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Churchill: Shorts (NHB Modern Plays)
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Churchill: Shorts (NHB Modern Plays)
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Churchill: Shorts (NHB Modern Plays)
Ebook492 pages4 hours

Churchill: Shorts (NHB Modern Plays)

Rating: 3.5 out of 5 stars

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About this ebook

Ten short plays for stage, radio and TV, selected by Caryl Churchill, opening up a little-known aspect of her writing, and demonstrating her considerable versatility and breadth of concern. Includes an introduction by the author.

Abortive (Radio 3, 1971)
The After-Dinner Joke (BBC TV, 1978)
The Hospital at the Time of the Revolution
Hot Fudge (Royal Court Theatre, 1989)
The Judge's Wife (BBC TV, 1972)
Lovesick (Radio 3, 1967)
Not Not Not Not Not Enough Oxygen (Radio 3, 1971)
Schreber's Nervous Illness (Radio 3, 1972)
Seagulls
Three More Sleepless Nights (Soho Poly Theatre, 1980)

LanguageEnglish
Release dateDec 1, 2015
ISBN9781780016221
Unavailable
Churchill: Shorts (NHB Modern Plays)
Author

Caryl Churchill

Caryl Churchill is a leading playwright who has written widely for the stage, television and radio. Her stage plays include: Owners (Royal Court Theatre, London, 1972); Objections to Sex and Violence (Royal Court, 1975); Light Shining in Buckinghamshire (Joint Stock, 1976); Vinegar Tom (Monstrous Regiment, 1976); Traps (Royal Court, 1977); Cloud Nine (Joint Stock, 1979); Three More Sleepless Nights (Soho Poly and Royal Court, 1980); Top Girls (Royal Court, 1982); Fen (Joint Stock, 1983); Softcops (RSC, 1984); A Mouthful of Birds with David Lan (Joint Stock, 1986); Serious Money (Royal Court and Wyndham's, London, then Public Theater, New York, 1987); Icecream (Royal Court, 1989); Mad Forest (Central School of Speech and Drama, then Royal Court, 1990); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride, 1991); The Skriker (Royal National Theatre, 1994); Thyestes translated from Seneca (Royal Court, 1994); Hotel with Orlando Gough and Ian Spink (Second Stride, 1997); This is a Chair (Royal Court, 1997); Blue Heart (Joint Stock, 1997); Far Away (Royal Court, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002); A Number (Royal Court, 2002, then New York Theatre Workshop, 2004); A Dream Play after Strindberg (Royal National Theatre, 2005); Drunk Enough to Say I Love You? (Royal Court, 2006, then Public Theater, New York, 2008); Bliss, translated from Olivier Choinière (Royal Court, 2008); Seven Jewish Children – a play for Gaza (Royal Court, 2009); Love and Information (Royal Court, 2012); Ding Dong the Wicked (Royal Court, 2012); Here We Go (National Theatre, 2015); Escaped Alone (Royal Court, 2016), Pigs and Dogs (Royal Court, 2016), Glass. Kill. Bluebeard. Imp. (Royal Court, 2019) and What If If Only (Royal Court, 2021).

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  • Rating: 3 out of 5 stars
    3/5
    As with many anthologies, a bit of a mixed bag. The works here don't have a common theme, other than perhaps the rejection of standard linear story-telling and the Aristotelian three-part structure. The women are strong, but the author does have an unfortunate tendency to resort to the stereotypical strong, bitchy woman that mows others over in her path. There is definitely a streak of feminism, but at times a sense that the author is lashing out against feminism in favor of a version of femininity. Still, the plays are interesting and quirky, and definitely well worth a look.