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Sense And Sensibility: The Wild And Wanton Edition
Sense And Sensibility: The Wild And Wanton Edition
Sense And Sensibility: The Wild And Wanton Edition
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Sense And Sensibility: The Wild And Wanton Edition

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After the death of their father and the transfer of the family home to their half brother John and his horrid wife Fanny, Marianne and Elinor Dashwood, along with their mother and younger sister, must find someplace new to live. While they search for a new home, however, Fanny’s brother Edward Ferrars comes to visit and forms an intense connection with Elinor - a connection that is severed when the Dashwood women move away.

While Elinor pines for the love she’s lost, Marianne finds herself the object of affection of not one but two gentlemen in her new town - the reserved, thirty-five-year-old bachelor Colonel Brandon and the young, handsome John Willoughby.

In this new twist on a beloved classic, Lauren Lane throws propriety to the wind and seamlessly weaves in the other side of the story - the story of what happens when the Dashwood sisters get their men behind closed doors. This Sense and Sensibility is chock-full of sex, and will finally give modern readers of Austen answers to all their biggest - and most salacious - questions. How do Elinor and Mr. Ferrars really say goodbye to each other? What exactly happens between Marianne and Mr. Willoughby during their first meeting? Has Colonel Brandon’s extended bachelorhood taught him a thing or two about how to please a woman?

And who says a wild and wanton fling can’t lead to a happily-ever-after?

Sensuality Level: Hot
LanguageEnglish
Release dateMar 18, 2013
ISBN9781440563560
Sense And Sensibility: The Wild And Wanton Edition
Author

Lauren Lane

An Adams Media author.

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Rating: 3.441860465116279 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    I enjoyed reading about the romantic entanglements of the two sisters. I also enjoyed reading about their interactions with other characters. But, I mostly enjoyed reading about the relationship between the two sisters. They stuck by each other no matter what, and I enjoyed their story.
  • Rating: 4 out of 5 stars
    4/5
    Best for: Anyone interested in getting swept up in a bit of period drama.In a nutshell: Two sisters deal with the loss of their father and the change in lifestyle that follows, while trying to sort out their love lives.Worth quoting:“I am afraid that the pleasantness of an employment does not always evince its propriety.”Why I chose it: The cover, honestly. This lovely cloth cover drew my attention in a bookshop a few weeks ago, and I figured why not finally pick it up.Review:The book was originally published over 200 years ago, but just the same … SPOILERS!I claim on Good Reads to have read Pride and Prejudice, but I don’t think I have (odd, I know, and I’ll be correcting that). The cover of the film version of Sense and Sensibility has flashed on Netflix as I’ve skimmed through options over the years, but I’ve never watched it (until now - it’s playing as I write this review*). I share that only to say that because of that, I had Emma Thompson in my mind as I read Elinor, and Kate Winslet as I read Marianne. But I didn’t know the rest of the cast, so luckily my imagination was able to fill in the rest of the characters.It took me a little bit to get into this; I don’t read fiction often, and I read fiction from the 19th century even less often, so the writing took me some time to adjust to. That said, by about fifty pages in, I was engrossed. Unfortunately, because I wasn’t entirely understanding what I was reading (beyond picking up that Franny Dashwood is a conniving snot and her husband is a wimp), the whole Edward-Elinor pairing completely slipped my mind. When he was mentioned again much later on (as his engagement is revealed by Lucy), I was confused why Elinor would even care. So that’s a big whoops on my part.I did enjoy that characters were developed and shown to be a bit more complex (not always, although often) than they originally seemed. That said … I don’t understand why anyone’s opinion should be moved by Willoughby’s big confession to Elinor when he thinks Marianne is dying. Like, I guess the fact that his wife dictated the shitty letter matters, but I didn’t see anything in what he said that changed anything. Did I just miss something? Or was that whole reveal meant to just endear us even more to Elinor and her willingness to find the good in people? It just seemed unnecessary to me.Overall, I’m glad I read it. Up next, per a friend’s suggestion, is Persuasion; after that I’ll go with Mansfield Park, and eventually work my way around to Pride and Prejudice.*The casting in this film is BRILLIANT. I actually squealed when I saw Gemma Jones was Elinor and Marianne’s mother. AND ALAN RICKMAN JUST SHOWED UP!
  • Rating: 4 out of 5 stars
    4/5
    I am thankful that I didn't pick this, Sense and Sensibility, as my first Jane Austen book, otherwise I might have never known the love that I have for Pride and Prejudice. While Sense and Sensibility is a splendid story about love and class, it contains the most annoying characters of all time. Honestly, I didn't care for a single one other than Elinor.
  • Rating: 5 out of 5 stars
    5/5
    This is my most favorite of Jane Austen's books... The way people used to word themselves - I crave to have been living then just to hear such language. The movie with Hugh Grant and Emma Thompson is my most favorite movie of all times.
  • Rating: 4 out of 5 stars
    4/5
    I thought I knew this book before I read it. I thought it was about two sisters - one practical and reserved, the other dramatic and passionate - trying to find husbands in a society riddled with gossip and insincerity. The story is really about how the sisters, who face strikingly similar obstacles, deal with their struggles in entirely different ways. It changes their relationship, how they see one another, and how they grow to interpret friendship and sincerity. The story lacked a dramatic flair I enjoyed in other of Austen's work, and at times it felt tedious. I enjoyed it, and I appreciate that it was so much more than I was expecting.
  • Rating: 4 out of 5 stars
    4/5
    An amazing love story
  • Rating: 5 out of 5 stars
    5/5
    My favourite of all Austen's novels. The emotion created through the relationship of the two eldest Dashwood girls is the living thread that binds the novel together. A truly beautiful novel that alone should have Austen declared a national treasure.
  • Rating: 2 out of 5 stars
    2/5
    Dreadfully, painfully dull - Penguin has released a book called 'Twitterature: The World's Greatest Books Retold Through Twitter', which includes 'Sense and Sensibility' and is able to finally makes sense and enjoyment of what is otherwise a heap of pointless verbiage. I recommend that version, unless you enjoy books where nothing happens, with characters whose insipidity is likely to have delayed the women's movement by at least 20 years.
  • Rating: 4 out of 5 stars
    4/5
    you will find underlying themes of this title in the book.
  • Rating: 3 out of 5 stars
    3/5
    Now, this one was just boring. I found the characters to have little depth, and the plot was hardly novel. Despite this, the characters (or at least Marianne) do evolve a bit to reach the unsurprising ending: they all make good marriages (makes me wonder if there is more to life than that).Final opinion: watch the movies/mini-series and you'll be more entertained than with the book.On another note, I'm not sure what Sense and Sensibility and Sea Monsters is about (I suppose there will be sea monsters in it, but after my experience with Pride and Prejudice and Zombies I am in no rush to find out), but if anyone wants to make a remake of this book in which little Margaret turns out to be an evil murderess possessed by the devil, killing everyone on revenge because they spend the entire book ignoring her, I'll read it. Because I'm not entirely sure why there was a need for a third sister if she is to be forgotten during most of the book.
  • Rating: 1 out of 5 stars
    1/5
    This was by far my least favorite of all the Jane Austen novels. The character's experienced so much heart ache, and were only truly happy at the very end of the story. I wanted to shake Marianne and poor Elinor seemed sometimes the only one with good sense. Col Brandon made a nice hero; but I would run Willoughby out of town. Have him tar and feathered. Seriously, Marianne should have seen him coming. All this romantic nonsense of his and then...but well, I shall not reveal the end.
  • Rating: 2 out of 5 stars
    2/5
    I read this book for a library discussion group and it is, admittedly, somewhat outside of my normal genres. Keeping in mind the age of the work, I found the extended, paragraph length sentences tolerable and well crafted. There are lessons to be learned here, and the narration remained interesting with exemplary prose. I realize this is a classic work by a highly respected author, but at the end, I couldn't help feeling that I had just read a Victorian soap opera.
  • Rating: 4 out of 5 stars
    4/5
    Sense and Sensibility is the story of two sisters and their trials and tribulations as they fall in love and deal with the consequences of men who are somewhat dishonest about their pasts. The oldest sister, Elinor, is the "sense" part of the story -- adhering to the "rules" of the time and putting on a brave front. Her actions are contrasted with those of Marianne, who is the "sensibility" of the novel-- a romantic girl who expresses her emotions with no holds barred. While the novel is overall enjoyable, it certainly isn't my favorite Jane Austen novel. (I liked both Mansfield Park and Persuasion much better.) Her writing in this novel, which was the first of her published novels, is somewhat stilted (perhaps because her book focuses so much on the unromantic Elinor, whose love story is really not told.) It was hard for me to get invested in the characters -- and this is one of those rare instances where a movie version thrilled me more than the book.
  • Rating: 5 out of 5 stars
    5/5
    I hadn't read much Austen at all since a much-abridged P&P when I was probably in late elementary school. After looking through a book on cover designs for Austen's works I decided I really ought to try her again, and settled on this one first. I enjoyed it immensely, and will certainly be back for me. Some excellent humor and set pieces alongside a very interesting meditation on English "rural elite" society and its strictures.
  • Rating: 3 out of 5 stars
    3/5
    I found the characters to somewhat self-absorbed and a bit silly. I couldn't empathise or feel any real emotion for their situations nor did I really care what happened to them.

    And not even the gentlemen could sway me on this one! Just a bit disappointing.
  • Rating: 3 out of 5 stars
    3/5
    Not very momorable work.
  • Rating: 3 out of 5 stars
    3/5
    At this point I feel like I could easily write a computer program to write a passable Austen novel. Sure, she's droll and she invented an entire genre; she made social commentary where social commentary was otherwise essentially impossible for someone of her gender and station.I'm just kind of done with Austen. Engagements and secret affairs and dances and going to London during the season. Families full of daughters. Country estates. All good. All well-written. All in all an easy and quick read. The good guy generally wins. The good girl always does. The good girl then serves to deliver slightly heavy-handed moral allegory. Not that the morals are in any way not those that we should strive for--it's just a bit of a pretty picture.Highlights include the adolescent pleasure that the emotional middle daughter Marianne takes in the intensity of her deepest heartbreak, coming down with the inevitable serious fever after distraught, long, solo walks in wet long grass, moping in an estate's chintzy, teen-pathos-eliciting, faux-Grecian 'temple.' Sir John Middleton with his sherry-fueled grins and hunting dogs makes a gorgeous caricature of the jolly English landed gentry. Unlike in Pride and Prejudice, however, Austen's jibes at the banal conceit of certain characters lack the subtlety that her later novels have. Funny, yes, biting, still, but so obvious as to be somewhat dulled in their impact. But, in its defense, the book's characters, at least some of them, are flawed in some appealing ways: Elinor's holier than thou moralizing, their mother's mawkish mothery-ness, and Willoughby's--well, I'll leave it to you to find out about Willoughby.
  • Rating: 4 out of 5 stars
    4/5
    I like the added levels of detail in this book as opposed to the movies (which is expected, of course). The characters have so much depth. So far, this and Pride and Prejudice are my two favorite Austen books. I will probably not read another one soon; I need a break from that style of writing.
  • Rating: 4 out of 5 stars
    4/5
    I used to like this, but the last time I reread it, it seemed to me that Austen let the two best characters marry the wrong people, when they should have married each other.
  • Rating: 4 out of 5 stars
    4/5
    Sense and Sensibility is another classic Jane Austen book about marriage. She traces the courtship of two sisters with all the ups and downs, misunderstandings and risks that accompany giving your heart to another. One sister is restrained and sensible while the other is very emotional and artistic. It is interesting to see how there different personalities influence their way of falling in love.
  • Rating: 5 out of 5 stars
    5/5
    Love this book, love the author, even loved the movie. Austen has such a way with worlds and her descriptions that I can see it like a movie in my mind. I have read this book no less thn 5 times and I still get the same rush each time I read it.
  • Rating: 3 out of 5 stars
    3/5
    The tale of two sisters - the elder (Elinor) is very sensible, rational, not prone to great tides of emotion, while the younger (Marianne) is much more melodramatic, given to those classic period-drama swoons and faintings - and their misadventures in love. Of course there is a complicated family situation, evil sisters-in-law, conniving rivals, fickle suitors... all the classic elements, as well as a happy ending. Austen has a very impressive skill for constructing romantic cliff-hangers.What impressed me (and I do not remember being impressed by this in Pride & Prejudice when I read it seven years ago) were the beautiful turns of phrase. "The shades of his mind" and "truth was less violently outraged than usual" were my favourites, along with "she did not think he deserved the compliment of rational opposition"! I also took great delight at the eventual fate of the main villain - really the only end for him, but unexpected when it came. Austen's lampooning of the insipid, rude, selfish bystanders among the characters is also distinctly enjoyable.I have my objections too. Elinor's sense apparently prevents her from ever suffering any outburts of emotion, well beyond the limits of the patience of anyone I know! Tempestuous Marianne suffers physically several times (a sprained ankle and a number of colds), while Elinor apparently has one of those miraculously healthy constitutions. Marianne has a relevation post-illness and repents of her former ways, and pre-revelation is just a bit too... dramatic. Like an opera diva. In addition, the speeches (particularly between the sisters) come across as overly lengthy, oratorial and therefore somewhat out of place. Maybe I am doing Austen an injustice and sisters really did speak like that once.By the way, I should mention I was reading a Folio Edition - beautiful red cloth spine and illustrations. And surprisingly, quite well designed for reading as well as just looking at!
  • Rating: 3 out of 5 stars
    3/5
    I did not enjoy Sense and Sensibility anywhere close to as much as I loved Austen's other works. It must confess that I believe it had to do much more with the person reading the audio-book than it did with Austen's actual writing. It took me 15 chapters to figure out which character was talking, thinking or musing at any given point and it took another 15 chapters for me to even feel sorry for the women who were getting their hearts broken. I have read that this is considered one of Austen's lesser works and I can see why. It is still a solid book and an amusing read, none the less.
  • Rating: 5 out of 5 stars
    5/5
    Once I overcame my false ideas about what Jane Austen wrote -- that she was some obscure author whosed by the sweater-set-and-pearls English majors at Ivy league women's colleges -- I fell all over myself to catch up. This was my second excursion, following up Pride & Prejudice. (It helped that the Emma Thompson movie came out about the same time).

    This story of two sisters with opposing views on love and life seems ubiquitous to me now, although there are likely some few people ignorant of the trials of Marianne and Elinor, so I won't go into the details of the plot. However, it is safe enough, I think, to talk about the ideas that roam under the skin of the story, the ideas Austen wanted to present to the reader -- that one's personal experience is not the be-all and end-all of one's life, that we live in an interconnected world with rules and expectations we defy at our own risk, that we need not be dead leaves blown by the winds of passion. In the guise of a domestic romance, Austen details these ideas because she saw them affecting the lives of people she knew and she could imagine beyond her own circle.

    Of course, even without all that rather weighty philosophy and moralizing, we have a romantic tale with highs and lows, long periods of suspense and uncertainty, and rather well drawn characters and situations. Austen's ability to create comic scenes and use wry ironic humor to underline her points makes the book a lot more fun than the now unfamiliar and complicated language of the time might make apparent to modern eyes.

    If you are not familiar with the period of the novel, or if the language and culture seem obscure to you, I very much recommend reading [The Annotated Sense and Sensibility].
  • Rating: 3 out of 5 stars
    3/5
    An interesting story, and I still like Jane Austen... but maybe I like the movies better...
  • Rating: 2 out of 5 stars
    2/5
    So-so. Ashamed to admit that I couldn't finish a re-read of the book, and actually preferred the BBC series (which had much of the dialogue, but was easier to stick with) - the characters are mere sketches, the dialogue drawn out in places, and I can't imagine a 'what happened next' for one of the sisters in particular - not exactly a suitably romantic or dramatic conclusion for either Elinor or Marianne. A rather pedestrian story, presumably read by others for the 'label' of Jane Austen.
  • Rating: 1 out of 5 stars
    1/5
    This book is a character study that is superbly well- written, however I found I was impatient with the extensive descriptions. I also had to reread to capture meaning. I could not finish this book.
  • Rating: 4 out of 5 stars
    4/5
    A classic Austen, but not my favorite. This is again, a great love story with great characters, however, it doesn't have as much tension as P&P so it's a little lacklustre. It's still a must-read, must-own sort of book.
  • Rating: 3 out of 5 stars
    3/5
    Good, but not may favorite by Austin
  • Rating: 4 out of 5 stars
    4/5
    Pretty boring to begin with, but it picked up quite a bit later on.I loved the strange cast of supporting characters, especially Mrs. Jennings and the younger Miss Steele.

Book preview

Sense And Sensibility - Lauren Lane

CHAPTER I

The family of Dashwood had long been settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner as to engage the general good opinion of their surrounding acquaintance. The late owner of this estate was a single man, who lived to a very advanced age, and who for many years of his life, had a constant companion and housekeeper in his sister. But her death, which happened ten years before his own, produced a great alteration in his home; for to supply her loss, he invited and received into his house the family of his nephew Mr. Henry Dashwood, the legal inheritor of the Norland estate, and the person to whom he intended to bequeath it. In the society of his nephew and niece, and their children, the old Gentleman’s days were comfortably spent. His attachment to them all increased. The constant attention of Mr. and Mrs. Henry Dashwood to his wishes, which proceeded not merely from interest, but from goodness of heart, gave him every degree of solid comfort which his age could receive; and the cheerfulness of the children added a relish to his existence.

By a former marriage, Mr. Henry Dashwood had one son: by his present lady, three daughters. The son, a steady respectable young man, was amply provided for by the fortune of his mother, which had been large, and half of which devolved on him on his coming of age. By his own marriage, likewise, which happened soon afterwards, he added to his wealth. To him therefore the succession to the Norland estate was not so really important as to his sisters; for their fortune, independent of what might arise to them from their father’s inheriting that property, could be but small. Their mother had nothing, and their father only seven thousand pounds in his own disposal; for the remaining moiety of his first wife’s fortune was also secured to her child, and he had only a life-interest in it.

The old gentleman died: his will was read, and like almost every other will, gave as much disappointment as pleasure. He was neither so unjust, nor so ungrateful, as to leave his estate from his nephew; but he left it to him on such terms as destroyed half the value of the bequest. Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son; but to his son, and his son’s son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him, and who most needed a provision by any charge on the estate, or by any sale of its valuable woods. The whole was tied up for the benefit of this child, who, in occasional visits with his father and mother at Norland, had so far gained on the affections of his uncle, by such attractions as are by no means unusual in children of two or three years old; an imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters. He meant not to be unkind, however, and, as a mark of his affection for the three girls, he left them a thousand pounds a-piece.

Mr. Dashwood’s disappointment was, at first, severe; but his temper was cheerful and sanguine; and he might reasonably hope to live many years, and by living economically, lay by a considerable sum from the produce of an estate already large, and capable of almost immediate improvement. But the fortune, which had been so tardy in coming, was his only one twelvemonth. He survived his uncle no longer; and ten thousand pounds, including the late legacies, was all that remained for his widow and daughters.

His son was sent for as soon as his danger was known, and to him Mr. Dashwood recommended, with all the strength and urgency which illness could command, the interest of his mother-in-law and sisters.

Mr. John Dashwood had not the strong feelings of the rest of the family; but he was affected by a recommendation of such a nature at such a time, and he promised to do every thing in his power to make them comfortable. His father was rendered easy by such an assurance, and Mr. John Dashwood had then leisure to consider how much there might prudently be in his power to do for them.

He was not an ill-disposed young man, unless to be rather cold hearted, rather selfish, and rather insatiable in the bedroom is to be ill-disposed: but he was, in general, well respected; for he conducted himself with propriety in the discharge of his ordinary duties. Had he married a more amiable woman, he might have been made still more respectable than he was: he might even have been made amiable himself; for he was very young when he married, and very fond of his wife, as her libido was as unquenchable as his own and she was always amenable to anything he might suggest between the sheets — and quite often offered suggestions of her own. But Mrs. John Dashwood was a strong caricature of himself; more narrow-minded and selfish.

When he gave his promise to his father, he meditated within himself to increase the fortunes of his sisters by the present of a thousand pounds a-piece. He then really thought himself equal to it. The prospect of four thousand a-year, in addition to his present income, besides the remaining half of his own mother’s fortune, warmed his heart, and made him feel capable of generosity. Yes, he would give them three thousand pounds: it would be liberal and handsome! It would be enough to make them completely easy. Three thousand pounds! he could spare so considerable a sum with little inconvenience. He thought of it all day long, and for many days successively, and he did not repent.

No sooner was his father’s funeral over, than Mrs. John Dashwood, without sending any notice of her intention to her mother-in-law, arrived with her child and their attendants. No one could dispute her right to come; the house was her husband’s from the moment of his father’s decease; but the indelicacy of her conduct was so much the greater, and to a woman in Mrs. Dashwood’s situation, with only common feelings, must have been highly unpleasing. But in her mind there was a sense of honor so keen, a generosity so romantic, that any offence of the kind, by whomsoever given or received, was to her a source of immovable disgust. Mrs. John Dashwood had never been a favourite with any of her husband’s family; but she had had no opportunity, till the present, of showing them with how little attention to the comfort of other people she could act when occasion required it. It was as if she were purposely doing anything and everything she could think of to drive them away — including behaving entirely inappropriately with her husband while in the company of the other women.

So acutely did Mrs. Dashwood feel this ungracious behaviour, and so earnestly did she despise her daughter-in-law for it, that, on the arrival of the latter, she would have quitted the house for ever, had not the entreaty of her eldest girl induced her first to reflect on the propriety of going, and her own tender love for all her three children determined her afterwards to stay, and for their sakes avoid a breach with their brother.

Elinor, this eldest daughter, whose advice was so effectual, possessed a strength of understanding, and coolness of judgment, which qualified her, though only nineteen, to be the counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all, that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had an excellent heart; her disposition was affectionate, and her feelings were strong; but she knew how to govern them: it was a knowledge which her mother had yet to learn; and which one of her sisters had resolved never to be taught. She knew she would make an excellent wife one day; she only had to meet the man who was destined to be her husband.

Marianne’s abilities were, in many respects, quite equal to Elinor’s. She was sensible and clever; but eager in everything: her sorrows, her joys, could have no moderation. She was generous, amiable, interesting: she was everything but prudent. The resemblance between her and her mother was strikingly great. But above all, she dreamt of finding love — an all consuming, passionate connection that would make her forget everything except the raw hunger she and her lover felt for one another. She wanted nothing more than to be swept up in romance and be revered by a man who had eyes only for her, a man who would cause her, at even the slightest glance, to tremble with desire and anticipation, and who would make her feel like the woman she knew she was deep down inside.

Elinor saw, with concern, the excess of her sister’s sensibility; but by Mrs. Dashwood it was valued and cherished. They encouraged each other now in the violence of their affliction. The agony of grief which overpowered them at first, was voluntarily renewed, was sought for, was created again and again. They gave themselves up wholly to their sorrow, seeking increase of wretchedness in every reflection that could afford it, and resolved against ever admitting consolation in future. Elinor, too, was deeply afflicted; but still she could struggle, she could exert herself. She could consult with her brother, could receive her sister-in-law on her arrival, and treat her with proper attention; and could strive to rouse her mother to similar exertion, and encourage her to similar forbearance.

Margaret, the other sister, was a good-humored, well-disposed girl; but as she had already imbibed a good deal of Marianne’s romance, without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of life.

CHAPTER II

Mrs. John Dashwood now installed herself mistress of Norland; and her mother and sisters-in-law were degraded to the condition of visitors. As such, however, they were treated by her with quiet civility; and by her husband with as much kindness as he could feel towards anybody beyond himself, his wife, and their child. He really pressed them, with some earnestness, to consider Norland as their home; and, as no plan appeared so eligible to Mrs. Dashwood as remaining there till she could accommodate herself with a house in the neighbourhood, his invitation was accepted.

A continuance in a place where everything reminded her of former delight, was exactly what suited her mind. In seasons of cheerfulness, no temper could be more cheerful than hers, or possess, in a greater degree, that sanguine expectation of happiness which is happiness itself. But in sorrow she must be equally carried away by her fancy, and as far beyond consolation as in pleasure she was beyond alloy.

It was soon discovered, however, that certain aspects of their new arrangement were far unlike anything Mrs. Dashwood and her daughters were used to — particularly the manner in which Mr. Dashwood and his wife behaved when it came to matters of the bedroom.

Every day, at all hours of the day, the Dashwood women were subject to overhearing their new landlords’ impressive attempts at conceiving a younger sibling for their son.

Though the house had many halls and rooms, it seemed no matter where one was at any given moment, she could hear exactly what John and Fanny were up to. Mrs. Dashwood thought nothing of complaining about their indelicacy to her daughters. In my day, she would say, her face bright with disgust, "husbands and wives did their marital duty only when necessary, always in the dark of night, and always in private. If you ask me, one’s family should never even be truly certain that the marriage has even been consummated at all until the wife becomes round with child. Truly, this behaviour is quite the disgrace. I do not know how they expect us to continue living under these … preposterous conditions!"

Though Elinor and Marianne complained of the obscenity and indecorousness of it all right along with their dear old mother, and outwardly behaved as though they were as scandalised as perhaps they ought to be, secretly they each reveled in eavesdropping on John and Fanny’s exploits. It was far better entertainment than any book could provide, and far more educational as well.

One day, as her brother and his wife were occupying themselves in the usual way, Marianne crept into the spare bedroom beside the couple’s room, closed the door so as not to be discovered, and sat on the floor with her back to the adjoining wall. She felt the vibrations from the bed next door, but she did not care. She remained there, and listened.

Oh, Mr. Dashwood, Fanny cried out. You know how I love when you do that.

After a few more moments of moaning and gasping, Fanny said, "Just a bit higher, my dear … Oh, yes, yes. Now, faster. And do not stop!"

At Fanny’s ensuing screams, Marianne couldn’t help but envy a woman who was not only loved by a man and in the position to enjoy all that marriage had to offer, but who was able to tell her husband exactly what she wanted, and have him obey, all for the purpose of her own pleasure. What kind of power that must be!

The screams died down, but only for a moment. There was some murmuring on the other side of the wall too low for Marianne to distinguish, and then the sounds were elevated once again as John let out a loud moan of his own and the bed — and the wall against which Marianne was leaning — began to rock.

Being entirely inexperienced in the practical matters of love, Marianne could only imagine what, exactly, was happening on the other side of the wall, but what she pictured was something she could not wait to experience for herself.

A handsome man looking at her with love and desire in his eyes, his hands caressing every inch of her body, his mouth on hers, their bodies joined, enjoying a pleasure so intense that her body could not contain it all and she must cry out loud simply to relieve herself of the wonderfully overwhelming pressure.

Some day, Marianne told herself with a sigh. Perhaps some day soon.

• • •

At the same time, Elinor was downstairs in the room directly below John and Fanny, working on her embroidery. She did not look up from her work, nor did she acknowledge in any outward way that she was even aware of the rumpus taking place above her head. Elinor, being older and wiser to the rules of society than her sister, could not permit herself to delight in Mr. and Mrs. Dashwood’s display quite like Marianne did. She pretended to ignore their daily productions as much as she could, but inwardly, she could not pay attention to anything else.

Was the act of lovemaking truly as pleasurable as her brother and his wife made it out to be? Could they really not keep their hands — and other parts of their bodies — off one another for longer than a few hours? Or was this a show put on purely to make the Dashwood women feel uncomfortable and thus drive them away from Norland Park? It was no secret that Fanny did not want them there, and so Elinor could not help but wonder if there were some ulterior motives behind the couple’s incessant coupling.

But despite her suspicions and misgivings, Elinor still did find herself a touch envious of the couple’s seemingly ravenous need for one another. Would she ever have that for herself? And if she were to be married, would she even know what to do? What if her ignorance were so painfully insurmountable that her husband would be led to regret his choice in a wife?

For that reason, Elinor had persuaded her mother not to make them move away just yet. She paid close attention to the sounds and words that echoed through the house, to the small, intimate gestures and touches the couple gave each other whilst in plain view of everyone, hoping to acquire enough knowledge so that when and if such a day came for her, she would be ready.

• • •

Though her husband was quite the king in the bedroom and knew precisely how to make her purr like a kitten, Mrs. John Dashwood did not believe him quite as wise when it came to other matters. In particular, matters of finance. She not at all approve of what her husband intended to do for his sisters. To take three thousand pounds from the fortune of their dear little boy would be impoverishing him to the most dreadful degree. She begged him to think again on the subject. How could he answer it to himself to rob his child, and his only child too, of so large a sum? And what possible claim could the Miss Dashwoods, who were related to him only by half blood, which she considered as no relationship at all, have on his generosity to so large an amount. It was very well known that no affection was ever supposed to exist between the children of any man by different marriages; and why was he to ruin himself, and their poor little Harry, by giving away all his money to his half sisters?

It was my father’s last request to me, replied her husband, that I should assist his widow and daughters.

He did not know what he was talking of, I dare say; ten to one but he was light-headed at the time. Had he been in his right senses, he could not have thought of such a thing as begging you to give away half your fortune from your own child.

He did not stipulate for any particular sum, my dear Fanny; he only requested me, in general terms, to assist them, and make their situation more comfortable than it was in his power to do. Perhaps it would have been as well if he had left it wholly to myself. He could hardly suppose I should neglect them. But as he required the promise, I could not do less than give it; at least I thought so at the time. The promise, therefore, was given, and must be performed. Something must be done for them whenever they leave Norland and settle in a new home.

"Well, then, let something be done for them; but that something need not be three thousand pounds. Consider, she added, that when the money is once parted with, it never can return. Your sisters will marry, and it will be gone for ever. If, indeed, it could be restored to our poor little boy — "

Why, to be sure, said her husband, very gravely, that would make great difference. The time may come when Harry will regret that so large a sum was parted with. If he should have a numerous family, for instance, it would be a very convenient addition.

To be sure it would.

Perhaps, then, it would be better for all parties, if the sum were diminished one half. Five hundred pounds would be a prodigious increase to their fortunes!

"Oh! beyond anything great! What brother on earth would do half so much for his sisters, even if really his sisters! And as it is — only half blood! But you have such a generous spirit!"

I would not wish to do any thing mean, he replied. One had rather, on such occasions, do too much than too little. No one, at least, can think I have not done enough for them: even themselves, they can hardly expect more.

"There is no knowing what they may expect, said the lady, but we are not to think of their expectations: the question is, what you can afford to do."

Certainly; and I think I may afford to give them five hundred pounds a-piece. As it is, without any addition of mine, they will each have about three thousand pounds on their mother’s death — a very comfortable fortune for any young woman.

To be sure it is; and, indeed, it strikes me that they can want no addition at all. They will have ten thousand pounds divided amongst them. If they marry, they will be sure of doing well, and if they do not, they may all live very comfortably together on the interest of ten thousand pounds. To punctuate her point, Fanny then began to employ the tactics she had learned early on in her marriage would get her anything she wanted. Biting her lower seductively and locking eyes with her husband, she slid her chair closer to his and traced one finger lazily across his thigh.

John watched his wife’s fingertip slowly moving north and swallowed audibly. That is very true, and, therefore, I do not know whether, upon the whole, it would not be more advisable to do something for their mother while she lives, rather than for them — something of the annuity kind I mean. My sisters would feel the good effects of it as well as herself. A hundred a year would make them all perfectly comfortable.

His wife hesitated a little, however, in giving her consent to this plan. She slid even closer and continued tracing patterns on her husband’s breeches, adding a bit of pressure.

To be sure, said she, it is better than parting with fifteen hundred pounds at once. But, then, if Mrs. Dashwood should live fifteen years we shall be completely taken in.

Fifteen years! my dear Fanny; her life cannot be worth half that purchase.

Certainly not; but if you observe, people always live for ever when there is an annuity to be paid them; and she is very stout and healthy, and hardly forty. An annuity is a very serious business; it comes over and over every year, and there is no getting rid of it. You are not aware of what you are doing. I have known a great deal of the trouble of annuities; for my mother was clogged with the payment of three to old superannuated servants by my father’s will, and it is amazing how disagreeable she found it. Twice every year these annuities were to be paid; and then there was the trouble of getting it to them; and then one of them was said to have died, and afterwards it turned out to be no such thing. My mother was quite sick of it. Her income was not her own, she said, with such perpetual claims on it; and it was the more unkind in my father, because, otherwise, the money would have been entirely at my mother’s disposal, without any restriction whatever. It has given me such an abhorrence of annuities, that I am sure I would not pin myself down to the payment of one for all the world.

Fanny then shifted her skills of persuasion into fuller force. She crawled lithely into her husband’s lap, straddling one leg on either side of him, and lowered her the bodice of her dress so that her full breasts were exposed and just inches away from John’s waiting mouth.

It is certainly an unpleasant thing, replied Mr. Dashwood, looking into Fanny’s eyes desirously and beginning to grind his growing arousal against her, "to have those kind of yearly drains on one’s income. One’s fortune, as your mother justly says, is not one’s own. To be tied down to the regular payment of such a sum, on every rent day, is by no means desirable: it takes away one’s independence." He leaned forward to take one of her breasts into his mouth, but she leaned back, just out of his reach, teasing him.

Undoubtedly, she said with a coquettish smile, and after all you have no thanks for it. They think themselves secure, you do no more than what is expected, and it raises no gratitude at all. If I were you, whatever I did should be done at my own discretion entirely. I would not bind myself to allow them any thing yearly. It may be very inconvenient some years to spare a hundred, or even fifty pounds from our own expenses.

I believe you are right, my love; it will be better that there should be no annuity in the case; whatever I may give them occasionally will be of far greater assistance than a yearly allowance, because they would only enlarge their style of living if they felt sure of a larger income, and would not be sixpence the richer for it at the end of the year. It will certainly be much the best way. A present of fifty pounds, now and then, will prevent their ever being distressed for money, and will, I think, be amply discharging my promise to my father.

To be sure it will. To show her approval, Fanny finally let John close his mouth over the firm bud at the tip of her breast. His mouth was hot and moist and she squirmed against him in delicious pleasure. Indeed, to say the truth, I am convinced within myself that your father had no idea of your giving them any money at all, she continued breathlessly. The assistance he thought of, I dare say, was only such as might be reasonably expected of you; for instance, such as looking out for a comfortable small house for them, helping them to move their things, and sending them presents of fish and game, and so forth, whenever they are in season. I’ll lay my life that he meant nothing farther; indeed, it would be very strange and unreasonable if he did. John pulled her other breast to his lips and darted his tongue around one nipple, up the crease formed by his pressing her breasts together, and down around the other nipple. Fanny shuddered and reached down between them to caress his hardness. "Do but consider, my dear Mr. Dashwood, how excessively comfortable your mother-in-law and her daughters may live on the interest of seven thousand pounds, besides the thousand pounds belonging to each of the girls, which brings them in fifty pounds a year a-piece, and, of course, they will pay their mother for their board out of it. Altogether, they will have five hundred a-year amongst them, and what on earth can four women want for more than that? — They will live so cheap! Their housekeeping will be nothing at all. They will have no carriage, no horses, and hardly any servants; they will keep no company, and can have no expenses of any kind! Only conceive how comfortable they will be! Five hundred a year! I am sure I cannot imagine how they will spend half of it; and as to your giving them more, it is quite absurd to think of it. They will be much more able to give you something."

In one swift move, Fanny stepped out of her dress and shed her undergarments. Completely naked, she knelt before her husband, lowered his breeches, and took him into her mouth.

Upon my word, said Mr. Dashwood through his moans of delight, "I believe you are perfectly right. My father certainly could mean nothing more by his request to me than what you say. I clearly understand it now, and I will strictly fulfill my engagement by such acts of assistance and kindness to them as you have described. When my — oh, yes, Fanny — when my mother removes into another house my services shall be readily given to accommodate her as far as I can. Some little present of furniture too may be acceptable then."

Fanny gave her husband one last lick, and then stood up. Certainly, she returned as she pulled him to standing and removed the remainder of his clothing. "But, however, one thing must be considered. When your father and mother moved to Norland, though the furniture of Stanhill was sold, all the china, plate, and linen was saved, and is now left to your mother. Her house will therefore be almost completely fitted up as soon as she takes it."

That is a material consideration undoubtedly. A valuable legacy indeed! And yet some of the plate would have been a very pleasant addition to our own stock here.

Fanny dropped to the floor, lay on her back, and lifted her legs in the air. "Yes; and the set of breakfast china is twice as handsome as what belongs to this house. A great deal too handsome, in my opinion, for any place they can ever afford to live in. But, however, so it is. Your father thought only of them And I must say this: that you owe no particular gratitude to him, nor attention to his wishes; for we very well know that if he could, he would have left almost everything in the world to them." She waved one finger, inviting John to join her, and then teasingly put the finger in her mouth, moaning as she sucked.

This argument was irresistible. It gave to his intentions whatever of decision was wanting before; and he finally resolved, that it would be absolutely unnecessary, if not highly indecorous, to do more for the widow and children of his father, than such kind of neighbourly acts as his own wife pointed out.

Unable to hold off any longer, Mr. Dashwood pounced on his ready, waiting wife and thrust himself inside her, thanking God for bringing him such an intelligent, clever woman.

CHAPTER III

Mrs. Dashwood remained at Norland several months; not from any disinclination to move when the sight of every well known spot ceased to raise the violent emotion which it produced for a while; for when her spirits began to revive, and her mind became capable of some other exertion than that of heightening its affliction by melancholy remembrances, she was impatient to be gone, and indefatigable in her inquiries for a suitable dwelling in the neighbourhood of Norland; for to remove far from that beloved spot was impossible. But she could hear of no situation that at once answered her notions of comfort and ease, and suited the prudence of her eldest daughter, whose steadier judgment rejected several houses as too large for their income, which her mother would have approved.

Mrs. Dashwood had been informed by her husband of the solemn promise on the part of his son in their favour, which gave comfort to his last earthly reflections. She doubted the sincerity of this assurance no more than he had doubted it himself, and she thought of it for her daughters’ sake with satisfaction, though as for herself she was persuaded that a much smaller provision than 7000L would support her in affluence. For their brother’s sake, too, for the sake of his own heart, she rejoiced; and she reproached herself for being unjust to his merit before, in believing him incapable of generosity. His attentive behaviour to herself and his sisters convinced her that their welfare was dear to him, and, for a long time, she firmly relied on the liberality of his intentions.

The contempt which she had, very early in their acquaintance, felt for her daughter-in-law, was very much increased by the farther knowledge of her character and her apparently severe aversion to modesty, which half a year’s residence in her family afforded; and perhaps in spite of every consideration of politeness or maternal affection on the side of the former, the two ladies might have found it impossible to have lived together so long, had not a particular circumstance occurred to give still greater eligibility, according to the opinions of Mrs. Dashwood, to her daughters’ continuance at Norland.

This circumstance was a growing attachment between her eldest girl and the brother of Mrs. John Dashwood, a gentlemanlike and pleasing young man, who was introduced to their acquaintance soon after his sister’s establishment at Norland, and who had since spent the greatest part of his time there.

Elinor and Edward’s first meeting was rather unremarkable. They greeted each other in the usual way and made their pleasantries, and then Edward was whisked away by Fanny to come see her child.

But as the days went on, Elinor and Edward began to notice one another. When Edward came in from riding, Elinor’s gaze lingered on the way his hair swept across his forehead and fell over one eye, and she felt a sudden inclination to sweep it back with her hand. When Elinor bent down to pick some wildflowers in the front of the house and her bosom spilled slightly more than usual over the top of her dress, Edward could not stop himself from staring at the soft line between her breasts and wondering would it would be like to bury his face there.

Though nothing was said aloud on the matter of their budding romance and though the young couple never crossed the line from intimacy of the emotional kind to that of the physical, it was clear to everyone in the house that the two had eyes for only each other.

Some mothers might have encouraged the intimacy from motives of interest, for Edward Ferrars was the eldest son of a man who had died very rich; and some might have repressed it from motives of prudence, for, except a trifling sum, the whole of his fortune depended on the will of his mother. But Mrs. Dashwood was alike uninfluenced by either consideration. It was enough for her that he appeared to be amiable, that he loved her daughter, and that Elinor returned the partiality. It also did not go unnoticed that Edward was the complete opposite of his dreadful sister in every way — where she was crude, he was erudite; where she was ostentatious, he was mild-mannered; where she was selfish, he was kind. Mrs. Dashwood knew that when Mr. Ferrars married, he would never take up the uncouth behaviours that came so easily to his sister. Mrs. Dashwood knew that Edward was the perfect man for her Elinor. It was contrary to every doctrine of her’s that difference of fortune should keep any couple asunder who were attracted by resemblance of disposition; and that Elinor’s merit should not be acknowledged by every one who knew her, was to her comprehension impossible. Edward Ferrars was not recommended to their good opinion by any peculiar graces of person or address. To most, he was not handsome, and his manners required intimacy to make them pleasing. He was too diffident to do justice to himself; but when his natural shyness was overcome, his behaviour gave every indication of an open, affectionate heart. His understanding was good, and his education had given it solid improvement. But he was neither fitted by abilities nor disposition to answer the wishes of his mother and sister, who longed to see him distinguished as — they hardly knew what. They wanted him to make a fine figure in the world in some manner or other. His mother wished to interest him in political concerns, to get him into parliament, or to see him connected with some of the great men of the day. Mrs. John Dashwood wished it likewise; but in the mean while, till one of these superior blessings could be attained, it would have quieted her ambition to see him driving a barouche. But Edward had no turn for great men or barouches. All his wishes centered in domestic comfort and the quiet of private life. Fortunately he had a younger brother who was more promising.

But though by most people’s standards Edward Ferrars was nothing exceptional, to Elinor, he was perfect. The handsomest, kindest, most wonderful man she had ever known.

The two began spending more and more time together, going on walks alone and taking their tea together in the garden, away from prying eyes and ears. They discussed everything — politics, literature, religion, dreams for the future — and found they were alike in nearly every way. Elinor drew for him, and he admired and complimented her work with such fervor it was as if she were Leonardo da Vinci himself.

Elinor lay awake in bed at night, listening to the nightly antics of her brother and his wife (who, since Edward’s arrival, had taken to entertaining themselves only in the evenings), and found herself wondering less about what it would be like to have a husband to do those sorts of things with and dreaming more about doing those things with Edward — with or without a marriage proposal. He made her feel differently than she’d ever felt before, made her consider doing things she’d never before considered. She wanted to feel his skin against hers, to have him touch and taste her in all her most intimate places, to graze her own mouth and fingers against his muscled torso.

The desire to all of these things — and more — grew each day that she walked along side him and with each night that she felt the house shake with John and Fanny’s lovemaking. Her need for Edward became so great that one evening, under the warmth and protection of her bedclothes, she succumbed to the aching want and began to explore her own body. Cautiously at first, Elinor brushed one finger across her fine hairs, shivering from the tickle her touch caused. Then, as Fanny loudly and unabashedly directed her husband from a few rooms away, Elinor grew bolder.

She pressed deeper and found that she was wet, wet with a moisture that allowed her fingers to glide up and down easily. As Fanny called out, Higher! Elinor focused her touch on the highest point between her legs, at the tiny spot where all her desire was collecting. She rubbed herself there experimentally and found that the more she touched herself, the more she wished it was Edward there in bed with her, that it was his hands moving across her wetness.

Faster, John! Fanny cried, and Elinor responded in kind, moving her fingertips more rapidly across herself. She closed her eyes and arched her back, her fingers working madly. Edward’s face appeared in her mind, his eyes burning with the very need she felt within herself.

Yes, John! Right there, do not stop!

This time Elinor didn’t need Fanny’s help. She already knew she was not going to stop. Edward, she whispered, her breath short and raspy, her voice revealing the unbearable need within her.

Yes, Elinor, Edward said in her vision. I’m here.

His voice was so real, the heat from his lips and the sweat on his brow so lifelike, that Elinor almost believed he was really there with her, touching her, making her feel this pleasure. That she wasn’t doing it herself.

Her fingers slid back and forth, her legs spread wide, and suddenly she couldn’t hold back any longer — her entire body exploded in a rainstorm of heat and passion and bliss. Oh, Edward! she cried out as her body rocked with delectable tremors.

When the sensation subsided, Elinor lay spent, panting, staring into the darkness in wonder. Was this what Fanny and John experienced every single day? Was this what it was like to bed your husband?

If this was what it was like every time, Elinor knew that she could not wait to be married. She needed Edward like she needed air. And she vowed to have him.

• • •

Edward yearned for Elinor, yearned to cover her body with his own and feel her quiver with ecstasy around him. He had never experienced such a reaction to a woman before, and he scarcely knew what to do with himself. She was a lady — a beautiful, lovely lady — and she did not deserve to be thought of in such a way by anyone except her husband. She should not be kissed, touched, even looked at with impure thoughts, until she was married to a man who loved and respected her and who could give her the world. Edward wished he could be that man, but his mother and sister had made it perfectly clear that he was not, and could never be, the type of man he knew Elinor deserved.

But still his desire for her burned on, though he did everything he could to keep it at bay. His sister’s nightly exploits with Mr. Dashwood did nothing to keep his thoughts clean, however, and he found himself relieving the exquisite pain that his attraction to Elinor caused the only way he knew how — in private moments alone in his bedchamber.

If Elinor knew he thought of her while doing such acts — if she even knew he did such acts at all — he was certain that she would never look at him again. So he did his best to keep a calm, unaffected demeanour whilst in her presence. He read aloud without inflection and he pretended to be ambivalent during discussions about music — anything to keep from exposing the true passion that simmered just beneath his skin whenever Elinor was near.

Edward had been staying several weeks in the house before he engaged much of Mrs. Dashwood’s attention; for she was, at that time, in such affliction as rendered her careless of surrounding objects. She saw only that he was quiet and unobtrusive, and she liked him for it. He did not disturb the wretchedness of her mind by ill-timed conversation. She was first called to observe and approve him farther, by a reflection which Elinor chanced one day to make on the difference between him and his sister. It was a contrast which recommended him most forcibly to her mother.

It is enough, said Mrs. Dashwood; to say that he is unlike Fanny is enough. It implies everything amiable. I love him already.

I think you will like him, said Elinor, when you know more of him.

Like him! replied her mother with a smile. I feel no sentiment of approbation inferior to love.

You may esteem him.

I have never yet known what it was to separate esteem and love.

Mrs. Dashwood now took pains to get acquainted with him. Her manners were attaching, and soon banished his reserve. She speedily comprehended all his merits; the persuasion of his regard for Elinor perhaps assisted her penetration; but she really felt assured of his worth: and even that quietness of manner, which militated against all her established ideas of what a young man’s address ought to be, was no longer uninteresting when she knew his heart to be warm and his temper affectionate.

No sooner did she perceive any symptom of love in his behaviour to Elinor, than she considered their serious attachment as certain, and looked forward to their marriage as rapidly approaching.

In a few months, my dear Marianne, said she, "Elinor will, in all probability be settled for life. We shall miss her; but she will be happy."

Oh! Mamma, how shall we do without her?

My love, it will be scarcely a separation. We shall live within a few miles of each other, and shall meet every day of our lives. You will gain a brother — a real, affectionate brother. I have the highest opinion in the world of Edward’s heart. But you look grave, Marianne; do you disapprove your sister’s choice?

Perhaps, said Marianne, I may consider it with some surprise. Edward is very amiable, and I love him tenderly. But yet — he is not the kind of young man; there is something wanting — his figure is not striking; it has none of that grace which I should expect in the man who could seriously attach my sister. His eyes want all that spirit, that fire, which at once announce virtue and intelligence. And besides all this, I am afraid, Mamma, he has no real taste. Music seems scarcely to attract him, and though he admires Elinor’s drawings very much, it is not the admiration of a person who can understand their worth. It is evident, in spite of his frequent attention to her while she draws, that in fact he knows nothing of the matter. He admires as a lover, not as a connoisseur. To satisfy me, those characters must be united. I could not be happy with a man whose taste did not in every point coincide with my own. He must enter into all my feelings; the same books, the same music must charm us both. Oh! mama, how spiritless, how tame was Edward’s manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!

"He would certainly have done more justice to simple and elegant prose. I thought so at the time; but you would give him Cowper."

"Nay, Mamma, if he is not to be animated by Cowper! — but we must allow for difference of taste. Elinor has not my feelings, and therefore she may overlook it, and be happy with him. But it would have broke my heart, had I loved him, to hear him read with so little sensibility. Mama, the more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much! He must have all Edward’s virtues, and his person and manners must ornament his goodness with every possible charm."

Remember, my love, that you are not seventeen. It is yet too early in life to despair of such a happiness. Why should you be less fortunate than your mother? In one circumstance only, my Marianne, may your destiny be different from her’s!

CHAPTER IV

What a pity it is, Elinor, said Marianne, "that

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