La Traviata in Full Score
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About this ebook
One of Verdi's most popular opera, La Traviata is based on La Dame aux Camélias ("Camille"), the novel and play by Alexandre Dumas, fils that enthralled Parisian audiences of the 1850s with a stirring portrayal of a beautiful courtesan redeemed by love. With his librettist, Francesco Maria Piave, Verdi transformed the Dumas story of a passionate, ultimately poignant love affair within the intoxicating demimonde of Paris in the mid-1800s to an exciting, deeply moving musical drama.
La Traviata fortunately survived its dismal first production in Venice in 1853 to become a worldwide favorite, treasured by musical artists and audiences alike for the lyric beauty of its arias and ensembles, and for the dramatic force and finesse of its orchestral scoring. This full-score edition, designed to provide a lifetime of study and enjoyment, is reproduced from the authoritative edition prepared for G. Ricordi of Milan. It will afford opera lovers a rare opportunity to study intimately Verdi's genius for operatic composition in the early years of its greatest flowering.
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La Traviata in Full Score - Giuseppe Verdi
Giuseppe Verdi
La Traviata
in Full Score
Dover Publications, Inc., New York
This Dover edition, first published in 1990, is a republication of the edition originally published by G. Ricordi, Milan, n. d. A new table of contents and a new list of instruments have been added.
Manufactured in the United States of America
Dover Publications, Inc.
31 East 2nd Street
Mineola, N.Y. 11501
Library of Congress Cataloging-in-Publication Data
Verdi, Giuseppe, 1813-1901.
La traviata.
Opera in 3 acts.
Italian words.
Reprint. Originally published: Milan : G. Ricordi, 1914.
I. Operas—Scores. I. Piave, Francesco Maria, 1810-1876.
II. Dumas, Alexandre, 1824-1895. Dame aux camélias (Play)
III. Title.
M1500.V48T5 199089-755862
ISBN 0-486-26321-5
Contents
Prelude
ACT I
The Salon in Violetta’s House
Introduction
Dell’invito trascorsa è già l’ora (Chorus, Ensemble)
Brindisi: Libiamo, libiamo ne’ lieti calici (Alfredo, Violetta, Ensemble, Chorus)
Che è ciò? (Violetta, Alfredo, Ensemble)
Un dì felice—Ah se ciò è ver (Alfredo, Violetta)
Ebben? che diamin fate? (Gastone, Violetta, Alfredo)
Si ridesta in del l’aurora (Chorus)
Act I Finale: È strano—Ah fors’è lui—Follie! Follie!—Sempre libera (Violetta, Alfredo)
ACT II
Violetta’s Country House near Paris—Galleria in Flora’s Palazzo
Lunge da lei—De’ miei bollenti spiriti (Alfredo)
Annina, donde vieni?—Oh mio rimorso! (Alfredo, Annina)
Alfredo? (Violetta, Annina, Giuseppe, Germont)
Pura siccome un angelo—Non sapete quale affetto—Bella voi siete e giovine—Dite alla giovine—Morrò! (Violetta, Germont)
Dammi tu forza, o cielo!—Amami, Alfredo (Violetta, Annina, Alfredo)
Ah, vive sol quel core—Ah! Padre mio! (Alfredo, Giuseppe, Messenger, Germont)
Di Provenza il mar, il suol (Germont)
Nè rispondi d’un padre all’affetto?—No, non udrai rimproveri (Germont, Alfredo)
Act II Finale:
Avrem lieta di maschere (Flora, Marquis, Doctor)
Noi siamo zingarelle (Gypsies, Flora, Doctor, Marquis)
Di Madride noi siam mattadori (Matadors and Picadors, Gypsies, Ensemble)
Alfredo! Voi! (Ensemble, Chorus)
Invitato a qui seguirmi (Violetta, Alfredo, Ensemble)
Ogni suo aver tal femmina—Oh, infamia orribile (Alfredo, Ensemble)
Disprezzo degno—Oh quanto peni! (Germont, Ensemble)
ACT III
Violetta’s Bedroom
Introduction
Annina? Comandate? (Violetta, Annina, Doctor)
Addio del passato (Violetta)
Bacchanal: Largo al quadrupede (Chorus)
Signora . . . Che t’accadde? (Annina, Violetta, Alfredo)
Parigi, o cara (Alfredo, Violetta)
Ah non più . . . a un