Tristan und Isolde in Full Score
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Among musicologists and serious lovers of music, Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of nineteenth-century Europe. It shows in most successful form Wagner's unsurpassed gift for using the instruments of the orchestra, and generations of students have worked with it to learn its technique.
Tristan und Isolde also has a remarkable historical position. It was the opera that most of the post-Wagnerians used to build upon, and it was also the opera that the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late nineteenth- and early twentieth-century musicians had to come to terms, and much musical history of this period can be understood through it.
This edition reproduces the full orchestral score in a clear, modern engraving for easy reading and piano study, with large legible notation. Do not confuse this with a piano rendering; it is a full orchestral score.
In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to recordings. In no other manner can the listener keep full awareness of the incredible orchestral richness of this opera.
Richard Wagner
Richard Wagner is the former editor of Ad Astra, the journal of the National Space Society. He lives in Northhampton, Massachusetts.
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Tristan und Isolde in Full Score - Richard Wagner
TRISTAN
UND
ISOLDE
RICHARD WAGNER
___________________________
TRISTAN
UND
ISOLDE
___________________________
IN FULL SCORE
DOVER PUBLICATIONS, INC., NEW YORK
Copyright © 1973 by Dover Publications, Inc.
All rights reserved.
This Dover edition, first published in 1973, is an unabridged and unaltered republication of an edition originally published by C. F. Peters, Leipzig, n.d. [1911 or slightly thereafter]. In the present edition the introductory matter also appears in a specially prepared new English translation.
International Standard Book Number
ISBN-13: 978-0-486-22915-7
ISBN-10: 0-486-22915-7
Manufactured in the United States by Courier Corporation
22915715
www.doverpublications.com
FELIX MOTTL
(1856 - 1911)
Tristan und Isolde was the last opera conducted by Felix Mottl (Munich, June 21, 1911) and also the last work he edited, though illness and death prevented him from completing his edition.
The present score corresponds to the original score, except for the instructions introduced by a B.
These instructions, which were added by Felix Mottl and chiefly provide complete stage directions for the role of Isolde, reflect the details of Mottl’s own performance and staging; they are published for the first time in this score.
CHARACTERS
S
AILORS
, K
NIGHTS AND
S
QUIRES
SCENE OF THE ACTION:
First Act: At sea, on the deck of Tristan’s ship, during the crossing from Ireland to Cornwall. Second Act: In Marke’s royal castle in Cornwall. Third Act: Tristan’s castle in Brittany.
CONTENTS
First Act
Prelude
Scene I (A young Sailor, Isolde, Brangäne)
S
AILOR
: Westwärts schweift der Blick
Scene II (The preceding, Kurwenal, Tristan, a young Sailor)
S
AILOR
: Frisch weht der Wind der Heimat zu
Scene III (Isolde, Brangäne)
B
RANGÄNE
: Weh, ach wehe! dies zu dulden
Scene IV (Kurwenal, Isolde, Brangäne)
K
URWENAL
: Auf! Auf! Ihr Frauen! Frisch und froh!
Scene V (Tristan, Isolde, Brangäne)
T
RISTAN
: Begehrt, Herrin, was ihr wünscht
Second Act
Prelude
Scene I (Isolde, Brangäne)
I
SOLDE
: Hörst du sie noch?
Scene II (Tristan, Isolde)
T
RISTAN
: Isolde! Geliebte!
O sink hernieder, Nacht der Liebe
Scene III (The preceding, Brangäne, Kurwenal, Melot, Marke)
K
URWENAL
: Rette dich, Tristan
M
ARKE
: Tatest du’s wirklich?
Third Act
Prelude
Scene I (Shepherd, Kurwenal, Tristan)
S
HEPHERD
: Kurwenal! He!
T
RISTAN
: Die alte Weise
Scene II (Tristan, Isolde)
T
RISTAN
: O diese Sonne!
I
SOLDE
: Ha! Ich bin’s, süssester Freund
Scene III (The preceding, Shepherd, Kurwenal, Melot, Brangäne, Marke)
S
HEPHERD
: Kurwenal! Hör! Ein zweites Schiff
I
SOLDE
: (Isolde’s transfiguration) Mild und leise
INSTRUMENTS OF THE ORCHESTRA
In addition, on (or back) stage:
3 Trumpets. 3 Trombones. 6 Horns (more if possible). 1 English Horn.***
* The composer feels called upon to recommend that special attention be given the treatment of the horns. The introduction of the valve has doubtless done so much for this instrument that it