further. Definitely enjoy the medieval sections the most...[in progress]
  • Rating: 5 out of 5 stars
    5/5
    If you are looking for the traditional Science Fiction/Fantasy....this isn't it. This is more of a spiritual treatise. It is so thoughtfully written and profound that at times I found myself weeping. This story could take place today. What happens when those from other worlds come here? Do we kill them, or make them friends. Do we get to know them and enquire of their ideologies?

    The first part of the book is slow going but necessary. It reads more like a textbook on history. But the reader will need this preamble to link to what happens next.

    I will say no more....it is up to you to say nay, or yea. I have read thousands of books in my time....this was an intensely beautiful experience for me and I thank the author immensely.

    A few quotes from the book:
    Questions are more precious than answers
    There is food which is Nourishing....and that which merely fills
    Hope: When all else seems lost, it is the one thing you can keep
    When that which is Perfection is come, forms and traditions and laws of man will have fulfilled their purpose and will be done away with.

    This author Understands the Principle and Law of The Uni-Verse. Uni-Verse: One Song.
  • Rating: 4 out of 5 stars
    4/5
    Well made science fiction novel. Aliens are stranded in a Middle Ages village. Modern researchers try to figure it out.
  • Rating: 4 out of 5 stars
    4/5
    Eifelheim by Michael Flynn opens in modern times with a historical mathematician and a physicist, a husband and wife, Matt and Sharon, who study a medieval German settlement called Eifelheim trying to find out why this town disappeared after the outbreak of the Black Death in the 14th century. They are excited about the implications their findings will have on each of their fields of study. The story then jumps back in time to allow the reader to find out what happened when in actuality aliens crashed near this village in 1349. This was an intriguing and interesting story with it’s main focus on the village priest, who at first thinks that these creatures are demons but soon realizes that they are living beings. As a Christian scholar, it is hard for him to grasp the concept that they are from another world. He learns to communicate with the Krenken and these philosophical, religious and scientific conversations are of things nearly beyond his comprehension and at times he wonders what God’s purpose in this can be. As the Black Death strikes at their village, the Krenken, who are immune to the disease, are also dying from a lack of an amino acid essential to their diet but not found on Earth. This was a quiet, thoughtful read that although becomes a tragedy, leaves us with an uplifting message of hope as promises are made toward a peaceful future. I much preferred the story-line that was set in the past over the one in the present which I found somewhat tedious but the two stories did blend well and helped to explain the science. The author’s research was rich and detailed, and I loved how the aliens were so very non-human yet approachable.
  • Rating: 4 out of 5 stars
    4/5
    I thought this was very interesting and a good read. It is more historical fiction than it is science fiction though. Most of the action takes place in 1348-1349 southern Germany. We are introduced to the people and the subject by a historian researching a puzzling absence, in our time and by his physicist partner who's trying to work out new theories of space time. How do the two areas of research get tied together and how does that all relate to 14th Century Germany is the plot, I thought an interesting one. Good stuff.
  • Rating: 4 out of 5 stars
    4/5
    A very different First Contact novel, one that sort of works at first glance. This novel is enhanced if you have a basic understanding of Modern science and, also, a basic knowledge of Medieval thought. An excellent basis for this would be to read C.S. Lewis' classic "The Discarded Image", his lectures on intellectual makeup of the medieval and early modern era. The problem with the novel is that it starts to drag toward the end. Also, the modern day characters, who figure out what happened in Eifelheim are not well drawn. Their relationship, their actions, are forced and phony. The lack of their development subtracts from the overall impact of the book.
  • Rating: 4 out of 5 stars
    4/5
    Eifelheim tells the unique story of a group of space aliens who crash-land and are marooned in 14th-century Germany, around the time of the black plague. The real joy of this book comes of watching their interactions with the locals, especially Father Dietrich, who as the local priest is really the only educated person around. After convincing the townsfolk (with varying success) that the aliens aren't demons, we read about a number of episodes in which the humans try to aid the aliens in surviving and repairing their ship, and the aliens help the humans with local politics and, later, the plague. It gets really fun when both sides try to reconcile the 21st-century science of the aliens with the humans' medieval religious views--at one point the aliens are really disappointed that won't really get to meet the humans' "lord-from-above" on Easter, as his knowledge of converting matter to energy would definitely be able to help them out. This book is really more about the moments than the ongoing plot, and I found many of those moments to be really enjoyable.
  • Rating: 3 out of 5 stars
    3/5
    I was intrigued at the idea of "first contact" in medieval times, just now realized. This could have been a better novel than it was. Lots of it was great fun. But the author ruined the story by inserting pages of discussion about every theological, scientific and philosophical question of the fourteenth century. It got in the way of the movement of the story. But he redeemed himself at the end - I thoroughly enjoyed how he wrapped it all up. I wish that maybe a bit more work and editing had gone into this novel; it's on the verge of doing something really fascinating.
  • Rating: 3 out of 5 stars
    3/5
    High-level philosophy going on here, but interesting. Not a page-turner by any means.
  • Rating: 2 out of 5 stars
    2/5
    When I realized that several days had gone by that I hadn't picked up a book because I was dreading the idea of finishing this one, I realized it might be time to just send it back to the library. The print was so tiny that it kept giving me headaches, and the pacing was glacial. From reading a group discussion about the book, I desperately wanted to read the interesting bits, but it just wasn't meant to be.
  • Rating: 3 out of 5 stars
    3/5
    Hm. This was enjoyable, and had good characters, but I kept waiting for some kind of OMG! moment that just never really came. I thought that the researchers in the future were going to make some exciting discovery, but all they discovered was the thing in the past that we knew about all along.
    Still, aliens-visit-13th-century-Germany is a pretty good story.

    One other nitpick--it weirded me out that the aliens were supposed to be speaking bad German, but the way that was portrayed in the book was by having them speak English using German grammar. Also irritating--the priest would keep coming up with the modern word for a concept that he didn't have, e.g. "a sound coming from a small box? I shall call it...mikrofonos! The study of the mind and emotions? Psychologos!" (I am paraphrasing here; I don't remember the words exactly).
    It was cute at first, but then started to remind me of Ayla in The Clan of the Cave Bear and how she invented basically everything ever--sewing, flint, arrows, the internet, etc.
  • Rating: 5 out of 5 stars
    5/5
    An interesting take on the First Contact story. This one takes place in the Middle Ages, as an alien ship crash lands in the Black Forest of Germany near the small village of Oberhochwald. Tied in to this tale of the past is one that takes place in the present as two researchers (and lovers) try to solve the mystery of the disappearance of the village of Eifelheim (once called Oberhochwald) from recorded history and the implicatiosn this may have on their separate fields of study.

    I found the tale in the past to be the more compelling of the two, though they do work well together as a whole. Flynn does an excellent job of bringing to life a realistic Middle Ages that doesn't look sneeringly down on the "superstitious savages" of that age. All of the characters we meet in Oberhochwald are fully developed people, none of whom are simply "good" or "bad". In many ways it is actually they, and not the extra terrestrials, who are the real aliens to the modern reader as we struggle to comprehend the worldview that they take for granted. Despite this I found them all to be ultimately sympathetic, human characters. We primarily follow the story of Father Dietrich, the intelligent and sympathetic pastor of the Oberhochwald church as he first investigates, and then befriends the benighted starfarers, but all of the other people from his village whom we see cover tha gamut of human experience and become more than just placeholders for "character type X".

    The Krenk, the insect-like aliens from another world, are by turns humorous and frightening in their interactions with the humans of the small village and Flynn again does an excellent job of making even these non-human pseudo-hivemind creatures into fully fleshed-out "people" (without falling into the trap of making his aliens simply humans in rubber suits).

    As the story in the past builds up from a mystery into a full-blown tragedy that both we and the characters of the story see as the almost inevitable outcome of the circumstances in which they find themselves, we can do little but watch in fascinated horror. Despite this tragedy Flynn does not leave us without hope: we see in the heroic actions of the characters of this tale (both human and alien) an acknowledgment that goodness can cross all boundaries and we are given examples of selflessness and love that are truly inspiring.

    Next to this tragedy of life, love and death it perhaps isn't surprising that the story of two modern researchers grappling with the intellectual enigma of a lost medieval village and the secrets it may hold pales somewhat in comparison. The modern portions of the story still do hold some interest and are ultimately able to bring the tale full circle to a point of completion that is elegant in its resolution.

    Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    3.5 stars

    I thoroughly enjoyed all the 14th century scenes and plot. I didn't care for the 'now' (i.e. present day) interludes. The peasants, priests, lords and aliens proved more believable than a modern day female quantum physicist cohabitating with a male cliologist (described as a 'big picture' statistical history theorist or something along those lines).

    A very good first contact story juxtaposed with historical fiction set during some of the darkest days endured by Europeans. Yet, as mentioned by another reviewer, I feel Connie Willis' Doomsday Book creates a more believable scenario and sympathetic characters. Flynn's research yielded superior science and vivid images and glimpses into the lives of 14th century people, but he stretched my suspension of belief that these same people would so willingly accept the aliens among them.
  • Rating: 3 out of 5 stars
    3/5
    So here's the thing about this book. It is in places very interesting, the aliens are well conceptualized, the medieval setting is fully researched, there are some complex characters, and the notion of describing an alien encounter using the philosophical concepts and world view of the fourteenth century Scholastics is clever and pretty well executed. But there's almost no narrative pacing at all. So if you are looking for interesting ideas and historical color and so on, you might like this, but if you are seeking a page turner of a plot this book is going to leave you stone cold.

    Oddly it reads to me like a short story. A 320 page long short story. There's something about the way its structured that feels like short form fiction rather than like a novel. Even though its got a lot of pages. I have to think more about why it feels that way but there's something about it.
  • Rating: 3 out of 5 stars
    3/5
    Wow, this book was dense! It falls, I suppose, into the odd category of "historical sci-fi". The majority of the book revolves around a small mountain village in Germany during the mid-1300s (e.g. right around the black death). This town is visited by strange travelers (e.g. resembling grasshoppers) who possess strange technologies and claim to have come from the stars.

    The terrified villagers are lead by their supernaturally curious priest, Dietrich, who gradually befriend the strangers, believing them to be devils in need of salvation. As counterpoint to the historical narrative, their are brief flashes to the present day where we learn about modern researchers who are examining the ruins of the village which has lain empty for centuries.I suppose the best part of the book is watching the aliens and the 1300s peasants get to know each other. The barrier of language is circumvented by a universal translating device, but cultural barriers still exist. It was certainly beautiful in places, but honestly, I found this book a little dry. I had to listen to it on audio book and it was pretty much a chore.Good, but be prepared to slog through it.
  • Rating: 3 out of 5 stars
    3/5
    This book bubbled up on some searches for something new to read. The premise sounded wonderful: aliens come to Earth in the mid-14th century and are stranded. For some reason, the book never lived up to the promise of that premise. I found the description of life in the Black Forest boring, the conflict between the aliens and the locals predictable and any comic relief based on the two cultures too far between to keep me interested. I was interested in the pseudoscience postulated in the “now” sequences of the book, but that was too sparse. The ending was like a scene borrowed from Chariots of the Gods. Mediocre at best: three stars.
  • Rating: 5 out of 5 stars
    5/5
    I'll I can say right now is Wow!! I haven't read a good Sci-fi/theology book since the Mistborn series. This would make an excellent book club read. The story involves aliens stranded in a medieval German town experiencing the onset of the plague. The novel moves back and forth from the 21st to the 14th century creating a slight hard-scientific element and a possibility of a second novel. Ultimately, the novel asks two thematic questions: can aliens convert to Christianity and where is God amidst tragic suffering. I won't give it away, but let's just say as soon as I finished the novel I placed it back in my stack of books to read.
  • Rating: 5 out of 5 stars
    5/5
    The "past" story felt much more interesting: you really felt like you were living in the medieval society (even with the visitors being around). The "present" storyline was slightly less interesting. Minus half a star for the language barrier that did not evolve (or lower) sufficiently over time in my mind.
  • Rating: 5 out of 5 stars
    5/5
    EIFELHEIM is a unique first contact novel. An alien craft crashes on 14th century Earth, just outside an isolated village in Germany. The village priest, Father Dietrich, is a man of reason and science. He discovers the aliens and forms a connection to them, eventually introducing them into his village.Flynn depicts daily life in the Middle Ages in great detail, such that the village and its inhabitants became very real to me. Besides imbuing the story with historical interest, he also brings in quantum physics to explain interstellar flight, and even plays the two disciplines off one another in a parallel story that takes place in the present (or near future). A physicist and her historian boyfriend discover the secret history of Eifelheim and thus unlock the potential for humans to move into space.But most of the novel takes place in the past. Flynn depicts his medieval villagers and their alien visitors almost lovingly, as real people with real flaws who nonetheless are doing the best they can. But both the people and the aliens are victims of the larger forces of the universe. The aliens are stranded in a time when the technology to repair their ship simply doesn't exist, and they cannot get adequate nutrition from Earth food. Then the Plague comes to the village. This brings up religious and philosophical questions, which Father Dietrich asks: Are the aliens also children of God who can be saved? What is the meaning, if any, of their coming to that particular time and place on Earth? The answers are left up to the reader. In the end, the village itself is lost, its secret buried for 700 years, waiting for someone to happen upon it.
  • Rating: 4 out of 5 stars
    4/5
    A marvellous story beautifully told. Reminds me of Dinesen's "Sorrow-Acre."
  • Rating: 5 out of 5 stars
    5/5
    This novel will become one of the very few I keep to savor again, along with titles such as "The Eqyptologist" by Arthur Phillips and "The Sparrow" by Mary Doria Russell. The multiple layers of history, science, linguistics, philosophy and plot would all benefit from a second reading.As the plague approaches through the Black Forest of Germany in 1348/49, a group of wayfarers appears in a lightning storm near a tiny village deep in the woods. The travelers, who resemble more than anything giant grasshoppers, awaken diverse reactions among the villagers. Some decide demons have descended on them, others that these are people from an unexplored part of the world. The more thoughtful among the inhabitants, including the priest, a visiting monk, and the lord of the manor and his sergeant, take a more nuanced approach, giving the newcomers a chance to act and explain themselves before drawing conclusions. The visitors are, of course, interstellar travelers, but they have crashed into a world which thinks the stars circle the earth nearby and which has no sense of modern physics, cosmology, or time theory. And here lies the depth of the book, because the villagers have their own cosmology to describe the world they perceive, and several members of each group attempt to understand the other, the villagers to understand what’s happening and the visitors to find a way to go home. The visitors have technology which allows them to learn the local language, but only to a point. Abstractions prove the foundering point, as with the priest’s assertion that the Lord rises to heaven (the skies) at Easter, which leads some travelers to be baptized so they can get home by going with Him. William of Ockham visits at one point, on his way to make peace with the Pope (historically, he disappeared on the way), and the priest has a past which brings up various historical events of the time. Interspersed through this story is that of a present-day couple working through separate scientific projects (one on variable light speed and the other on population anomalies) which are destined to collide head-on and bring the village’s story into a new perspective. There is a nice building of suspense and dread throughout the story, and generally the author leaves it to the reader to decipher German, Latin and scientific terms, making the read dense and enveloping. The only complaint I had was with the priest’s choice of pointedly modern terminology to describe some of the travelers’ technology (e.g., their fotografik devices which render pictures for them) – just a bit too jarring for the reader enmeshed in the medieval. For all the alien travelers and modern interpretations by the scientists, this did not read like science fiction but as a story of cultures and languages colliding. Most of the tale takes place in the village and is told from the priest’s learned viewpoint. Very compelling, especially coming hard on the heals of reading "A More Perfect Heaven: How Copernicus Revolutionized the Cosmos".
  • Rating: 5 out of 5 stars
    5/5
    Can a non-human creature have a soul? That is one of many questions Father Dietrich, pastor of a German village, has to ask himself when he encounters creatures whose spaceship has crashed in the nearby Black Forest in the year 1348. In many ways the medieval mind, steeped in gargoyles and other fantastical creations, may well have been better prepared for a first alien contact than the modern. Despite instinctive revulsion at the aliens’ disturbingly demonic appearance, Dietrich soon recognises them as ‘neighbours’ in the New Testament sense. The other villagers, however, need a bit of convincing...Though not an overtly Christian novel (you won’t find it at Koorong), Eifelheim is a terrific realisation of the lost world of Middle Ages Christendom, and Father Dietrich is one of the most inspiring Christian characters I have ever seen portrayed in fiction. A deeply rational man, he applies his considerable powers of reason to follow the logical consequences of a faith that is deeper still, to their ultimate, quite moving conclusion.
  • Rating: 4 out of 5 stars
    4/5
    "Eifelheim" is one of those transcendent science fiction stories where an author is able to treat very human and Earth-bound issues with a well-reasoned and fascinating gloss of aliens and science. Author Michael Flynn's alien mythos and capabilities are believable and seamlessly integrated into the very real history of plague-era Germany.I picked up "Eifelheim" for two reasons. I love a good story of first contact. I find myself continually drawn to the classics in this sci-fi genre, but also the classic tales of first contact of the very terrestrial kind: human exploration and discovery. Hernan Cortes and his first Aztec meetings as well as Pizarro and the Incas hold a special fascination for me, as do much of that era’s tribal first contact with “civilizations”.I also read this story because of a recommendation I'd found upon finishing Connie Willis' "Doomsday Book"...a terrific time travel/historical fiction tale also based in plague-era Europe. The books are very similar in their structure of parallel stories that bounce between medieval-specific storylines and modern plots and interactions that drive the overall plotlines.The core of “Eifelheim” revolves around a middle-ages Catholic priest who manages a church in the high forests of Germany. This quiet little fairy tale village, Oberhochwald, is literally shaken at its' roots following a freakishly strong and sudden storm. Much more than a storm, an alien ship has crash-landed and Father Dietrich is thrust to the forefront of this tale of first contact.In parallel, two scientists - a historian and physicist - independently come across clues that slowly reveal why this village, over time, not only changed names to Eifelheim, but also completely disappeared from the historical map.Flynn does a masterful job of combining the root middle-ages story with the all-too-brief and tantalizing modern day vignettes. In combination, they build a compelling mystery with well-rounded and emotive characters (both human and alien).The aliens are unable to easily manufacture the components required to fix their ship and return home...and with the help of a translating mechanism, the foreigners and country-folk find an uneasy peace in their co-habitation.The heart of Flynn's book is really about discovery and the very human and relatable interactions between these beings from very different worlds and different societies. The aliens aren't just different biologically (they look like giant grasshoppers) and technologically, but they exist with an imbued sense of community and innately bred need to live within a very structured societal existence.As the historian delves deeper into the mystery of the missing village, he discovers the myth and legend behind Eifelheim. And this is where the story shines. Flynn builds a wonderful world out of this middle-ages town and the odd circumstances of its disappearance. Father Dietrich develops the initial and most poignant relationships with the aliens who come to be known as the Krenken and over time takes full advantage to turn these beings into new parishioners.The Krenken are introduced to Christ as the "lord of the stars" whom the people expect to return soon to save humanity. The Krenken see in this man-above-men their own savior... an individual who may be able to rescue them from Earth and help them return home. Numerous times does Flynn write of the conflict between the figurative and literal that is often taken for granted. But when placed in a first contact context, these become all too obviously intrusive and confusing.The Krenken see a strong sense of individualism in the humans...something that doesn't exist amongst themselves. And over several months a few of the aliens "go native" and seek opportunities to further blend in with the Oberhochwald community.I fear exposing too much of this wonderful story that is best read by unwrapping each layer after satisfying layer. Flynn marvelously reveals the inner character of humans and aliens alike while immersing the reader in the existence of life during middle ages Europe. The book touches on evolutionary theory, the age of religious and scientific enlightenment, and the thinking that propels the world out of the dark ages and into the brightness of the renaissance."Eifelheim" is scientific and science fiction. It's also history and historical fiction. And while doing all of these things very well, the book is character driven and implemented so well by Flynn that it crosses the boundaries of traditional categorization.
  • Rating: 4 out of 5 stars
    4/5
    I'm not sure that I have much more to say about this tale of alien beings stranded in medieval Germany just before the arrival of the Black Death that hasn't been said by other reviewers. I will say that Flynn might have expanded the near future portions of the book in terms of character development, if only because I would have liked to seen the relationship between the cliometrician and the archivist teased out more. Flynn does get points in my book for making his core romantic relationship so matter of fact and, well, unromantically realistic.
  • Rating: 5 out of 5 stars
    5/5
    This book is best described as science fiction meets historical fiction and I absolutely loved it!The book is set in two time periods, modern day and the late 1340's Germany. In the current day, Tom is a mathematical historian and has discovered an anomaly regarding settlement patterns in a particular area of Germany. According to his work, a town called Eifelheim was abandoned in the 14th Century and never re-settled which is extremely uncharacteristic. In fact, centuries later, the roads turned back on themselves and went out of their way to avoid the area.Meanwhile, we are inserted into the daily lives of the inhabitants of Oberhochwald (as it was known back then) through the eyes of Pastor Dietrich. We learn quickly that this is the lead up to the abandonment of the town. Without ruining the story, there is a discovery of 'beings' living in the forest and the ever encroaching threat of the black plague.I thoroughly enjoyed this book from so many angles. I enjoyed unravelling the mystery with Tom and his partner Sharon, and following along as the drama unfolded at Oberhochwald.I enjoyed pondering the different responses by the towns people to the events occurring and how different the behaviours, beliefs and values were in that time period in Europe. It was also fascinating comparing the technology of the beings to those of the time period, and also to what we know today.The book had a satisfactory and solid conclusion, and I was still thinking about it days after finishing it, which is the mark of any great novel.Highly recommended!
  • Rating: 5 out of 5 stars
    5/5
    A captivating book, which posits that an alien spacecraft, filled with scientists, tourists and crew, crash lands in the woods near a medieval village. As they struggle to repair the craft, the aliens also try to survive in a strange world. The village pastor leads the villagers to assist the aliens even as he struggles to understand whether they are creatures with souls and therefore like people, or they are without souls and therefore like intelligent animals. Meanwhile, others believe they are demons. A parallel story in modern times finds a cliologist trying to unravel why the site of the village has never been repopulated after the decimation of the plague while his wife is exploring multi-dimensional physics. There are lots of discussions of theology and philosopy along with technology as interpreted by a 14th century perspective. Is it magic or natural science or the work of demons? I found this novel to be interesting for the depth of medieval lore. As well, I was intrigued by the way stranded aliens, named Krenken, are gradually introduced to a German feudal village. The cognitive dissonance is telling in that it is not dissimilar to how some present day communities respond to outsider groups of different culture or ethnicity. This book reminds me of Children of God by Mary Doria Russell in the way that it shows how difficult it is to communicate concepts. As well, it shows how difficult it is to communicate theology and religious beliefs.Flynn tries to unpack the idea of genetic destiny. The Krenkens, who evolved from insectile, colony-based ancestors, have a fundamentally different psychology and social structure than humans. As they become more human/humane I wonder what would have happened in a scenario where human travelers become stranded in a pre-industrial Krenken world.
  • Rating: 5 out of 5 stars
    5/5
    This book lies at the intersection of two big interests of mine, medieval history and science fiction, and does a superb job of blending the two.The major story-line of the book takes place in the 1300s, in a town near a forest where an alien ship crash-lands. The story is told from the point of view of the villagers, who discover the "demons", argue whether to help them or drive them away, and speculate about their motives and their relation to God.The minor story-line of the book, told in segments interwoven with the other, occurs in the present day and tells the story of a researcher who is in the process of discovering what happened to the mysterious medieval town of Eifelheim, which disappeared in the 1300's without a trace.The most appealing thing about this book, for me, was how incredibly well-researched it is. Not only does it make reference to real medieval people and events, but the author takes care to very clearly portray the mindset and daily lives of people in that time. The genius of the book is in the detail with which the author answers the question, "How WOULD people in the 1300's react to a spaceship?"There is also a lot of (for lack of a better term) "science-philosophy humor". For example: the aliens have a mechanical translator that is TRYING to translate from their own language into medieval German, to communicate with the humans. We only hear it from the human perspective, and the translator is having some difficulty. So you get beautiful dialogue like this: Alien: "What is the essence that gives impetus to matter?"Human: "Spirit. In Greek we say energia, which means that principle that works within or animates."Alien: "We know of a relationship between spirit and materials. We say that spirit equals material by the speed of light by the speed of light."The main plot of the storyline has to do with how the aliens try to repair their ship, the ways that the villagers help (and hinder) them, and what ends up happening to the village to wipe it off of the map. However, the main charm of the story, and the part that earns it high praise from me, is in dialogue like this: the struggle for communication between these two vastly different cultures, both of which are at once somewhat familiar and yet very different from the culture we live in today.
  • Rating: 5 out of 5 stars
    5/5
    What would happen if aliens got stranded on Earth during the Middle Ages? Split into two different stories taking place during the Middle Ages and the present, Michael Flynn tackles this what-if in what I would argue is a very realistic way. The main story revolves around a small, German town and its inhabitants when they encounter a ship of aliens stranded in the nearby forest. Told from the point of view of the parish priest, it follows the events as the people become acquainted with these visitors, and what happens as a result. Simultaneously, the present day point of view tells of a scientist trying to uncover why Eifelheim was abandoned centuries before, for no apparent reason. Flynn does a good job in making the visitors suitably alien (no Star Trek aliens here), and the Middle Age inhabitants rational, thinking, realistic people (the Middle Ages were hardly as dark and unenlightened as is commonly accepted.)The ending is a bit abrupt, and the priest's naming of the aliens' contraptions feels rather stretched, but aside from that, a very enjoyable and interesting read.
  • Rating: 4 out of 5 stars
    4/5
    plague meets aliens. But a really good book for all that.
  • Rating: 4 out of 5 stars
    4/5
    This novel begs obvious comparison to Connie Wills’s dual Nebula/Hugo Award winning Doomsday Book. Two separate story threads, one being present day, another lying in the Middle Ages; the difference being that Wills’s work featured time travel while Eifelheim’s nod to science fiction is first contact.Current day historian Tom Schwoerin discovers an unexplained anomaly, a 14th century, Black Forest population center which inexplicably disappears, and despite all accepted theory, is never reestablished. The Middle Ages thread explains how this comes about. Spicing up the present day narrative, is theoretical physicist Sharon Nagy, Schwoerin’s domestic partner, whose groundbreaking theories on the speed of light ultimately merge with Schwoerin’s research in a way that strains credibility to the extent that it actually detracts from the story.The medieval thread is told through the eyes of a priest, Dietrich, who discovers and befriends a group of aliens (the Krenken) whose spaceship has “appeared” in the forest surrounding his village. The Krenken obviously possess technology that is strange and new to the medieval villagers, who are split over whether to succor the endangered visitors or “kill the demons, whose presence may be connected to the rapidly spreading pestilence (Plague)”.While I felt that Wills did a fine job in depicting the Middle Ages and the horror of the plague in Doomsday Book, her present day story thread was lacking in a way that Eifelheim’s is not. With the exception of perhaps dabbling in theoretical physics too extensively, I found both narratives in this book to be engaging and thought provoking. While I thought the coincidental merger of the scientists’ theories was irritating and ridiculous; of the two, I felt Eifelheim was the better effort.

Book preview

Eifelheim - Michael Flynn

PREFACE

Anton

I KNOW where the path to the stars lies. The gate opened once, a long time ago and in a far and unlikely place. And then it closed. This is the story of how it opened and of how it closed and perhaps of what hinged upon it.

You see, Sharon Nagy was a physicist and Tom Schwoerin was a cliologist. That was the heart of the business right there. That was the beginning of it and the end of it and most of what happened in between.

Or perhaps you don’t, for the seeing was not easy. Medieval settlement patterns and multiple brane theory seem worlds apart. Indeed, they are worlds apart, tangent only in that small apartment in Philadelphia that Tom and Sharon shared. But at such close quarters they could not avoid learning a little of each other’s work, and that was the fulcrum on which they turned the world.

But I was into the affair last and least of all, and perhaps it would be best to let the story tell itself.

I

AUGUST, 1348

At Matins, The Commemoration of Sixtus II and His Companions

DIETRICH AWOKE with an uneasy feeling in his heart, like a bass voice chanting from a darkened choir loft. His eyes flew open and darted about the room. A night candle guttering in its sconce cast capers over table and basin, prie-dieu and psalter, and caused the figure upon the crucifix to writhe as if trying to tear itself down. In the corners and angles of the room, shadows swelled enormous with their secrets. Through the east window, a dull red glow, thin as a knife across a throat, limned the crest of the Katerinaberg.

He took a long, stilling breath. The candle told Matins anyway; so, throwing the blanket aside, he exchanged nightshirt for cassock. Goose bumps puckered his skin and the short hairs rose on his neck. Dietrich shivered and hugged himself. Something will happen today.

By the window stood a small wooden table with a bowl and aquamanile upon it. The aquamanile was of chased copper and had the form of a rooster, with the feathers worked into it by a coppersmith’s clever awl. When he tipped it, the water ran from the beak over his hands into the bowl. Lord, wash away my iniquities, he murmured. Then he dipped his hands into the bowl and splashed the cold water onto his face. A good dousing would scatter the night fears. He broke a piece of soap off the cake and rubbed it on his hands and face. Something will happen today. Ach, there was prophecy! He smiled a little at his fear.

Through the window he noticed a light moving about at the base of the hill. It would appear, move a short space, then disappear, only to rematerialize after a moment and repeat the dance. He frowned, not quite knowing what it was. A salamander?

No. A blacksmith. Dietrich became aware of his tension only in the moment of its release. The forge lay at the bottom of the hill and the smith’s cottage beside it. The light was a candle moving to and fro before an open window: Lorenz, pacing like a caged beast.

So. The smith—or his wife—was awake also, and evidently in a nervous state.

Dietrich reached for the aquamanile to rinse the soap off and a needle stabbed him in the palm. Sancta Katherina! He stepped back, knocking bowl and water pitcher to the floor, where the soapy water fanned across the flagstones. He searched his hand for wounds and found none. Then, after a moment’s hesitation, he knelt and retrieved the aquamanile, handling it gingerly, as if it might bite him once again. You are a froward rooster, he told the pitcher, to peck me like that. The rooster, unmoved by the admonition, was returned to his place.

When he wiped his hands on a towel he noticed that his hairs stood away, as a dog’s fur might bristle before a fight. Curiosity wrestled with dread. He pulled the sleeve of his cassock back and saw how his arm hairs rose also. It reminded him of something, long ago, but the memory wouldn’t come clear.

Recalling his duties, he dismissed the puzzle and crossed to the prie-dieu, where the dying candle sputtered. He knelt, crossed himself and, pressing his hands together, gazed at the iron cross upon the wall. Lorenz, that very smith who prowled at the base of the hill, had fashioned the sacramental from an assortment of nails and spikes and, although it did not look much like a man upon a cross, it seemed as if it might, if only one looked deeply enough. Retrieving his breviary from the shelf of the prie-dieu, he opened it to where he had marked his morning office with a ribbon the day before.

The hairs of your head are all numbered, he read from the prayer for Matins. Do not be afraid. You are of more value than many sparrows … And why that prayer on this particular day? It was too appropriate by far. He glanced again at the hairs on the back of his hand. A sign? But if so, of what? The saints will exult in glory, he continued. They will rejoice upon their couches. Give us the joy of communion with Sixtus and his companions in eternal beatitude. This we ask of Thee through our Lord, Jesus Christ. Amen.

Of course. Today was the feast day of Pope Sixtus II, and so the prayer for martyrs was called for. He knelt in silent meditation upon the steadfastness of that man, even in the face of death. A man so good as to be remembered eleven centuries after his murder—beheaded at the very celebration of the Mass. Above the tomb of Sixtus, which Dietrich himself had seen in the cemetery of Callistus, Pope Damasus had later inscribed a poem; and while the verses were not so good a poem as Sixtus had been a man, they told his story well enough.

We had better popes in those days, Dietrich thought and then immediately chastised himself. Who was he to judge another? The Church today, if not overtly persecuted by kings themselves nominally Christian, had become a plaything of the French crown. Subordination was a more subtle persecution, and so perhaps a more subtle courage was called for. The French had not cut Boniface down as the Romans had Sixtus—but the Pope had died from the manhandling.

Boniface had been an arrogant, contemptuous man with not a friend in the world; and yet, was he not also a martyr? But Boniface had died less for proclaiming the Gospel than for proclaiming Unam sanctum, to the great displeasure of King Philip and his court, whereas Sixtus had been a Godly man in an ungodly age.

Dietrich glanced suddenly over his shoulder, then chided himself for the start. Did he suppose that they would come for him, too? It was not beyond reason that they might. But what cause had the Markgraf Friedrich to seize him?

Or rather, what cause that Friedrich might know of?

Do not be afraid, the day’s prayer had commanded, the most frequent command from the Lord’s mouth. He thought again of Sixtus. If the ancients had not quailed even at death, why should his own heart, instructed by modern wisdom, harbor fear for no sound reason?

He studied the vagrant hairs on the back of his hand, brushed them flat, and watched them rise up again. How would Buridan have approached this problem, or Albrecht? He marked his place in the book for Lauds; then he placed a fresh hour-candle in the candlestick, trimmed the wick, and lit it with a taper from the stub of the old.

Albrecht had written, Experimentum solum certificat in talibus. Experiment is the only safe guide.

He silhouetted the woolen sleeve of his gown before the candle flame, and a smile slowly creased his lips. He felt that curious satisfaction that always enveloped him when he had reasoned his way to a question and then coaxed an answer from the world.

The woolen fibers of his sleeve stood also upright. Ergo, he thought, the impetus impressed upon his hair was both external and material, as a woolen cassock had no ghostly part to be frightened. So, the nameless dread that troubled him was no more than a reflection of that material impression upon his soul.

But the knowledge, however satisfying to the intellect, did not quiet the will.

LATER, AS Dietrich crossed to the church to pray the morning Mass, a whine drew his gaze to the shadowed corner beside the church steps and, in the flickering light from his torch, he saw a black and yellow dog cowering with its front paws crossed over its muzzle. The spots on its fur blended into the shadows so that it looked like some mad creature, half-dog and half—swiss cheese. The cur followed Dietrich with hopeful eyes.

From the crest of Church Hill, Dietrich saw that a lustrous glow, like the pale cast that bleached the morning skies, suffused the Great Woods on the far side of the valley. But it was too early—and in the wrong sky. Atop the church spire, blue-flamed corposants swirled around the cross. Had even those asleep in the cemetery been aroused by the dread? But that sign was not promised until the last days of the world.

He uttered a hasty prayer against occult danger and turned his back on the strange manifestations, facing the church walls, seeking comfort in their familiarity.

My wooden cathedral, Dietrich had sometimes called it, for above its stone foundation St. Catherine’s oak walls and posts and doors had been whittled by generations of earnest woodsmen into a wild congeries of saints and beasts and mythic creatures.

Beside the door, the sinuous figure of St. Catherine herself rested her hand upon the wheel whereon they had thought to break her. Who has triumphed? her wan smile asked. Those who turned the wheel are gone, but I abide. Upon the doorposts, lion, eagle, man, and ox twisted upward toward the tympanum, in which the Last Supper had been carved.

Elsewhere: Gargoyles leered from the roof’s edge, fantastic in horns and wings. In spring, their gaping mouths disgorged the flow of melting snows from the steep-pitched tiles of the roof. Under the eaves, kobolds hammered. On lintels and window jambs, in panels and columns, yet more fantastic creatures were relieved from the wood. Basilisks glared, griffins and wyverns reared. Centaurs leaped; panthers exuded their sweet, alluring breath. Here, a dragon fled from Amaling knights; there, a sciopod stood on his single enormous foot. Headless blemyae stared back from eyes affixed to their bellies.

The oaken corner-posts of the building had been carved into the images of mountain giants upholding the roof. Grim and Hilde and Sigenot and Ecke, the villagers called them; and Ecke, at least, seemed a proper name for a corner-post. Someone with a sense of humor had worked the pedestal of each column into the form of a weary and irritable dwarf upholding the giant and glaring with resignation at passersby.

The wonderful riot of figures, emerging from the wood but never entirely separate, seemed indeed to be a living part of it. Somewhere, he thought, there are creatures like these.

When the wind blew hard or the snow lay heavy upon the roof, the menagerie would whisper and groan. It was only the shifting and bending of joists and rafters, yet it often seemed as if Sigenot rumbled and dwarfish Alberich squeaked and St. Catherine hummed a small tune to herself. On most days, the murmuring walls amused him, but not today. With the unease that lay upon him, Dietrich feared that the Four Giants would suddenly unburden themselves and bring the whole edifice down upon him.

More than one cottage below the hill now showed a flicker of candlelight behind its windows, and atop Manfred’s keep on the other side of the little valley, the night watch paced in unwonted alertness, peering first one way then another for the approach of some unseen enemy.

A figure stumbled toward him from the village, recovered, slipped in the dirt, and a thin sob carried in the early morning air. Dietrich raised his torch and waited. Was the heralded menace even now slouching brazenly toward him?

But even before it fell to its knees breathlessly before him, the figure had resolved itself into Hildegarde, the miller’s wife, barefooted and with her hair a tangle, a hasty cloak thrown over her night smock. Dietrich’s torchlight glimmered on an unwashed face. A menace she may have been, but of another and long-familiar sort.

Ach, pastor! she cried. God has discovered my sins.

God, Dietrich reflected, had not had far to look. He raised the woman to her feet. God has known all our sins from the beginnings of time.

Then why has he awakened me today with such fear? You must shrive me.

EAGER TO put walls between himself and the foreboding miasma, Dietrich led Hilde into the church; and was disappointed, if not surprised, to find his anxiety undiminished. Holy ground might hold the supernatural at bay until the end of time, but the merely natural intruded where it would.

In the stillness Dietrich heard a soft whisper, as of a small wind or a running brook. Shading his eyes against the brightness of his torch, Dietrich discerned a smaller shadow crouched before the main altar. Joachim the Minorite hunched there, his hurried ejaculations rushing over themselves like a fleeing crowd, so that the words blended into an indistinct susurration.

The prayers cut off, and Joachim turned, rising in a quick, lithe movement. He wore a tattered, brown habit of long employment, carefully and repeatedly mended. The cowl shadowed sharply chiseled features: a small dark man with heavy brows and deep brooding eyes. He wet his lips with a quick motion of his tongue.

Dietrich …? the Minorite said, and the word quavered a little at the end.

Don’t be afraid, Joachim. We all feel it. The beasts, too. It is some natural thing, a disturbance in the air, like silent thunder.

Joachim shook his head and a curl of black hair fell across his brow. "Silent thunder?"

I can think of no better way to describe it. It is like the bass pipe of a great organ that makes the glass shiver. He told Joachim his reasoning with the wool.

The Minorite glanced at Hildegarde, who had lingered at the rear of the church. He rubbed both his arms under his robe and looked side to side. No, this dread is God’s voice calling us to repentance. It is too terrible to be anything else! He cried this in his preaching voice, so that the words came back from the statues that watched from their niches.

Joachim’s preaching favored gestures and colorful stories, while Dietrich’s own closely reasoned sermons often had a soporific effect on his flock. Sometimes he envied the monk his ability to stir men’s hearts; but only sometimes. Stirred, a heart could be a terrible thing.

God may call, he instructed the younger man, by wholly material means. He turned the young man with a gentle pressure on his shoulder. Go, vest the altar. The Mass ‘Clamavérunt.’ The rubrics call for red today.

A hard man to deal with, Dietrich thought as Joachim left, and a harder one to know. The young monk wore his rags with greater pride than the pope in Avignon his gilded crown. The Spirituals preached the poverty of Jesus and His Apostles and railed against the wealth of the clergy; but the Lord had blessed not the poor, but the poor in spiritBeati pauperes spritu. A clever distinction. As Augustine and Aquinas had noted, mere poverty was too easily attained to merit such a prize as Heaven.

Why is he here? Hildegarde asked. All he does is sit in the street and beg and rant.

Dietrich made no answer. There were reasons. Reasons that wore golden tiaras and iron crowns. He wished that Joachim had never come, for he could accomplish little else but draw attention. But the Lord had said, I was a stranger, and you took me in, and He had never mentioned any exceptions. Forget the great events of the world beyond the woods, he reminded himself. They concern you no longer. But whether the world beyond the woods would forget him was another, and less comforting, thought.

IN THE confessional, Hildegarde Müller confessed to one small and petty act after another. She had damped the flour on the bags of grain brought to her husband for milling, the second worst-kept secret in Oberhochwald. She had envied the brooch worn by Bauer’s wife. She had neglected her aged father in Niederhochwald. She seemed determined to work her way through the entire Decalogue.

Yet, two years past, this same woman had sheltered a ragged pilgrim on his way to the Church of St. Sepulcher in Jerusalem. Brian O’Flainn had walked all the way from Hibernia, at the very edge of the world, through a land in turmoil—for that year the English king had slaughtered the chivalry of France—only to be robbed of everything by the lord of Falcon Rock. Hilde Müller had taken this man into her house, nursed his sores and blisters; had given him new raiment from her scowling husband’s garderobe, and had sent him on his way refreshed and hale. Against the theft and the jealousy and the covetousness, weight that in the pan, as well.

Sin lay not in the concrete act, but in the will. Behind the woman’s recitation lay the cardinal sin of which these mean transgressions were but the visible signs. One could return a brooch or visit a parent; but unless the inner flaw were healed, repentance—however sincere the moment—would shrivel like the seed upon the bad ground.

And I have taken pleasure with men who were not my lawful husband.

That being the worst-kept secret in Oberhochwald. Hildegarde Müller stalked men with the same cool deliberation with which Herr Manfred stalked the stags and boars that adorned the walls of Hof Hochwald. Dietrich had a sudden and disconcerting vision of what might dangle from Hildegarde’s trophy wall.

Trophies? Ach! That was the inner sin. Pride, not lust. Long after the fleshly pleasures must have palled, the stalking and capture of men remained an affirmation that she could have whatever she desired whenever she desired it. Her kindness to the Irish pilgrim, too—not paradox but confirmation. She had done it for show, so that others could admire her generosity. Even her endless recitation of venial sins was a prideful thing. She was bragging.

For every weakness, a strength; and so for pride, humility. Her penance, he decided, would require the usual restitutions. Return the brooch, restore the flour, visit her father. Have no other man than her husband. Treat any distressed pilgrim, however mean his station, with the same charity as she had shown the Irish lordling. But she must also, as a lesson in humility, scrub the flagstone floor of the church nave.

And this must be done in secret, lest she take pride even in her penances.

AFTERWARD, ROBING in the sacristy for the morning Mass, Dietrich paused with his cincture half tied. There was a sound, like that of a bumblebee, at the edge of his hearing. Drawn toward the window, he saw in the distance woodleaf-singers and acorn-jays flying in mad gyres above the place where earlier had glowed the pale luminescence. The glow had either faded or was now insensible against the brightening sky. But the vista seemed odd in some indefinable manner. There was a pinchedness to the outlook, as if the forest had been creased and folded on itself.

At the base of Church Hill, a knot of people milled as witlessly as the birds above. Gregor and Theresia stood by the smithy in agitated conversation with Lorenz. Their hair was wild and unkempt, sticking out from their heads, and their clothing clung to them as if wet. Others were about as well, but the usual morning work had come to a standstill. The smithy’s fire was unlit and the sheep bleated in their pen, the sheep-boys nowhere in sight. The pall of smoke that usually marked the charcoal kiln deep in the forest was absent.

The humming grew distinctly louder as Dietrich approached the window. Touching the glass lightly with a fingernail, he felt a vibration. Startled, he pulled away.

Dietrich passed a hand through his locks, only to feel his hair writhe like a nest of snakes. The cause of these curiosities was waxing in strength, as the sound and size of a galloping horse grew with its approach—which analogy would argue that the source of the impetus was drawing nearer. There can be no motion in a body, Buridan had argued, unless an actor impresses an impetus. Dietrich frowned, finding the thought disturbing. Something was approaching.

He turned from the window to resume vesting and paused with one hand on the red chasuble.

Amber!

Dietrich remembered. Amber —elektron, as the Greeks called it—when rubbed against fur impressed an impetus to the fur that caused it to move in much the same way as his hair. Buridan had demonstrated it at Paris while Dietrich had been in studies. The master had found such delight in instruction that he had foregone the doctorate—and had become from his fees that great anomaly: a scholar never in want. Dietrich saw him now in memory, rubbing the amber vigorously against the cat’s skin, his mouth pulled back in an unconscious grin.

Dietrich studied his own image in the window. God was rubbing amber against the world. Somehow, the thought excited him, as if he were on the verge of uncovering a form previously occult. A dizzy feeling, like standing atop the belfry. Of course, God was not rubbing the world. But something was happening that was like rubbing the world with amber.

Dietrich stepped to the sacristy door and looked into the sanctuary, where the Minorite was finishing the altar preparations. Joachim had thrown his cowl back, and the tight black curls ringing his tonsure danced to the same unseen impetus. He moved with that lithe grace that betokened gentle birth. Joachim had never known the villein’s hut or the liberties of the free-towns. The greater wonder when such a man, heir to important fiefs, dedicated his life to poverty. Joachim turned slightly, and the light from the clerestory highlighted fine, almost womanly features, set incongruously beneath shaggy brows that grew together over the nose. Among those who measured the beauty of men, Joachim might be accounted beautiful.

Joachim and Dietrich locked gazes for a moment, before the monk turned to the credence table to fetch two candlesticks used for the missa lecta. As the Minorite’s hands approached the copper prickets, sparks arced forth to dance on his fingertips.

Joachim jerked and reared his arm. God’s curse on this wealth!

Dietrich stepped forward and seized the arm. Be reasonable, Joachim. I have had these prickets since many years and never have they bitten anyone before. If God is displeased with them, why wait until now?

Because God has finally lost patience with a Church in love with Mammon.

Mammon? Dietrich gestured around the wooden church. From beams and rafters wild faces looked down on them. In the lancet windows, narrow saints in colored glass scowled or smiled or raised a hand in blessing. This is hardly Avignon.

He stooped to squint at the chased metalwork of the candlesticks: the chi-rho emblazoned on the Mother Pelican. He stretched a tentative forefinger toward the candlestick. When it came within a thumb’s-length of the base there was a snap, and a spark appeared in the air between fingertip and candlestick. Though he had known what would happen, he pulled away as quickly as had Joachim. His fingertip felt as if pierced by a hot needle. He stuck the digit in his mouth to soothe it and turned to Joachim.

Hngh. He took the finger out and inspected it. A small hurt, he announced, seeming greater only through surprise. It had felt much like with the aquamanile, only stronger. Further argument that the mover was drawing nearer. But it is entirely material. A moment ago, I recalled a trick with amber and fur that creates a similar effect.

But, the small lightnings …

Lightning, said Dietrich. A new thought had struck him. He rubbed his finger absently. Joachim! Could this essence be of the same species as the lightning itself? He grinned broadly and touched the candlestick again, drawing another arc from it. Fire from earth! He laughed and the Minorite drew away from him. Imagine a waterwheel rimmed with fur, he told the monk, "rubbing against amber plates. We might generate this essence, this elektronikos and, could we but learn to control it, we could command the very lightning!"

The lightning struck without warning!

Dietrich felt fire run through his entire being. Beside him, the Minorite arched his back, his eyes bulging wide and his lips pulling back from his teeth. Sparks leapt between the two candlesticks.

A great burst of light washed through the stained-glass lancets in the north wall of the church, casting rainbows. Saints and prophets blazed in glory: Mary, Leonard, Catherine, Margaret of Antioch, bright as the sun. Radiances streamed through their images and played across the dim interior, speckling the statues and columns with gold and yellow and red and white so that they seemed almost to move. Joachim fell to his knees and bowed, covering his face against the radiant windows. Dietrich knelt also, but looked everywhere at once, trying to take it all in.

An avalanche of thunder followed upon the flash; and the bells in the tower pealed a mad, arrhythmic clanging. The timbers of the church creaked and moaned and wind rushed through the vises and passageways under the roof, howling like a beast. Griffins and wyverns growled. Carven dwarfs groaned. Window glass shrieked and cracked into spiderwebs.

And then, as abruptly as it had begun, the light dimmed and the thunder and the wind faded. Dietrich waited, but nothing more happened. He took a deep breath and found that the feeling of dread had left him as well. Whispering a brief prayer of thanksgiving, he rose to his feet. He glanced at Joachim, who had curled on the flagstone paving with his arms wrapped around his head, then he turned to the credence table and touched the candlestick.

Nothing happened.

He looked at the cracked windows. Whatever had been approaching had arrived.

1

NOW

Sharon

DURING SUMMER sessions, Sharon and Tom both did their research from home. That is easy enough today, when the world lies literally at our very fingertips; but it can be a trap, too, for what we need may lie just beyond the tips of our fingers. There is Tom hunched over the computer by the window, tracking down obscure references over the Net. He has his back to the room, which means to Sharon.

Sharon lounges on the pillow sofa on the other side of the room, notebook open, surrounded by wadded-up balls of paper and half-finished cups of herbal tea, thinking about whatever it is that theoretical physicists think about. She gazes in Tom’s direction, but she is looking on some inner vision, so in a way she too has her back turned. Sharon uses a computer, too, but it’s an organic one that she keeps between her ears. It may not be networked to the wider world, but Sharon Nagy creates her own worlds, strange and inaccessible, among which lies one at the very edges of cosmology.

It is not a beautiful thing, this world of hers. The geodesics are warped and twisted things. Space and time spiral off in curious, fractal vortices, in directions that have no name. Dimensions are quicksilver slippy—looked at sideways, they would vanish.

And yet …

AND YET, she sensed a pattern lurking beneath the chaos and she stalked it as a cat might—in stealthy half-steps and never quite straightforward. Perhaps it lacked only the right beholding to fall into beauty. Consider Quasimodo, or Beauty’s Beast.

Damn!

An alien voice intruded into her world. She heard Tom smack his PC terminal and she screwed her eyes shut, trying not to listen. Almost, she could see it clearly. The equations hinted at multiple rotation groups connected by a meta-algebra. But …

Durák! Bünözö! Jáki!

… But the world shattered into a kaleidoscope, and for a moment she sat overwhelmed by a sense of infinite loss. She threw her pen at the coffee table, where it clattered against white bone-china teacups. Evidently God did not intend for her to solve the geometry of Janatpour space quite yet. She glared at Tom, who muttered over his keyboard.

There is something true about Sharon Nagy in that one half-missed detail: that she uses a pen and not a pencil. It betokens a sort of hubris.

All right, she demanded. "What is it? You’ve been cursing in tongues all day. Something is bugging you. I can’t work; and that’s bugging me."

Tom spun in his swivel chair and faced her. CLIO won’t give me the right answer!

She made a pout with her lips. Well, I hope you were able to beat it out of her.

He opened his mouth and closed it again and had the grace to look embarrassed, because there was something true about him also. If there are two sorts of people in the world, Tom Schwoerin is of the other sort. Few thoughts of his failed to reach his lips. He was an audible sort of man, which means that he was fundamentally sound.

He scowled now and crossed his arms. I’m frustrated, is all.

Small doubt of that. Sharon regarded his verbal popcorn much as a miser does a spendthrift. She was the sort of person for whom the expression, That goes without saying, really does induce silence. In any event, Tom’s frustration was only a symptom. "Why are you frustrated?"

Eifelheim won’t go away!

"And why should it go away?"

He threw his arms out wildly. Because it’s not there!

Sharon, who had had another why ready in wait, massaged the bridge of her nose. Be patient, and eventually he would make sense.

Okay, okay, he admitted. It sounds silly; but … look, Eifelheim was a village in the Black Forest that was abandoned and never resettled.

So …?

"So, it should have been. I’ve run two-score simulations of the Schwarzwald settlement grid and the site gets resettled every time."

She had no patience for his problems. An historian, Tom did not create worlds, he only discovered them; so he really was that other sort of person. Sharon yearned for her geodesics. They had almost made sense. Tom wasn’t even close. A simulation? she snapped. Then change the freaking model. You’ve got multicollinearity in the terms, or something.

Emotion, especially deep emotion, always caught Tom short. His own were brief squalls. Sharon could erupt like a volcano. Half the time, he could not figure out why she was angry with him; and the other half of the time he was wrong. He goggled at her for a moment before rolling his eyes. Sure. Throw out Rosen-Zipf-Christaller theory. One of the cornerstones of cliology!

Why not? she said, "In the real sciences, theory has to fit the facts; not vice versa."

Tom’s face went red, for she had touched (as she had known she would) upon one of his hot buttons. "Does it, a cuisla? Does it really? Wasn’t it Dirac who said that it was more important that the equations be beautiful than that they fit the experiment? I read somewhere that measurements of light speed have been getting lower over the years. Why not throw out the theory that light speed is constant?"

She frowned. Don’t be silly. She had her own hot buttons. Tom did not know what they were, but he managed to hit them all the same.

Silly, hell! He slammed his hand down sharply on the terminal and she jumped a little. Then he turned his back and faced the screen once more. Silence fell, continuing the quarrel.

Now, Sharon had that peculiar ability to stand outside herself, which is a valuable skill, so long as one comes back inside now and then. They were both being silly. She was angry at having her train of thought derailed, and Tom was angry because some simulation of his wouldn’t work out. She glanced at her own work and thought, I’m not helping me by not helping him, which might be a poor reason for charity, but it beats having none at all.

I’m sorry.

They spoke in counterpoint. She looked up, and he turned ‘round, and they stared at each other for a moment and ratified a tacit armistice. The geodesic to peace and quiet was to hear him out; so Sharon crossed the room and perched on the corner of his desk.

All right, she said. Explain. What’s this Zip-whatever theory?

In answer, he turned to his keyboard, entered commands with the flourish of a pianist, and rolled his chair aside for her. Tell me what you see.

Sharon sighed a little and stood behind him with her arms folded and her head cocked. The screen displayed a grid of hexagons, each containing a single dot. Some dots were brighter than others. A honeycomb, she told him. A honeycomb with fireflies.

Tom grunted. And they say physicists make lousy poets. Notice anything?

She read the names beside the dots. Omaha. Des Moines. Ottumwa … The brighter the dot, the bigger the city. Right?

Vice versa, actually; but, right. What else?

Why couldn’t he just tell her? He had to make it a guessing game. His students, waiting beak-open for his lectures, often felt the same disquiet. Sharon concentrated on the screen, seeking the obvious. She did not regard cliology as an especially deep science, or much of a science at all. Okay. The big cities form a partial ring. Around Chicago.

Tom grinned. "Ganz bestimmt, Schatz. There should be six of them, but Lake Michigan gets in the way, so the ring’s incomplete. Now, what surrounds each of the big cities?"

A ring of not-so-big cities. How fractal! But the pattern isn’t perfect …

Life’s not perfect, he answered. Microgeography and boundary conditions distort the pattern, but I correct for that by transforming the coordinates to an equivalent, infinite plain.

A manifold. Cute, she said. What’s your transformation?

"Effective distance is a function of the time and energy needed to travel between two points. Non-Abelian, which complicates matters."

Non-Abelian? But then—.

B can be farther from A than A is from B. Sure, why not? The Portuguese found it easier to sail down the coast of Africa than to sail back up. Or, take our own dry cleaners? The streets are one-way, so it takes three times longer to drive there than it does to drive back.

But Sharon wasn’t listening any longer. Non-Abelian! Of course, of course! How could I have been so stupid? Oh, the happy, unquestioning life of an Abelian, Euclidean, Hausdorff peasant! Could Janatpour space be non-isotropic? Could distance in one direction differ from distance in another? It’s always faster coming home. But how? How?

His voice shattered her reverie once more. … oxcarts or automobiles. So, the map is always in transition from one equilibrium to another. Now watch.

If she didn’t hold his hand while he complained, she would never get her own work done. Watch what? she asked, perhaps in a harsher voice than she had intended, because he cast her a wounded glance before bending again over the keyboard. While he did, she slipped across the room and retrieved her notebook so she could capture her butterfly thought.

Christaller’s original survey, said Tom, who had not noticed her sortie. "Land Württemberg, nineteenth century."

Sharon spared the screen a cursory glance. All right— Then, almost against her will, she leaned toward the computer. Another honeycomb, she said. Is that a common pattern?

He didn’t answer. Instead he showed her a series of maps. Johnson’s study of Late Uruk settlements around Warka. Alden’s reconstruction of Toltec polities in the Valley of Mexico. Skinner’s analysis of Szechuan villages. Smith’s anomalous study of western Guatemala that found two grids, Indio and Ladino, superimposed on each other like parallel universes.

"Now check out this map. Verified sites of ancient Sumerian and Elamite

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