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Our Dark Duet
Our Dark Duet
Our Dark Duet
Ebook441 pages5 hours

Our Dark Duet

Rating: 4 out of 5 stars

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About this ebook

A New York Times bestseller

The bestselling sequel—and conclusion—to Victoria Schwab’s instant #1 New York Times bestseller This Savage Song.

Kate Harker is a girl who isn’t afraid of the dark. She’s a girl who hunts monsters. And she’s good at it. August Flynn is a monster who can never be human. No matter how much he once yearned for it. He has a part to play. And he will play it, no matter the cost.

Nearly six months after Kate and August were first thrown together, the war between the monsters and the humans is a terrifying reality. In Verity, August has become the leader he never wished to be, and in Prosperity, Kate has become the ruthless hunter she knew she could be. When a new monster emerges from the shadows—one who feeds on chaos and brings out its victim’s inner demons—it lures Kate home, where she finds more than she bargained for. She’ll face a monster she thought she killed, a boy she thought she knew, and a demon all her own.

A gorgeously written dark fantasy from New York Times–bestselling author Victoria Schwab, and one to hand to fans of Holly Black, Laini Taylor, and Maggie Stiefvater.

“Explosive.”—Brightly

LanguageEnglish
PublisherHarperCollins
Release dateJun 13, 2017
ISBN9780062380906
Author

V. E. Schwab

V. E. Schwab is the #1 New York Times bestselling author of more than twenty books, ranging from middle grade to teen to adult. Her books have garnered critical acclaim and been featured in the New York Times, Entertainment Weekly, the Washington Post, and NPR; have been translated into more than a dozen languages; and been optioned for television and film. Schwab, an avid traveler, received her MFA from the University of Edinburgh, where her thesis was about the presence of monsters in medieval art. She lives in Edinburgh, Scotland. 

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Reviews for Our Dark Duet

Rating: 4.0074256554455445 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    This review may contain spoilers for [This Savage Song].In the wake of her father's day, Kate Harker has been hiding in Prosperity and fighting the occasional monster outbreak in that city. But when a new monster appears on the scene, she'll be pulled back to Verity to face everything she left behind. Meanwhile, August has had to step up into a leadership role as Verity begins to fall apart and is losing what little humanity he has. As darkness closes in, will he be able to save the city from itself?A satisfying conclusion to this duology filled with monsters, excellent fight sequences, and an ending that pulls no punches. If you've read some of Schwab's other fantasy works you can see her skills at work here with well-crafted characters and well-defined rules for this universe. Also, there was a significant gap between when I read the first book and when I read it's sequel and I was able to jump into the narrative without a refresher and still follow along. Recommended if you liked the first book.
  • Rating: 4 out of 5 stars
    4/5
    found the first half of this book very slow but, thankfully, the pace quickened once Kate arrived back in Verity. I enjoyed the development of Kate and August, and the end broke my heart because I had grown to care for these characters. Despite not enjoying this book as much as the first, this was a fitting end to an enjoyable series.
  • Rating: 5 out of 5 stars
    5/5
    There was a strange place, between knowing and not knowing. A place where things could live in the back of your head without weighing down on your heart.
    Why do you do this to me, Victoria Schwab?

    The Writing and Worldbuilding

    I loved that we got to see outside of Verity, and I hope that if we ever get more in this world—P L E A S E—that we'll get to see even more.

    The plot was awesome, almost better than This Savage Song, and I was totally invested throughout. Unfortunately, the emotional parts just didn't hit me nearly as hard as they did in the first book, though not for lack of trying.

    I absolutely loved the addition of the Chaos Eater. It really upped the stakes and expanded the world.

    I also loved the little poetic interludes in the perspective of the Chaos Eater. Those were super cool and unique.

    The Characters

    August: It's no surprise that I love August and will always love August. I really appreciated how his character changed and grew in this, becoming more mature, but also more tortured in a non-angsty teen kind of way. Also, I guess he does have a sex drive *wiggles eyebrows up and down and bites lip*

    Kate (and sort of Alice): Kate was great in this too, and I loved her arc and final stand with Alice, her Malchai doppelganger, who was an excellent addition.

    Sloan: Good ole Sloan, being creepy and obsessive. Honestly, I didn't really care much for him last book, but he really stood out in this one.

    Soro: I didn't really care much for them tbh though I appreciated that Sunai can be non-gender-specific.

    Conclusion

    I seriously loved this, and Schwab has once again cemented herself as my queen and goddess. If you haven't read this one yet, D O I T!
  • Rating: 3 out of 5 stars
    3/5
    This book was just kind of meh for me. I felt like it was waaayyy too dramatic and Kate and August just didn't gel with me this time. I just didn't really care all that much. The conclusion was great though. I enjoyed how everything came together and the resolution of the Chaos Eater and Sloan, and Ilsa. Yet, something was lacking for me..the writing didn't pull me in as much, and I wasn't as entertained by this as I was the first book.Overall, just okay. Not the best thing I've read.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this conclusion but I enjoyed the first book more. I felt too removed from the characters in this and thus didn't feel the same emotional involvement. In the first book August's struggles with what he is and his wish to be human made him a sympathetic character that you felt for. And the same for Kate who is not a nice person but who you could understand.In this they are both less sympathetic - Kate has turned into Buffy the Vampire Slayer but without her charm. And August is just I am a monster and that's what I must be to fight. So for me the end just didn't have the emotional impact that it should have had.I do like Ms Schwab's writing though and will be picking up "Vicious" at some point.
  • Rating: 4 out of 5 stars
    4/5
    Kate returns to Verity to tell August about a new monster. This novel is the ultimate battle, so many will fall. Does good or evil reign? There's hope at the end, but the battle is brutal.
  • Rating: 5 out of 5 stars
    5/5
    Six months after the events in This Savage Song, Kate Harker has settled into a new life of sorts in Prosperity, hunting monsters for the Wardens. One night she arrives at the scene of a massacre and takes off in pursuit of the monster, one unlike any she has ever seen: it feeds off chaos, getting inside people's heads and turning them against each other. But the encounter is not without consequences for Kate ... Meanwhile, in Verity, August Flynn has assumed the role of commander as the Flynn Task Force try to stem the tide of violence that's sweeping the city by taking out the monster that's now controlling the part of Verity north of the Seam. But August and Kate's paths are fated to cross again.Anyone who hasn't read the first volume in this duology would do well to catch up before embarking on reading Our Dark Duet as the character development and previous events will make a lot more sense when one is familiar with the background. As if the notion of monsters being created by acts of violence isn't enough, here readers are introduced to a different and unique type, one which unleashes a person's potential for violence and turns them into an indiscriminate killer and to me the Chaos Eater was a lot scarier than the Sunai, Malchai and Corsai readers have already met. There is a lot of violence, blood and gore, with a very high body count, but it is Kate and August's humanity that draws the reader in and makes them care: being a Sunai, August is trying to deny his while Kate, as the daughter of Verity's former foremost crime lord, is coming to terms with possessing it. As in the first book, the author describes proceedings with music metaphors and allegories, though they aren't as plentiful (which is a shame), maybe because the pace is quite unrelenting for the most part, with hardly time to pause and draw breath. The author has come up with an ingenuous way to increase the tension almost from the word go, so that August and Kate not only have to battle a variety of monsters but also the clock, and almost right to the last page I didn't know how the book was going to end. Shame there won't be a sequel but the ending is fitting.
  • Rating: 5 out of 5 stars
    5/5
    I'm Speechless. When I finished reading Our Dark Duet, the sequel of Monsters of Verity, I needed a couple of tissues. Yes, I'll admit I shed a few tears. The author, Ms. Schwab noted that the book took a lot out of her. It took a lot out of me too. The book ends with the beginnings of hope, but as Kate Harker would say, everything has a cost.The atmosphere of the first book, This Savage Song, was very dark and is carried through into the second installment. The characters August and Kate are reunited under the worst of circumstances and things quickly spiral from bad to worse. This book will drag you in and wring you out. Both books, are well plotted. The characters are so vivid it is not difficult to imagine them. The advisories the are intelligent and menacing to a point where you hate them but can't wait to see what they are up to next.Would I read these books again? Yes. After I've recovered from the first time around. Well done Ms. Schwab.
  • Rating: 4 out of 5 stars
    4/5
    This Savage Song was included in a past Owlcrate box, and I have to thank them for broadening my book horizon because this isn't the typical book I'd read. I liked This Savage Song so much that I bought the sequel - Our Dark Duet. It took me a while to finish this book, not because it gave me the creeps (which it did), but because I had an inkling how it would end. But unlike other books wherein I questioned how it ended (cough, Allegiant) I understood why the story had to end that way. With good world building and a cast of characters that you'll despise and fall in love with, this duology broke my heart but left me hopeful.
  • Rating: 5 out of 5 stars
    5/5
    Man oh man! These two books were a hell of a ride! Ending broke me though!! I would recommend these books though. So very glad I got to read them!!!
  • Rating: 4 out of 5 stars
    4/5
    A great if not perfect sequel in this series (a "bilogy"? "duology"?) with a similar structure as the first book.
    It picks up after a length of time wherin Kate is in a new city with a new set of friends but still fighting monsters though she only knows what little combat training she learned in high school P.E. class (which she tends to mention a LOT). August is still in Verity but moving up the ranks of his adoptive father's taskforce, being emo about how emo but also how not emo he is, and has a new metal-plated violin with a bow that is also a sword??? (where they found a master violin maker that could also defy the laws of what makes a violin actually work isn't part of the story and also magic etc). They still think of each other - because this is Romeo and Juliet with monsters - but without the communication grid between cities, they have nothing but nostalgia to go on. Then things happen as they tend to do which causes a new monster to be formed, who then finds out about a larger food source in Verity via Kate so Kate uses it as an excuse to be a dick to those who gave her things for free and follows the monster because she's strong and brave and true and stubborn to the point of stupidity like all YA heroines. Anyway, more things happen that are exciting and then sad and then maddening and then more sad but also exciting. There's no happy ending here.
  • Rating: 4 out of 5 stars
    4/5
    Note: Spoilers for the first book in this duology, This Savage SongBook Two begins with Kate Harker, now 18, living under a fake name in the capital of the region of Prosperity for the past six months, since leaving August and the region of Verity behind. She has joined a group calling themselves the Wardens, dedicated to chasing monsters. The Wardens aren’t hunters, but “hactivists” who dig through surveillance sites trying to find evidence of monsters. Then Kate goes after them. Of the Wardens, Kate says, “They weren’t Flynn Task Force soldiers. Or coddled Colton kids. They were just - normal. They had lives outside this one. Things to lose.” She almost thinks of them as friends, although she resists the idea. You can get rid of monsters, but you can’t get rid of the burdens relationships impose. She keeps reliving the moment when August went dark, for her: “He sacrificed a part of himself - his humanity, his light, his soul - because of her. She could handle her own blood. She didn’t need anyone else’s on her hands.”Back in Verity, August, 17, now heads a task force that is in charge of identifying and culling sinners from the refugees who have been streaming into the South ever since Callum Harker, the leader of the North, was killed. (Performing music causes the essence of sinners to rise out of them.) There is also a new Sunai, Soro, who is heartless compared to August. Soro possesses an unshakeable resolve, a belief that the Sunai existed solely to destroy monsters and eliminate the sinners responsible for them. With him there was no waivering, no doubt, and no mercy.August has now repressed the very large part of him that wants to be human: “August would never be human. He knew that now. It wasn’t about what he was, but why, his purpose, his part. They all had parts to play. And this was his.” He is “aided” in his denial by the voice of Leo, his Sunai brother who seems to live on inside him ever since August killed him. Ilsa, the other Sunai, wants August to keep trying to keep his violence at bay, but she is literally voiceless now after the attack by the Malchai monster Sloan.Sloan was almost dead - stabbed by Leo in the first book, but he was rescued by another Malchai, Alice. Sloan is now head of the North, with Alice his second. They have a force of “Fangs” working for them. These are humans who swore allegiance to the Malchai, because they “worshipped the monsters like gods, or simply decided they’d rather submit than flee.” Fangs committed most of the daylight crimes, and ushered new monsters into the world with every sin.The Harker regime thus lives on: Sloan was born of Callum’s crimes and Alice was born of Kate’s. Sloan has the Fangs bring him girls who look like Kate for him to kill and eat. “He didn’t hate Katherine, he simply loved the thought of killing her. And he resented her for taking the one life that should have been his: her father’s.”Meanwhile, a new sort of monster is born in Prosperity - a “chaos eater.” It turns humans against each other, and then feeds on their violence. Its influence spreads like a virus. After Kate chased it, part of it entered her. Ironically, she is indeed becoming a monster like she always thought she wanted. She is not quite there yet. But the Chaos Eater can see into her head, and she can see into it’s head. And she sees it is heading for Verity.Kate comes back to Verity to warn August. To her horror, she discovers Alice, who looks and acts like a very twisted version of Kate. She also gets cornered by Soro, who is about to reap her soul when she gets rescued by August. She is taken to the Flynn compound, where she warns them about the new monster.Kate sees right away the change in August. She asks him, “What happened to the August who wanted to feel human? The one who would rather burn alive than let himself go dark?” August replied: “I’m willing to walk in darkness if it keeps humans in the light.”Kate snorts and accuses him of parroting Leo, and also of lying to himself. August explains, “I just got tired of losing. It’s easier this way.” “Of course it’s easier,” said Kate. “That doesn’t mean it’s right.”August counters: “I miss it every day, Kate, but there’s not place for that August anymore. …. this world doesn’t need that August. It needs someone else. . . . I can’t protect this world and care about it. That’s the only way to do it. Because it hurts too much. Every day, every loss, it hurts.”Kate understands. August marvels that Kate saw him, the real him, and stuck by him all the same. They try to kiss, but as they get more passionate, they discover that lovemaking is like music - it causes Kate’s essence to rise out of her, and August almost reaps her by accident. That avenue is therefore not open to them. Nevertheless, as the story comes to a tense denouement, they find another way to be together, one that meets both of their needs in a way they never expected.Evaluation: This bittersweet saga is full of unusual plot elements that give the reader a great deal to ponder. The author is crazily creative. I would have rated it higher had I not previously read the author’s next, even-better saga, the “Shades of Magic” series.Note: This is not really a standalone.
  • Rating: 5 out of 5 stars
    5/5
    Victoria Schwab is one of the most amaZing writers. I love everything she puts out. But I will admit that this particular story, Killed Me. Never has she made me cry, so saddened by the out come. This book has it all and if you don't fall in love with most of the characters, you're heartless yourself. I hate spoilers , just know this was minimal in romance, but heavy on the heart and does tug on your heart strings - it rips your heart out and devours it with one bite. ❤️❤️❤️❤️
  • Rating: 4 out of 5 stars
    4/5
    ***Possible spoilers below. You’ve been warned***The plot was off to a pretty slow start in this one. Before I start, I’d have to recommend you read This Savage Song before going to this book. You would need the foundation that was set up in This Savage Song to really benefit and enjoy reading Our Dark Duet.As mentioned before, the plot was off to a slow start. Kate and August are on both different ends of the spectrum but have changed drastically. They’ve definitely ‘grown up’ so to speak. Kate becomes monster hunter extraordinaire. August leads his own squad in the FTF. Kate’s part of the story was definitely more interesting. Despite trying hard not to warm up to people she manages to have her small group of friends (but of course, shuns them anyway despite one of them trying to reach out to her numerous times). I love this quality in Kate. It makes her so much more realistic and puts her way from the group of those ‘stone cold butt kickers that apparently have no soul’. That being said about Kate. Oh. Lord. That ending. Kate dying with August nearby got my stomach into knots and twists. I can’t believe it. It was beautifully written though and a suitable ending for her. Kate was pretty much a pariah and a lone wolf. August was one of the few that was able to get to know Kate at a more deeper level. It was only fitting that she meets her end with that one person by her side. Beautifully done. I didn’t really think the romance scene between Kate and August was necessary. It was a minor filler that didn’t need to be added. I never saw August and Kate that way. They were too different and didn’t have that nice ongoing chemistry together. Fighting partners, yes. Partners in love? No I don’t think so. So more about characters dying. Am I the only one that felt a punch to the gut when Ilsa died? Ilsa was a character I really loved in these two books. She went down in a blaze of glory though (albeit, a shocked blaze of glory.)You have to admit, Sloan is one of the better villains I have read in a long while. I like him teaming up with Alice even though villains they are, they are looking out for themselves. He’s creepy, malicious, calculating, and cunning. He’s a perfect villain.The last half of the book, which was filled with action, blood, explosions and all the good stuff set the pace for the great ending to a wonderfully written duology. I know fans out there are asking for more, as it’s not the end of the adventures for August and Soro. For me, it’s just enough and it’s a perfect ending. Well done Ms Schwab! Now I’m off to read your other works!
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed Our Dark Duet less than I did its predecessor, This Savage Song, but I can’t tell if that’s on me or the book.Kate Harker has made a new life outside of Verity, hunting monsters. But a new and dangerous breed of monster will send her back hunting back to the city of her past. Meanwhile, August Flynn is trying to forget her earlier desires to be human. He has a part to play, and human isn’t what he needs to be.Okay, so. Do you remember my review of This Savage Song? No? Suffice to say that I spent practically the entire review praising the book for not having romance. Guess what Our Dark Duet does. Go on, just guess. If you’re thinking that Kate and August kiss, bingo! It comes out of bleeding nowhere, and I am so effing mad about it. Why did they have to kiss? Really, someone please explain this to me. What on earth does one half baked romantic subplot add to this book? It got me so pissed off that I went on a twitter rant about heteronormativity. Just because one person’s a girl and one person’s a boy doesn’t mean they’ll be attracted to each other or interested in a romantic relationship! Urgh! And that was literally all their was to this kiss. I’ve calmed off somewhat since I read the book, but believe me I am still annoyed. One of my favorite things about This Savage Song was the pacing. I raced through it, reluctant to put it down even while I was in exam season. Our Dark Duet didn’t have the same effect on me. With only seventy pages of the book left and nothing I had to get up for the next morning, I put the book down and went to sleep.I wasn’t as fond of the characterization either. I have the feeling that Schwab was going for a tragedy, a book that would stomp on your heart and make you feel things. But I didn’t feel things. Even with some significant character deaths, I was just sort of like, “Well, that happened I guess.” When it comes to August, I think his character arc just wasn’t as compelling here. He’s trying to not be human (which is sort of a flip from the last book), and it doesn’t end up feeling like he goes anywhere new. When it comes to Kate, there were some seeds of her desiring to connect more with other people, but I feel like there were a lot of wasted opportunities with her character. There’s not a lot of focus on any of her relationships except for August, and I feel like the main way Schwab was developing that relationship was with That Moment (the kiss), which doesn’t make Kate magically more connected to other people. Physical intimacy isn’t the same as emotional intimacy.Our Dark Duet also feels like a strange end to the series. I suppose it’s the end of a plot arc and potentially some character arcs. I guess it works in that regard, but it still leaves a lot up in the air. I didn’t find it a satisfying conclusion, but from the plethora of positive reviews, my opinion seems to be in the minority. Hopefully other fans of the series will have a better time with this one than me.
  • Rating: 3 out of 5 stars
    3/5
    I started the two-book series, so I thought I might as well finish it. I stand by my comment in my review for This Savage Song: Schwab has a real knack for creating monsters.Our Dark Duet picks up a few months after the events of This Savage Song. August has become a soldier for Flynn’s army, taking up his brother’s former position. Kate is living in a new city, still fighting monsters. After an encounter with a completely new type of monster, Kate decides to return to Verity to warn August and the Flynns.I still liked the monsters that Schwab created, but Kate and August’s relationship still doesn’t draw me in. It’s not badly written or uninteresting. I find that I relate to Schwab’s adult releases better, and that is all just a personal preference.
  • Rating: 4 out of 5 stars
    4/5
    I'll be reading more from this author. I loved its fast pace, engaging characters swirled in darkness and light and the struggle to be who we want while maintaining our duty to the world and those around us.

    At least that's what I got from it. August is the finest monster I've read about in a while. In this book, he's made more even more complex by his decisions, duties, and desires. Kate, at the beginning of the book isn't in Verity and she's struggling with her new bonds to others and ultimately, the reasons she has to escape them.

    And after all that, Kate's dealing with a monster in her brain, which I frankly loved. It illustrated the struggles we all go through to not--well--strangle each other on a daily basis.

    Unfortunately, this started off too slow and choppy, and I can't quite determine why. The first 100 pages or so felt a bit like a struggle, albeit an easy one, or this would've been a 5 star read for me. It suffered a little too because while the internal struggle was real, the first had more complex relationships between the good & evil, where here the enemy was quite clear.

    Also though this book isn't romance, the main characters clearly deeply care about-and maybe even love one another-and that's clear. That makes this tale all the more bittersweet.
  • Rating: 5 out of 5 stars
    5/5
    EXCUSE ME. How dare you.
  • Rating: 5 out of 5 stars
    5/5
    When I first read [b:This Savage Song|23299512|This Savage Song (Monsters of Verity, #1)|Victoria Schwab|https://images.gr-assets.com/books/1445529989s/23299512.jpg|42855493] I kept wondering how it'd feel like to have your soul reaped by a Sunai, your heart snatched up and eaten by a Malchai or your body devoured by a Corsai
    Now I know.

    It's exactly how it feels to read the ending of this book.

    Victoria Schwab successfully broke my heart, my soul and every limb in my body beyond repair.

    I must admit when I started this book, I was going through a horrible reading slump, and by the time I reached 30% of the book I knew that if I forced myself to read any more I'd end up hating this masterpiece, so I put it in the "No I'm not DNFing you, I just need some space, I swear we'll get back together soon" shelf.
    I'm so glad I did that, because when I picked it up again I dived into it and fell more and more in love with it every time I turned the page.

    This book was so beautifully written and so well executed it hurts.

    I thoroughly enjoyed every part of this book, every point of view has something interesting in it and I wanted to know everything about everyone.

    I loved the idea of the Chaos Eater. It was this terrifying monster that turned humans against each other, yet it was such an interesting thing. I found myself wanting to know more and more about it. Then, the more I knew the more it seemed impossible for them to defeat it.

    Which is why the ending made perfect sense...
    BUT that doesn't mean it didn't make me weep like a toddler.

    So to sum it up, this book was an amazing piece of art that broke me to pieces then left me without picking me back up. It's definitely on my top ten most heartbreaking endings
    If you haven't read this book I highly recommend it.
  • Rating: 5 out of 5 stars
    5/5
    Perfect ending, to paraphrase VE Schwab's words: hopeful but sadly not happy.

Book preview

Our Dark Duet - V. E. Schwab

VERSE 1

MONSTER HUNTER

PROSPERITY

Kate Harker hit the ground running.

Blood dripped from a shallow cut on her calf, and her lungs were sore from the blow she’d taken to the chest. Thank God for armor, even if it was makeshift.

Turn right.

Her boots slid on the slick pavement as she rounded the corner onto a side street. She swore when she saw it was full of people, restaurant canopies up and tables out despite the brewing storm.

Teo’s voice rose in her ear. It’s catching up.

Kate backtracked and took off down the main road. If you don’t want a mass casualty event, find me somewhere else.

Half a block, then cut right, said Bea, and Kate felt like the avatar in some multiplayer game where a girl was chased by monsters through a massive city. Only this massive city was real—the capital at the heart of Prosperity—and so were the monsters. Well, monster. She’d taken out one, but a second was heading her way.

The shadows wicked around her as she ran. A chill twisted through the damp night and fat drops of rain dripped under her collar and down her back.

Left up ahead, instructed Bea, and Kate bolted past a row of shops and down an alley, leaving a trail of fear and blood like bread crumbs in her wake. She reached a narrow lot and a wall, only it wasn’t a wall, but a warehouse door, and for a split second she was back in the abandoned building in the Waste, cuffed to a bar in a blacked-out room while somewhere beyond the door, metal struck bone and someone—

Left.

Kate blinked the memory away as Bea repeated her instruction. But she was sick of running, and the door was ajar, so she went straight, out of the rain and into the vacant space.

There were no windows in the warehouse, no light at all save that from the street behind her, which reached only a few feet—the rest of the steel structure was plunged into solid black. Kate’s pulse pounded in her head as she cracked a glorified glow stick—Liam’s idea—and tossed it into the shadows, flooding the warehouse with steady white light.

Kate . . . , chimed in Riley for the first time. Be careful.

She snorted. Count on Riley to give useless advice. She scanned the warehouse, spotted crates piled within reach of the steel rafters overhead, and started to climb, hauling herself the last of the way up just as the door rattled on its hinges.

Kate froze.

She held her breath as fingers—not flesh and bone, but something else—curled around the door and slid it open.

Static sounded in her good ear.

Status? asked Liam nervously.

Busy, she hissed, balancing on the rafters as the monster filled the doorway, and for an instant, Kate imagined Sloan’s red eyes, his shining fangs, his dark suit.

Come out, little Katherine, he’d say. Let’s play a game.

The sweat on her skin chilled, but it was just her mind playing tricks on her—the creature edging forward into the warehouse wasn’t a Malchai. It was something else entirely.

It had a Malchai’s red eyes, yes, and a Corsai’s sharp claws, but its skin was the bluish black of a rotting corpse, and it wasn’t after flesh or blood.

It fed on hearts.

Kate didn’t know why she’d assumed the monsters would be the same. Verity had its triad, but here she had only come across a single kind. So far.

Then again, Verity boasted the highest crime rate of all ten territories—thanks in large part, she was sure, to her father—while Prosperity’s sins were harder to place. On the books, Prosperity was the wealthiest territory by half, but it was a robust economy rotting from the inside out.

If Verity’s sins were knives, quick and vicious, then Prosperity’s were poison. Slow, insidious, but just as deadly. And when the violence began to coalesce into something tangible, something monstrous, it didn’t happen all at once, as in Verity, but in a drip, slow enough that most of the city was still pretending the monsters weren’t real.

The thing in the warehouse suggested otherwise.

The monster inhaled, as though trying to smell her, a chilling reminder of which of them was the predator and which, for the moment, was prey. Fear scraped along her spine as its head swung from side to side. And then it looked up. At her.

Kate didn’t wait.

She dropped down, catching herself on the steel rafter to ease the fall. She landed in a crouch between the monster and the warehouse door, spikes flashing in her hands, each the length of her forearm and filed to a vicious point.

Looking for me?

The creature turned, flashing two dozen blue-black teeth in a feral grimace.

Kate? pressed Teo. You see it?

Yeah, she said dryly. I see it.

Bea and Liam both started talking, but Kate tapped her ear and the voices dropped out, replaced a second later by a strong beat, a heavy bass. The music filled her head, drowning out her fear and her doubt and her pulse and every other useless thing.

The monster curled its long fingers, and Kate braced herself—the first one had tried to punch right through her chest (she’d have the bruises to prove it). But the attack didn’t come.

What’s the matter? she chided, her voice lost beneath the beat. Is my heart not good enough?

She had wondered, briefly, in the beginning, if the crimes written on her soul would somehow make her less appetizing.

Apparently not.

A second later, the monster lunged.

Kate was always surprised to discover that monsters were fast.

No matter how big.

No matter how ugly.

She dodged back, quick on her feet.

Five years’ and six private schools’ worth of self-defense had given her a head start, but the last six months hunting down things that went bump in Prosperity—that had been the real education.

She danced between blows, trying to avoid the monster’s claws and get under its guard.

Nails raked the air above Kate’s head as she ducked and slashed the iron spike across the creature’s outstretched hand.

It snarled and swung at her, recoiling only after its claws bit into her sleeve and hit copper mesh beneath. The armor absorbed most of the damage, but Kate still hissed as somewhere on her arm the skin parted and blood welled up.

She let out a curse and drove her boot into the creature’s chest.

It was twice her size, made of hunger and gore and God knew what else, but the sole of her shoe was plated with iron, and the creature went staggering backward, clawing at itself as the pure metal burned away a stretch of mottled flesh, exposing the thick membrane that shielded its heart.

Bull’s-eye.

Kate launched herself forward, aiming for the still-sizzling mark. The spike punched through cartilage and muscle before sinking easily into that vital core.

Funny, she thought, that even monsters had fragile hearts.

Her momentum carried her forward, and the monster fell back, and they went down together, its body collapsing beneath her into a mound of gore and rot. Kate staggered to her feet, holding her breath against the noxious fumes until she reached the warehouse door. She slumped against it, pressing a palm to the gash on her arm.

The song was ending in her ear, and she switched the feed back to Control.

How long has it been?

We have to do something.

Shut up, she said. I’m here.

A string of profanity.

A few stock lines of relief.

Status? asked Bea.

Kate pulled the cell from her pocket, snapped a photo of the gory slick on the concrete, and hit SEND.

Jesus, answered Bea.

Wicked, said Liam.

Looks fake, offered Teo.

Riley sounded queasy. Do they always . . . fall apart?

The litany in her ear was just another reminder that these people had no business being on this end of the fight. They had their purpose, but they weren’t like her. Weren’t hunters.

How about you, Kate? asked Riley. You okay?

Blood soaked her calf and dripped from her fingers, and truth be told, she felt a little dizzy, but Riley was human—she didn’t have to tell him the truth.

Peachy, she said, killing the call before any of them could hear the catch in her breath. The glow stick flickered and faded, plunging her back into the dark.

But she didn’t mind.

It was empty now.

Kate climbed the stairs, leaving drops of gray water in her wake. The rain had started up again halfway back to the apartment, and she’d relished the soaking despite the cold, letting it wash away the worst of the black blood and gore.

Even so, she still looked like she’d gotten in a fight with a jar of ink—and lost.

She reached the third-floor landing and let herself in.

Honey, I’m home.

No answer, of course. She was crashing in Riley’s apartment—an apartment his parents paid for—while he was off living in sin with his boyfriend, Malcolm. She remembered seeing the place for the first time—the exposed brick, the art, the overstuffed furniture designed for comfort—and thinking Riley’s parents clearly shopped in a different catalog than Callum Harker.

She’d never lived alone before.

The school dorms had always been two-to-a-room, and back at Harker Hall, she’d had her father, at least in theory. And his shadow, Sloan. She’d always assumed she’d relish the eventual privacy, the freedom, but it turned out that being alone lost some of its charm when you didn’t have a choice.

She smothered the wave of self-pity before it could crest and headed for the bathroom, peeling off her armor as she went. Armor was a pretty fancy word for the copper mesh stretched over paintball gear, but Liam’s combined interests in costume design and war games did the job . . . 90 percent of the time. The other 10, well, that was just sharp claws and bad luck.

She caught her reflection in the bathroom mirror—damp blond hair slicked back, black gore freckling pale cheeks—and met her own gaze.

Where are you? she murmured, wondering how other Kates in other lives were spending their night. She’d always liked the idea that there was a different you for every choice you made and every choice you didn’t, and somewhere out there were Kates who had never returned to Verity and never begged to leave.

Ones who could still hear out of both ears and had two parents instead of none.

Ones who hadn’t run, hadn’t killed, hadn’t lost everything.

Where are you?

Once upon a time, the first image in her head would have been the house beyond the Waste, with its high grass and its wide-open sky. Now it was the woods behind Colton, an apple in her hand and birdsong overhead, and a boy who wasn’t a boy with his back against a tree.

She turned the shower on, wincing as she peeled away the last of the fabric.

Steam bloomed across the glass, and she bit back a groan as hot water struck raw skin. She leaned against the tiles and thought of another city, another house, another shower.

A monster slumped in the bath.

A boy burning from the inside out.

Her hand wrapped around his.

I’m not going to let you fall.

As the scalding water ran gray and rust red and then finally clear, she considered her skin. She was becoming a patchwork of scars. From the teardrop in the corner of her eye and the pale line that ran from temple to jaw—marks of the car crash that had killed her mother—to the curve of a Malchai’s teeth along her shoulder and the silvery gash of a Corsai’s claws across her ribs.

And then there was the mark she couldn’t see.

The one she’d made herself when she raised her father’s gun and pulled the trigger and killed a stranger, staining her soul red.

Kate snapped the water off.

As she taped up her latest cuts, she wondered if, somewhere, there was a version of herself having fun. Feet up on the back of a theater seat while movie monsters slunk out of the shadows, and people in the audience screamed because it was fun to be afraid when you knew you were safe.

It shouldn’t make her feel better, imagining those other lives, but it did. One of those paths led to happiness, even while Kate’s own had led her here.

But here, she told herself, was exactly where she was supposed to be.

She’d spent five years trying to become the daughter her father wanted—strong, hard, monstrous—only to learn that her father didn’t want her at all.

But he was dead, and Kate wasn’t, and she’d had to find something to do, someone to be, some way to put all those skills to use.

And she knew it wasn’t enough—no matter how many monsters she slayed, it wouldn’t undo the one she’d made, wouldn’t erase the red from her soul—but life only moved forward.

And here in Prosperity, Kate had found a purpose, a point, and now when she met her gaze in the mirror, she didn’t see a girl who was sad or lonely or lost. She saw a girl who wasn’t afraid of the dark.

She saw a girl who hunted monsters.

And she was damn good at it.

Hunger gnawed at Kate’s bones, but she was too tired to go in search of food. She turned the radio up and slumped onto the couch, sighing at the simple comfort of clean hair and a soft sweatshirt.

She’d never been all that sentimental, but living out of a duffel bag taught you to value the things you had. The sweatshirt was from Leighton, the third of her six boarding schools. She had no fondness for the school itself, but the sweatshirt was worn and warm, a little piece of a past life. She didn’t let herself cling to these pieces, holding on just tight enough that they wouldn’t slip away. Besides, the Leighton colors were forest green and cool gray, way better than St. Agnes’s horror show of red and purple and brown.

She booted up her tablet and logged into the private chat space Bea had carved out in the infinite world of Prosperity’s opendrive.

Welcome to the Wardens, said the screen.

That was the name they’d chosen for themselves—Liam and Bea and Teo—before Kate ever showed up. Riley hadn’t been a part of it, either—not until she brought him in.

LiamonMe: hahahahahahaha wolves

TeoMuchtoHandle: it’s a cover-up. everyone knows what happened in verity.

Beatch: See no evil → hear no evil → tell yourself there’s no evil

LiamonMe: dunno I had a mean-ass cat once

For a moment, Kate just stared at the screen and asked herself for the hundredth time what she was doing here, talking to these people. Letting them in. She hated that part of her craved this simple contact, even looked forward to it.

RiledUp: Did you guys catch that headline about the explosion on Broad?

Kate hadn’t gone looking for friends—she’d never played well with others, never stayed in a school long enough to make any real connections.

RiledUp: Guy walked into his apartment, pulled the gas line straight out of the wall.

Sure, Kate understood the value of friends, the social currency of being part of a group, but she’d never gotten the emotional appeal. Friends wanted you to be honest. Friends wanted you to share. Friends wanted you to listen and care and worry and do a dozen other things Kate had no time for.

All she’d wanted was a lead.

RiledUp: Roommate was home when it happened.

Kate had landed in Prosperity six months ago with that one duffel, five hundred in cash, and a bad feeling that got worse with every piece of news. Dog attacks. Gang violence. Suspicious activity. Brutal acts. Suspects at large. Crime scenes disturbed. Weapons missing.

LiamonMe: Creepy.

Beatch: Downer, Riley.

A dozen stories all sporting the telltale signs—the kind made by teeth and claws—and then there were the whispers on the opendrive, referencing the same place, the name scraping over skin: Verity.

But short of putting an EAT ME sign on her back and wandering the streets at night, Kate wasn’t exactly sure where to start. Finding monsters had never been a problem in Verity, but here, for every actual sighting there were a hundred trolls and conspiracy theorists co-opting the threads. It was a needle in a haystack where a bunch of idiots were shouting, SOMETHING POKED ME.

But there, threaded through the static, she noticed them. The same voices showing up over and over, trying to be heard. They called themselves the Wardens, and they weren’t hunters, but hackers—hacktivists, according to Liam—convinced that the authorities were either incompetent or determined to bury the news.

The Wardens scoured sites and dug through footage, flagging anything that looked suspicious, then leaked the data to the press and plastered it on the threads, trying to get someone to listen.

And Kate had.

She’d taken one of their leads and run with it, and when it had panned out, she’d gone to the source for more. And that’s when she’d learned that the Wardens were just a couple of college students and a fourteen-year-old who never slept.

TeoMuchtoHandle: yeah, that’s sad. but what does that have to do with Heart Eaters?

Beatch: Since when are we calling them Heart Eaters?

LiamonMe: Since they started eating hearts duh.

She still didn’t want friends. But despite her best efforts, she was getting to know them. Bea, who was addicted to dark chocolate and wanted to be a research scientist. Teo, who never sat still, even had a treadmill desk in his dorm. Liam, who lived with his grandparents and cared too much for his own good. Riley, whose family would kill him if they knew where he spent his nights.

And what did they know about her?

Nothing but a name, and even that was only half true.

To the Wardens, she was Kate Gallagher, a runaway with a knack for hunting monsters. She kept her first name even though the sound of that one syllable made her jump every time, sure that someone from her past had caught up. But it was all she had left. Her mother was dead. Her father was dead. Sloan was dead. The only one who’d say her name with any sense of knowing was August, and he was hundreds of miles away in Verity, at the center of a city on fire.

Beatch: Makes a hell of a lot more sense than Corsai, Malchai, Sunai. Who named those?

TeoMuchtoHandle: no idea.

Beatch: Your lack of professional curiosity is maddening.

The Wardens had nagged Kate for months to meet up in person, and when the time came she’d almost bailed. She’d watched them from across the street, all looking so . . . normal. Not that they blended in—Teo had short blue hair and Bea had a full sleeve of tattoos and Liam, in his giant orange glasses, looked like he was twelve—but they didn’t look like something spit out of Verity. They weren’t Flynn Task Force soldiers. Or coddled Colton kids. They were just—normal. They had lives outside this one. Things to lose.

LiamonMe: Why not just call them what they are, what they do? Body Eaters, Blood Eaters, and Soul Eaters. BAM.

Kate pictured August down in the subway, dark lashes fluttering as he raised his violin, the music pouring out where bow met strings, transfigured into threads of burning light. Calling him a Soul Eater was like calling the sun bright. Technically accurate, but only a fraction of the truth.

RiledUp: Any sign of Kate?

She switched from incognito to public.

HunterK has joined the chat.

Beatch: Heyo!

TeoMuchToHandle: stalker.

RiledUp: I was getting worried.

LiamOnMe: Not me!

Beatch: Yeah right, Mr. I-know-karate.

Kate’s fingers danced over the screen.

HunterK: No need. Still standing.

RiledUp: You really shouldn’t go dark without properly signing off.

TeoMuchToHandle: oooh, riley’s in dad mode.

Dad mode.

Kate thought of her own father, the cuffs of his suit stained with blood, the sea of monsters at his feet, the smug look on his face right before she put a bullet in his leg.

But she knew what Teo meant—Riley wasn’t like the rest of the Wardens. He wouldn’t even be there if it wasn’t for her. He was a grad student, studying law at the university and interning at the local police department, which was the part that mattered to the Wardens, since it meant access to police surveillance and intel briefings—not that Teo couldn’t hack them, as he’d pointed out a dozen times, but why kick down an open door?

(According to Riley, the police were aware of the attacks and continuing to monitor developments, which as far as Kate could tell was just a long way of describing denial.)

RiledUp: *makes dad face* *wags finger*

RiledUp: But seriously. You better not get any blood on my couch.

HunterK: Don’t worry.

HunterK: I left most of it on the stairs.

LiamOnMe: O_O.

HunterK: Any new leads?

TeoMuchtoHandle: nothing yet. the streets are quiet.

What a strange idea.

If she could keep this up, knocking out the Heart Eaters as they took shape instead of cleaning up the wreckage, two steps forward instead of back, maybe it wouldn’t get worse. Maybe she could keep it from becoming a Phenomenon. Maybe—what a useless word. Maybe was just a way of saying she didn’t know.

And Kate hated not knowing.

She closed the browser, fingers hesitating over the darkened screen before she opened a new window and started searching for Verity.

Kate had first learned how to tap into foreign signals at her second boarding school, out on the eastern fringe of Verity, an hour from the Temperance border.

All ten territories were supposed to transmit openly, but if you wanted to know what was really going on in another territory, you had to slip behind the digital curtain.

That was the idea—but no matter how hard Kate looked, she couldn’t find her way home.

True, the quarantine had gone back into effect, the borders that had peeled open so slowly over the last decade slamming shut again. But there was no curtain to slip behind, nothing coming out of Verity at all.

The signal was gone.

There was only one explanation: the tech towers must have gone down.

With the borders closed and the comm grid out, Verity was officially cut off.

And the people in Prosperity didn’t care. Not even the Wardens—Teo had used the word inevitable. Bea thought the borders should never have been opened, that Verity should have been left to consume itself like a fire in a glass jar. Even Riley seemed ambivalent. Only Liam showed the slightest concern, and it was more pity than a vested interest. They didn’t know, of course, what Verity meant to Kate.

Hell, Kate didn’t know either.

But she couldn’t stop searching.

Every night she checked, just in case, clicked through every bread crumb on the opendrive, hoping for some news about Verity, about August Flynn.

It was the weirdest thing—she’d seen August at his worst. Watched him descend through hunger into sickness and madness and shadow. Watched him burn. Watched him kill.

But when she pictured him now, she didn’t see the Sunai made of smoke or the figure burning in a cold tub. She saw a sad-eyed boy sitting alone on the bleachers, a violin case at his feet.

Kate shoved the tablet away and slumped back on the couch. She threw an arm over her eyes and let the steady beat of the radio fold around her until she sank down toward sleep.

But then, in the lull between songs, the sound of footsteps echoed in the stairwell. She stilled, turning her good ear toward the door as the steps slowed, stopped.

Kate waited for a knock, but it never came. Instead she heard the sound of a hand on the doorknob, the shudder of the lock as it was tried but held fast. Kate’s fingers slipped beneath the couch cushion and produced a gun. The same one she’d used to kill a stranger in her mother’s house, the same one she’d used to shoot her father in his office.

A muffled voice sounded beyond the door, followed by the scrape of metal, and Kate leveled the weapon at the door as it swung open.

For a moment, the shape in the doorway was nothing but a shadow, the hall lights tracing the outline of a figure a fraction taller than she was, with round edges and short hair. No red eyes, no sharp teeth, no dark suit. Just Riley, standing there, juggling a box of pizza and a six-pack of soda and a key.

He saw the gun and threw his hands up, dropping the cardboard and the cans and the key ring to the floor. One of the cans exploded, raining soda on the landing.

Dammit, Kate. His voice was strangled.

Kate sighed and set the weapon on the table. You should knock.

"This is my place, he said, retrieving the pizza box and the rest of the soda with shaking hands. Do you pull the gun on everyone, or just me?"

Everyone, said Kate, but for you I left the safety on.

I’m flattered.

What are you doing here?

Oh, you know, he shot back, checking on the squatter in my apartment, making sure she didn’t trash the place.

You wanted to see if I bled on the couch.

And the stairs. His gaze flicked from her to the gun on the table and back. Permission to enter?

Kate spread her arms along the back of the couch. Password?

I brought pizza.

The smell emanating from the box was heavenly. Her stomach growled. Oh, all right, she said. Permission granted.

Rituals were funny things.

People thought of them as either elaborate formulas, magic spells, or compulsions drilled into the subconscious by months or years of repetition.

But really, ritual was just a fancy word for habit. A thing that became easier to do than not do. And habits were simple—especially bad ones, like letting people in.

Kate curled up on one side of the couch, Riley on the other, while some late-night talk show host murmured bad jokes on the TV.

He held up one of the cans he’d dropped. This’ll be fun, he said, cracking the tab. He cringed in expectation, then sighed with relief when it didn’t explode.

Kate grabbed a second slice of pizza, trying to hide the pain as the bandages tugged on the skin beneath her sleeve.

"You didn’t have to do

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