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Hand Me Down World : A Novel: A Novel
Hand Me Down World : A Novel: A Novel
Hand Me Down World : A Novel: A Novel
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Hand Me Down World : A Novel: A Novel

Rating: 3.5 out of 5 stars

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This is the story of a young African mother's journey to reclaim the infant son heartlessly stolen from her. Beginning in Tunisia, where she is employed as a hotel maid, the novel follows her as she makes an illegal, near-drowning crossing of the Mediterranean, then up the length of Italy, across the Alps, and on to Berlin, where her child has been given a new home. We learn the mother's story through the people she meets along the way, human links in the perilous chain of her journey: a taxi driver, a hunter, a snail collector, a street performer, a blind man. Most are generous, some malevolent, but all write their own deeply personal needs on the nearly blank slate of a mother whose needs are greatest of all. Finally, the woman herself picks up the narration, re-telling her story in her own words. And only then do we understand the extent of the sacrifice she has been willing to make for the love of her child.
After eight novels, and following on the heels of his award winning, bestselling Mister Pip, Hand Me Down World confirms Lloyd Jones' stature as one of the most provocative and important writers writing today. Dazzling in its literary effects, powerful in its emotions, this is a masterwork of contemporary fiction.
LanguageEnglish
Release dateOct 4, 2011
ISBN9781608197323
Hand Me Down World : A Novel: A Novel
Author

Lloyd Jones

Lloyd Jones's many books include Biografi (a New York Times Notable Book), Here at the End of the World We Learn to Dance, and Mister Pip, which was awarded the Commonwealth Writers' Prize and was shortlisted for the Man Booker Prize. He lives in Wellington, New Zealand.

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Rating: 3.5 out of 5 stars
3.5/5

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  • Rating: 2 out of 5 stars
    2/5
    Wrong bok at the wrong time, perhaps.DNF. could not buy in.
  • Rating: 4 out of 5 stars
    4/5
    I read his novel, Mr. Pip and loved it though there were many dark and brutal parts. This novel I liked but not quite as much. This is a story that starts in Africa, where a woman has a baby and then her baby it taken away by its father without her permission. She than goes on to try to get her baby back, a journey that takes her to Berlin.This is a very sparsely written and very unusual detective novel. What happens to Ines and whom is responsible? We hear from many different people she met on her journey, their part in her tale told by others. But, are they telling the truth? We do not hear four Ines herself until almost three quarters of the way though the novel and she herself is a unreliable narrator. After this book one can certainly see why eyewitness testimony is not to be absolutely trusted. Everyone has a reason for telling their story the way they tell it. The one thing many of them had in common is they remembered her well constructed bright blue coat and because of this coat, she was not taken for a regular street person but more as a person in distress who needed help.The novel has a slow pace, one must just enjoy the stories and the journey it takes to finally get the truth. Different but interesting.
  • Rating: 5 out of 5 stars
    5/5
    A young African woman who gives birth only to have her son heartlessly taken from her undertakes an unbelievable journey to Germany to find her child. Along the way she meets helpers and heartlessness. The story itself is haunting, but the method of telling the story is gripping. First, short chapters are told by individuals who encountered the "woman from Africa". The second section is told from the viewpoint of two individuals who actually build a relationship with her in Germany--a blind man who she works for and his other assistant. The third section is told by the woman herself, a woman whose real name we never know but who assumes the name Inez. The short final section is told by a woman whose life becomes entwined with the African woman in an innocent but malevolent way.This is not a straightforward plot, but more like the putting together of a puzzle--an interesting puzzle, not one of those vague abstract stories that you have to work to get through. I thoroughly enjoyed the method of telling the story of this woman who is one of the millions that is never really seen. Our African woman is one that has little control over her circumstances yet manages to accomplish what she sets out to do--to see her son. She ceaselessly pursues that goal and pays dearly. I would still vote for "Mr Pip" as Jones' finest novel, but this is a close second.
  • Rating: 4 out of 5 stars
    4/5
    3 1/2 stars, rounded up. The story of an African woman searching for her baby who was stolen from her by the father and taken back to Germany. The story is being told in fragments by all of the various people who came in contact with her on her perilous journey as an illegal alien crossing Europe.
    It would make a good European movie. The story is handed off like a baton from one character to another, completely disparate and unpredictable in their interaction with the protagonist. Great locales for shooting too. Short scenes, action-filled, emotion, sex.
    About midway it started to get a bit boggy, her story in danger of being submerged, drowned by the stories of her 'couriers'. But it recovered soon enough and regained its rhythm. I like the contrasting versions of events provided by the different points of view.
    As with Mr Pip, Lloyd Jones shows again the easy and casual cruelties humans show one another, and juxtaposes that with unexpected kindnesses.
  • Rating: 4 out of 5 stars
    4/5
    This is a story about a woman whose child is stolen from her by his father. With few resources, she leaves her home in Tunisia and travel to Berlin to find her son. The story is told in a unique way. First, we have a series of short chapters by people who have interacted with the woman. In this way, it is hard to get to really know or understand the main character. We get a better picture of her in subsequent parts of the book, written from the perspective of people who knew her better, and from her own point of view. What emerges is a story about perspectives and perceptions: what is really going on in someone else's mind? Somehow, it works better than I thought it would at the beginning. In fact, it works extremely well. What would you do to reclaim your child is a question underlining the story. What would you do to help someone you barely know? And why would you do it...these questions are also explored.I have a feeling this story will stay with me for a while.
  • Rating: 4 out of 5 stars
    4/5
    I haven't been able to stop thinking about this book since I finished reading it a few days ago. A simple description is that it is the story of an African woman who makes the arduous and often dangerous trip from Tunisia to Berlin to reclaim the son who was stolen from her. But it is so much more than that. The story of the African woman (who is called Ines though we never discover her real name) is told by those she encounters: a fellow hotel maid from Tunisia, a truck driver who gives her a ride, a blind man who eventually offers her employment. After each of these and others give their account, Ines herself tells her story and it in many ways differs from the previous accounts both in the details that are changed and the details that are omitted.I've spent the past few days thinking what the underlying themes of this book are, and I don't think I've arrived at a satisfactory answer. But I think this book shows how traumatic events can change a person. It shows the effect humans have on each other, and through some of the people Ines encounters it paints a picture of both the bad and good (though not necessarily the worst and the best) of human nature.Thought provoking and interesting.
  • Rating: 2 out of 5 stars
    2/5
    I only gave this one a very short time and it didn't work for me. Perhaps, I will give it another go by the end of the year, but the story didn't hold my attention at all, although I have liked his writing very much in the past.
  • Rating: 3 out of 5 stars
    3/5
    The plot is presented twice, first from all the people Ines comes in contact with in her journey to recover her son, and then from her own point of view written as a narrative from her jail cell. Ines and her attempt to make contact with her son is the common thread that holds the story together.
  • Rating: 3 out of 5 stars
    3/5
    As some of the other reviewers have noted, the main character in this work, Hand Me Down World, is never named. We come to know her through other voices as Ines, an African hotel worker who bears a child with Jermayne who betrays her, taking the child away to Berlin. As the story unravels through the eyes and voices of people around Ines, we move from sympathy to bewilderment to questioning her incredible behaviour. Once we hear from Ines, herself, we find that she is not Ines but a person who uses all around her. Is it because she herself has been used and betrayed that she thinks it is acceptible to use others? True she is an unseen immigrant, wandering the streets and trains of Berlin, coming and going with no one really seeing her. She is invisible, a ghost of a figure whom we never really come to understand except as an archetype of mothers who ache for lost sons. The fact that she is desperate and will do anything - lie, cheat, steal, and sell herself - to be with him somehow doesn't work for this reader. I find that I don't really understand her motivations - to leave a dead woman and take on her identity? To take from those offering you shelter and kindness and love? How am I do have sympathy for her when she has no sympathy for others, using them all to feed her own desire. The story is compeling but not ultimately satisfying; asking a lot of questions but not answering any. The behaviour of the child's adoptive mother is really inexplicable - she dumps the worthless husband for a mother she doesn't even know? Will "Ines" betray this woman as well - I think so.
  • Rating: 4 out of 5 stars
    4/5
    The protagonist in Lloyd Jones' Hand Me Down World is an African woman known as Ines. The book follows her arduous journey to find her kidnapped son, who was brought to Germany. The book is told from the points of view of people in Ines' life, some friends, some acquaintances of just a few days or hours. Their stories overlap, exposing conflicts one expects when hearing a story through the eyes of different people. Eventually the reader hears directly from Ines, getting yet another perspective. The events of the book are dramatic (kidnapping, illegal immigration, poverty), but Jones' quiet prose softens the events themselves. Through his skillful use of language, the important thing thing that emerges are the characters themselves, their hopes, their challenges, and their determination. An interesting read.
  • Rating: 4 out of 5 stars
    4/5
    My thanks to LT's Early Reviewers program and to Bloomsbury USA for sending this book. It's one of those stories that sort of stays in the back of your head after you've finished reading it and lives with you for a while. I don't often find those kinds of novels, so this one was a pleasure to read. There are a number of novels where the story is told in a number of different voices, but I do believe this one may win the prize for the largest number of narrators. It is a bit reminiscent of modern television documentaries in which multiple people relate their experiences relating to a given topic; unlike television however, the story is not passive; it is one in which the reader has a job to do in interpreting what's really going on -- if he or she can find any reliability in the narration. Each narrator has his or her own slant on the truth -- and what they say speaks not only to the situation at hand but also to how they perceive and wish others to perceive them in the world each occupies. Hand Me Down World is the story of a young woman in Tunisia whose quest for her young son begins in the middle of the Mediterranean, where she is dumped by human traffickers and told to hang on to a buoy until someone comes to pick her up. After a while it becomes obvious she's been duped, so she makes her way dog paddling onto the Italian coastline. There she takes on the name Ines, and with only a plastic bag in which she keeps only a few meager possessions, she begins to make her way to Berlin where her son's father lives. Her story is related by those with whom she comes into contact, and by Ines herself. This cast of characters include a truck driver, an elderly snail collector, an ex-pat Parisian who calls himself Millennium Three, a researcher from the UK sent to study the Roma culture in Berlin, and others that bump into Ines along the way. After the book introduces all of these people (and a few more), the most involved narrations begin with Ralf, an elderly blind man who hires Ines to view the world for him; Defoe, another lodger taken on by Ralf, and then there's Ines herself, whose account of things doesn't always coincide with what has already been said about her. The novel is structured sort of like a detective story, where there are conflicts among all of the narratives for the reader to sort and then try to piece together in some coherent fashion. And then there's the Inspector, whose purpose I won't reveal here, but who serves as sort of a compiler of all of the stories. While the author explores Ines' search for her son and her experiences along the way, he is also able to veer off into other areas, especially the issues faced by immigrants trying to find a better life than the one they left behind, who often become "the real ghosts... those whom we choose not to see." But even as he's tackling this issue in a big way, running through the novel is theme of identity, most obviously examined in Ines but also among all of the other characters. There's also a great deal of thought offered about living with dignity instead of fear, a choice Ines and other characters have to consider in the hopes of having any kind of future. While the prose may be a bit sparse in comparison to Jones' Mr. Pip, the pacing is good and appropriate for a novel like this one. In the first part of the book,the reader is not stuck on any one character or situation too long as Ines makes her way through Europe. As Ines continues her journey, the story also moves along and doesn't dwell too long in one spot . The second half moves a bit slower as it boils down to the stories of only a few characters in Berlin, and then of course, Ines herself. This part is not as quick to read through, but what makes it very interesting is how certain events are repeated and retold, offering a new slant on information received earlier in the novel. I was very intrigued by this novel both in terms of structure and story; the multiple-voice approach is quite interesting and actually works well here as things are slowly revealed, little by little. Yet at the same time, just when I started thinking I had Ines figured out, the author throws in little curve balls that made me wonder if I knew her at all. This line of thought carries throughout the book, and actually, I'm walking away from the book wondering how well I really know anybody. If you're looking for a regular narrative story in linear format, keep looking -- this isn't the book for you. But if you want something intriguing that resonates long after the last page is turned, you might just want to give it a try.
  • Rating: 4 out of 5 stars
    4/5
    A young African woman who works as a maid in a luxury Tunisian resort tells of her friend and colleague who bore a child by a guest from Germany, hoping for a life with him, only to have him disappear with the baby. When the devastated young mother leaves to make her way to Germany to find her son, the narrator's story ends and is picked up by others who encounter the desperate woman we will later know as Ines on her journey. This is a haunting novel, a story told first through the points of view of multiple “witnesses” and eventually retold by Ines herself, with an often very different perspective on the same events. Throughout, the woman who calls herself Ines lives in the shadows, in a world that isn't hers but is “handed down” to her. Smuggled ashore in Sicily, making her way through Italy, over the Alps and on to Berlin, she is sometimes treated generously and sometimes abused by those she relies on for help. Undocumented and without an identity we ever learn – Ines is a name she adopts – she is single-minded and ruthless in her determination to maintain contact with her child.Lloyd Jones has built his story on a risky structure – the Rashomon-like depiction of the same events by different characters – but it works. His spare, well-wrought prose eschews the melodrama into which the story might have degenerated in lesser hands. I haven't read other books by Lloyd Jones but requested this one from LTER on the strength of the reputation of “Mr. Pip.” Unlike “Little Bee” by Chris Cleave, a hugely popular book with which this one will be unavoidably compared, Jones keeps his story consistent with the characters and avoids dramatic plot devices. A solid effort.
  • Rating: 3 out of 5 stars
    3/5
    Hand Me Down World contains an interesting concept. Why not tell your main character’s story through the eyes of all those who interacted with her? It’s a bold gamble for Lloyd Jones and it pays off for most of the novel. We trace the journey of Ines through the way her colleague at a resort in Africa, giving birth to a child, losing that child and then making the decision to be smuggled to Europe. The truck driver who gave her a lift tells us what happened with Ines (later we get her different version). The man who falls in love with Ines in Germany tells us about her struggle to make contact with her son. The lodger of the man she cares for describes the depths she went to maintain that contact. Finally, Ines gives us her side of the story and it’s not what you were thinking.Although an original idea, some of the perspectives are too long (Ralf, the old man, and Defoe, the lodger, come to mind) and others can be a little too obtuse for that part of the book – it’s hinting towards things the reader doesn’t yet know about, and might forget the prior hints. The last section before Ines is boring in places as it endlessly repeats what Ines was doing. Some of the perspectives are heartwarming in their generosity toward Ines; others show the more sickening side of human nature.It’s also difficult to understand what motivates the characters sometimes – Ines, to get caught in a cycle of blackmail, and Aebibi (the boy’s mother) – why did she act the way she did at the end of the novel? Why does she treat Ines in that way? The book does highlight the lack of identity for refugees, but it doesn’t offer any deeper insight or potential solutions. Are all refugees meant to be like Ines? Has Ines done wrong? Who, exactly, is Ines?You can see that this book raised a lot of questions for me but I don’t have any of the answers – as the reader, I would have liked some more insight.
  • Rating: 4 out of 5 stars
    4/5
    Lloyd Jones is best known for his novel, Mister Pip, which was shortlisted for the 2007 Booker Prize. This is the first book he's published since then, and it goes in completely new directions. Hand Me Down World is a social commentary on the fate of illegal immigrants who must struggle to adapt to a new world and a new identity. The novel begins in a tourist hotel on the beaches of Tunisia. A young woman is describing her friendship with an unnamed colleague who falls in love with a German hotel guest and has a child with him. The narrator recounts that after only a few months, the father returns to Berlin and takes the baby with him. Her friend is devastated and leaves to try and find her son. As the nameless mother moves out of the first narrator's life, the narrative is passed on to the next person to encounter her, and so on, like links in a chain stretching from Tunisia to Berlin. Each of the narrators describes his or her impressions of the woman, as well as the help rendered to the woman on her quest. In each of these vignettes, we learn a little more about the woman whose name may or may not be Ines. Through other people's perspectives, the author creates a character layer by layer. Then, just as you are comfortable with the character you think you know, Ines finally speaks and tells her own story.This style of narration works well for the story of an immigrant's journey. Being unable to speak the language makes the immigrant entirely dependent on those she encounters. Dependent on them for her safety, for food and money, for safe passage, and for whatever compassion she can find. Living in constant fear, the immigrant must learn whom to trust for what and when. It is an especially difficult life for a young woman on her own.I am always leery when reading books by male authors writing in women's voices, especially when the protagonist is from a culture different from the author's own. How authentic can such a story be? I thought Lloyd Jones pulled it off well in Mister Pip and fairly well here as well. Hand Me Down World is a touching portrayal of society's fringes where immigrants, the homeless, and members of minority cultures have very little control over their lives or their voices. Everything is handed down to them, regardless of the fit. Recommended.
  • Rating: 4 out of 5 stars
    4/5
    A hotel maid in Tunisia searches Europe for the baby son who was taken from her by his father. Along the way, she accepts the help of strangers, and it is these strangers who tell of the roles they played in her search for her stolen son. Eventually, Ines’s own voice emerges, revealing her identity and completing the picture. In this haunting odyssey, we meet some memorable characters but never feel as though we really know them, as the author holds us at arm’s length away, just as Ines did. Even though the prose is sparse, we are able to empathize with the love this woman feels for her son.
  • Rating: 4 out of 5 stars
    4/5
    I was pleased when I received my Early Reviewers copy of [Hand Me Down World]. I had enjoyed reading "Mr Pip" by the same author a couple of years ago and was looking forward to another work by him. I was not disappointed. Have you ever wondered what people would say about their experience of you? Have you ever wondered if someone else recounted an interaction with you, would their version be the same as yours? That is how this book reads...and it is fascinating.The main character is Ines, a single African woman who has her infant son stolen from her and embarks on a journey that takes her from Tunisia to Berlin in an effort to find and reclaim her. For the first half of the book, you learn about Ines, her predicament, and her efforts through the various people she encounters on her journey. Little by little an image of a driven young woman emerges.Then in the second half, we hear from Ines herself. She tells her story, recounting the same experiences but from her perspective. This unique structure held my interest and gave me "food for thought!"In the end I was left with admiration for the main character and her indomitable spirit to survive and achieve her ends. It also made me wonder about all the stories of the various "illegal" immigrants who are globally on a journey to achieve their goals, driven by their own needs and desire, but who remain so often faceless to those of us they pass.I highly recommend this book.
  • Rating: 4 out of 5 stars
    4/5
    I requested this book from ER because I enjoyed Mr. Pip so much. At the same time I was concerned that I would be disappointed. Not so. It was a very satisfying book that gives you a lot to think about.What if your own story were only told by the people that you encountered? What would they see of you? How different would their tale be from the tale you told of yourself?The early chapters where, through other people's eyes, we learn of this woman's struggle to find her child made me wonder what had she done and felt and thought during this journey. The later chapters where Ines tells her own story bring all of these questions sharply into focus. Because the book jacket referred to a 'shattering conclusion' I was prepared for an ending that I didn't want; but it ended the way I hoped, with the understanding of Abebi and her willingness to come to terms with the events in her life.Lloyd Jones has demonstrated, in both this book and in Mr. Pip, that he has the ability to make us see the importance of the lives of those around us.
  • Rating: 1 out of 5 stars
    1/5
    Story of a woman told from the perspective of those she comes in contact with. A bit challenging to follow at times. Not as good as Mr Pip
  • Rating: 4 out of 5 stars
    4/5
    Slow start.This was a book that difinitely came into its own in the second half. From that point on, the characters started to develop and I became more involved with the narrative. The last section, where we finally hear from the central character, 'the woman' referred to on the back cover, was excellent, but for me, the book had dropped to four stars before then.The snapshot chapters we read at the beginning are, in fact, witness statements, given to an inspector who is following in the footsteps of 'Ines' (the woman), as she journeys from a hotel in Tunisia, via an Sicillian beach, to Berlin, in search of her son. Unfortunately these statements were rather shallow and I struggled to recall them when I needed to refer back to them to corroborate Ines's story.She actually came across a fair amount of kindness on her journey, and some inevitable cruelty too, but without knowing her character at that time, it was hard to feel emotional.I was also a bit surprised at the mix of languages spoken and the number of people who were choosing to speak English, in spite of the fact that most of the action took place in Italy and Germany, that didn't quite ring true for me.The ending was satisfying, in an unsatisfactory sort of way, believable anyway.I haven't read anything else by Lloyd Jones, but I do like that he is obviously experimenting with his book construction and I would certainly give him another go. Even if it has flaws, it's always a breath of fresh air to read something a bit different.

Book preview

Hand Me Down World - Lloyd Jones

Hand Me Down World

A Novel

Lloyd Jones

for Anne

Contents

Cover

Title Page

Dedication

Part One: What they said

One

Two

Three

Four

Five

Six

Seven

Part Two: Berlin

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Part Three: Defoe

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Part Four: Ines

Twenty-one

Twenty-two

Twenty-three

Twenty-four

Twenty-five

Twenty-six

Twenty-seven

Twenty-eight

Twenty-nine

Thirty

Thirty-one

Thirty-two

Thirty-three

Thirty-four

Thirty-five

Part Five: Abebi

Thirty-six

Acknowledgments

Also by Lloyd Jones

Imprint

part one: What they said

one

The supervisor

I was with her at the first hotel on the Arabian Sea. That was for two years. Then at the hotel in Tunisia for three years. At the first hotel we slept in the same room. I knew her name, but that is all. I did not know when her birthday was. I did not know how old she was. I did not know where she came from in Africa. When we spoke of home we spoke of somewhere in the past. We might be from different countries but the world we came into contained the same clutter and dazzling light. All the same traps were set for us. Later I found God, but that is a story for another day.

If I tell you of my beginning you will know hers. I can actually remember the moment I was born. When I say this to people they look away or they smile privately. I know they are inclined not to believe. So I don’t say this often or loudly. But I will tell you now so that perhaps you will understand her better. I can tell you this. The air was cool to start with, but soon all that disappeared. The air broke up and darted away. Black faces with red eye strain dropped from a great height. My first taste of the world was a finger of another stuck inside my mouth. The first feeling is of my lips being stretched. I am being made right for the world, you see. My first sense of other is when I am picked up and examined like a roll of cloth for rips and spots. Then as time passes I am able to look back at this world I have been born into. It appears I have been born beneath a mountain of rubbish. I am forever climbing through and over that clutter, first to get to school, and later to the beauty contest at the depot, careful not to get filth on me. I win that contest and then the district and the regional. That last contest won me a place in the Four Seasons Hotel staff training program on the Arabian Sea. That is where I met her.

There, instead of refuse, I discover an air-conditioned lobby. There are palms. These trees are different from the ones I am used to. These palms I am talking about. They look less like trees than things placed in order to please the eye. Even the sea with all its blue ease appears to lack a reason to exist other than to be pleasing to the eye. It is fun to play in. That much is clear from the European guests and those blacks who can afford it.

We shared a room. We slept a few feet away from one another. She became like a sister to me, but I cannot tell you her middle name or her last name, or the name of the place she was born. Her father’s name was Justice. Her mother’s name was Mary. I cannot tell you anything else about where she came from. At the Four Seasons it did not matter. To show you were from somewhere was no good. You have to leave your past in order to become hotel staff. To be good staff you had to be like the palms and the sea, pleasing to the eye. We must not take up space but be there whenever a guest needed us. At the Four Seasons we learned how to scrub the bowl, how to make a rosette out of the last square of toilet paper and to tie over the seat a paper band that declared in English that the toilet was of approved hygiene standard. We learned how to turn back a bed, and how to revive a guest who had drunk too much or nearly drowned. We learned how to sit a guest upright and thump his back with the might of Jesus when a crisp or a peanut had gone down the wrong way.

What else? I can tell you about the new appetite that came over her like a disease of the mind. She forgot she was staff. Yes. Sometimes I thought she was under a spell. There she was, staff, and in her uniform, standing in the area reserved for guests, beneath the palms, taking up the precious shade, watching a tall white man enter the sea. She watches the sea rise all the way up his body until he disappears. The tear in the ocean smooths over. She waits. And she waits some more. She wonders if she should call the bell captain. All this time she is holding her own breath. She didn’t know that until the missing person emerges—and in a different place. He burst up through another tear in the world and all of his own making. This is the moment, she told me so, she decided she would like to learn to swim. Yes. This is the first time that idea comes to her.

After eighteen months—I am aware I said two years. That is wrong. I remember now. It was after eighteen months we were moved to a larger hotel. This was in Tunisia. The tear in the world has just grown bigger. This hotel is also on the sea. For the first time in our lives it was possible to look in the direction of Europe. Not that there was anything to see. That didn’t matter. No. You can still find your way to a place you cannot see.

For the first time we had money. A salary, plus tips. More money than either of us had ever earned. On our day off we would walk to the market. Once she bought a red-and-green parrot. It had belonged to an Italian engineer found dead in the rubbish alley behind the prostitutes’ bar. The engineer had taught the parrot to say over and over Benvenuto in Italia. Thanks to a parrot that is all the Italian I know. Benvenuto in Italia. Benvenuto in Italia. We had our own rooms now but I could hear that parrot through the wall. Benvenuto in Italia. All through the night. It was impossible to sleep. Another girl told her to throw a wrap over the cage. She did and it worked. The parrot was silent. After a shower, after dressing, after brushing teeth, after making her bed, then, she lifts the wrap, the parrot opens one eye, then the other, then its beak—Benvenuto in Italia.

On our next day off I went with her to the market. We took it in turns to carry the parrot back to where she had bought it. The man pretends he’s never seen the parrot and carries on placing his merchandise over a wooden bench. She tried to give the parrot to a small boy. His eyes grew big. I thought his head would explode. He ran off. The parrot looked up through the bars, silent for once, looking so pitiful I was worried she was about to forgive it. But no. In a tea house the owner flirted with her but when she tried to gift the parrot he backed off with his hands in the air. In the street a man stopped to poke his finger through the bars. He and the parrot were getting on. But it was the same thing. They were happy to look, to admire, but no one wanted sole charge of that parrot. She began to think she would be stuck with that parrot forever.

I took the cage off her and we boarded a bus. The passengers were waiting for the driver to return with his cigarettes. I walked down the aisle dangling the cage over the heads of the passengers. Some fell against the window and folded their arms and closed their eyes. One after another they shook their heads. Back in the market people talked to the parrot, they stuck a finger through the bars for the parrot to nibble, they cooed back at the parrot. It turned its head on its side and gave them an odd look which made everyone laugh. But no one wanted to own a parrot. She asked me if I thought there was something wrong with her. Because how was it that she was the only one who had thought to own a parrot?

We returned to the hotel. It wasn’t quite dark. We could hear some splashing from the pool. Some children. People were sitting around the outside bars. She took the parrot from me and set off to the unvisited end of the beach. I followed because I had come this far, and the whole time I had been following, so that now, just then, I did not know what else to do with myself. Down on the sand she kicked off her sandals. She placed the cage down and dragged one of the skiffs to the water. Had she asked for my advice I would have told her not to do this thing. Now I regret not saying anything. I was tired. I was sick of sharing the problem. I wanted only for the task to be over with. As she pushed the skiff out the parrot rolled its eye up at her, to look as though it possibly understood her decision and had decided it would choose dignity over fear.

In the night the wind blew up. I stayed in bed. But I can say what happened next because she told me. She also woke to the waves slapping on the beach but dozed off again without a thought for the parrot. The second time she woke it was still early. No one was up when she walked across the hotel grounds. She found the skiff hauled up on the beach. The cage was gone. Further up the beach she found the damp corpse of the parrot on top of the smouldering palm leaves. The groundsman was raking the sand. When she asked him about the cage he looked away. She thought she was going to hear a lie. Instead he told her to follow him. They go to the shed. He pulls back the beaded curtain. On the bench she sees the thin bars of the cage. The cage itself no longer exists. The bars have been cut off. She picks up one—holds it by its wooden handle, presses the sharpened point into the soft fleshy part of her hand. Well, she took the sticking knife as payment for the cage. That’s the story about the knife.

She told me once that as soon as you know you are smart you just keep getting smarter. For me it hasn’t happened yet. That’s not to say it won’t. When the Bible speaks of eternity I see one long line of surprises. It’s not to say that that particular surprise won’t come my way. I’m just saying I’m still waiting. But she got there first when she was promoted to staff supervisor. Now it was her turn to tell the new recruits that they smelt as fresh as daisies. You should see her now. The way she moved through the hotel. She would change the fruit bowl in reception without waiting to be asked. She says ‘Have a nice day’, as she has been taught, at the rear of the heavy white people waddling across the lobby for the pool. When a guest thanks her for picking up a towel from the floor she will smile and say ‘You’re welcome’, and when told she sounds just like an American she will smile out of respect. The tourists replace one another. The world must be made of tourists. How is it I wasn’t born a tourist? After four years in the hotel I could become a tourist because I know what to take pleasure in and what to complain about.

White people never look so white as when they wade into the sea under a midday sun. The women wade then sit down as they would getting into a bath. The men plunge and then they swim angrily. The women are picking up their towels from the sand as their men are still bashing their way out to sea. Then the men stop as if wherever they were hoping to get to has unexpectedly arrived. So they stop and they lie there with their faces turned up to the sky. When a wave passes under them they rise like food scraps, then the wave puts them down again. I used to wonder if these waves were employed by the hotel. I wondered if they too along with the palms had been through a hotel training course. ‘Look how gently the sea puts them down,’ she said. Look—and I did. ‘See,’ she said. ‘There is nothing to be afraid of.’

One of the floating men was called Jermayne. He happened to catch her watching the white people at play in the sea. Not this time, but another time. I wasn’t there. But this is what she told me. I hadn’t set eyes on him yet so this is what she said about Jermayne. He was a black man. Yes, he had the same skin as her and me but he hadn’t grown up in that skin. That much was easy to see. He had a way about him.

I remember asking her once—this would have been back at the other hotel on the Arabian Sea. We’d been lying there on our beds making lists of things to wish for, and I said, ‘What about love?’ Everyone needs loving. That too is in the Bible if you know where to look. I said, ‘Don’t you want to lie down with a man?’ She burst out laughing. Now, under the palms in the hotel ground, I asked her the question again. This time she looked away from me. She focused—as if there were so many ways of answering that question she couldn’t decide on just one.

But with this man I can see she is interested. When I see her with him I stop whatever I’m doing to watch. She starts playing with her hair. Now she produces a smile I have never seen before. When I reported back to her what I had seen she said I had been blinded by wishfulness on her behalf. She said Jermayne had offered to teach her to swim. ‘Well, that’s good,’ I said. ‘That way you are bound to drown.’ See how negative I sound. I don’t know why that is. Why did I decide I didn’t like Jermayne? Maybe instead of being smart I have developed some other kind of knowing.

Maybe it was his confidence. Maybe it was his unlived-in blackness. Maybe I just didn’t like him. Does there have to be a reason? Then—I will say this here, just place it down for the time being. I thought I saw him. No. What do I mean by ‘thought’? I did. I saw him with a woman. They were crossing the lobby in a hurry. But after that I didn’t see her again. I decided she must have been another guest, entering the lift when he did, because the next day it was just Jermayne in the breakfast room.

When I saw them together, my friend and him, there were two Jermaynes. One is with her—that one she can see. But at the same time there is another Jermayne. This one is standing close by looking on and smiling to himself like he knows her thoughts before she does. He saw her reluctance to get in the pool whenever guests were using it. He read her like an open book. He had to insist—she laughed him off, pretending she didn’t want to get wet after all. It was the same at the pool bar. Before Jermayne she had never had a drink with a hotel guest. Never ever—no, no, no, and the barman knew it, the stars knew it, the night knew it, the palms stood stunned in the background, and the little droplets splattering the poolside reminded everyone of the silence and the rules. She said Jermayne made it feel all right. Then it began to feel more and more right. She was no drinker. He had to explain what an outrigger was—the boat and the drink, and after that cocktail she said her thoughts drifted off to the parrot and its night out on the skiff and didn’t drift back until Jermayne started to talk about his upbringing. An American father, a German mother. He grew up in Hamburg but now lived in Berlin. He had his own business, something with computers.

She is getting down off her stool when he reaches for her hand, then he leans over her and kisses her lightly behind the ear. A group of tourists were laughing like jackals at one end of the bar. She looked to see if anyone had seen. No one had—but Jermayne had, he had seen her looking, seen her eyes looking for trouble, for blame. He smiled. He told her to relax. She was safe. He wouldn’t hurt her or do anything that would get her into trouble. That’s not my calling—that’s what he told her. He said now listen—and she did.

The next day—it was after her shift—I saw them paddle a skiff out to the artificial reef. I saw them pull the skiff up the beach and walk to the ocean side. This was her first swimming lesson. I didn’t see any of it. This is just what she told me, and this was a good deal later, months later following the events that I am leading up to.

Her first swimming lesson begins with Jermayne walking into the sea up to his waist. He looks around to see if she has followed. She hasn’t moved from the sand. He tells her there’s nothing to be afraid of. If he sees a shark he will grab the thing by its tail and hold it still until she has run back to shore. She is afraid, but she enters the water. The whole time she doesn’t take her eyes off him. To do so, she feels, will see her tumble into an abyss. So, there they are walking deeper into the sea. She is also walking deeper into his trust—that is also true. The rest is straightforward. She did what he asked her to do. She lay down on the sea. She turned herself into a floating palm leaf. She felt his broad hand reach under her belly. Then she begins to float by herself. Every now and then her belly touches Jermayne’s ready hand. Then, she said, it was just the idea of his hand that kept her afloat. I have never put my head under the sea so I can only go on what she said about it pouring into her ears and up her nostrils. I thought, I will never do that. I will never ever allow the sea to invade me. But she’d done it all wrong. That’s the point—what she wished me to know. She’d forgotten to take a breath.

Jermayne gave her buoyancy. He taught her how to float like a food scrap. But it was a Dutchman who properly taught her. He never used the words ‘trust me’. If he had she would not have listened. He would say ‘like so…’ and demonstrate the frog kick and the crawl. I haven’t learnt those strokes myself, just the words. Frog kick. I like that. I’m not sure about the word ‘crawl’ any more, especially when I look out at a sea that is as vast as any desert. She tried to show me these things by lying flat on a bed. That’s where she used to practise her strokes when the guests were using the pool. I had to pretend the bed was the sea. But I did not want to swim. Besides, what I have just said belongs to another story.

What I meant to say is this. With Jermayne it was all about her trusting him. And she did. Some of the things I will say now are what she told me. I was not there. How could I be? But this is what she said. When he asked her if she ever felt lonely, she had to stop and think. It had never occurred to her that she might feel lonely. I often wonder about that magic. Where does that feeling come from? If we don’t know the word for our wants maybe that is better. Anyway, they are out at the pool bar. Everyone has moved inside. They are by themselves. Perhaps the barman is there. I don’t know. After asking if she is ever lonely he touches her hand, moves his hand to her arm, now her neck. He asks if he can come to her room. ‘No,’ she tells him. She is the supervisor. She would have to sack herself. ‘In that case,’ he says, ‘come to my room. Come and lie with me.’ She looks around in case someone overheard. ‘Trust me,’ he says.

In Jermayne’s room there was just the one embarrassing moment—there may have been others which I have since forgotten, but this is the one that has stuck. At some point he asks her if she would like to use the bathroom. She’s surprised that he should ask. Why would he? Does he know when she needs to pee? Then she realises why he asked. It’s because she has stood there rooted to the spot staring in at the white lavatory. It was the marvel of being in a guest’s room without rushing to clean the toilet bowl and tie a paper band around it to declare it is hygienically fit for use. Or to spray the door knobs so the room will smell nice or to punch the pillows and turn up the bed.

She stayed the night—well not quite because she woke to the noise of the generators. There had been a power cut. She got out of bed and dressed and returned unseen to the staff quarters. I know she stayed with him the next night, and the one after. Then Jermayne flew back to Germany. He said he would ring. I did not think he would. But I underestimated him. Sometimes I would see her on the phone in the lobby and I would know it was him calling across the sea. A month later he was back, this time for a shorter stay, and it must have been during this period that she became pregnant. I was the only one to know. At first I should say, because eventually there is no hiding a pregnancy.

Jermayne came and stayed another two times. The last time was for the birth. The hotel gave her time off. Jermayne rented an apartment in a nice neighbourhood on the other side of town from the market. I visited her there once. It was nice, quiet. There were no flies. He insisted she stay there with him. For a short time they lived as man and wife. She rang me once at the hotel. She said she just wanted to hear my voice, to be sure we still occupied the same world. She was visited by a doctor. She had never seen a doctor. He took her blood pressure and her pulse and put his hands where a midwife would. Jermayne was there, holding her hand. She listened to him ask the doctor questions. Many, many questions. Until he was satisfied the baby would be a healthy one. She had never known anyone to show so much care. When her waters broke there was a taxi waiting to take her to hospital. That Jermayne thought of everything.

They hadn’t talked about what would happen next. I was sure Jermayne would take her to Germany. There she might start a new life. She was willing. I sensed that. She hoped that was what Jermayne had in mind. She never did ask. She did not want to burden him with a surprise. Of course she hoped it would not be a surprise, that the plans she saw clicking away behind his eyes involved her. He was with her at all times, even for the delivery, and before, too, breathing with her, holding her hand.

Many hours later a baby boy is clamped to her breast. And there is Jermayne with a bunch of flowers. There are forms to fill out. Jermayne has thought of everything. Some of the forms are in another language, Deutsch, she sees. She checked with Jermayne. He explains, it is like taking possession of something. You have to sign for it. Like signing in for a room. So she did, she signed where he indicated on the forms. After two days in hospital a taxi brought her back to Jermayne’s apartment. He’d been out to buy baby clothes. He put her and the baby to bed. At night they lay with the baby between them. Once she asked Jermayne to come and lie next to her. She wanted to feel his hand on her, like the times when he was teaching her how to float. He turned his head on the pillow. A car’s headlights found the window and in that single moment she saw him with his eyelids closed.

He insists she stay in bed. She has to mend. She tells him nothing is broken. But he doesn’t hear. Jermayne has to do things the Jermayne way. He doesn’t hear what he doesn’t want to hear.

One morning she woke to the sound of the shower running. It was very early, yet when Jermayne comes out of the bathroom he is fully dressed. His face alters a little to find her sitting up in bed. He puts on a smile. Yes. A nice smile. A smile to calm the world. He puts a finger to his lips to shush her. They don’t want to wake the baby. He sits on the edge of the bed. He bends down to tie his shoelaces. She watches him doing this, wanting to speak, to ask what he thinks he’s lost because now he’s walking

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