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Owning & Caring For a Piano

Owning & Caring For a Piano

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Owning & Caring For a Piano

110 pages
1 hour
Sep 1, 2016


The Piano Buyer Essentials Series brings together in one place the very best and most important articles from our 30 years of publishing on the subject of buying and owning a piano. Each e-book is a compilation of articles from current and past issues of Acoustic & Digital Piano Buyer, a semiannual consumer publication devoted to the purchase of new, used, and restored acoustic pianos and digital pianos. The e-books may also contain excerpts from The Piano Book, by Larry Fine, and from pieces published only on PianoBuyer.com. For reader convenience, articles and excerpts have been grouped by subject. However, because some pieces apply to more than one subject, there is some duplication of articles among the e-books in the series.
Sep 1, 2016

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Owning & Caring For a Piano - Brookside Press




A PIANO MAY LOOK large and imposing, but there is a great deal inside it that is delicate, and sensitive to both use and environmental changes. You have made a considerable investment in the instrument and now should protect that investment, as well as maximize your enjoyment of it, by properly caring for it. For most pianos in good condition receiving moderate use in the home, a budget of $300 to $500 per year should suffice for normal service.

If you bought the piano from a commercial seller, your first service will probably be a few weeks after delivery, by a technician associated with the seller. If you bought a used piano from a private seller and do not have a trustworthy recommendation to a technician, you can find the names of Registered Piano Technicians (RPT) in your area from the website of the Piano Technicians Guild (PTG), www.ptg.org. To become an RPT, one must pass a series of exams, assuring at least a minimum level of competence in piano servicing.

The following are the major types of service a piano needs on a regular or semi-regular basis. More information can be found in The Piano Book.


Pianos go out of tune mostly because of seasonal changes in humidity that cause the soundboard and other parts to alternately swell and shrink. This happens regardless of whether or not the piano is played. Pianos vary in their responsiveness to fluctuations in humidity, but the variance is not always related to the quality of the instrument. People also differ in their sensitivity to tuning changes. New or newly restored pianos should be tuned three or four times the first year, until the strings are fully stretched out. After that, most pianos should be tuned between one and three times per year, depending on seasonal humidity changes, the player’s sensitivity, and the amount of use. Pianos that receive professional levels of use (teaching, performance) are typically tuned more often, and major concert instruments are tuned before each performance. A regular home piano tuning typically costs between $100 and $200. However, if the piano has not been tuned regularly, or if it has undergone a large change in pitch, additional tuning work may be required at additional cost.

A piano has over 200 strings, each of which must be individually tuned.


Pianos also need other kinds of service. Due to settling and compacting of numerous cloth and felt parts, as well as seasonal changes in humidity, the piano’s action (key and hammer mechanism) requires periodic adjustments to bring it back to the manufacturer’s specifications. This process is called regulation. This should especially be done during the first six months to two years of a piano’s life, depending on use. If it is not done, the piano may wear poorly for the rest of its life. After that, small amounts of regulating every few years will probably suffice for most pianos in home situations. Professional instruments need more complete service at more frequent intervals.

The thousands of parts in a piano action need periodic adjustment, or regulation, to compensate for wear and environmental changes.


Within limited parameters, the tone of a piano can be adjusted by hardening or softening the hammers, a process called voicing. Voicing is performed to compensate for the compacting and wear of hammer felt (which causes the tone to become too bright and harsh), or to accommodate the musical tastes of the player. Voicing should be done whenever the piano’s tone is no longer to your liking. However, most piano owners will find that simply tuning the piano will greatly improve the tone, and that voicing may not be needed very often.

Custom voicing of a piano for optimal tonal quality is considered by piano technicians to be an art form.


When to tune your piano depends on your local climate. You should avoid times of rapid humidity change and seek times when the humidity will be stable for a reasonable length of time. Turning the heat on in the house in the fall, and then off again in the spring, causes major indoor humidity changes, and in each case it may take several months before the piano’s soundboard fully restabilizes at the new humidity level.

In Boston, for example, the tuning cycle goes something like that shown in the graph. A piano tuned in April or May, when the heat is turned off, will probably be out of tune by late June. If it is tuned in late June or July, it may well hold its tune until October or later, depending on when the heat is turned on for the winter. If the piano is tuned right after the heat is turned on, however, say in October or November, it will almost certainly be out of tune by Christmas. But if you wait until after the holidays (and, of course, everyone wants it tuned for the holidays), it will probably hold pretty well until April or even May. In my experience, most problems with pianos in good condition that don’t hold their tune are caused by poor timing of the tuning with the seasonal changes.

Note that those who live in a climate like Boston’s and have their piano tuned twice a year will probably also notice two times during the year when the piano sounds out of tune but when, for the above reason, it should probably not be tuned. The only remedies for this dilemma are to have the piano tuned more frequently, or to more closely control the humidity.

The pitch of the piano in the tenor and low treble ranges closely follows the annual cycle of indoor humidity. The graph shows how a typical piano in Boston might behave. Most areas of the country that have cold winters will show a similar pattern.

Cleaning and Polishing

The best way to clean dust and finger marks off the piano is with a soft, clean, lintless cloth, such as cheesecloth, slightly dampened with water and wrung out. Fold the cloth into a pad and rub lightly in the direction of the grain, or in the direction in which the wood was originally polished (obvious in the case of hand-rubbed finishes). Where this direction is not obvious, as might be the case with high-polish polyester finishes, rub in any one direction only, using long, straight strokes. Do not rub in a circular motion, as this will eventually make the finish lose its luster. Most piano manufacturers recommend against the use of commercially available furniture polish or wax. Polish specially made for pianos is available from some manufacturers, dealers,

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