Guy de Maupassant's Tales of Trickery and Deception - A Collection of Short Stories
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Guy De Maupassant
Guy de Maupassant was a French writer and poet considered to be one of the pioneers of the modern short story whose best-known works include "Boule de Suif," "Mother Sauvage," and "The Necklace." De Maupassant was heavily influenced by his mother, a divorcée who raised her sons on her own, and whose own love of the written word inspired his passion for writing. While studying poetry in Rouen, de Maupassant made the acquaintance of Gustave Flaubert, who became a supporter and life-long influence for the author. De Maupassant died in 1893 after being committed to an asylum in Paris.
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Guy de Maupassant's Tales of Trickery and Deception - A Collection of Short Stories - Guy De Maupassant
Guy de Maupassant’s
Tales of Trickery and Deception
-
A Collection of
Short Stories
Copyright © 2016 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Contents
Guy De Maupassant
The Little Cask
The Devil
The First Snowfall
His Avenger
A New Year’s Gift
Tombstones
The Relic
The Patron
The Donkey
A Meeting
The Question Of Latin
Guy De Maupassant
Henri-René-Albert-Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of classical literature, especially Shakespeare. Upon entering high school, he met the great author Gustave Flaubert, and despite being something of an unruly student proved himself as a good scholar, delighting in poetry and theatre.
Not long after he graduated from college in 1870, the Franco-Prussian War broke out, and Maupassant enlisted voluntarily. Afterwards, he moved to Paris, where he spent ten years as a clerk in the Navy Department, and began to write fiction under the guidance of Flaubert. At Flaubert’s home he met a number of distinguished authors, including Émile Zola and Ivan Turgenev. In 1878, Maupassant became a contributing editor of several major newspapers, including Le Figaro, Gil Blas, Le Gaulois and l’Écho de Paris, writing fiction in his spare time.
In 1880, Maupassant published his first – and, according to many, his best – short story, entitled ‘Boule de Suif’ (‘Ball of Fat’). It was an instant success. He went on to be extremely prolific during the 1880s, working methodically to produce up to four volumes of short fiction every year. In 1883 and 1885 respectively, Maupassant published Une Vie (A Woman’s Life) and Bel-Ami, both of which rank among his best-known works. In 1887, by then a very famous and very wealthy literary figure, he published what is widely regarded as his finest novel, Pierre et Jean.
As well as being a well-known opponent of the construction of the Eiffel Tower, Maupassant was a solitary, withdrawn man with an aversion to public life. In his later years, as a result of the syphilis he had contracted earlier in life, he developed a powerful fear of death and became deeply paranoid. In early 1892, Maupassant tried to commit suicide by cutting his throat, and was committed to a private asylum in Paris. He died here some eighteen months later, aged 42. He penned his own epitaph: I have coveted everything and taken pleasure in nothing.
Some years later, in his autobiography, Friedrich Nietzsche called Maupassant one of the stronger race, a genuine Latin to whom I am particularly attached.
The Little Cask
He was a tall man of forty or thereabout, this Jules Chicot, the innkeeper of Spreville, with a red face and a round stomach, and said by those who knew him to be a smart business man. He stopped his buggy in front of Mother Magloire’s farmhouse, and, hitching the horse to the gatepost, went in at the gate.
Chicot owned some land adjoining that of the old woman, which he had been coveting for a long while, and had tried in vain to buy a score of times, but she had always obstinately refused to part with it.
I was born here, and here I mean to die,
was all she said.
He found her peeling potatoes outside the farmhouse door. She was a woman of about seventy-two, very thin, shriveled and wrinkled, almost dried up in fact and much bent but as active and untiring as a girl. Chicot patted her on the back in a friendly fashion and then sat down by her on a stool.
Well mother, you are always pretty well and hearty, I am glad to see.
Nothing to complain of, considering, thank you. And how are you, Monsieur Chicot?
Oh, pretty well, thank you, except a few rheumatic pains occasionally; otherwise I have nothing to complain of.
So much the better.
And she said no more, while Chicot watched her going on with her work. Her crooked, knotted fingers, hard as a lobster’s claws, seized the tubers, which were lying in a pail, as if they had been a pair of pincers, and she peeled them rapidly, cutting off long strips of skin with an old knife which she held in the other hand, throwing the potatoes into the water as they were done. Three daring fowls jumped one after the other into her lap, seized a bit of peel and then ran away as fast as their legs would carry them with it in their beak.
Chicot seemed embarrassed, anxious, with something on the tip of his tongue which he could not say. At last he said hurriedly:
Listen, Mother Magloire—
Well, what is it?
You are quite sure that you do not want to sell your land?
Certainly not; you may make up your mind to that. What I have said I have said, so don’t refer to it again.
Very well; only I think I know of an arrangement that might suit us both very well.
What is it?
Just this. You shall sell it to me and keep it all the same. You don’t understand? Very well, then follow me in what I am going to say.
The old woman left off peeling potatoes and looked at the innkeeper attentively from under her heavy eyebrows, and he went on:
Let me explain myself. Every month I will give you a hundred and fifty francs. You understand me! suppose! Every month I will come and bring you thirty crowns, and it will not make the slightest difference in your life—not the very slightest. You will have your own home just as you have now, need not trouble yourself about me, and will owe me nothing; all you will have to do will be to take my money. Will that arrangement suit you?
He looked at her good-humoredly, one might almost have said benevolently, and the old woman returned his looks distrustfully, as if she suspected a trap, and said:
It seems all right as far as I am concerned, but it will not give you the farm.
Never mind about that,
he said; you may remain here as long as it pleases God Almighty to let you live; it will be your home. Only you will sign a deed before a lawyer making it over to me; after your death. You have no children, only nephews and nieces for whom you don’t care a straw. Will that suit you? You will keep everything during your life, and I will give you the thirty crowns a month. It is pure gain as far as you are concerned.
The old woman was surprised, rather uneasy, but, nevertheless, very much tempted to agree, and answered:
I don’t say that I will not agree to it, but I must think about it. Come back in a week, and we will talk it over again, and I will then give you my definite answer.
And Chicot went off as happy as a king who had conquered an empire.
Mother Magloire was thoughtful, and did not sleep at all that night; in fact, for four days she was in a fever of hesitation. She suspected that there was something underneath the offer which was not to her advantage; but then the thought of thirty crowns a month, of all those coins clinking in her apron, falling to her, as it were, from the skies, without her doing anything for