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My Double Life 2: A Rainbow Over the Hills
My Double Life 2: A Rainbow Over the Hills
My Double Life 2: A Rainbow Over the Hills
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My Double Life 2: A Rainbow Over the Hills

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In My Double Life 1 Nicholas Hagger told of his four years’ service and double life as an undercover British intelligence agent during the Cold War (there revealed for the first time). Lost in a dark wood like Dante following his encounters with Gaddafi’s Libya and the African liberation movements, he found Reality on a ‘Mystic Way’ of loss, purgation and illumination, perceived the universe as a unity and had 16 experiences of the metaphysical Light. In My Double Life 2 he continues the story. He received new powers, coped with fresh ordeals, acquired three schools, renovated a historic house, and had 76 further experiences of the metaphysical Light. He founded a new philosophy of Universalism and new approaches to contemporary history, international statecraft and world literature. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills.
LanguageEnglish
Release dateJun 7, 2015
ISBN9781785351426
My Double Life 2: A Rainbow Over the Hills
Author

Nicholas Hagger

Nicholas Hagger is the author of more than 50 books that include a substantial literary output and innovatory works within history, philosophy, literature and international politics and statecraft. As a man of letters he has written over 2,000 poems, two poetic epics, five verse plays, 1,200 short stories, two travelogues and three masques. In 2016 he was awarded the Gusi Peace Prize for Literature, and in 2019 the BRICS silver medal for 'Vision for Future'. He lives in Essex, UK.

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    My Double Life 2 - Nicholas Hagger

    First published by O-Books, 2015

    O-Books is an imprint of John Hunt Publishing Ltd., Laurel House, Station Approach,

    Alresford, Hants, SO24 9JH, UK

    office1@jhpbooks.net

    www.johnhuntpublishing.com

    For distributor details and how to order please visit the ‘Ordering’ section on our website.

    Text copyright: Nicholas Hagger 2015

    ISBN: 978 1 78099 714 8

    All rights reserved. Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publishers.

    The rights of Nicholas Hagger as author have been asserted in accordance with the Copyright, Designs and Patents Act 1988.

    A CIP catalogue record for this book is available from the British Library.

    Design: Stuart Davies

    Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY

    We operate a distinctive and ethical publishing philosophy in all areas of our business, from our global network of authors to production and worldwide distribution.

    Books published by Nicholas Hagger

    The Fire and the Stones

    Selected Poems

    The Universe and the Light

    A White Radiance

    A Mystic Way

    Awakening to the Light

    A Spade Fresh with Mud

    The Warlords

    Overlord

    A Smell of Leaves and Summer

    The Tragedy of Prince Tudor

    The One and the Many

    Wheeling Bats and a Harvest Moon

    The Warm Glow of the Monastery Courtyard

    The Syndicate

    The Secret History of the West

    The Light of Civilization

    Classical Odes

    Overlord, one–volume edition

    Collected Poems 1958 – 2005

    Collected Verse Plays

    Collected Stories

    The Secret Founding of America

    The Last Tourist in Iran

    The Rise and Fall of Civilizations

    The New Philosophy of Universalism

    The Libyan Revolution

    Armageddon

    The World Government

    The Secret American Dream

    A New Philosophy of Literature

    A View of Epping Forest

    My Double Life 1: This Dark Wood

    My Double Life

    Our structure is very beautiful. DNA can be thought of roughly as a very long chain with flat bits sticking out…. The beauty of our model is that the shape of it is such that only these pairs can go together.¹

    Francis Crick, Letter to his 12-year-old son on the

    double-helix structure of DNA, 19 March 1953    

    ‘Double’ (adj): consisting of two, usually equal parts; having twice the usual size, quantity or strength; having two different roles or interpretations (Concise Oxford Dictionary). And: consisting of two combined; forming a pair, coupled; acting in two ways at different times (Shorter Oxford English Dictionary).

    *

    The vision of unity

    Graeco-Roman bronze of the Titan Atlas holding the unified world, showing Africa misshapen (in accordance with the geographical knowledge of the Graeco-Roman time), by a sculptor who grasped that the earth is round. (See pp.539, 759, 864.)

    A Rainbow over the Hills

    I can’t think of any other person on this earth who could take nearly 5,000 years of writing and unite it with a single overarching vision, like a perfect rainbow.

    Charles Beauclerk, letter to Nicholas Hagger about

    A New Philosophy of Literature, 26 May 2012

    "We sit in a small boat which dips in a high

    Sea against the tide and, the sun behind, flips wet.

    All huddle under oilskins to keep dry

    But I, salt on my cheeks, ignore each jet

    And think of how I breast a tide each day

    And sometimes glimpse a vision as I go.

    I look and see a rainbow in the spray,

    An arch in the flicking foam of a glimpsed rainbow!"

    Nicholas Hagger, ‘Staffa: Wind’, 1984

    "The hills are shadows, and they flow

    From form to form, and nothing stands;

    They melt like mist, the solid lands,

    Like clouds they shape themselves and go."

    Tennyson, In Memoriam, CXXIII

    ***

    To the memory of Ted Hughes, who wrote I read your books with a sort of automatic assent and I’m sure you’ve seen a genuine historical pattern and law; to Christopher Ricks, who witnessed the long-drawn-out birth of my literary Universalism; to John Hunt, who immediately grasped the unity behind seven disciplines and the seven bands of my rainbow; to the literary authors, philosophers and historians to whom I described the unity of the universe as I toiled within the seven hills; and again to my family, and in particular to Ann, who travelled with me.

    CONTENTS

    Table of Contents

    Author’s Note

    PART ONE

    Towards the Shimmering Rainbow

    1.   Through a Mist of Unknowing: Dark Night of the Spirit and Infused Powers

    Episode 1:      Remarriage and Comprehensive Education

    Episode 2:      Lyric Poetry and Administration

    Episode 3:      New Powers and Dogmatic Authority

    2.   Ordeals of Independence: Trials of the Dark Night, Battles against Communism

    Episode 4:      Baroque and Egalitarian Socialism

    Episode 5:      Vision and Subversion

    Episode 6:      Universalism and Expansionism

    PART TWO

    The Unitive Way: the Seven Hills of Achievement

    3.   Arrival in the Hills: the Unitive Way

    Episode 7:      Metaphysical Poetry and World History

    Episode 8:      Philosophy and Practical Mysticism

    Episode 9:      Autobiography and International Politics

    4.   Hard Slog: Contemplative Works

    Episode 10:    Epic and European Culture

    Episode 11:    Verse Plays and Tudor Knots

    Episode 12:    Classical Odes and Utopianism

    5.   Final Ascent: Unitive Vision

    Episode 13:    Collected Literature and Secret History

    Episode 14:    Order and Terror

    Episode 15:    Internationalism and Localism

    Rainbow

    Epilogue: Rainbow over Hills

    Episodes, Structure, Pattern and Unity in Double Lives

    Hagger family tree

    Timeline

    Appendix

    1.  Light: 77 experiences of the metaphysical Light or Fire, Mystic Lives, a Dark Night, Unitive Life; and whole life extracts

    2.  Collected Works

    3.  Innovations

    4.  Visits: visits by Nicholas Hagger to countries/places

    5.  Europe: paper, The European Resurgence

    6.  The New Baroque Vision

    7.  FREE: paper on FREE (Freedom for the Republics of Eastern Europe

    8.  Warning: Times leader based on Scargill the Stalinist?

    9.  World Anti-Terror Summit

    10. International Politics: Nicholas Hagger’s championing and initiatives

    Notes and References

    Bibliography/Reading List

    Index

    Table of Contents

    Summary of the story through section headings

    Part One: Towards the Shimmering Rainbow

    1. Through a Mist of Unknowing: Dark Night of the Spirit and Infused Powers

    Episode 1: Remarriage and Comprehensive Education

    I start as Second-in-command in English Department at Henry Thornton School. Jim Doolan, Head of English. Lyric poems, influence of Roman poetry. ‘In Marvell’s Garden, at Nun Appleton’. The Gates of Hell: Catullus and Ovid. Idea of ‘The Night-Sea Crossing’. The Pilgrim in the Garden: Elegies 1–10. Sale of Flat 6, 33 Stanhope Gardens and purchase of Flat 5, 10 Brechin Place. Wedding: I marry Ann. Interview for new job. New flat: move to 10 Brechin Place. Poetic technique. Satire, The Fountain. Stress metre. ‘The Night-Sea Crossing’, final version. New stress metre. Leaving Henry Thornton.

    Episode 2: Lyric Poetry and Administration

    I continue writing lyric poems: Elegies 11–20. Satire, The Garden. I start as Head of English and Senior Teacher at Garratt Green School. Birth of Matthew. Elegies 21–23. Two Dark Nights. The Gates of Hell. ‘The Flight’. I share a room with a nun: illumination and nuns. Outpouring of lyric poems: volcanic eruption. ‘The Four Seasons’. Second Dark Night leads to the Unitive Way. Poetic forms. ‘Lighthouse’. Idea of ‘The Weed-Garden’. Idea of ‘The Labyrinth’: odes. ‘The Weed-Garden’: culture and civilization. Sonnets. World history: Toynbee. Overworked at Garratt Green. Christening of Matthew in High Beach church, Epping Forest. Finishing ‘The Weed-Garden’. Idea for epic poem: Overlord. ‘The Labyrinth’. Whispers from the West. At the D-Day beaches for Overlord. ‘The Fall of the West’. The West must toughen its attitude to survive. Kingsley Shorter on the Light. Visit to Wandsworth prison: Hell, Balcombe-Street terrorists Harry Duggan and Joseph O’Connell. Interested in Harbour-master’s House at Charlestown. Locusts upon the Earth and work on Overlord. Classical style: "Baroque Gates of Hell". I write a paper, ‘The European Resurgence’. I talk with Margaret Thatcher on liberating East-European nations. Opposing post-Renaissance European philosophy: bringing the metaphysical Light back into philosophy. Parenting: medical issues. Research on the Light: The Secret Light. Search for a larger home: move to 100A Stapleton Road. Dinner with Donald Maclean’s son. Birth of Anthony. School in Epping Forest. Retreat from becoming an MEP. Light-seers.

    Episode 3: New Powers and Dogmatic Authority

    New unitive vision brings with it new powers. Egyptian temple-dancers and healing. Rev. John Jewsbury. Research into the Light. Miss Lord offers Oaklands School at christening of Anthony. Receiving new powers in sleep. Thinking about neo-Baroque poetry. Reading by David Gascoyne, and Kathleen Raine. Keith Critchlow on Chartres. Kathleen Raine’s neo-Romantic view of poetry versus my neo-Baroque view. Seeing the One revealed in the new physics: Fritjof Capra. Finding a larger home: sale of flat 5, 10 Brechin Place and purchase of 46 Ritherdon Road, SW17. Perception of energy, and healing. I am regressed to two ‘past lives’. ‘Life’ as John Barfield in Lake District. ‘Life’ as consort of Ramesses II in Egypt. At King’s College, Cambridge: with Colin MacCabe and Bernard Williams. I meet Colin Wilson again. Asa Briggs urges me to write on Libya and my double life. ILEA inspection. Peace and sanctions. Healing at Bruce MacManaway’s Centre. New understanding: Christopher Ricks and me as a Metaphysical poet, content versus technique. Metaphysical Kabbalah: Warren Kenton. Matthew Manning healing cripples. Experience of Hermeticism and beginning of Third Mystic Life (13 May 1979–31 October 1981). Universal gardener. Still overworked at Garratt Green, illness: Matthew and Anthony have measles and then whooping cough. Dinner with Colin MacCabe, Frank Tuohy. New observation: Invisible behind the visible. Inspiration in sleep and view of world history: I receive idea for The Fire and the Stones – civilizations as Light-bearers. Struggling with authority: overwork and bronchitis. I revise Elegies for The Fire-Flower – gardener’s pruning. Dogmatic authority and disharmony. More revising for The Fire-Flower. ‘The Fire-Flower’: yugen and Reality. I revise all my poetic works and embrace discipline of rules. New power of hypnosis. Independence: I explore small school in Cranleigh. Finishing The Fire-Flower. Perception of the metaphysical universe. The ILEA’s Trotskyite exam policies. The Brain of Britain, opening to the Universal Mind. Jill Purce: I belong to no ‘school’ and reject the New Age’s unevidential dogmas. Research into ancient cultures: The Sun-Hawk and chaos.

    2. Ordeals of Independence: Trials of the Dark Night

    Episode 4: Baroque and Egalitarian Socialism

    Miss Lord agrees to sell Oaklands School. Mysticism: I attend four conference retreats. High Leigh. Hawkwood. Kent House. St Peter’s Convent. Negotiating Oaklands, family. Four quartets, Beauty and Angelhood. Metaphysical generation, poetic spring. I am announced as Principal at Oaklands School while still working at Garratt Green. Death of my mother. Sonnets: The Wind and the Earth. Acquiring Oaklands. End of my Third Mystic Life. Christopher Ricks and me as a Romantic poet. ‘Cambridge Ode: Against Materialism’. Preparing for Oaklands. Romanticism and Classicism. Artistic styles and the Baroque principle. Baroque principle: Christopher Ricks and me as a Baroque poet. Running Oaklands. At Cramond with Nadia. David Bohm at Winchester. Norman Rodway buys 46 Ritherdon Road. The ILEA’s egalitarian ‘no marking’ policy: English inspectors ban marking in ILEA English Departments. Principal: escaping to Oaklands. Death of Aunt Flo. Literary Baroque. The hydra slain.

    Episode 5: Vision and Subversion

    Offer to make me an MP: National Council for Educational Standards. Pneumonia: sinuses washed out. I oppose Communism in Europe through FREE (Freedom for the Republics of Eastern Europe). In the presence of Lord Whitelaw John Biggs-Davison asks me to write a paper on FREE. I revise ‘The European Resurgence’. Biggs-Davison puts me in touch with Josef Josten. Battle to secure planning permission for Oaklands’ extension. Biggs-Davison puts me in touch with Brian Crozier. Crozier asks for a new paper on FREE. FREE in competition with European Liaison Group. Idea of setting up Oak-Tree Books and of taking voluntary redundancy from ILEA. Subversion of FREE by Josten: Baroness Cox, Roger Scruton; Oaklands’ planning permission secured. Material on the miners’ strike. Diagnosis of bronchiectasis. Death of Phil Tribe. Vernon Davies. Josten hands me a file of cuttings on Scargill. Article for The Times, Charlie Douglas-Home. Baroness Cox keen for me to set up FREE. In the Lake District. In Scotland: draft poems for A Rainbow in the Spray – ‘Greenfield’, ‘Iona: Silence’, ‘Staffa: Wind’, ‘Ben Nevis: Cloud of Unknowing’. Josten blocks Times article. Mystic poems. I am urged to write a political pamphlet. I write a booklet on Scargill in the tradition of Dryden, Swift and Pope: help from John Cameron. Brighton bomb. Josten demands money. Crozier claims ownership of the Scargill file. Wounding the gorgon: Scargill at the Soviet Embassy. Josten blocks serialisation. Peter Walker, Secretary of State for Energy, asks me to visit him. Josten leaks guest list for launch. Launch of Scargill the Stalinist? Silence. My books in Foyles’ window, NUM invade Foyles. An ex-Communist’s material in Hull. Thrombophlebitis and creativity: decision to leave Garratt Green. In France: guillotine. End of miners’ strike. Death of John Cameron. Death of Josten. Death of Douglas-Home.

    Episode 6: Universalism and Expansionism

    Universalist poems announcing a Universal Age. Cornwall: ‘Lock-gate’, Baroque Age. Operation on varicose veins. In hospital I work on five Universalist poems: ‘Night Visions in Charlestown’; ‘Iona: Silence’; ‘Staffa: Wind’; ‘Crab-Fishing on a Boundless Deep’; ‘Cambridge Ode: Against Materialism’ – and Orpheus. Garratt Green, running Oaklands: Geoff Hurst opens Oaklands fête. In the Dordogne: Cro-Magnon man, ‘In Périgord’. Idea of The Fire and the Stones received in sleep: the Light shaping civilizations of history. Flurry of poems. In York, ‘At Dark Age Jorvik: the Light of Civilisation’. Cosmology: star-gazing. Des McForan’s book on terrorism. Paul Gorka’s book on Hungarian uprising. The future growth of the West. At Frankfurt book fair with Trevor Maher. Caroline’s dark news. The Executive Intelligence Review on Philby and the US-Soviet ‘Trust’; the Duke of Grantmesnil and Victor, Lord Rothschild as the fifth man. Tomlin’s book on philosophy. Asked to run The Salisbury Review by Jillian Becker. Tomlin and A.L. Rowse. Voluntary severance from Garratt Green. Oaklands: Len Murray. Jack Wood’s book on unions. A new group, ‘Heroes of the West’, and McForan. The Fire and the Stones. In the Cotswolds: ‘Winter Four-Sidedness’; ‘Oxford Revisited’. ‘Heroes of the West’: The Executive Intelligence Review again on Philby, the US-Soviet ‘Trust’ and its Head Victor, Lord Rothschild. Lord Whitelaw at dinner. ‘Question Mark over the West’. Poems written in Stratford-upon-Avon and Warwick. ‘Heroes of the West’: eliminating Gaddafi’s missiles near Sebha. In the Lake District: news of the raid on Libya, Universalist poems. Confirmation that evidence in McForan’s book caused the US raid on Libya. Kathleen Raine and Tomlin. ‘Heroes of the West’: discussion with Lord Whitelaw on Victor, Lord Rothschild as fifth man, Thatcher uses my Recommendations on terrorism to end Soviet-inspired terrorism. I had wounded the chimera. Raine and imagination. Book on Epping Forest. News of Argie’s birth found under church foundation stone. Garratt Green. Duke of Grantmesnil again on ‘The Trust’ (Force X) and its Head Victor, Lord Rothschild. Launch of McForan’s The World Held Hostage. Norris McWhirter investigates and reports. I buy a computer. Valerie Eliot’s nephew. Return to Stratford-upon-Avon: Shakespeare. Tour of Western Europe: ‘A Pilgrim in Europe’. Fishing in Cornwall. Launch of Tomlin’s Philosophers of East and West. Nature walk along the Roding. Preparing for launch of Gorka’s Budapest Betrayed: Jessica Douglas-Home and Roger Scruton, Krassó’s petition for democracy, Bukovsky. Launch of Budapest Betrayed: my live broadcast into the USSR on FREE, Prime Minister of Polish Government-in-Exile, Sabbat, on my challenge to the 1943 Tehran Agreement on Soviet sphere of influence and to British foreign policy since the war. Thatcher outs Victor, Lord Rothschild as fifth man, his denial. I visit 10 Downing Street to discuss publishing Thatcher’s speeches: Whitelaw. Implementation of FREE in committee of exile representatives of Captive Nations. I leave publishing to become an author, the monstrous chimera mortally wounded. A vision like a rainbow: seven bands, seven hills.

    Part Two: The Unitive Way: the Seven Hills of Achievement

    3. Arrival in the Hills

    Episode 7: Metaphysical Poetry and World History

    The Fire and the Stones: the Light behind all cultures. Margaret Riley’s last visit. Universalist perspective and Oaklands. In the Lake District: Wordsworth places. Symbolism and healing society. Tomlin’s illness. Poems written in Denmark: Viking roots. Fishing in Cornwall, ‘Out on the Alone’. Donald Wilhelm, satellite dishes and the Soviet Union. Auction of Charlestown. Wilhelm and FREE. Frankfurt and Universalism. The Fire and the Stones as a study of civilizations, storm. I buy Harbour-master’s House at auction. Death of Tomlin: Kathleen Raine, memorial service. Oaklands and law of history: overwork and suspected TIA. Finding Coopersale Hall. Finishing 61 stages in 25 civilizations. Village plan and collapse of marquee at Charlestown. Death of Biggs-Davison. Eliot’s centenary service, Laurens van der Post. Get on with your work. I found and establish Coopersale Hall School. I influence choice of Tony Little as Head of Chigwell School. Free will in history of civilizations. I open Coopersale Hall School. Finishing The Fire and the Stones: ‘Introduction to the New Universalism’ received in sleep. Steve Norris becomes our tenant. ‘Tablecloth’ of seven years of projections, seven-foot-long chart of 25 civilizations. Asa Briggs. Orpheus in the Underworld. Kathleen Raine invites me to be metaphysical historian in Temenos Academy. Cornwall and the universe, Preface to Selected Poems. Full opening of Coopersale Hall School. Steve Norris burgled. Building Coopersale Hall extension: Paul Gorka architect. With Laurens van der Post. With Kathleen Raine. Fire and storms. Metaphysical vision. Essex and Cornwall: opposites – action and contemplation. Selected Poems, A Metaphysical’s Way of Fire and beginning of Fourth Mystic Life (8 April 1990–6 December 1993). In Hungary, declining a castle. Schools and poems: Ambassador to Hungary. Tebbit formally opens Coopersale Hall School. I work on Selected Poems. Kathleen Raine and Laurens van der Post. In Czechoslovakia – Otto von Habsburg and Pan-Europeanism. I am put in touch with Element, temple-dancer. Preparing for the launch. Cosmology and Theory of Everything: with David Bohm – the infinite and Metaphysical Revolution. Cosmology: Edgard Gunzig and Light. Launch of The Fire and the Stones and Selected Poems, A Metaphysical’s Way of Fire. Speeches by Asa Briggs, Kathleen Raine and David Gascoyne. Starting the Temenos Academy. Autobiographical literature: Diaries, Awakening to the Light. Break with Kathleen Raine and Academy. Aftermath of launch, Sebastian Barker. Future works.

    Episode 8: Philosophy and Practical Mysticism

    Preparation for Winchester lecture. Three visits to Colin Wilson on consciousness: ‘Reflection and Reality’, death of Margaret Taylor, Smeaton’s Tower. Dream: on clouds. Pattern. Grounding philosophy. Orpheus among green apples. Arrangements for Winchester lecture. Universalism, a metaphysical movement, Romanticism and Colin Wilson. Shaping my philosophy. Bringing down the Light in Fourth Mystic Life: I start the Foundation of the Light, David Seaman plays football with Coopersale Hall boys. Metaphysical Research Group and the Light. Universalism, structuralism and Colin Wilson. Unified view of the universe. BBC. Russia. My car is shot at twice. Philosophy of history: Francis Fukuyama and the end of history. Universalism and unified knowledge, Sir Philip Mawer. I dream the date of the general election and Major’s victory, Tebbit. My Winchester lecture, ‘The Nature of Light’ – Bronwen Astor, Bede Griffiths, John Barrow. Cosmology and the Theory of Everything – Rupert Sheldrake, Stephen Hawking; my essay ‘What is Universalism?’ Mystery school lasting five days. Forthcoming works, poem on Bohm, ‘Ode: Spider’s Web: Our Local Universe in an Infinite Whole’. End of mystery school. Canon Peter Spink. I write a paper, ‘Against Reductionism’, for a Cambridge conference. Conference on reductionism. Roger Penrose, Mary Midgley, John Barrow, Freeman Dyson. My Form from Movement Theory, drafted in Jesus College’s hall with Henning Broten; David Bohm, Geoffrey Read’s Leibnizian view of time. Comments on my work: David Bohm and his death, Laurens van der Post, Roger Penrose.

    Episode 9: Autobiography and International Politics

    Writing out of direct experience: A Mystic Way. At the conference on Global Deception: Mary Seal, Eustace Mullins. Autobiographical literature: A Mystic Way; Collected Poems: A White Radiance; Awakening to the Light. Oaklands School: carol service. Death of Miss Lord. Metaphysical poems. With Christopher Ricks in the Turf. Process and inspiration, in Edinburgh. In Winchester: Universalist metaphysics versus materialism, reductionism and Rationalism. Three visits to Colin Wilson. Frank Tuohy. Quaker Universalists in Birmingham. Metaphysical Research Group renamed Universalist Group of Philosophers. In Florence: Villa Careggi and Ficino. Two finished works revealed in Pisa: Overlord (poetic epic) and Classical Odes. ‘The Laughing Philosopher’, ‘Epithalamion’. Reversing the Vienna Circle, Willis Harman. With Christopher Ricks all round Oxford, choice of blank verse for epic. In the USA, ‘American Liberty Quintet’. Nadia’s wedding. Poems inspired by sea. Last visit to Colin Wilson. Elemental poems. Unruly Universalist philosophers. Angel poems. Revising poems. Alexander King and the New World Order. Offered a Hungarian castle. Lord Roding and the ‘Heroes of the West’. The philosophers polarised, David Lorimer engaged to Norris McWhirter’s daughter. Metaphysical Centre – Red Mercury, Raina Haig, choosing work over life; end of Fourth Mystic Life. Two visits to Mary Seal on the New World Order. Norris ends tenancy. Ken Clarke’s spreadsheet on the British economy. End of my autobiographical literature: A Mystic Way, Collected Poems: A White Radiance, Awakening to the Light – long letter from Ted Hughes. Wales: Beaumaris and Snowdon.

    4. Hard Slog: Contemplative Works

    Episode 10: Epic and European Culture

    Universalist philosophers to contribute to a book. Lecture by John Williamson. At the D-Day beaches with D-Day soldiers for epic. Universalism and the Fire. Debate between Enoch Powell and Roger Scruton; Brian Crozier. Coalition of philosophers. Tony Little. Short Stories. Lunch in the garden with Sebastian Barker. In wartime Europe for epic: Berlin and Auschwitz. Two factions of philosophers: Intuitionist Universalists versus Rationalists following ‘New Metaphysics’. Verse play, The Warlords. Coalition of philosophers: Universalism and New Metaphysics, Intuitionism versus Rationalism. In wartime Germany for epic. Presentation at Regent’s College: Intuitionist Universalism as the philosophy of the epic, break with the unenlightened Rationalist philosophers. I plan The One and the Many. I finish vol. 1 of my Collected Stories, A Spade Fresh with Mud. I begin my epic, Overlord books 1 and 2. Nadia’s note. Anthony, John Ezard and Richard Norton-Taylor. At Milton’s Cottage, Chalfont St Giles, for epic. Stonewell Farm, Peter Bassano and Emilia Lanier; Ted Hughes. I work on second volume of Collected Stories, A Smell of Leaves and Summer. Challenge to Norris. Hungarian school to be named after me. In Holland and France, visiting Matthew in Forbach. In wartime Germany again for epic: the Berghof, Wewelsburg and Lüneburg. Overlord books 3–6. I acquire The Bell, Great Easton; Thaxted Horn Dance. I lecture on Universalism. In Turkey and Greece: Troy and Ithaca; St Gerasimos and ‘The Warm Glow of the Monastery Courtyard’; Socrates’ prison and Plato’s Academy. Finishing Overlord book 6; Norris discontinuing as MP. In Italy: Cumae and Virgil’s tomb. In Russia and Crimea: St Petersburg, Yalta, Moscow – books for Solzhenitsyn, KGB. Overlord book 7. In Norwich. Julian of Norwich, Little Walsingham. Operation on varicose veins, John Hobbs: antiphospholipid syndrome diagnosed. Overlord books 8–9. An afternoon with Svetlana Stalin. Earls and endings: at Hay-on-Wye, the Earl of Burford, Asa Briggs, Ted Hughes. In Greece: Helen of Troy’s palace and Kazantzakis’s house. Overlord books 10–12. I am asked to acquire Normanhurst School. In Rome: drinking from the spring at Horace’s Sabine farm in Licenza. Finishing Overlord; Normanhurst’s Founders Day, Nasser Hussain.

    Episode 11: Verse Plays and Tudor Knots

    Purchase of Tudor Otley Hall. Transforming Otley Hall: classical odes. Death of John Broadley V. The pro-Nazi Sherstons and Mrs. Schofield, Godolphin House. Otley Hall: knot-garden. Otley Hall: more transforming and delving. My lecture at Aldeburgh, ‘Revolution in Thought and Culture’, and The One and the Many. My talk in Cambridge, ‘In the Garden of the One’. Screenplay about Bartholomew Gosnold, Gosnold’s Hope (later The Founding of America). Death of Ann’s mother. Collected Stories, vol. 3, Wheeling Bats and a Harvest Moon. Otley Hall and Tudor knots; deaths of A.L. Rowse and Frank Tuohy. At Bourn Hall, seat of Haggers. At the Globe: Mark Rylance, Derek Jacobi. The Earl of Burford asks to work at Otley Hall. I am asked to house Shakespearean Authorship Trust and De Vere Society libraries at Otley Hall and to be a trustee of the SAT. The Tragedy of Prince Tudor. In the Lake District. Cast of the Globe’s As You Like It stay and rehearse at Otley Hall; Jonathan Cecil. Visitors to Otley Hall. Second operation for varicose veins. John Southworth and Fools. Opening Otley village fête, John Michell. Robert Gosnold III secretary to the Earl of Essex. In Italy: Verona and Venice – Catullus, Dante and Shakespeare. Six forthcoming works: Collected Stories, vol. 4, The Warm Glow of the Monastery Courtyard; Ovid Banished; The Warlords abridged; Gosnold’s Hope; The One and the Many; The New Philosophy of Universalism. Asked to arrange twinning between Jamestown and Ipswich. In the USA: my lecture in Richmond on Bartholomew Gosnold – Norman Beatty, Bill Kelso, Elizabethan values. Mark Rylance visits Otley Hall. Tebbit and the New World Order. Twinning: Ipswich and Jamestown, Lord Belstead and Bill Kelso. UK to be split into 8 regions. Martin Taylor and the earth-dollar. ‘Plahouse’. Twinning with Jamestown, Lord Belstead, Gen. Knapp, sculpture of Gosnold. Death of Argie. Otley Hall and ghosts. St Osyth Priory. Anglo-Saxon Suffolk. Tudor houses: The Thatch, South Wraxall Manor. ‘A Defence of Traditional Poetic Method’. Ovid Banished. The Rise of Oliver Cromwell. Cast of the Globe’s Julius Caesar stay and rehearse at Otley Hall. Next works.

    Episode 12: Classical Odes and Utopianism

    Perfect utopias, and the classical tradition in Classical Odes. Work on The Secret History of the West. In Cathar country: Carcassonne, Rennes-le-Château, Montségur. The Secret History of the West and revolutions; Nasser Hussain’s dinner at Lord’s. The Earl of Burford’s protest: leap onto woolsack. North Tawton: Ted Hughes’s house. Otley Hall and the media; digging up rose-garden lawn, Jon Ronson and New World Order. Cast of the Globe’s Tempest stay and rehearse at Otley Hall – Vanessa Redgrave, Tim Carroll. In Iceland: whales and volcanoes. Cast of the Globe’s Hamlet stay and rehearse at Otley Hall – Mark Rylance, Richard Olivier, Giles Block. Dating project from dendrochronology – Philip Aitken, Timothy Easton; Charlie Bryan; the Earl of Burford leaves and is now known as Charles Beauclerk. ‘Zeus’s Ass’. Opening fête at Bourn, seat of Haggers. In Sicily: Motya and Syracuse – quarry where Athenians were imprisoned. Element go into receivership. Matthew’s wedding. On Dartmoor: Bronze Age stones. Three television programmes on Otley Hall. Shakespearean Authorship Trust meeting. Holcombe Court. In Italy: Turin and Rome – the Turin Shroud and the Fall of Rome. History projects. Peter Donebauer and world history website – Bamber Gascoigne, Michael Frayn. Bill Kelso and Patricia Cornwell lunch at Otley Hall. Structure of Classical Odes. Virginian Governor’s representative. In Portugal: navigators. In Spain: El Escorial library, unity of knowledge and disciplines; Paradise. Dating project ended: I write a guidebook to Otley Hall. Virginian deputation from Jamestown to Ipswich Borough Council, and lunch at Otley Hall; no twinning in prospect. Another Virginian deputation under Roxane Gilmore, First Lady, at Christchurch Mansion, televised speeches and lunch at Otley Hall; Lord Tollemache. At the US Embassy – Governor Gilmore, Patricia Cornwell. Mediterranean cruise – Roger Bannister and return to Libya. Election, ‘Pastoral Ode: Landslide, the End of Great Britain’. Heaven and Earth Show, gym. Matthew now Managing Principal. Birth of grandson, Ben. Tony Blair in Charlestown. New gardener joins from Sir Evelyn de Rothschild’s Ascott House. Wine-tasting at Helmingham Hall: Lord Tollemache’s 34 generations and anapaest. Lord Braybrooke. 9/11, ‘Attack on America’. Early version of The Syndicate: 11 September and New World Order – Edward Garnier, Iain Duncan Smith. Historic houses: Titchfield, Sandringham. Christening of Ben. Historic houses: Somerleyton, Spains Hall. Middle Temple Hall and Twelfth Night. Lord Braybrooke and Cornwallis’s surrender sword. Duke of Rutland and SAT. In Cyprus: Othello’s Castle and Grivas’s bungalow. Davenport’s funeral and memorial service. Odes on English cultural history. In Bordeaux: Comte Hagger. Odes on traditions: Thaxted, Sulgrave Manor. In Heidelberg and Freiburg: Rosicrucians and philosophers. Marlowe’s window. Odes on affairs of State. English historic houses: Coggeshall Abbey, Horham Hall. In China: the Humble Administrator’s garden and Mao’s mausoleum, Chinese classical odes. Taking stock of Otley Hall, Connaught House. Quay Road, Charlestown. ‘Petals like Snowflakes’. Discovery of Bartholomew Gosnold’s skeleton. Structuring Classical Odes: three of space and one of time.

    5. Final Ascent: Unitive Vision

    Episode 13: Collected Literature and Secret History

    US invasion of Iraq: ‘Shock and Awe’. Writing The Syndicate: John Hunt. Disillusion with the Shakespearean Authorship Trust. At the schools. Finishing Classical Odes. Fall of Iain Duncan Smith. In Gran Canaria: Fortunate Isles. Finishing The Syndicate, radio. Sale of Otley Hall. At Cliveden. Upheaval. Travellers next to Coopersale Hall. The Secret History of the West. Medical. In the Scilly Isles: ‘In the Brilliant Autumn Sunshine, Among a Thousand Islands’. In Brussels: a top-down organisation. Leaving the Shakespearean Authorship Trust. In Stratford-upon-Avon. The Light of Civilization. In Egypt: charnel-house in Sinai, Bedouin and the universe. Collected literature. Classical Odes. Collected Poems, 1958–2005. The Rise and Fall of Civilizations. Christopher Ricks, Professor of Poetry. Shakespeare’s bedchamber. Shakespeare’s trunk. Charles Beauclerk and Nell Gwyn. Otley Hall top private garden in UK. Bill Kelso, Gosnold DNA and Shelley church. Family events. Connaught House. John Silberrad and Sisyphus. Death of Silberrad. Paul Doherty and Faustian striving. Christopher Ricks and plagiarism. David Cameron. Harry Beckhough, Montgomery and Ultra. Lindsay Jenkins and Germany. Hernia operation. The Secret Founding of America and steroids for insect bite. Collected Verse Plays. Working on ten books simultaneously. One-volume Overlord. Connaught House grounds, sale of The Bell. Schools. Ricks’s lectures. Stories for In the Brilliant Autumn Sunshine. Collected Stories, including In the Brilliant Autumn Sunshine.

    Episode 14: Order and Terror

    Beginning of Armageddon as Crusaders. In Iran: machine-guns at Natanz and the Hidden Imam’s well. The Last Tourist in Iran. In Austria: Waterloo ball, The Lost Englishman. Three novellas. Death of Ricky Herbert. 25 radio broadcasts to USA on The Secret Founding of America. Christopher Ricks. Eternity and Providence. Beginning of The New Philosophy of Universalism. In the Galapagos Islands: 13 species of finches, turtles’ instincts and Darwinist evolution. In Peru: sun-centred Incas and Machu Picchu’s Temple of the Sun. The New Philosophy of Universalism. In Argentina, Falkland Islands, South Georgia, Antarctica: Ice Ages and global warming. The New Philosophy of Universalism continued: synthetic method. Ken Campbell: reading of The Warlords, death and funeral. Shoulder operation. Ben and Chigwell. Matthew’s wedding. Wilton House. Opening bank branch. Tony’s award: Young Filmmaker of the Year. Duke of Gloucester, Nicholas Soames. Nadia’s wedding. At Tennyson’s Farringford. Armageddon. The Revolution That Didn’t Happen. The Libyan Revolution. Matthew’s path. Caroline’s path. Oxford paths. John Le Carré. Ben and history. Ricks’s path. Individual paths. Sale of 10 Crescent View with sitting tenant. Recital in Saint-Sulpice: two invocations. Armageddon continued. North Norway: Vikings and Northern Lights, invocations. Birth of grandson, Alex. Coopersale Hall’s 20th anniversary. Ricks and Neoclassical principles. 70th birthday and return to Otley Hall. In Eastbourne. The end of Armageddon.

    Episode 15: Internationalism and Localism

    The World Government, other books and radio. The Secret American Dream. Lisbon Treaty. Reading of Overlord: Eric Galati. Archives. Orpheus. Ray Davies. Local politics and Coalition. The Oxford Playhouse and Jonathan Bate. John Hunt’s expansion. Three generations. Raymond Blanc. Cornwall damp and William Golding. A New Philosophy of Literature: Copped Hall, Light and Shadow. Mediterranean cruise: ‘The Way to Rome’, Peter O’Toole. Finishing A New Philosophy of Literature. Ricks and the Triton. ‘Hermitage’. Xing and Ovid Banished. Selected Stories: Follies and Vices of the Modern Elizabethan Age. Libya: Adam Boulton and BBC Radio 5. War in the Middle East, death of bin Laden. Philosophy lecture on internet. Schools. Birth of granddaughter, Olivia. In Gloucestershire: Roman culture. Death of John Ezard. Charles Beauclerk and Shakespeare. Garden and Bellerophon. A View of Epping Forest. Departures. Cornwall: hermit. On the Isle of Man: Great Laxey wheel. Christening of Alex and Ollie. Finishing A View of Epping Forest. Jonathan Bate. Bronwen Astor and Skybolt. Hadrian’s Wall. Gidleigh Park: episodes and beginning of This Dark Wood, a bowl of fir-cones. Bletchley Park. Libya: Shukri Ghanem and Gaddafi, BBC Radio 5. Ann’s hip. Rod Stewart at Coopersale Hall. 10 Downing Street’s perspective. Russian-Bulgarian wedding. East Grinstead, Snowdonia. Oaklands’ 75th anniversary, the Haggers’ 30th anniversary at Oaklands. Sports. A Rainbow over the Hills. Selected Poems: Quest for the One. Beverley Minster and The First Dazzling Chill of Winter. Change. In India, Sri Lanka and Arabia: ‘Revisiting the British Raj’, ‘Reflections in Arabia’ – Paradise is ‘here and now’, Gandhi, pirates and frankincense. Hernia operation and removal of carcinomas: Icarus. End of a nationalist era: Thatcher’s funeral, New World Order – The Grove. Incidents and retirements. Mary Rose. Cornwall and the universe. The word and the Light. International affairs: Syria, Iran, Crimea and reconciling opposites in a World State. My story. The face within the stone. Universal myth: Odysseus, Philoctetes, Jason, Orpheus, Tammuz, Faust, Prometheus, Heracles, Perseus, Bellerophon, Sisyphus, Icarus, Paradise, transforming Mystic Way. Acceptance of the transforming past and the present. Universal intelligence. Distilling: Golden Age. ‘Intellect’. Unified view of health. My garden and Paradise. Rainbow: vision of unity and unification, the One.

    Epilogue: Rainbow over Hills

    Episodes, structure, pattern and unity in double lives

    My double life and episodes. Working and writing lives. Social and metaphysical worlds. My turbulent time: from post-imperial nationhood to Universalism. My task and mission? My ordinary and extraordinary double life. No duality. Episodes. Pattern and transformation in 30 episodes and pairs of opposites. Nodal points in 30 episodes. In all, 42 episodes and over 50 works. Universal double lives and the Universalist rainbow. Structure, pattern and unity in all double lives. Free will, chance and Providence in all double lives. Rainbow over the hills: visible and invisible rainbow in all double lives.

    The Rainbow Portrait of Elizabeth I holding a rainbow, painted in the last year of her reign (c.1602, attributed to Isaac Oliver). The Queen is wearing an orange cloak decorated with eyes, ears and mouths, a sign that she sees and hears everything through her intelligence agents. On her left sleeve is a jewelled serpent. She holds a rainbow in her right hand (see pp.232, 351, 559, 841, 868, 869) and the Latin inscription on the painting, ‘Non sine sole iris’ translates as ‘No rainbow without the sun’.

    Sketch for a portrait of Nicholas Hagger by Stuart Davies

    The unexamined life is not worth living.

    Socrates, in Plato, Apology, 38a

    Author’s Note

    My Double Life 1: This Dark Wood presented the first 15 episodes of my life. This book, its companion volume and sequel, continues the story and presents the next 15 episodes. They are numbered 1–15 to give this work the feel of a self-contained volume but they could have been numbered 16–30. My Double Life 1: This Dark Wood dealt with my travels in the Middle and Far East, including China, my work for British Intelligence in Europe and Africa, my emergence from darkness into Light and the birth of my vision of unity. This work deals with my emergence to Universalism (whose different activities, disciplines and genres are symbolised in the bands of a rainbow) and the gestation and production of my first 40 books. It deals with how the books came to be written, the pressures behind them, the processes that brought their Universalism to birth and their attempt to convey my vision of the universe as a unity.

    My Double Life 1: This Dark Wood contains a very full Prologue, which deals with all the main issues, including the presentation of my life as a chain-like succession of episodes, in each of which there is a pair of conflicting sequences of events that resemble the pairs of opposites in the double helix of DNA and in the two spirals on a spruce cone. This book therefore does not have a Prologue, which is replaced by this Author’s Note. My Double Life 1: This Dark Wood contains an Epilogue that looks back over the first 15 episodes. This work’s Epilogue looks back over the next 15 episodes, and assesses all 30 episodes. Through their episodic structure the two books together convey the pattern in my life, and it is my contention that a similar episodic approach will reveal the pattern in all lives. I see both works as therefore being Universalist works.

    In the Prologue of My Double Life 1: This Dark Wood I said that I have had four Mystic Lives. I wrote:

    During my journey I had four Mystic Lives. These can be dated from the chronological list of experiences of the Light (see Appendix 1). There are 16 experiences of the Light in My Double Life 1: This Dark Wood and 77 in My Double Life 2: A Rainbow over the Hills, a total of 93 experiences of the Light, each of which is documented from Diaries written at the time. Between the First and Second Mystic Lives was my Dark Night of the Soul, and between my Second and Third Mystic Lives was the first part of my Dark Night of the Spirit, in which I was fed new powers. My Double Life 1: This Dark Wood ends near the beginning of This Dark Night. In My Double Life 2: A Rainbow over the Hills the story continues, and between my Third and Fourth Mystic Lives was the second part of My Dark Night of the Spirit in which I was confronted with ordeals. My Unitive Life began after my Fourth Mystic Life.

    In My Double Life 2: A Rainbow over the Hills I narrate my progress into unitive life within seven disciplines.

    Taken together, these two works recount how during my quest my glimpses of the metaphysical Reality known as the One inspired me to write Universalist works in seven disciplines: transpersonal psychology and mysticism, literature, science and philosophy (including cosmology), world history, international politics and statecraft, comparative religion, and world culture. They therefore narrate the development of my world view, Universalism, which focuses on the unity of the universe and the universality of humankind and seeks to bring in a harmonious world in the nearfuture; and which I have expressed in my 40 books.

    In the Prologue of My Double Life 1: This Dark Wood I wrote the following regarding my method:

    I have frequently quoted from my Diaries as they were written immediately after the events described and give ‘at-the-time’ authenticity to my recollection. ‘At-the-time’ wording bypasses fallible memory and inadvertent embellishing-in-hindsight. It adds vividness by recapturing long-forgotten details relating to the day on which events happened with precision, and reproduces how events struck me at the time. My aim has been to get as close to the original experience in the moment as is possible at such a distance, and my method has enabled me to achieve a fidelity to the moment which many memoirs that look back over decades fail to achieve. The moments all belong to a process, and my double life is a process life. My Diaries add immediacy and bring the past alive in the dynamic, baroque, process-led Universalist manner. I have sourced the quotations from my Diaries so that my memoir has the flavour of being evidential and objective as well as vividly detailed and ‘at the time’.

    As will be seen, the bands of the rainbow represent the disciplines in which I have worked (see pp.260, 873). It will become apparent that within each episode many of the italicised subheadings begin with one of the two ‘opposites’ of that episode, and as the episodes of Part Two reflect these disciplines many of the subheadings reflect one or more of these disciplines. The subheadings therefore connect the reader to the seven bands of the rainbow.

    Finally I should add that, having finished My Double Life 1: This Dark Wood in seven months, I took longer on this work, which spans 40 years and 40 books. I completed the research and writing in eleven months (from 19 August 2012 to 7 September 2013), and amended both books for another seven-and-a-half months (until 25 April 2014, see pp.844–845 for further details). I would like to pay tribute to my PA Ingrid Kirk who helped me complete both books so quickly.

    Nicholas Hagger

    PART ONE

    Towards the Shimmering Rainbow

                                  "On a huge hill,

    Cragged, and steep, Truth stands, and hee that will

    Reach her, about must, and about must goe."

                             John Donne, ‘Satyre III’

    A man can embody truth but he cannot know it.

                         W.B. Yeats, letter to Elizabeth Pelham,

                         4 January 1939

    CHAPTER 1

    Through a Mist of Unknowing: Dark Night of the Spirit and Infused Powers

    It is characteristic of the journey along the Mystic Way that those lost in its ‘Dark Wood’ and experiencing its Dark Night are unaware of the explanation for what is happening to them and what lies ahead; this is only grasped later when, from the serene calm of unitary consciousness, the self can look back and understand the detaching that suffering brought as a gift.

    Nicholas Hagger, Preface to Collected Poems

    From this sloping hill I look down on the dark wood spread out beneath and recall my journey to Kaseem’s Iraq and to Japan, where I was a Professor, taught the Emperor Hirohito’s second son, wrote my early poems, encountered Zen and was told the wisdom of the East by the poet Nishiwaki: +A + –A = 0; and experienced a First Mystic Life and contact with my imagination and my Muse. My journey took me to China, where I was the first to discover the Cultural Revolution, and to Libya, where I was an eyewitness of Gaddafi’s revolution, became a secret agent and lost my marriage. I was now in a Dark Night of the Soul (or more strictly, a Dark Night of the Senses), and I began to undergo an inner transformation and purgation: a centre-shift. I returned to London, became Heath’s ‘unofficial Ambassador’ to the African liberation movements and wrote for The Times. I recall how I was routinely followed by surveillance squads. Living in a boarding-house in London and helped by an Austrian artist, I experienced illumination and further purgation in a Second Mystic Life and renewed contact with my imagination and Muse. I had visions of the One, the Light, and instinctively came to see the universe as a unity. At the same time I monitored Soviet and Chinese activity in Africa, visited Tanzania and managed to get into a restricted section of the Chinese Tanzam railway. I recall how I severed connections with the SIS in 1973.

    All this I narrated in My Double Life 1: This Dark Wood. I told my story in 15 episodes (or sequences of events), in each of which there was a pair of opposites. I ended that account with me still in my cover job at a school for educationally subnormal boys but having secured a new job in a new school. I had started a new relationship with Ann, a primary school teacher I had met in Greenwich, and I had just moved into a flat I had bought in Stanhope Gardens, near South Kensington station. I left my story with me clear of the dark wood, my finding complete, and sensing that I would complete innovatory works and projects of founding that would reflect my new sense of purpose. I sensed that in the next 15 episodes I would express the One in my works and convey a new sense of meaning.

    But I did not know that before that could happen I had to undergo a Dark Night of the Spirit in which new infused powers would pour into my self and I would experience a Third Mystic Life lasting a couple of years. In the creative Night of Unknowing between illumination and the unitive life the spirit is covered as in a mist and is fed new energy, knowledge and powers by the enfolding darkness which acts as a Muse and often pours in inspiration during sleep. On the universal Mystic Way the Night of Unknowing is a final purification and infusing of knowledge in preparation for the unitive life along the Unitive Way. In this Night a ‘Cloud of Unknowing’ descends on the spirit and the Light is only experienced from time to time. I did not know that, while veiled by Unknowing and nourished with new powers and a Third Mystic Life, I would undergo further purgation and trials, ordeals in which I would find myself fighting Communism. I did not know that only after these ordeals of combat would I be able to emerge from my Dark Night of the Spirit, reach the beginning of the Unitive Way and create my works.

    I stand just below the rim on the outer side of the crater that halfsurrounds Loughton. On the inside of the crater seven roads wind up seven separate hills. On the outside each hill is interconnected by the crater’s wall. As I look, between sunshine and cloud a rainbow gathers over the hills. It forms slowly out of nothing like the Light, at first a shimmering haze. An arch of seven symmetrical bands of different colours manifests into form from the cloudy sunshine. Slowly I identify the colours in the bands: red, orange, yellow, green, blue, indigo and violet. The rainbow straddles the crater that contains the seven hills of Loughton,¹ uniting them under the span of its arch.

    The curved bands reflect the seven curved hills within the crater below its span. I now see each band as a discipline and genre in which I have worked. But then, emerging from the dark wood in mist and looking up at the hills and the side of the crater to be ascended, I had only a hazy idea of the disciplines and genres in which I would work. I just knew my illumination had marked me out to complete a number of works and projects.

    Now I look down on the young man who emerged from the dark wood with a vision of the unity of the universe and a determination to make use of the knowledge he had found. He was constricted by having to earn a living, and had little time to produce works that would convey his vision. He was hoping the way would open. I find him near the beginning of a new episode. His mystical Light is behind him, and a fog has enfolded his soul, like a mist that rises from Connaught Water and enfolds the Ching valley, a mist of Unknowing that pours in infused knowledge and gives the spirit new powers which pass into works.

    Now my theme ceases to be one of finding and becomes one of founding: the process of implementing what I found in the course of my journey in a succession of works. I continue the story that began in My Double Life 1: This Dark Wood and present a new series of 15 episodes. I will then lay out the pattern of my life, an approach that can be applied to all lives.

    Episode 1:

    Remarriage and Comprehensive Education

    Years: 1973–1974

    Locations: London; Hastings

    Works: The Gates of Hell; Elegies: A Bulb in Winter; The Pilgrim in the Garden, nos. 1–10; The Night-Sea Crossing; The Fountain.

    Initiatives: Metaphysical poetry; neo-Baroque poetry

    We begin to live when we have conceived life as tragedy.

    W.B. Yeats, Autobiography, ‘Four Years’, 1887–1891, chapter 21, 1922¹

    When the moon’s upset, he doesn’t fret

    He doesn’t sit around and cry

    He gets all dolled up in a sky-blue shirt

    And a rainbow tie

    Jack Berch/John Redmond,

    ‘A Sky-Blue Shirt and a Rainbow Tie’, 1954

    In my new episode my busy life as an educator at a comprehensive school, whose daily obfuscation of work covered my soul like mist, was in conflict with my increasingly settled domestic life in whose peaceful atmosphere, in an unprecedented burst of creativity, I wrote hundreds of inspired lyric poems and stories.

    Comprehensive education

    I start as Second-in-command in English Department at Henry Thornton School In My Double Life 1: This Dark Wood I described how I had to find a new job for September 1973 so I could leave my secret work as a British intelligence agent, and how I was appointed Second-in-command of the English Department at Henry Thornton School.

    Henry Thornton School faces Clapham Common. Founded in 1894 and located on its present site as a grammar school from 1929, it was now a comprehensive that combined grammar and secondary-modern intakes. Local boys of all abilities mixed freely in accordance with the comprehensive ideal. Every morning I drove from our flat in Stanhope Gardens, leaving Ann to go to work at St James Norlands, Holland Park, and returned each evening with piles of books to mark while Ann (who had less marking, teaching ten-year-olds) watched television, sometimes curled up in a chair beside a bowl of cherries.

    Henry Thornton was ten times larger than Riverway, the ESN school in Greenwich I had left behind. I found it glassy, hectic and crowded. The playground was always filled with shrieking teenage boys playing manic games of football, and walking from the staff room to the English block involved running a gauntlet of flying footballs. The first few days I was rushed off my feet. The English Department had no syllabus. The elderly Head of Department, white-haired Jim Doolan, who wore a bow-tie and whose great joy was reading Chaucer in the original, did not believe in syllabuses. The Head of the school asked me to write one. I had to sort through the stockroom, which did not seem to have been touched since Henry Thornton ceased to be a grammar school – the old Honours boards from that time were stored up one end – and I had to hold meetings with the ten young teachers to co-ordinate what they were doing into a progression. They told me the only guidance Doolan had given them was: You’re an English teacher, teach. I soon discovered I was running the Department. From the outset I was courted as if I were Head of Department by both the English staff and the Head of the school.

    The staff were very well-mannered, pleasant, urbane and well-spoken, and there was a great contrast between the civilised atmosphere in the huge staff room, where over 100 sat in comfortable chairs reading newspapers, and the confused and noisy congestion in the corridors. The Head of the school sat in his study all day, coping with paperwork, and discipline was left to his two deputies.

    Soon after I arrived I encountered one of them, an ex-RSM (Regimental Sergeant-Major), Mr Nicholls, in the playground in a quieter moment. (He had brought the quiet with him.) He asked how I was getting on. I said, Fine. How do you keep order in this place?

    I’ll show you, he said, and he bellowed: Boy. About 200 yards away a West-Indian boy of about 11 cringed, turned and scampered up to us. You keep a cane up your sleeve, Nicholls told me. He shook down from the right-hand sleeve of his threadbare suit a small cane. Boy, he commanded, put your hand out. Cowering and with his bottom lip out and quivering, the boy sulkily extended his right hand. Swish. The boy ran off, flicking his fingers. No one else was around.

    What was that for? I asked, scarcely believing what I had seen.

    "Oh, that wasn’t for anything, Nicholls said. That’s how I keep order in this place."

    While the senior staff, like the Head of the school and Jim Doolan, went gravely to and fro, carrying with them an oasis of untroubled calm amid the general chaos, one of the Heads of House, a small balding Welshman, Mr Daniels, patrolled my corridor waving a large cane to persuade the tearaways to line up. You need a stick, Mr Hagger, Mr Daniels said with mock-seriousness at the beginning of one of my classes, and he presented me with a cane, which I theatrically locked away in my cupboard. I never used it, but when the high tide of turmoil outside my classroom rose to threatening proportions I appeared and brandished it, and the general rushing-about suddenly stopped.

    I do not know how we got some of the boys to stay in their desks all lesson, let alone do the work we set. I took 1st and 2nd years, 4th, 5th, 6th and 7th years. There was an enormous range of ability, and some 15-year-olds could hardly write their name. I struggled on with Macbeth and Brighton Rock, and the dunces would say, Oh sir, can’t we play cards today? Some of them handed in wretched work with a pleading Sir, do you think you could give me an A? Some just pushed their papers on the floor and stared out of the window. When they did this in other classes, the boys were sent to me and I had them sitting near the front as a punishment. Sir, what’s the use of teaching us? one of the miscreants asked me. We’re not going to do anything that needs what we learn at this dump of a school. He had a point. I fairly soon realised that such pupils had been failed by their primary schools, that their English in our school was crippled by what they had failed to learn when younger.

    I enjoyed the 6th- and 7th-year lessons most, the ‘A’-level classes. A dozen intelligent boys sat down both sides of a long table in the calm of the long shelf-lined ‘A’-level room, which had been an extensive ‘A’-level library in the grammar-school days. Somehow these boys had survived the frenetic rushing-about and had come through with some semblance of literary criticism, although in their essays they needed to tighten up, as Jim Doolan put it. They appeared generally interested in the Metaphysical poets which I had to read with them. I had first found out about the Light from the 17th-century Metaphysical poets I had read in Spain, and I greatly enjoyed combing their poems for references to it.

    Jim Doolan, Head of English

    In the calm atmosphere of this long room we had our Departmental meetings. As there was no pre-existing structure whatsoever, except for lists of class names, the classes teachers were taking and the exam set books, I had to start from scratch. Everything was new, and Jim Doolan presided over our deliberations at the end of the table, white-haired and hornrimmed, with a disdainful, detached, sometimes scathing expression on his face.

    As the term progressed and he and I talked more and more, he made no attempt to disguise his criticisms of the comprehensive system and of its uncaring attitude in lumping together the more able and the less able on one site. The more able suffer because of the hooligans, he used to say to me, and the less able feel inferior because of the more able. It doesn’t work. And the meetings are all a waste of time. Yesterday they spent an hour discussing a one-way system to get the children to proceed in an orderly fashion in the corridors without mentioning once that they rush about as if they’re on a football pitch. He aired his criticisms in the staff room, and they had not gone down well at the top. When there was a vacancy for Senior Teacher the previous term (a post rightfully Jim’s by seniority) the post had been given to a young Head of Science who had been a pupil at the school under Jim. Jim had been bitterly hurt at the snub. Hence he had withdrawn from his role and had told me to run the Department as best as I could.

    There was much talk of the Head not doing enough about discipline. One of the staff, an ex-commando who had lost fingers at Arromanches, ‘Tug’ Wilson, took a party of 5th-years to a matinée at the Royal Court in Sloane Square. A tall West-Indian with a boxer’s physique was difficult outside the theatre and ‘Tug’ sent him home. The boy knocked him out with a right hook. The ex-war hero lay unconscious in the gutter and was taken to hospital by ambulance. The boy was suspended for a couple of days and then allowed back into school, where he boasted that any other master who crossed him would receive the same treatment. Appalled, the staff held a meeting and threatened to strike unless the boy was expelled. The boy remained in school but was not taught. Everyone said that the Head was too soft and ought to leave his room and tour the school.

    Lyric poems: influence of Roman poetry

    Teaching Marvell’s ‘The Definition of Love’ and ‘Dialogue of Soul and Body’ in the long room took me back into my own poetry. In early October Margaret Riley, the artist at 13 Egerton Gardens who had induced my illumination (see My Double Life 1: This Dark Wood), arrived uninvited and stayed a night. I showed her Marvell’s ‘The Garden’, which I was also teaching (and had read with Christopher Ricks). She said, If you met Marvell you would talk for a long time, you are on the same level. On 7 October I wrote in my Diaries: Get back to poetry after 5 months. And on 11 October:

    I am a poet…. I write of the moment – in poems and short stories…. My journalism took me off on a different route…. I neglected my true way. I had it between 1965 and 1966…. 1967: that is when I went wrong…. I lost my way. And now I am finding it again. I must face up to the fact that I have had a false start…. My major work – which I described to [Ezra] Pound – is ahead. Images…. Jim on Eliot knowing his method is right because it was used [by] the Elizabethans, i.e. taking his strength from the past…. A new onslaught into poetry. Something original each day…. I must make poetry come across and give it a new philosophical dignity. The line: think. Old Norse. Vers libre.

    And again: Buy Catullus and Piers Plowman. Get back to poems. Get on to long poems…. Fulfil what I said to Ezra Pound.²

    ‘In Marvell’s Garden, at Nun Appleton’

    Under the influence of Marvell (for which I have to thank my time at Henry Thornton), I returned to poetry in October 1973 and wrote many poems during the next six months. At half-term I went to Lincolnshire and Scarborough to visit the school Nadia might go to, and returned via Nun Appleton House, the site of Marvell’s ‘Garden’. The House had been rebuilt since 1650 when Marvell lived there and tutored Fairfax’s daughter. I visited without appointment. Despite notices warning that I was on private land I was not challenged. Only a piano-tuner seemed to be in and he invited me into the House. I was able to wander freely into the grounds. I wrote bits of ‘In Marvell’s Garden, at Nun Appleton’ (which I eventually revised and retitled ‘A Metaphysical in Marvell’s Garden’) sitting by the pool, and I finished the poem on 28 October. Earlier I had written: I am entering a new phase in my poetry. A new fusion of image and thought, a new freedom. (Later I reflected: I would not have known of Marvell’s ‘Garden’ if I had not read English at Oxford – and so I would not have written ‘A Metaphysical in Marvell’s Garden’.)

    In November I was reading Donne with the 7th year. I loved ‘Twicknam Garden’. On 2 November I wrote: "Poetry is about the real world, novels are about an imagined one. I am interested in the real one…. The best poetry gives you something to dig out and the satisfaction is in getting

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