A Christmas Carol by Charles Dickens (Illustrated)
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Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dickens includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
eBook features:* The complete unabridged text of ‘A Christmas Carol’
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Charles Dickens
Charles Dickens was born in 1812 and grew up in poverty. This experience influenced ‘Oliver Twist’, the second of his fourteen major novels, which first appeared in 1837. When he died in 1870, he was buried in Poets’ Corner in Westminster Abbey as an indication of his huge popularity as a novelist, which endures to this day.
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A Christmas Carol by Charles Dickens (Illustrated) - Charles Dickens
The Complete Works of
CHARLES DICKENS
VOLUME 21 OF 64
A Christmas Carol
Parts Edition
By Delphi Classics, 2015
Version 13
COPYRIGHT
‘A Christmas Carol’
Charles Dickens: Parts Edition (in 64 parts)
First published in the United Kingdom in 2017 by Delphi Classics.
© Delphi Classics, 2017.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78656 706 2
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
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Charles Dickens: Parts Edition
This eBook is Part 21 of the Delphi Classics edition of Charles Dickens in 64 Parts. It features the unabridged text of A Christmas Carol from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Charles Dickens, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
Visit here to buy the entire Parts Edition of Charles Dickens or the Complete Works of Charles Dickens in a single eBook.
Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.
CHARLES DICKENS
IN 64 VOLUMES
Parts Edition Contents
1, A Dinner at Poplar Walk
The Novels
2, The Pickwick Papers
3, Oliver Twist
4, Nicholas Nickleby
5, The Old Curiosity Shop
6, Barnaby Rudge
7, Martin Chuzzlewit
8, Dombey and Son
9, David Copperfield
10, Bleak House
11, Hard Times
12, Little Dorrit
13, A Tale of Two Cities
14, Great Expectations
15, Our Mutual Friend
16, The Mystery of Edwin Drood
Droodiana
17, The Cloven Foot by Robert Henry Newell
18, John Jasper’s Secret by Henry Morford
19, Part Second of the Mystery of Edwin Drood by Thomas James
20, A Great Mystery Solved by Gillan Vase
The Christmas Novellas
21, A Christmas Carol
22, The Chimes
23, The Cricket on the Hearth
24, The Battle of Life
25, The Haunted Man and the Ghost’s Bargain
The Short Story Collections
26, Sketches by Boz
27, Master Humphrey’s Clock
28, Christmas Numbers of ‘Household Words’
29, Christmas Numbers of ‘All the Year Round’
30, Miscellaneous Short Stories
31, Reprinted Pieces
The Plays
32, The Strange Gentleman
33, The VIllage Coquettes
34, Is She His Wife?
35, The Lamplighter
36, Mr. Nightingale’s Diary
37, The Frozen Deep
38, No Thoroughfare
The Poetry
39, The Collected Poetry of Charles Dickens
The Non-Fiction
40, Memoirs of Joseph Grimaldi by Thomas Egerton Wilks
41, American Notes
42, Pictures from Italy
43, The Life of Our Lord
44, A Child’s History of England
45, The Uncommercial Traveller
46, The Speeches
47, The Letters
48, Miscellaneous Papers
The Adaptations
49, Tales from Dickens by Hallie Erminie Rives
50, Dickens’ Children by Jessie Willcox Smith
51, Dickens’ Stories About Children Every Child Can Read by Jesse Lyman Hurlbut
52, Sam Weller by W. T. Moncrieff
53, Oliver Twist by Charles Zachary Barnett
54, Nicholas Nickleby by Edward Stirling
55, The Old Curiosity Shop by Edward Stirling
The Criticism
56, The Criticism
The Biographies
57, The Life of Charles Dickens by John Forster
58, Forster’s Life of Dickens by George Gissing
59, Dickens by Sir Adolphus William Ward
60, Life of Charles Dickens by Sir Frank T. Marzials
61, Victorian Worthies: Charles Dickens by G. H. Blore
62, Dickens’ London by M. F. Mansfield
63, My Father as I Recall Him by Mamie Dickens
64, Brief Biography by Leslie Stephen
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A Christmas Carol
Charles Dickens is forever associated with Christmas. It was reported that when he died in 1870 a costermonger’s daughter was overheard to say, Mr. Dickens dead? Then will Father Christmas die too?
Perhaps his feelings about Christmas are best summed up by one of his children who recorded that for Dickens, Christmas was a great time, a really jovial time, and my father was always at his best, a splendid host, bright and jolly as a boy and throwing his heart and soul into everything that was going on...
Dickens himself defined its essence through the words he placed in the mouth of Scrooge’s nephew, Fred, in A Christmas Carol, when he describes the season as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of other people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys.
For the author this speech was to encapsulate what became known as his ‘Carol Philosophy.’
The tradition of Christmas celebration had gradually declined in the early nineteenth century and as Thomas Hervey noted in his writings, ‘The revels of merry England are fast subsiding into silence and her many customs are wearing gradually away.’ He blamed it on the urban drift by the rural population as towns and cities became the providers of work. Dickens did not invent Christmas, but he certainly helped to resurrect it by moving it to an urban setting — London to be precise — and replacing the manorial hall with the town house while still rousing nostalgia for the Christmas spirit he evoked at Dingley Dell. The idyllic winter countryside had been replaced by the claustrophobic fogbound city of London and the old squirearchy by the burgeoning middle class and the urban working poor. As Professor Richard Kelly points out in his edition of A Christmas Carol, ‘Dickens seems to be saying Christmas can now be celebrated by anyone; its rituals and joys are no longer the exclusive province of the upper classes in their country estates.’
Washington Irving, an American writer greatly admired by Dickens, was a significant influence upon his Christmas writings. Irving travelled extensively in Europe and in Bracebridge Hall he celebrated the Christmas festivities and traditions of rural England. Although Prince Albert had introduced the Christmas tree to English households, the first Christmas card was sent in 1843 and the singing of carols was undergoing a revival, the real catalyst was the publication of A Christmas Carol on 6 December, 1843. It had been written between October and November of that year in six weeks. As he wrote to his American friend, Cornelius Felton, ‘Over which Christmas Carol, Charles Dickens wept, and laughed, and wept again, and excited himself in a most extraordinary manner, in the composition; and thinking whereof, he walked about the black streets of London, fifteen and twenty miles, many a night when all sober folks had gone to bed.’
Although Dickens was to write several stories and articles upon the theme of Christmas, the best of these and the one that helped to re-establish this festive occasion as an important tradition was this one. The novella grew out of a visit to Cornish tin mines that used child labour and a visit in September to Field Lane Ragged School. As he wrote to his friend and philanthropist Miss Burdett-Coutts with whom he was to work with in the future, he had not seen almost anywhere ‘anything so shocking as the dire neglect of soul and body exhibited in these children’. Initially, he intended to write a pamphlet entitled an ‘Appeal to the People of England on behalf of the Poor Man’s child’ but thankfully for us he realised that his skills as a novelist would create a greater impact on his readers and so it proved.
The genesis of the novel may well have been a short story which was recounted by Mr. Wardle at Dingley Dell on Christmas Eve from the famous scene in The Pickwick Papers. Gabriel Grub, a sexton and gravedigger is a misanthropic character, who prefers digging graves to celebrating Christmas. However, he is confronted by goblins that present him with terrifying visions, which alter him as a man and help to redeem him. This was the precursor of his supreme expression of the Christmas ideal which was to follow in 1843, during what was aptly called the ‘Hungry Forties.’
His other purpose in writing this story was to secure his finances as his latest novel, Martin Chuzzlewit, had not sold as well as he had hoped. Sadly, neither did he make much money from A Christmas Carol, due to the lavish edition he designed with its red cloth cover with gilt lettering, gilt edges to the pages and the Punch artist John Leech’s eight illustrations, four of which were full colour etchings. Added to which it sold for the moderate price of five shillings. Even though it sold well it made little money at first, for which he blamed his publishers Chapman and Hall, whom he left soon after. Dickens called it ‘a most prodigious success – the greatest, I think, I have ever achieved.’ And brisk sales ensured that by 24 December 6,000 copies had been sold.
Peter Ackroyd, one of Dickens’ outstanding biographers, has noted the similarities between some of the characters and themes of Martin Chuzzlewit and A Christmas Carol, seeing the latter as a reworking of the former, but in fantasy form where the common themes of greed, selfishness and their impact