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    Soliloquies: The lady doth indeed protest
    Soliloquies: The lady doth indeed protest
    Soliloquies: The lady doth indeed protest
    Ebook59 pages58 minutes

    Soliloquies: The lady doth indeed protest

    By Chris Wind

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    About this ebook

    Lady MacBeth kill herself? Please. And Portia – you don’t think someone that intelligent would be a little pissed at being bait, and trophy? As for Kate ... that's supposed to be funny?

    Soliloquies: the lady doth indeed protest is a collection of soliloquies by Ophelia, Lady MacBeth, Regan, Portia, Desdemona, Kate, Isabella, Juliet, Marina, and Miranda – protesting the role given to them by Shakespeare.

    Exquisite poetry. Fresh new audition pieces. And a theatrical script ready for performance.

    “...not only dynamic, imaginative verse writing, but extremely intelligent and intuitive insight ... I know many actresses who would love to get their hands on this material!
    As a Shakespeare director, I’m thrilled by the perspective which Chris’ pieces provide of the plays and characters which they challenge – I believe these will be sought after by theatre companies which also do solid classical work, as new material for their audiences, embraced by a season of Shakespeare plays.
    As a feminist, I’m excited by how these characters come alive and point up the perceptions and misperceptions that have shaped their literary and theatrical destinies.
    As a dramaturg, I’m more than pleased to find modern playwrights who can write in heightened language and/or verse.” Joanne Zipay, Judith Shakespeare Company, NYC
    LanguageEnglish
    PublisherXinXii
    Release dateNov 1, 2011
    ISBN9781926891088
    Soliloquies: The lady doth indeed protest
    Author

    Chris Wind

    Visit my website (http://www.chriswind.net) for more info.This is what happens is her latest work: How is it that the girl who got the top marks in high school ends up, at fifty, scrubbing floors and cleaning toilets for minimum wage, living in a room above Vera’s Hairstyling, in a god-forsaken town called Powassan?"An incisive reflection on how social forces constrain women’s lives. ... Great for fans of Sylvia Plath, Doris Lessing’s The Golden Notebook." Booklife/Publishers' WeeklySoliloquies: The Lady Doth Indeed Protest is a collection of soliloquies delivered by Shakespeare's women, protesting the role given to them. The soliloquies formed the basis of a recent theatrical production, "Not Such Stuff", by Venus Theatre in Laurel, Maryland, and have also been used as audition pieces by many aspiring actresses. High school English teachers might also be interested in using the soliloquies in their Shakespeare units.Thus Saith Eve is the second in a series of ebooks featuring women from various traditions. In "Thus Saith Eve", women from The Bible deliver critiques of their stories -- as if they had a feminist consciousness.UnMythed is the third in the series. This collection of poems reveals the myths within the myths revealed: what might Pandora, Circe, Penelope, Eurydice, Persephone, the Gorgons, and others have thought and done if they had not been the creations of a chauvinist patriarchy? For poetry fans, especially feminist; of interest to scholars of Greek and Roman mythology; a good resource for English teachers who teach a Mythology unit.Deare Sister is the fourth in the series, a collection of letters that might have been written by by Lady Godiva, Milton's daughter, Rubens' model, Mozart's mother, Freud's wife, Plato's students, and others -- assuming a feminist consciousness. (What would they say?)Snow White Gets Her Say, the last in the series, is a collection of the classic fairy tales retold - what would have happened if Gretel, Cinderella, Little Red Riding Hood, Snow White, Sleeping Beauty, and others had been strong and critical girls and women living today?The five ebook collections above appear in a single book (available in print as well as e-formats) titled Satellites Out of Orbit.dreaming of kaleidoscopes is a selected 'best of' collection of wind's poetry spanning about fifteen years from the poet's late teens in the 70s to her early thirties in the 90s.Paintings and Sculptures is a collection of feminist and socially conscious poetry, each piece describing a painting or a sculpture: some, a re-vision of a classic; others, an original work not yet realized. Michelangelo, Leonardo da Vinci, Dali, Botticelli, Monet, Rodin are among the artists whose work is re-imagined.Particivision and other stories is a collection of short stories presenting a socially conscious critique of various issues in our society by re-visioning significant attitudes and activities: watching tv, going to school, shopping, advertising, hunting, environmentalism, militarism, suicide, the news, competition, sex, religion, government. Social commentary and activism via fiction.Excerpts is a miscellaneous collection of early prose and poetry.***Actors looking for fresh, new audition pieces -- check out Soliloquies: The Lady Doth Indeed Protest (Shakespeareanesque soliloquies with a twist), Thus Saith Eve (monologues), Deare Sister, and Snow White Gets Her Say.Also, "Amelia's Nocturne" (see http://www.chriswind.com/for_ Amelia.htm) can be performed as a theatrical piece: a simple set consisting of a writing table with an inkwell and note paper, the music (live piano and voice in the corner) woven into the monologue.Painters and sculptors -- I've been looking for the longest time for artists to 'actualize' the paintings and sculptures in Paintings and Sculptures for exhibit...if anyone's interested, contact me!English teachers – consider using Soliloquies: The Lady Doth Indeed Protest for your Shakespeare unit and UnMythed for your myths unit.Women's history scholars -- you might be interested in Deare Sister.***chris wind has degrees in Literature, Education, and Philosophy.Her poetry has been published in Alpha, The Antigonish Review, Ariel, Atlantis, Bite, Bogg, Canadian Author and Bookman, Canadian Dimension, Canadian Woman Studies, Contemporary Verse 2, The Free Verse Anthology, Girlistic Magazine, grain, Interior Voice, Kola, Mamashee, The New Quarterly, Next Exit, Onionhead, Poetry Toronto, Prism International, Rampike, Shard, The University of Toronto Review, The Wascana Review, Whetstone, White Wall Review, Women's Education des femmes, and three anthologies (Clever Cats, ed. Ann Dubras; Going for Coffee, ed. Tom Wayman; Visions of Poesy, ed. Dennis Gould). “Luncheon on the Grass" was the motive poem for an exhibit by Brooks Bercovitch and Colton at the Galerie Schorer, Montreal (1998).Her prose has been read on CBC Radio and published in ACT, Alpha, American Atheist, The Antigonish Review, Canadian Woman Studies, event, Existere, (f.)Lip, Herizons, Herstoria, The Humanist, Humanist in Canada, Hysteria, The New Quarterly, Other Voices, Secular Nation, and Waves.Her theatrical works have been performed by Laurel Theater, Alumnae Theatre, Theatre Resource Center, Theatre Asylum, Buddies in Bad Times, and A Company of Sirens.chris wind has received thirteen Ontario Arts Council Writers’ Reserve grants based on publisher and theatre recommendation.chris wind was a panellist at the Canadian National Feminist Poetry Conference (Winnipeg, 1992), and featured in an article in The Montreal Gazette (1994).Lastly, chris wind is listed in “Who’s Who in Hell” (probably because of “Faith,” “The Great Jump-Off,” and Thus Saith Eve).

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      Book preview

      Soliloquies - Chris Wind

      SOLILOQUIES:

      THE LADY DOTH INDEED PROTEST

      chris wind

      * * * * *

      Published by:

      Soliloquies: The Lady Doth Indeed Protest

      Copyright 1991, 2011 by chris wind

      www.chriswind.net

      Cover concept and design by chris wind

      Formatting and layout design by Elizabeth Beeton

      wind, chris

      Soliloquies: The Lady Doth Indeed Protest / chris wind

      ISBN 978-1-926891-08-8

      E-Book Distribution: XinXii

      www.xinxii.com

      logo_xinxii

      All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book.

      This is a work of fiction. Names, characters, places, brands, media, and incidents are either the product of the author’s imagination or are used fictitiously. The author acknowledges the trademarked status and trademark owners of various products referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners.

      * * * * *

      Contents

      Ophelia

      Lady MacBeth

      Regan

      Portia

      Desdemona

      Kate

      Isabella

      Juliet

      Marina

      Miranda

      NOTES ON THE PLAYS

      BIBLIOGRAPHY

      also by chris wind

      Thus Saith Eve

      UnMythed

      Deare Sister

      Snow White Gets Her Say

      Satellites Out of Orbit*

      Particivision and other stories

      Paintings and Sculptures

      Excerpts

      dreaming of kaleidoscopes

      Soliloquies: The Lady Doth Indeed Protest is available in print as part of chris wind’s Satellites Out of Orbit (2nd edition), titled Soliloquies.

      * Satellites Out of Orbit contains the four books listed above it as well as this book.

      •

      As I the Shards Examine, a theatrical version of this work with the soliloquies interwoven, is available for production; contact chris wind (chriswind3@gmail.com) for the script.

      * * * * *

      Acknowledgements

      Juliet Alpha Fall/Winter 1987-88, no.12

      Not Such Stuff (based on the soliloquies) was performed at Venus Theatre, Laurel, Maryland, March 2009.

      As I the Shards Examine (based on the soliloquies) was performed at Alumnae Theatre, Toronto, Ontario, April 1995.

      An earlier version of Soliloquies: The Lady Doth Indeed Protest appeared as Soliloquies in the first edition of Satellites Out of Orbit.

      Ophelia

      O what a noble mind is here at last uncover’d!

      The glass of fashion, the mold of form

      Is quite dash’d against the stone;

      The shattered pieces lie at my feet.

      My thoughts, my feelings,

      Once fixed, encased in crystal,

      Breathe and blow in the quick’ning wind

      Like petals.  Once pale, now pulsing,

      Rich, and rainbowed, come!

      I beseech thee, attend and heed

      As I the shards examine.

      Laertes, brother, you insult to suggest

      Hamlet’s love impermanent

      For his choice must be queen

      As well as wife: Am I

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