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    The Cherry Orchard: Full Text and Introduction (NHB Drama Classics)
    Unavailable
    The Cherry Orchard: Full Text and Introduction (NHB Drama Classics)
    Unavailable
    The Cherry Orchard: Full Text and Introduction (NHB Drama Classics)
    Ebook98 pages1 hour

    The Cherry Orchard: Full Text and Introduction (NHB Drama Classics)

    By Anton Chekhov

    3.5/5

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    Currently unavailable

    Currently unavailable

    About this ebook

    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding.

    The Cherry Orchard is Chekhov's classic tragicomedy, translated and introduced by Stephen Mulrine.

    Ranevskaya can no longer afford to keep her childhood home with its beautiful but barren cherry orchard. She rejects the compromise offered by Lopakhin, a local businessman, to cut down the orchard and sell the land for holiday homes. Eventually Ranevskaya and her family are forced to leave the estate which Lopakhin has now bought.

    LanguageEnglish
    PublisherNick Hern Books
    Release dateOct 30, 2015
    ISBN9781780016788
    Unavailable
    The Cherry Orchard: Full Text and Introduction (NHB Drama Classics)
    Author

    Anton Chekhov

    Anton Chekhov was born in Taganrog, in southern Russia, and in his youth paid for his own education and supported his entire family by writing short, satirical sketches of Russian life. Though he eventually became a physician and once considered medicine his principal career, he continued to gain popularity and praise as a writer for various Russian newspapers, eventually authoring more literary work and ultimately his most well-known plays, including Ivanov, The Seagull, and Uncle Vanya. He died of tuberculosis in 1904, and is regarded as one of the best short story writers in history, influencing such authors as Ernest Hemingway, Vladimir Nabokov, and Raymond Carver.

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    Reviews for The Cherry Orchard

    3.5/5

    435 ratings11 reviews

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    • 3/5
      Poor money management forces a family to sell its property including a large cherry orchard. Before closing the property, however, everyone returns to bid each other farewell. Comedic moments include a man who is totally obsessed with billiards and a bittersweet moment when they leave and lock in the old, faithful retainer. Job-lot!
    • 4/5
      Chekhov is always someone I grapple with from time to time before deciding what I really think of the play. This was good, but mildly pointless. I didn't feel changed or moved by reading it, and I wonder about what seeing it would have changed. It certainly would have a different feel to it in production than it did in reading.
    • 2/5
      I found it difficult to sympathize with any of the characters, even Lubov who had the most tragic background. As a tale of the decline of Russian nobility and rising of the former serfs into middle class, it was fairly effective but not entertaining. Perhaps I would like a stage production more...
    • 5/5
      This is a great edition; it has a short but thorough bio of Chekhov, an intro with some basic interpretation, and great notes throughout based on letter the author wrote to some of the original productions' principals.
    • 4/5
      Having already read Chekhov's Ivanov, I founded myself comparing the two as a bit and enjoying this play more. It's about a family who is losing their wealth and needs to sell their cherry orchard, and I thought that was much more relatable than the story of Ivanov.The one thing that I really enjoyed about this play was the sense of memory that I got while I was reading it. I think Chekhov did a good job of showing why this place was important to the family. I got a sense that there was a lot of sorrow about losing the orchard, but in some ways he very much incorporated the hope for the future which I enjoyed. Overall I'd say it's a really good story about family and we hold certain places dear to us. My only complaint is that at times the names got a bit confusing.
    • 2/5
      saw Anette Benning and Alfred Molin star in this play. not Chekhov's best but good times.
    • 2/5
      De Kersentuin draait in wezen om de komst van het moderne, om verandering. Kracht van Tsjechov is montage, van gevoel naar gevoel, voor alles uitgesproken is, vb gebruik pauzes. Omstreden: drama of komedie, naturalistische of symbolische lectuur
    • 3/5
      Nope.No likeable characters whatsoever, with a plot that I couldn't bring myself to care about at all. Gah.
    • 3/5
      I fell asleep twice while reading this play (and it's not that long). It felt so choppy, like there were 10 different conversations going on at the same time, none of them related. My interest picked up in the second half though, and I liked the ending. I'd love to experience this on stage and see if I came away with a better opinion of it.
    • 1/5
      Another example of how I'm usually disappointed when I listen to something that other people consider great, but which does not a priori sound appealing.This probably reveals me as a philistine, but I just couldn't found much of value in this. We have a bunch of upper-class Russian twits who think the world owes them a living, who do absolutely nothing of value to anyone, not even things of abstract value like art or science, and who are bitterly disappointed when the tragedy that everyone has been warning them about for years finally arrives and no deus ex machina saves them. The only character in the play I had the remotest sympathy for was the student who tells them to their faces that they are parasites and that their day is over, not that his warnings are heeded.Maybe this play is viewed in the same way as Gone with the Wind nostalgia --- everyone who pines for this better simpler way of life assumes that for some reason they're going to be part of the aristrocracy in this alternate world, not one of the lower classes.
    • 5/5
      This play is different every time I read it. When I was younger and still believed that my family's land would continue to be passed down the generations, it was tragic; when I had learned about the Japanese word "aware" it was beautiful; when I had learned something about how easily even clever women fall into traps and call them love, I wanted to believe somehow that Lyuba's generosity meant something anyway; as a young person of business I feared becoming Lopakhin with his, as it seemed to me, idealistic excuses for exploitation no different from those of the old aristocracy; after a few years of good fortune I looked less pityingly on old Pishtchik, whose attitude really isn't so absurd, though he may not be a gifted accountant.Through this reading, though, all I could think about was Firs saying "They knew some way in those days.... They've forgotten. Nobody remembers how to do it." And I look out the window at people who don't remember when shoes were supposed to last more than one season, lenders weren't allowed to charge 25%, growing food wasn't just a health craze but a normal way of life, books didn't cost $10 plus a special $180 decoder gizmo that would be outmoded in a year - and I think about all the people my age who have no idea how to run a business or why it would be desirable to own land - and I think it may not be the cherry orchard, but the Firs of this world, the ones who remember good sense and precaution, the ones who knew their ancestors' knowledge, we must fear most to lose.