How to Write A Novel
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About this ebook
A quick and easy guide outlining my writing process from planning to execution. It includes chapters on writing tips, advice, examples, and lots more.
Edward Mullen
Edward Mullen is an author, blogger, and podcaster from Vancouver, Canada who is perhaps best known for his debut novel, THE ART OF THE HUSTLE and his techno-thriller series PRODIGY.Born and raised in beautiful British Columbia, Edward developed a love for the wilderness. This love, combined with an innate curiosity about all things, eventually spawned a healthy imagination for storytelling. He continued to follow his natural passion all the way through to university. Despite spending a lot of his time indoors writing, Edward continues to enjoy the outdoors. He is an avid tennis player, mountain biker, snowboarder, runner, and traveller.
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How to Write A Novel - Edward Mullen
Introduction
Hi, I'm Edward Mullen—author, blogger, YouTuber, podcaster, and some other stuff. Having over a decade of writing experience, I’ve learned a few things. That’s why I wanted to share with you some practical advice on how to write a novel.
This book focuses largely on the mechanics of putting together a book from coming up with the idea, creating and outline, planning, setting a writing schedule, and so much more.
The last half of the book talks about my writing process and some of the techniques I have learned along the way. As I continue to learn, I will keep adding to this book, so be sure to check back periodically for updated versions.
While this is how I write, I do not want to make it seem as though this is the only way to write. You may find different techniques or approaches that I have yet to discover. Nevertheless, this book should give you some insight into how a professional writer works and at the very least, give you some ideas for how to formulate a process that works best for you.
Chapter One: The Idea Stage
What's the difference between a good idea and a bad idea?
Where do good ideas come from?
How can you produce more good ideas?
In this chapter, I'll be addressing these questions and more.
So you want to consistently come up with good ideas and incorporating more good ideas into your stories.
The first question we need to ask is, what's a good idea and how does it differ from a bad idea?
We'll start by defining what is a good idea.
As it pertains to writing, a good idea is a good when it has three things:
1. Interesting
2. Sufficiently original
3. Has a proper scope
What are interesting ideas? An idea is interesting if it captures the attention of the audience, it intrigues them and pulls them in. It spawns curiosity and imagination. It makes people go, Huh, that's interesting.
A really good example of an interesting idea for me is the movie Annihilation. The premise is this strange bubble mysteriously engulfs this region. They try to send in drones and satellites to study it, but the signals are lost. Anyone who goes in never comes out. I won't go on further in case you haven't seen the movie, but my point is, that's interesting to me. It captured my imagination, and it continues to do so throughout.
Sufficiently original — why is it sufficiently original and not purely original you might ask? Well, frankly, it's rare to come up with an idea that is completely original. In all likelihood, your idea will resemble parts of other stories in more ways than one. And that's okay.
This is actually an important point to consider. Be original, but don't get discouraged by the fact that someone before you already wrote a similar story. Unless you blatantly plagiarize them, your story should be fine.
Take Stephanie Meyer for example, she wrote a series of very successful vampire stories. There have been countless other vampire stories before hers, but she added her own elements to make hers sufficiently original. She made her vampires day walkers who sparkle in the sun. So, old ideas with a new twist are okay.
My book The Art of the Hustle is a classic rags-to-riches story, but it's uniquely based on my life and the stories within are solely from my own experience.
So while the themes are not necessarily original. It's about having a unique perspective
Finally, I mentioned good ideas having proper scope. What is scope, why is it important, and what does it have to do with good ideas?
Let's think about that for a minute and come back to it.
First, we'll talk about bad ideas. As you may be able to guess, bad ideas are just the opposite of good ideas — they tend to be uninteresting, unoriginal, and lack proper scope. An example of a bad idea is boy who receives a fidget spinner for his birthday. And that's it. That's not particularly interesting.
I mean, I suppose it's sufficiently original, but the idea lacks scope. In other words, nothing eventful happens. Can you write an entire story about a fidget spinner? Maybe. I know the movie Inception has elements of a spinning totem, but the movie is so rich is interestingness, yes that's a real word, and originality, and it has a ton of scope. It's not just about a spinning totem, that's one element in a very complex story.
So you'll want to explore your idea to determine the scope.
You'll want to figure out all the plot points to see if you have enough material to write a full-length novel, which is usually around 70,000 - 90,000 words. If not, you can develop it into a novella (30,000 - 50,000 words), or a short story (under 10,000 words).
To do this, you can make an outline and have it as detailed as possible. In another chapter, I share with you my outline and some techniques I've learned.
Great ideas.
We talked about good ideas versus bad ideas, but what about great ideas? What constitutes a great idea?
I would say, great ideas are ones that share all the elements of a good idea, but are more interesting, more original, and yes more rare.
So where do good ideas come from?
Good ideas come from exploration. Imagine a house cat, who never leaves the confines of a tiny apartment. All they have is a very basic understanding of the outside world. Their experience is so limited. It would be very difficult for that cat to think beyond its experiences. How could it imagine an elephant if it's never seen one, or a spaceship, or the ocean.
Now consider a bird who flies around all day. It visits the city, the countryside, the ocean. It interacts with other things, has relationships, and overall more rich experiences.
Now which of these two animals do you think has better dreams at night, the cat or the bird?
How can you produce more good ideas?
Similarly to the bird and the cat, you need to have a vast reservoir of experiences to pull from. If you're young or don't have access to new and interesting experiences, you can accelerate your knowledge and experience by doing different things, pick up a new hobby, deep dive into a topic on the internet and learn everything you can about it, hang out with different people, listen and observe, listen to podcasts, read books, watch TV shows, documentaries, and movies, say yes to different experiences that you may otherwise say no to (while still being safe). With time, you will eventually build upon your skills and experiences.
Perhaps the most important of all is...
Be ready!
Ideas are often fragmented and incomplete. You may have an idea for one part of the thing one day, and the next part of the thing three weeks later. You need to be ready to capture your ideas, store them somewhere, and when the time comes, stitch them together into a cohesive narrative.
Most of us have good ideas throughout the day, obviously some better than others, but we may not always recognize when lighting strikes or know what to do with it when it does.
To me, ideas are like currency, and I treat the next idea that comes into my head as a potential life-changing idea that could garner me millions of dollars, respect, admiration, early retirement, and so on. So treat yours ideas with care.
Today, I read an article that talked about some advancement