Photographer of the Early West, the Story of Arundel Hull
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About this ebook
As a young boy Arundel C. Hull became fascinated with newly developed wet-plate photography. He apprenticed in a St. Paul Minnesota gallery then at age 17 opened his own studio in St Cloud. After three years the lure of greater adventure led him to Omaha where the building of the Union Pacific Railroad was the center of excitement. He made many pictures of the town and businesses and jointed E. L. Eaton working at Omaha' first portrait studio.
In the spring of 1867 Hull gathered his photographic equipment and supplies then boarded west-bound trains on the newly established railroad. Stopping at towns along the way, he was often the first photographer to document the emerging towns such as early Grand Island, Plum Creek (Lexington), North Platte, and Ogallala.
He traveled into Wyoming, and the Colorado Gold country making photographs of Blackhawk, Central City and Georgetown then back into Wyoming, to Cheyenne, Laramie, and Green River, before running out of customers.
Early in 1869, after returning to Omaha, Hull was back at Omaha's photographic studio now owned by newly arrived Jackson brothers. In mid-year Hull and Jackson responded to the Union Pacific's promise to buy photographs from out along their line. The pair traveled west, stopped briefly in Cheyenne, then into the Utah canyons and out to Promontory, arriving shortly after the historic Golden Spike event.
Soon after returning to Omaha Hull moved on to Fremont where he established his own gallery then married, and led the town with his innovations and civic involvement. Hull contributed generously toward the town's development assisting in the construction of a large creamery, school, a telephone system, and electrification.
He was active in the volunteer fire department, Masonic Lodge 859, Signet Chapter 8 of Royal Arch Masons, and Knights Templar.
For many years Hull stored the glass plate negatives of his work including shots of Chief Sitting Bull's first photo. Unfortunately, a tenant of Hull's gallery pitched the collection wiping out much of Hull's prior work of note.
The Hull's photography is striking, indicative of Hull's eye for beautiful composition, And his ability, during his travels, to carry out the complicated processes using a portable black box as a darkroom.
Eugene Miller
Eugene Arundel Miller is the youngest grandson of Arundel C. Hull, who was one of the earliest photographers to travel along the Union Pacific Railroad during its construction in the late 1860s. Intrigued by stories of Hull’s travels across the Nebraska plains and into the mountains of Colorado, Wyoming, and Utah, Miller researched Hull’s early life and organized his photos to write his biography and Miller’s major book “Rail-road 1869, Along the Historic Union Pacific”. The book traces construction of the Union Pacific Railroad from Omaha to Promontory during 1867 to 1869 and incorporates many photographs by Hull and other contemporary photo-graphers. The original book, republished as a printed State-by-State series, and as an abridged e-book series, is offered for the continued enjoyment of travelers, railroad buffs, students, and historians.
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Photographer of the Early West, the Story of Arundel Hull - Eugene Miller
Photographer of the Early West
The Story of Arundel Hull - Abridged
with
Arundel C. Hull
Ghost Photographer for William H. Jackson
Abridged
Smashwords Edition
E-book ISBN 978-0-9882359-0-8
© 2012 by Eugene A. Miller
Unabridged print version ISBN 978-0-9728511-0-7
Antelope Press 410 Monte Vista Avenue
Mill Valley, California 94941-5081
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means without prior written permission from the author, except for brief quotations for the purpose of review.
Table of Contents
To jump, Hold Ctrl then left click on Chapter
Chapter 1 Introduction
Chapter 2 The St. Paul Apprenticeship
Chapter 3 St. Cloud The First Gallery
Chapter 4 Omaha in 1866
Chapter 5 Trips West, 1867 and 1868
Chapter 6 Into Colorado
Chapter 7 Omaha Again, 1869
Chapter 8 Traveling with Jackson, 1869
Chapter 9 The Fremont Gallery
Chapter 10 Married Life
Chapter 11 A City Elder
Appendix Contents
Ghost Photographer for William H. Jackson
Chapter A1 Introduction
Chapter A2 William Jackson in Omaha
Chapter A3 Hull Meets Jackson
Chapter A4 Jackson's 1869 Trip with Hull
Chapter A5 The Canyons are Next
Chapter A6 Hull’s Trip Back to Omaha
Chapter A7 The Ghost
Photographer
Chapter A8 A Puzzling Diary Addition
Chapter A9 Final Word
Chapter 1 Introduction
Born in 1846, Arundel C. Hull reached adulthood during the stirring years following the Civil War, as the surge of immigrants, gold seekers, and railroad opportunists moved across the plains and into the West.
Wars deprived Hull of his father and two older brothers. But his early adulthood coincided with the period in our country’s history that was most filled with adventure and packed with excitement. His youth and confidence suited those exciting years. He was a pioneer photographer, and he succumbed to an urge to see the West. Embracing the new technology of wet-plate photography, he captured some of the very first photographic images along the Union Pacific Railroad and in the gold fields of Colorado. He took hundreds of pictures through Nebraska, Colorado, Wyoming, and Utah, beginning in the summer of 1867, again in 1868, and again in 1869 with William H. Jackson. By January 1870, when he established a permanent studio at Fremont, Nebraska, he already had experience well beyond his twenty-three years.
Earlier, during his travels in the West, Hull did not use expensive printed mounting cards for his prints; thus his name did not appear on the back of the views and portraits he sold. The trail of those images has been lost. The few prints that he saved were among the hundreds of glass-plate negatives and prints stored at his gallery in Fremont. Unfortunately, they were indifferently destroyed. But sixty-nine prints of scenes in Colorado, Nebraska, Wyoming, and Utah, taken in 1867 and 1868, were preserved in a family album.
Family records also included a sketchbook with charcoal sketches and ten photographs taken in 1869, during the time Hull accompanied William H. Jackson on his first trip west. The Hull family album, sketchbook, and photographs have been released to the public as part of the record of that exciting period in our history; they can be found in the permanent archives of the Denver Public Library Western History and Genealogy Department.
Hull had previously received only scant recognition among the early photographers of the West. Toward the end of the twentieth century, however, some of his dramatic photographs were displayed by Robert Darwin in his book The History of the Union Pacific Railroad in Cheyenne and acknowledged by Eric Paddock in his writings about William Jackson.
With the use of some of Hull’s historic images in the 2003 documentary Transcontinental Railroad,
for the PBS television series American Experience, and the release of his entire photographic album, his place among the photographic pioneers of the West has emerged.
This biography describes Hull’s photographic contribution to Western history and recounts his later life as he settled in Fremont, Nebraska, and continued to display his talents as a portrait photographer.
Chapter 2 The St. Paul Apprenticeship
At his childhood home in Fort Wayne Indiana Hull became interested in the relatively new, complicated science and art of photography. He was mechanically inclined and had inherited a definite artistic talent. Photography offered an outlet for his talent and a practical way to earn a living.
In 1862, when he was 16, Hull traveled to St. Paul, Minnesota, to apprentice in the photographic gallery of Joel Emmons Whitney. St. Paul was a bustling city of more than ten thousand at the head of navigation just above a great bend in the Mississippi River. The city was the center of trade at the edge of the Canadian and U.S. frontiers, and Hull probably sensed that it offered great adventure and opportunity.
Arundel C. Hull, age 17.
Hull spent more than a year at the gallery, learning photographic portraiture. Photography had advanced technically and promised to be an absorbing and challenging profession. In the mid-1800s, the daguerreotype process had been replaced by an early collodion process called ambrotype. A freshly prepared, thick, viscous liquid was poured across a glass plate to sensitize it. After the coated plate had been exposed, a single image could be made from it. The process required a considerable amount of equipment, a fixed studio location, and a darkroom to work in.
A New Technology
Around 1860, the