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Tristan und Isolde in Full Score
Tristan und Isolde in Full Score
Tristan und Isolde in Full Score
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Tristan und Isolde in Full Score

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Among musicologists and serious lovers of music, Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of nineteenth-century Europe. It shows in most successful form Wagner's unsurpassed gift for using the instruments of the orchestra, and generations of students have worked with it to learn its technique.
Tristan und Isolde also has a remarkable historical position. It was the opera that most of the post-Wagnerians used to build upon, and it was also the opera that the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late nineteenth- and early twentieth-century musicians had to come to terms, and much musical history of this period can be understood through it.
This edition reproduces the full orchestral score in a clear, modern engraving for easy reading and piano study, with large legible notation. Do not confuse this with a piano rendering; it is a full orchestral score.
In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to recordings. In no other manner can the listener keep full awareness of the incredible orchestral richness of this opera.

LanguageEnglish
Release dateApr 14, 2012
ISBN9780486172408
Tristan und Isolde in Full Score
Author

Richard Wagner

Richard Wagner is the former editor of Ad Astra, the journal of the National Space Society. He lives in Northhampton, Massachusetts.

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Tristan und Isolde in Full Score - Richard Wagner

TRISTAN

UND

ISOLDE

RICHARD WAGNER

___________________________

TRISTAN

UND

ISOLDE

___________________________

IN FULL SCORE

DOVER PUBLICATIONS, INC., NEW YORK

Copyright © 1973 by Dover Publications, Inc.

All rights reserved.

This Dover edition, first published in 1973, is an unabridged and unaltered republication of an edition originally published by C. F. Peters, Leipzig, n.d. [1911 or slightly thereafter]. In the present edition the introductory matter also appears in a specially prepared new English translation.

International Standard Book Number

ISBN-13: 978-0-486-22915-7

ISBN-10: 0-486-22915-7

Manufactured in the United States by Courier Corporation

22915715

www.doverpublications.com

FELIX MOTTL

 (1856 - 1911)

Tristan und Isolde was the last opera conducted by Felix Mottl (Munich, June 21, 1911) and also the last work he edited, though illness and death prevented him from completing his edition.

The present score corresponds to the original score, except for the instructions introduced by a B. These instructions, which were added by Felix Mottl and chiefly provide complete stage directions for the role of Isolde, reflect the details of Mottl’s own performance and staging; they are published for the first time in this score.

CHARACTERS

S

AILORS

, K

NIGHTS AND

S

QUIRES

SCENE OF THE ACTION:

First Act: At sea, on the deck of Tristan’s ship, during the crossing from Ireland to Cornwall. Second Act: In Marke’s royal castle in Cornwall. Third Act: Tristan’s castle in Brittany.

CONTENTS

First Act

Prelude

Scene     I   (A young Sailor, Isolde, Brangäne)

S

AILOR

: Westwärts schweift der Blick

Scene    II   (The preceding, Kurwenal, Tristan, a young Sailor)

S

AILOR

: Frisch weht der Wind der Heimat zu

Scene  III   (Isolde, Brangäne)

B

RANGÄNE

: Weh, ach wehe! dies zu dulden

Scene  IV   (Kurwenal, Isolde, Brangäne)

K

URWENAL

: Auf! Auf! Ihr Frauen! Frisch und froh!

Scene   V   (Tristan, Isolde, Brangäne)

T

RISTAN

: Begehrt, Herrin, was ihr wünscht

Second Act

Prelude

Scene     I   (Isolde, Brangäne)

I

SOLDE

: Hörst du sie noch?

Scene    II   (Tristan, Isolde)

T

RISTAN

: Isolde! Geliebte!

O sink hernieder, Nacht der Liebe

Scene  III   (The preceding, Brangäne, Kurwenal, Melot, Marke)

K

URWENAL

: Rette dich, Tristan

M

ARKE

: Tatest du’s wirklich?

Third Act

Prelude

Scene     I   (Shepherd, Kurwenal, Tristan)

S

HEPHERD

: Kurwenal! He!

T

RISTAN

: Die alte Weise

Scene    II   (Tristan, Isolde)

T

RISTAN

: O diese Sonne!

I

SOLDE

: Ha! Ich bin’s, süssester Freund

Scene  III   (The preceding, Shepherd, Kurwenal, Melot, Brangäne, Marke)

S

HEPHERD

: Kurwenal! Hör! Ein zweites Schiff

I

SOLDE

: (Isolde’s transfiguration) Mild und leise

INSTRUMENTS OF THE ORCHESTRA

In addition, on (or back) stage:

3 Trumpets. 3 Trombones. 6 Horns (more if possible). 1 English Horn.***


* The composer feels called upon to recommend that special attention be given the treatment of the horns. The introduction of the valve has doubtless done so much for this instrument that it

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