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The Last Namsara
The Last Namsara
The Last Namsara
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The Last Namsara

Rating: 4 out of 5 stars

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Kristen Ciccarelli’s debut fantasy explores an intricately woven world of deception, inner darkness, and dragons that fantasy fans won’t be able to resist.

In the beginning, there was the Namsara: the child of sky and spirit, who carried love and laughter wherever he went. But where there is light, there must be darkness—and so there was also the Iskari. The child of blood and moonlight. The destroyer. The death-bringer.

These are the legends that Asha, daughter of the king of Firgaard, has grown up learning in hushed whispers, drawn to the forbidden figures of the past. But it isn’t until she becomes the fiercest, most feared dragon slayer in the land that she takes on the role of the next Iskari—a lonely destiny that leaves her feeling more like a weapon than a girl.

Asha conquers each dragon and brings its head to the king, but no kill can free her from the shackles that await at home: her betrothal to the cruel commandant, a man who holds the truth about her nature in his palm.

When she’s offered the chance to gain her freedom in exchange for the life of the most powerful dragon in Firgaard, she finds that there may be more truth to the ancient stories than she ever could have expected. With the help of a secret friend—a slave boy from her betrothed’s household—Asha must shed the layers of her Iskari bondage and open her heart to love, light, and a truth that has been kept from her.

LanguageEnglish
PublisherHarperTeen
Release dateOct 3, 2017
ISBN9780062568007
Author

Kristen Ciccarelli

Kristen Ciccarelli is the internationally bestselling author of The Last Namsara and The Caged Queen. Before writing books for a living, she worked as an artisanal baker, an indie bookseller, and a ceramic artist. These days she resides in a blustery seaside cove on Newfoundland’s Great Northern Peninsula with her blacksmith and her rescue dog. She likes her coffee dark, her weather broody, and her house warmed by a wood fire. Learn more at www.kristenciccarelli.com.

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Rating: 4.1210526052631575 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Trigger warning: sexual harassment, physical and emotional abuseThe Last Namsara is a well written YA fantasy debut. Although I found the romance subplot problematic, I would guess that this book will be a big hit.Asha is the Iskari, the feared weapon and dragon slayer of her father the king. She believes that this is the only way she can atone for the darkness within her that led her as a child to seek out the oldest dragon of them all and almost destroy her city. But her father orders that she will not have fully redeemed herself until she marries the man who saved her from that first dragon: a cruel and power hungry general who seeks to own and subjugate her. Then her father gives her a chance to save herself: if she kills that oldest dragon and brings her father the head, then she won’t have to marry her betrothed. As Asha embarks on her desperate quest, she’ll learn that much has been hidden from her, including her own past.I’m going to focus on the positive before discussing my issues with this book.I love books about the power of stories, and The Last Namsara really delivered on that front. In the era of Asha’s grandmother’s rule, her society went through massive changes. Her grandmother enslaved a whole population of foreigners, made enemies of the native dragons, and banned the old stories of Asha’s people. These stories are considered to be so dangerous that a person can literally die from telling them; that’s the fate that befell Asha’s mother. Of course, there turns out to be other reasons that the ruling family would ban these stories, and Asha slowly begins to ferret out the grain of truth from the tales her mother told her.Most of the world building of The Last Namsara comes from these old tales, and it generally works well. While reading it, I almost never felt like I wasn’t getting a clear picture or was wading through info dumps. I wouldn’t call Ciccarelli’s prose flowery, but she made it easy to visualize Asha’s world. I also interpreted Asha’s desert kingdom as having non-Western influences, although I couldn’t say a lot more than that. I also found myself wondering about the gendered power structures. The inheritance appears to be gender neutral, with women in Asha’s family sometimes becoming the reining monarch, but other signs suggest that this isn’t a gender egalitarian culture. For one, Asha’s clearly abusive fiancee and the implications that marital rape is legal. For another, while no one ever finds it odd that Asha fights, her father’s soldiers are all male. This suggests to me that aspects of the world building weren’t fully thought out.Asha herself is a well developed protagonist. I’m always looking for female characters with rough edges and complexity, and Asha certainly has both of those traits. For much of the book, she’s more of an anti-heroine than a straight up heroine. She’s fully bought into the narrative her father has presented to her, and she’s completely complicit in the systematic oppression her society is built on.That brings me to my main problem with The Last Namsara. It has a master/slave romance subplot.Torwin, Asha’s love interest, is the slave of her abusive fiance. For a large part of the book, she refers to him as “slave” rather than using his name, even as she’s finding herself fascinated by and attracted to him. At various points in the book, Asha holds an ax to his throat or threatens to cut out his tongue. At the beginning, she doesn’t care if he’s thrown in a pit to die; in fact, she remarks that slaves die all the time, so why should she care?Of course, as the book goes on she has a change of heart and realizes that (shocker) slavery is actually wrong and the enslaved people are actually people. Yet, the narrative never addressed the power imbalance between her and Torwin, and it annoys me to no end to see other reviews dismiss it because “he wasn’t her slave.” She’s still a princess of the master class, and he’s still a slave. This power dynamic should not be ignored, however hungry readers are for “forbidden romances.”While the focus on the power of stories and Ciccarelli’s clear prose, I found that The Last Namsara centered oppressive voices instead of focusing on the oppressed. It’s already gearing up to be one of the more popular YA fantasy books of this fall, but I would have a hard time recommending it.Review originally posted on The Illustrated Page.I received an ARC in exchange for a free and honest review.
  • Rating: 4 out of 5 stars
    4/5
    Starting this book when you want to go to sleep early, Bad Decision. Read it through when I should have been trying to sleep but it was an excellent read.Asha is a Dragon slayer, she's trying to atone for the death of many people when her stories drew a Dragon into the city, her father manipulates her and his general wants her as his wife. that day is coming and she dreads that, now her life is about to change and things will never be the same again.As I said I found it a compelling read.
  • Rating: 4 out of 5 stars
    4/5
    This book was such a slow burn it was agonizingly delicious. I was impatient for the story as well as Asha’s and Torwin’s relationship to progress but at the same time I never wanted it to end. The flow of the book is pretty fast, there is always something happening but it also feels like it is moving at glacial speed. This is the first book where I have actually liked and appreciated how long it took these characters to accomplish something because we had to see their character development happen before they could start to exact some change in the storyline. I loved the stories that explain the past, explain the history of his world. It was like getting little insights into unspoken part of this world. It was especially precious because of the importance that stories play into this fantasy world. Stories are forbidden because they corrupt souls and destroy people so it was like I was sharing a secret with the book. The role stories play and the power they contain is a recurring theme in this book which I thoroughly appreciated. When we start the book stories are for Asha to use to lure dragons, they are this destructive force that corrupt and kill people (her mother included). As Asha changes and begins to question her surroundings and long held beliefs she realizes that stories are not evil, but people are and the power they hold is merely the knowledge that are contained within them. I’ve personally always thought stories have immense power to change people after reading them and I am glad to see this in a book for the first time. I feel like Asha was the only character that was truly fleshed out in this book and I wanted to know more about the other characters, her twin brother, Roa, Safire, Torwin, etc. I know that this book’s main character is Asha, but the side characters felt a little lacking because they weren’t explored enough characterwise and storywise as Asha was. Maybe this will change in the sequel but based on how the book ended I don’t know if it can. The only thing I disliked about Asha is the fact that she is so small minded for lack of a better word. She blindly believes and thinks it is right to believe in the old ways and everything that has come before. Asha doesn’t question the world around her and the right or wrong of it unless it affects her directly. She is quite selfish in that regard, at least at the beginning of her story. It is wonderful to watch her change as she grows to care about a certain few. She turns from a selfish girl who never questions her father to one who loves the beasts she once slaughtered, a slave who she thought was beneath her, and questions everyone and everything. You also get to understand how she became the person she was; that she was raised that way specifically by her father to make her easier to control. She was so focused on her supposed guilt for what she did to her people and trying to right that wrong that she willingly believes in everything her father tells her to do (since he was the only one not to shun her or be afraid of her). She thinks and believes her father is correct in everything so she blindly follows him which is why she grew up the way she did. The changes that she made to herself were small and took time which is very realistic. Very rarely do people do an about face overnight, it is slowly and gradually which is how it is depicted in the book. So while I liked how badass Asha was at the beginning, I much preferred the person she became by the end.I knew Asha was going to turn out to be the Namsara cause it is literally in the title. I know she is supposed to be Iskari, and at one point I thought Roa or Safire might turn out to be the Namsara but I realized it when Asha was given the dragon. It is also ironic for her people that the person who they thought brought destruction actually was chosen to be their saviour. I don’t think Asha was ever the Iskari or the Namsara, I think she is a combination of both; she is both destroyer and saviour. I was so sad that after everything Asha had sacrificed for her own people, they still feared her and hated her. The people are ignorant of how far the Dragon King and his mother deceived them but I do hope one day Asha can be received happily and not like seeing her is a curse. I would love to see how she reacts to it and I am hoping to see it in the sequel since it is now known that she is the Namsara. Torwin was an interesting character and I found that he kind of reminded me of Finnick from The Hunger Games. I really wanted his character to be explored more. I want to know more of his history and his backstory because I feel like there is more to it. Why was he out of all of the slaves in the castle chosen to be a part of the uprising? How did he know how to play an instrument? He was too knowledgeable, too outspoken, too strategic and good with a bow to be just a common slave. There had to be more of a reason why Torwin wanted to escape the kingdom to the West. I really liked Torwin as a character because he was very upfront, honest, caring, brave, level headed and at times endearingly arrogant. I feel like his character has a lot of unexplored potential that will hopefully come out more in the second book. Also, this is kind of insignificant but on page 331 Torwin’s name changes to Torwyn? A missed old version of the name that was changed? It is kind of odd but it stuck out to me and I would like to know why. Personally I like the spelling of Torwyn better. I never suspected her father was the true villain of the book. I was so surprised to find him truly heartless and willing to sell out both of his children. That he was a greedy power monger. I kind of knew something was up with him but I never expected him to be as horrible, greedy and evil as he turned out to be. After I found out though I knew the Dragon King was going to die and I knew Asha was going to kill him. She would’ve killed her father to save her brother or Safire from having to do it and face the death penalty. Let alone how he manipulated and deceived her and destroyed her life. If she wanted Dax to rule, Safire to live, then it had to be her. It was also a surprise to find that this wasn’t just her father but also possibly her grandmother who committed seriously grievous acts as well. It just goes to show that the victors truly get to write history. There were a couple things in this book that made me angry. The first Namsara pissed me off a bit; I hated how he talked in riddle and basically gave Asha no choice. He didn’t grow on me either the more we saw him too. Finding out a bit more of his past did make him a bit more human. I hated how he knew exactly what and how much he was asking of Asha and expected her to do it anyways. And how he told her with a grin the entire time! I just got more and more frustrated the more she interacted with him. That was nothing compared to what I am going to talk about next though. I AM SO ANGRY THAT SHADOW IS DEAD! I know he turned out to be more Towin’s dragon than Asha’s but I thought that they were supposed to portect Shadow so he was safe. HE WAS JUST A BABY! All that means is that her dragon (Kozu) is now a little cinnamon roll that must be guarded at all costs. While I was angry about Shadow it was soothed a bit by reading about Safire killing Jarek. He most certainly deserved it, but I didn’t think he would go down that easily. It was almost like his death was an afterthought after the King had died. That the author was merely tying up loose ends. i will forgive all that though because I wanted to see that jerk gone. I thought the book was going to end on a cliffhanger but it ended quite nicely. I’m almost worried at how well it ended… As readers we have all learned that happiness in the first book is fleeting and won’t last long. (Yes, I may be a bit wounded from other books but at this point it is just self preservation). I don’t quite know where the story is going to go from here because there is so much possibility. Asha is the Namsara and it is her job to stitch the world back together, but how is she going to do that? Especially with her brother’s men after her and I am assuming there will be a price on her head. There are so many questions that I need answered and so many more kisses that I need to read!So overall I really liked this book and I will definitely be picking up The Caged Queen when it come out. I can’t wait to see where the story goes and if the theories I have are correct. If you love YA fantasy, magic, dragons, stories and a badass female character then you definitely have to check out this book.
  • Rating: 5 out of 5 stars
    5/5
    If you are looking for an EPIC dragon fantasy...THIS IS IT! The stories woven into stories was excellently done! Highly recommend for fantasy loves, dragon riders and those interested in a more tame Game of Thrones.
  • Rating: 4 out of 5 stars
    4/5
    The Last Namsara is a stunning debut. Its high fantasy is immersive and fast to set the scene, establishing Asha as a dragonslayer and introducing the city of Firgaard where she lives. The setting feels entirely original, blending elements of Western and Eastern cultures to create a world where stories have power and a king seeks to free his people from the influence of their God. The magic at work in Ciccarelli's world is muted and understated, taking the form of the spoken word rather than flashy spellcasting, and this made it seem all the more realistic.I also loved the way that Ciccarelli presented her dragons. While traditional in appearance, they prove to be far more intelligent than they first appear - inquisitive and intelligent. Asha's people and the dragons have been tied together throughout history, and the novel does a great job of portraying this bond between them. While this in itself is not greatly original, it was still fascinating to read and will certainly appeal to fans of Anne McCaffrey and the How To Train Your Dragon films.The story is very easy to read, quickly hooking the reader and drawing them into Asha's quest to slay Kovu, the First Dragon. The plot has very high stakes and a strict time frame, as Asha is painfully aware that she only has a week to succeed in her task. It also contains some brilliant twists that I did not see coming. Ciccarelli hid these clues in plain sight really effectively, effortlessly sowing hints that a reader will only pick up in hindsight. The story also ended well, neatly wrapping up this stage of Asha's adventure while still leaving it open for her to continue.In terms of character, Asha was incredibly strong. Really, she is everything that I look for in a protagonist. She's strong, independent and prepared to do anything to earn her freedom. While she is a princess, she is also a warrior and it shows. Even when she is afraid, Asha manages to stand tall and turn her weaknesses into strengths.Yet, unfortunately, the supporting cast don't fair so well. Torwin's love for Asha felt a little too instant. Although Asha has no idea of who he is, he has loved her from afar for years without truly knowing her. I'm not a fan of insta-love and, while Torwin was sweet at times, I found this to be a little frustrating. The other characters in this story also felt undeveloped. While we do see increasing amounts of the likes of Safira and Dax as the story progress, I never felt as though I got to know them. Similarly, Jarek is a very shallow villian - easy to hate but possessing little depth.So, in all, this novel was really strong for a debut and showed a lot of promise. I was absolutely hooked by the novel and devoured it in just three sittings. I look forward to seeing what Ciccarelli will write next and will certainly be following her closely in the future.
  • Rating: 5 out of 5 stars
    5/5
    Beautiful writing, beautiful story.
  • Rating: 4 out of 5 stars
    4/5
    This is set in a world of black and white and grey all over. This is Good and Evil and the eternal struggle to balance/rectify the two both in the world and in ourselves. In a land where being a recounter of tales, a lover of lore and a spinner of the yarns of old...where words hold the power to seduce even the most Amazing/violent of creatures...they can harm or heal.. they even might have the power to kill (?) What would you do with such power? Who would you be? What is the very nature of said Power and how does it contribute to the timeless battle between Good & Evil? I wanted to put this down SO many times, to traipse off with another tantalizing book that caught my eye but each time I sat back down and gave it another try I got caught up for hours and was transported somewhere amazing/cruel/imaginative etc...in the end what more can we ask for from a collection of words on a page/screen? The writing was nice and comfy. It did not stretch the mind into uncomfortable positions just to comprehend what was happening. It also was not simple, base or crude. It felt like how I would describe southern cooking feels like on a depressingly cold winter's day, slow, comfortable, like aaaaahhhhhhh. I liked every aspect of the plotline from the amazing depiction of Dragons to the awful dichotomies of family, court and social prejudice. The author traversed themes such as how much we allow other people's views/actions define who/what we believe ourselves to be? How difficult it is to shuck off negative beliefs about ourselves and become the best version of ourselves. How much do we let predjudices define how & who we interact and connect with? How much must we give up to be true to ourselves? What would some people do to have/keep the Power? Can you be Good if you have done bad things?... and more. When it comes down to it I really enjoyed the total package and might have even shed a few tears...might I say. I think you'll like this twisty turny tale that will keep you guessing until the very last chapter.
  • Rating: 4 out of 5 stars
    4/5
    I gave it 3.5 starsEven months after reading THE LAST NAMSARA I am still on the fence with my rating. The world building in THE LAST NAMSARA was fantastic. Ciccarelli set up every scene so that I had no problem picturing it in my mind. I found the storyline to be both imaginative and original and I really loved how the author incorporated the dragons into everything. So why might I be on the fence with how I felt? Well I loved the plot and the world, but the characters didn't really blow me away. I liked Asha. She had some great growth throughout the book, but I didn't love her. I liked the supporting characters, but again, didn't love them. The relationship between Asha and Torwin didn't really draw me in and I wish that we got to see more of Safire's story. Even though my overall feelings about book one in the Iskari series are stuck in the middle, I had zero issues staying interested in THE LAST NAMSARA and will keep my eyes out . THE CAGED QUEEN is set to come out in the Fall of 2018 and I see myself giving it a shot. * This book was provided free of charge from the publisher in exchange for an honest review
  • Rating: 4 out of 5 stars
    4/5
    In the beginning, there was the Namsara: the child of sky and spirit, who carried love and laughter wherever he went. But where there is light, there must be darkness—and so there was also the Iskari.

    Asha, daughter of the king of Firgaard,has been brought up on the legends about dragons since she could first listen. But the stories of the Old Ways still have great power, they were responsible for her mother losing her life and even when she whispers them, they still have the power to draw dragons to the city causing murder and mayhem.

    The child of blood and moonlight. The destroyer. The death-bringer; Iskari

    If she could kill the ancient dragon Kozu, the Old Ways will no longer have the grip that they currently do. Every dragon she conquers she brings it's head to her father, but Kozu is the prize that may release her from her betrothed, Jarek, a horrid man who almost has her in his grasp and keeps a secret over her and her family. Little by little she feels that she has become the Iskari. Dabbling in the Old Ways brings dangers that she won't be able to control, but she knows she may have no other choice other than to release them.

    This is Kristen Ciccarelli's debut novel and apart from the odd minor flaws, it is pretty accomplished overall. It is fairly fast paced at times, only slowing at the points where the story needed it. She has written a good backstory to the book which gives it the depth that a fantasy needs and I liked the way that it is revealed slowly through the book as the Old Way stories, and unlike some flashbacks they didn't really intrude into the story, just added a certain gravitas. Looking forward to the next book in the series.
  • Rating: 5 out of 5 stars
    5/5
    In The Last Namsara, the main character Asha grew up being hated by her people. She was the daughter of the Dragon King, a princess, but it also was because of her that her city was burned, her mother was killed, and she was disfigured. It was because of her that the telling of stories became forbidden. For to tell a dragon a story gave it the power of fire, without the stories dragons were left without dragonfire. Asha had spoken stories to the Dragons and this folly, that was since outlawed, brought on all the destruction. Or so she was told. Her recollection of the events that took place are fuzzy in her memories. What she clearly remembers is the burning of her flesh and her barely surviving the poisoning she received from the dragonfire. Although she survived, she was left with a reminder, a burn scar that started from her forehead and ran all the way down her left side.I really enjoyed the story of how this world was created and how Namsara and Iskari came to be. It is beautiful and tragic. In this world, there needed to be balance. So, in the beginning the Old One created Namsara, beloved by all, who brought laughter and love. He also created Iskari who brought only destruction, death, and life taker. Or so the legend goes. After being badly burned and barely surviving, Asha received the moniker of Iskari and has spent a better part of her life trying to right her wrongs. Over time, Asha took strength from the citizens hate. She was the Iskari – she owned it and makes no apologies. Unfortunately, she made no apologies because she had come to believe that she was corrupt, hideous and horrible.Asha thought she was wicked and no one had killed as many dragons as she had. She thought that killing the dragons was a way to show the people that she was sorry, but no matter how many she killed it never made a difference to them. Asha was reviled by all but her cousin and brother and even they were not allowed to interact with her that often. The only person who dared openly touch her was her betrothed, Jarek, and he was a real piece of work. I loathe this character entirely! Asha’s marriage to Jarek was impending and she wanted nothing more than to be freed from her contract with him.It was the desire to escape her soon-to-be marriage that made Asha desperate enough to take on a task that was suicidal. If she was successful in her quest then there was a chance that she could escape marriage to Jarek and to Asha that itself was worth all the risks. It was no easy task though and her chances seemed doomed from the start. Nothing went the way Asha had anticipated and soon she found that she had an unlikely friend, someone with whom she should have never had any type of relationship with, a slave from her betrothed’s household. When it seemed as if nothing was going to plan and the odds were stacked against her, Asha found the courage to face the truth of her past. A truth that would change everything that Asha believed to be right and with this knowledge she would change the course of history.The Last Namsara is a thrilling fantasy filled with dragons, political subterfuge, slavery, and a budding romance. The romance was more like a sweet little puppy dog romance, nothing too in-depth. Honestly, I could have done without it, but it was nice nonetheless. There were prophecies that came into play and I always enjoy that. I loved the dragons throughout this story. Amazing! It was not just that there were dragons but that they were an integral part to the story and their part was written so well. Age-old stories played a big role and speaking the stories out loud lured the dragons while giving them the power of dragonfire. So very cool! The magic system in this world is also fabulous, it revolves around the power of words and stories, what bibliophile doesn’t love that?! The ending of this story was emotional and at the same time was out of this world and I cannot wait for the next installment in this series! All I can say about this debut novel is whoooo hooooooooo!!This review is based on a complimentary book I received from Edelweiss+. It is an honest and voluntary review. The complimentary receipt of it in no way affected my review or rating.
  • Rating: 5 out of 5 stars
    5/5
    This book was slow at first, but gosh once it picked up, I couldn’t get enough. Epic Fantasy. Epic Love Story. Asha was a fierce heroine with so many awesome qualities. She had a dark side, but also a glimmer of light that shone in the background. I loved her grit, but I also loved watching her grow into the Namsara. I was quite impressed with the story progression. It was well thought out and written in a seasoned Author kind of way. The ancient stories really tied it all together, but the dragons and Torwin were the two factors that left me swooning. It was pure magic. Not insta love... Just slow burn, all consuming, raw romance. I’m pretty sure their story will stick with me forever. Shadow, Kozu, Torwin, and Asha... Highly recommend to all fantasy lovers!
  • Rating: 4 out of 5 stars
    4/5
    *I received an ARC from the publisher through Edelweiss. This does not affect my review.*

    This one really grew on me. When I started it, it was kind of slow, and I wasn't completely sure what was happening, but the more I read, the more it started to make sense. And like many of the books I've read lately, this is one of those books that it's best to go in knowing next to nothing, allowing the story to unfold as you read.

    The characters were well written, and I really enjoyed reading their story. Where Asha and Roa had to grow on me, I instantly liked Dax and Torwin, and Safire. I also loved the dragons and the stories. The lore is so beautiful, and entrancing.

    The only thing I didn't care for was the fact that the story took about 30% to really draw me in. While I was interested before that, I was kind of meh in parts, and didn't really understand what was going on, which as I read on, made sense, but made it hard to really care for anything that happened up to that point, even though the beginning was laying the groundwork for the rest of the story.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book! This story was so great. It was like being around a campfire while someone told me the old stories. I love Asha and Torwin and all the characters really. And dragons, I love dragons.

    You should definitely check this out if you haven’t yet! It’s awesome and I can’t wait for the next book.
  • Rating: 4 out of 5 stars
    4/5
    This story captured a legendary feeling. The characters seemed to be part of a story larger than themselves.

Book preview

The Last Namsara - Kristen Ciccarelli

One

Asha lured the dragon with a story.

It was an ancient story, older than the mountains at her back, and Asha had to dredge it up from where it lay deep and dormant inside her.

She hated to do it. Telling such stories was forbidden, dangerous, even deadly. But after stalking this dragon through the rocky lowlands for ten days now, her hunting slaves were out of food. She had a choice: return to the city dragonless or break her father’s ban on the ancient tales.

Asha never returned without a kill and she wasn’t about to now. She was the Iskari, after all, and there were quotas to fill.

So she told the story.

In secret.

While her hunters thought she was sharpening her axe.

The dragon came, slithering out of the red-gold silt like the treacherous thing it was. Sand cascaded down its body, shimmering like water and revealing dull gray scales the color of mountain rock.

Three times the size of a horse, it loomed over Asha, thrashing a forked tail while its slitted gaze fixed on the girl who’d summoned it. The girl who’d tricked it here with a story.

Asha whistled for her hunting slaves to get behind their shields, then waved off her archers. This dragon had spent the night burrowed beneath the cold desert sand. With the sun only just rising, its body temperature wasn’t warm enough for it to fly.

It was stranded. And a stranded dragon fought fierce.

Asha’s left hand tightened on an oblong shield while her right hand reached for the throwing axe at her hip. The rough esparto grass rattled around her knees as the dragon circled, waiting for her to let down her guard.

That was its first mistake. Asha never let down her guard.

Its second was to blast her with flame.

Asha hadn’t been afraid of fire since the First Dragon himself left her with a vicious scar running down the right side of her body. A sheath of fireproof armor covered her now from head to toe, made from the hides of all the dragons she’d killed. The tanned leather buckled tight against her skin and her favorite helmet—one with black horns mimicking a dragon’s head—protected her from dragonfire.

She kept her shield raised until the blaze ceased.

The dragon’s breath was now spent. Asha threw down her shield. She had a hundred heartbeats before the acid in its lungs replenished, allowing it to breathe fire again. She needed to kill it before that happened.

Asha drew her axe. Its curved iron edge caught the early morning sunlight. Beneath her scarred fingers, the wooden handle was worn smooth. A comfortable fit against her palm.

The dragon hissed.

Asha narrowed her eyes. Time to end you.

Before it could advance, she aimed and threw—straight at its beating heart. Her axe sank into flesh and the dragon screamed. It struggled and thrashed as its lifeblood spilled onto the sand. Gnashing its teeth, it fixed its raging eyes on her.

Someone stepped up beside Asha, breaking her focus. She looked to find her cousin, Safire, thrusting the butt of a pointed halberd into the sand. Safire stared at the thrashing, screaming dragon. Her dark hair was sheared to her chin, showing off the bold slant of her cheekbones and the shadow of a bruise on her jaw.

I told you to stay behind the shields, Asha growled. Where’s your helmet?

I couldn’t see a thing in that helmet. I left it with the hunting slaves. Safire wore tanned leather hunting gear, made hastily by Asha, and her hands were protected by Asha’s fireproof gloves. There hadn’t been time to make a second pair.

The bloody dragon dragged itself across the sand, intent on Asha. Its scales scraped. Its breath wheezed.

Asha reached for the halberd. How much time had passed since its last breath of fire? She’d lost track.

Get back, Saf. Behind the shields.

Safire didn’t move. Only stared at the dying dragon, mesmerized, as its beating heart slowed.

Thud-thud.

Thud . . . thud.

The scraping sound stopped.

Rearing back its head, the dragon screamed in hate at the Iskari. Just before its heart stopped beating, flames rushed out of its throat.

Asha stepped in front of her cousin.

Get down!

Asha’s ungloved hand was still outstretched. Exposed. Fire engulfed her fingers and palm, searing the skin. She bit down on her scream as pain lanced through her.

When the fire stopped and the dragon collapsed, dead, Asha turned to find Safire on her knees, safe and sound in the sand. Shielded from the flames.

Asha let out a shaky breath.

Safire stared at her cousin’s hand. Asha. You’re burned.

Asha pushed off her helmet and lifted her palm to her face. The charred skin bubbled. The pain blazed, bright and hot.

Panic sliced through her. It had been eight years since she’d been burned by a dragon.

Asha scanned her hunting slaves, all of whom were lowering their shields. They wore no armor, only iron—iron in their arrows and halberds and spears, iron in the collars around their necks. Their eyes fixed on the dragon. They hadn’t seen the Iskari get burned.

Good. The fewer witnesses, the better.

Dragonfire is toxic, Asha. You need to treat that.

Asha nodded. Except she hadn’t brought supplies for a burn treatment. She’d never needed them before.

To keep up appearances, she moved for her pack. From behind her, Safire said very softly, I thought they didn’t breathe fire anymore.

Asha froze.

They don’t breathe fire without stories, she thought.

Safire got to her feet and dusted off her leather armor. Her eyes dutifully avoided Asha’s as she asked, "Why would they start breathing fire now?"

Asha suddenly wished she’d left her cousin behind.

But if she’d left Safire behind, there wouldn’t just be remnants of a bruise on her jaw. There would be far worse.

Two days before Asha had set out on this hunt, she found Safire cornered by soldats in her own room. How they’d gotten in without a key, she could only guess.

As soon as Asha entered, they panicked, scattering in the presence of the Iskari. But what about next time? Asha would be hunting for days, and her brother, Dax, was still in the scrublands, negotiating peace with Jarek, the commandant. There was no one to keep a watchful eye out for their skral-blooded cousin while Asha hunted. So she’d brought Safire with her. Because if there was anything worse than coming home empty-handed, it was coming home to Safire in the sickroom again.

Asha’s silence didn’t dissuade her cousin in the least.

Remember the days when you would set out at dawn and bring a dragon down before dinner? Whatever happened to those days?

The searing pain of her blistering skin made Asha dizzy. She fought to keep her mind clear.

Maybe things were too easy back then, she said, whistling at her hunting slaves, signaling them to start the dismemberment. Maybe I prefer a challenge.

The truth was, dragon numbers had been dwindling for years and it was getting harder to bring their heads back to her father. It was why she’d turned to telling the old stories in secret—to lure them to her. The old stories drew dragons the way jewels drew men. No dragon could resist one told aloud.

But the stories didn’t just lure dragons. They made them stronger.

Hence, the fire.

It went like this: where the old stories were spoken aloud, there were dragons; and where there were dragons, there was destruction and betrayal and burning. Especially burning. Asha knew this better than anyone. The proof was right there on her face.

Sighing, Safire gave up.

Go treat that burn, she said, leaving her halberd upright in the sand as she started toward the hulking form. While the slaves advanced on the dragon, Safire walked a complete circle around the body, scanning it. The dragon’s dusty gray scales were perfect for blending into the mountain, and its horns and spines were flawless ivory, none of them broken or cracked.

In Safire’s absence, Asha tried to flex her burned fingers. The sharp pain made her bite down hard. It made the lowlands around her blur into a smudged landscape of red sand, pale yellow grass, and a gray speckle of rock. They were on the seam here. Not quite in the flat desert to the immediate west, nor in the dark and craggy mountains to the immediate east.

It’s a beauty! Safire called back.

Asha strained to focus on her cousin, who was starting to blur along with everything else. She tried to shake her vision clear. When that didn’t work, she reached for Safire’s halberd to steady herself.

Your father will be so pleased. Her cousin’s voice sounded thick and muffled.

If my father only knew the truth, thought Asha, bitterly.

She willed the landscape to stop spinning around her. She clutched the halberd harder, concentrating on her cousin.

Safire navigated through the slaves, their knives glinting. Asha heard her grab the handle of the embedded axe. She heard Safire use the heel of her boot to brace herself against the dragon’s scaly hide. Asha even heard her pull the weapon out while blood glugged onto the sand, thick and sticky.

But she couldn’t see her. Not any longer.

The whole world had gone fuzzy and white.

Asha . . . ? Are you all right?

Asha pressed her forehead to the flat steel of the halberd. The fingers of her unburned hand curled like claws around the iron shaft as she fought the dizziness.

I should have more time than this.

Hurried footsteps kissed the sand.

Asha, what’s wrong?

The ground dipped. Asha felt herself tilt. Without thinking, she reached for her skral-blooded cousin. The one who, under the law, wasn’t allowed to touch her.

Safire sucked in a breath and stepped back, out of reach, widening the gap between them. Asha struggled to regain her balance. When she couldn’t, she sank onto the sand.

Even when Safire’s gaze slid to the hunting slaves—even when Asha knew it was their judgment Safire feared and not her—it stung. It always stung.

But slaves talked. Her cousin knew this better than anyone. Gossiping slaves had betrayed Safire’s parents. And right now, they were surrounded by slaves. Slaves who knew Safire wasn’t allowed to touch Asha, wasn’t even allowed to look Asha in the eye. Not with skral blood running through her veins.

Asha . . .

All at once, the world settled back into place. Asha blinked. There was the sand beneath her knees. There was the horizon in the distance, a red-gold smear against a turquoise sky. And there was the slain dragon before her: clear and gray and dead.

Safire crouched down before her. Too close.

Don’t, Asha said more sharply than she meant to. I’m fine.

Rising, she bit down on the scorching pain in her hand. It didn’t make sense for the toxins to set in so fast. She was dehydrated—that’s all. She just needed water.

You shouldn’t even be out here, Safire called from behind her, voice laced with worry. Your binding is seven days away. You should be preparing yourself for it, not running from it.

Asha’s footsteps faltered. Despite her scorching hand and the steadily rising sun, a chill swept through her.

I’m not running from anything, she shot back, staring straight ahead at the mantle of green in the distance. The Rift. It was Asha’s one freedom.

Silence fell over them, interrupted only by the sounds of slaves sharpening their skinning knives. Slowly, Safire came to stand behind her.

I hear dragon hearts are in fashion these days. Asha could hear the careful smile in her voice. For betrothal gifts especially.

Asha wrinkled her nose at the thought. She crouched down next to her hunting pack, made of the tough leather of dragon hide. Reaching inside, she drew out her water skin while Safire stood over her.

"The red moon wanes in seven days, Asha. Have you even thought about your betrothal gift?"

Asha rose to growl a warning at her cousin and the world spun again. She kept it in place by the sheer force of her will.

Of course she’d thought about it. Every time Asha looked up into the face of that horrible moon—always a little thinner than the day before—she thought about all of it: the gift and the wedding and the young man she would soon call husband.

The word hardened like a stone inside her. It brought everything into sharp focus.

Come on, said Safire, smiling a little, her eyes cast toward the hilltops. The gory, bleeding heart of a dragon? It’s the perfect gift for a man without a heart of his own.

Asha shook her head. But Safire’s smile was contagious. Why do you have to be so disgusting?

Just then, over Safire’s shoulder, a cloud of red-gold sand billowed in the distance, coming from the direction of the city.

Asha’s first thought was dust storm and she was about to give a frantic order, but rocky lowlands surrounded them here, not the open desert. Asha squinted into the distance and saw two horses making their way toward her hunting party. One was riderless; the other carried a man cloaked in a mantle, the rough wool dusted red with sand kicked up by his horse. A gold collar encircled his neck, winking in the sunlight and marking him as one of the palace slaves.

As he galloped closer, Asha thrust her burned hand behind her back.

When the sand settled, she found the elderly slave reining in his mare. Sweat soaked his graying hair. He squinted in the pulsing sunlight.

Iskari, he said, out of breath from riding so hard. He fastened his gaze on the tossing mane of his horse, obediently avoiding Asha’s eyes. Your father wishes to see you.

Behind her back, Asha gripped her wrist. He has perfect timing. I’ll deliver this dragon’s head to him tonight.

The slave shook his head, his gaze still boring into his horse. You’re to return to the palace immediately.

Asha frowned. The dragon king never interrupted her hunts.

She looked to the riderless mare. It was Oleander, her own horse. Her russet coat glistened with sweat, and a smudge of red sand covered the white star on her forehead. In the presence of her rider, Oleander bobbed her head nervously.

I can help finish up here, said Safire. Asha turned to her. Safire didn’t dare look up into her face. Not under a royal slave’s watchful gaze. I’ll meet you back at home. Safire undid the leather ties on her borrowed hunting gloves. You never should have given me these. She slid them off and handed them over. Go.

Ignoring the scream of her raw and blistering skin, Asha pulled on the gloves so her father’s slave wouldn’t see her burned hand. Turning from Safire, she took Oleander’s reins and swung herself up into the saddle. Oleander whinnied and fidgeted beneath her, then sped off at a gallop when Asha’s heels gave her the slightest prod.

I’ll save the heart for you! Safire called as Asha raced back toward the city, kicking up swirls of red sand. In case you change your mind!

In the Beginning . . .

The Old One was lonely. So he made for himself two companions. He formed the first out of sky and spirit and named him Namsara. Namsara was a golden child. When he laughed, stars shone out of his eyes. When he danced, wars ceased. When he sang, ailments were healed. His very presence was a needle sewing the world together.

The Old One formed the second out of blood and moonlight. He named her Iskari. Iskari was a sorrowful child. Where Namsara brought laughter and love, Iskari brought destruction and death. When Iskari walked, people cowered in their homes. When she spoke, people wept. When she hunted, she never missed her mark.

Pained by her nature, Iskari came before the Old One, asking him to remake her. She hated her essence; she wished to be more like Namsara. When the Old One refused, she asked him why. Why did her brother get to create things while she destroyed them?

The world needs balance, the Old One said.

Furious, Iskari left the sovereign god and went hunting. She hunted for days. Days turned to weeks. As her fury grew, her bloodlust became insatiable. She killed mercilessly and without feeling and all the while, her hate swelled within her. She hated her brother for being happy and beloved. She hated the Old One for making it so.

So the next time she went hunting, Iskari set her traps for the Old One himself.

This was a terrible mistake.

The Old One struck Iskari down, leaving a scar as long and wide as the Rift mountain range. For attempting to take his life, he stripped her of her immortality, ripping it off her like a silk garment. So that she could atone for her crime, he cursed her name and sent her to wander the desert alone, haunted by stinging winds and howling sandstorms. To wither beneath the parching sun. To freeze beneath the icy cloak of night.

But neither the heat nor the cold killed her.

An unbearable loneliness did.

Namsara searched the desert for Iskari. The sky changed seven times before he found her body in the sand, her skin blistered by the sun, her eyes eaten by carrion crows.

At the sight of his sister, dead, Namsara fell to his knees and he wept.

Two

Normally after a kill, Asha bathed. Scrubbing the blood, sand, and sweat from her body was a ritual that helped her transition from the wild, rugged world beyond the palace walls to a life that tied itself around her ribs and squeezed like a too-tight sash.

Today, though, Asha skipped the bath. Despite her father’s summons, she slipped right past her guards and headed for the sickroom, where the medicines were kept. It was a whitewashed room smelling of lime. Sunlight spilled through the open terrace, alighting the flower pattern mosaicked into the floor, then painting the shelves of terra-cotta jars in yellows and golds.

She’d woken in this room eight years ago, after Kozu, the First Dragon, burned her. Asha remembered it clearly: lying on a sickbed, her body wrapped in bandages, that awful feeling pressing down on her chest, heavy as a boulder, telling her she’d done something horribly wrong.

Shaking the memory loose, Asha stepped through the archway. She unbuckled her armor and gloves, shedding them piece by piece, then laid her axe on top of the pile.

One of the dangers of dragonfire—besides melting your skin to the bone—was that it was toxic. The smallest burn would kill you from the inside out if treated poorly or too late. A severe burn, like the one Asha suffered eight years ago, needed to be treated immediately and, even then, the victim’s chances of survival were slim.

Asha had a recipe to draw the toxins out, but the treatment required the burn to be covered for two days. She didn’t have that kind of time. Her father had summoned her. News of her return had probably reached him already. She had a hundred-hundred heartbeats, not days.

Asha opened cupboards and pulled down pots full of dried barks and roots, looking for one ingredient in particular. In her haste, she reached with her burned hand, and the moment she grabbed the smooth terra-cotta jar, pain seared through her and she let go.

The jar shattered across the floor in a burst of red shards and linen bandages.

Asha cursed, kneeling to pick up the mess one-handed. Her mind was so hazy with pain, she didn’t notice when someone dropped to his knees beside her, his fingers picking up shards alongside hers.

I’ll get this, Iskari.

The voice made her jump. She glanced up to a silver collar, then a tangle of hair.

Asha watched his hands sweep up her mess. She knew those freckled hands. They were the same hands that brought out Jarek’s platters at dinner. The same hands that served her steaming mint tea in Jarek’s glass cups.

Asha tensed. If her betrothed’s slave was in the palace, so was her betrothed. Jarek must have returned from the scrublands, where he’d been sent to keep an eye on Dax’s negotiations.

Is that the reason for my father’s summons?

The slave’s fingers went suddenly still. When Asha looked up, she caught him staring at her burn.

Iskari . . . His brow furrowed. You need to treat that.

Her annoyance flared like a freshly fed fire. Obviously she needed to treat it. She’d be treating it now if she hadn’t been so careless.

But just as important as treating her burn was securing this slave’s silence. Jarek often used his slaves to spy on his enemies. The moment Asha dismissed this one, he might go running to his master and tell him everything.

And once Jarek knew, so would her father.

The moment her father heard of it, he’d know she’d been telling the old stories. He would know she was the same corrupted girl she’d always been.

Tell anyone about this, skral, and the last thing you’ll see is my face staring down at you from the top of the pit.

His mouth flattened into a hard line and his gaze lowered to the tile work at their feet, where elegant namsaras—rare desert flowers that could heal any ailment—repeated themselves in an elaborate pattern across the floor.

Forgive me, Iskari, he said, his fingers sweeping up terra-cotta shards. But I’m not supposed to take commands from you. My master’s orders.

Her fingers itched for her axe—which was on the floor against the wall, with the rest of her armor.

She could threaten him, but that might make him retaliate by spilling her secrets. A bribe would work better.

And if I give you something for your silence?

His fingers paused, hovering over the pile of shards.

What would you want?

The corner of his mouth curved ever so slightly. It made the hair on her arms rise.

I don’t have all day, she said, suddenly uneasy.

No, he said, the smile sliding away as he stared at her raw, blistering skin. You don’t. Her body was starting to shake from the infection. Let me think on it while you treat that burn.

Asha left him there. In truth, the shaking worried her. So while he finished cleaning up her mess, she returned to the shelves and found the ingredient she needed: dragon bone ash.

Alone, it was just as deadly as dragonfire, only it poisoned in a different way. Instead of infecting the body, dragon bone leached it of nutrients. Asha had never seen someone killed this way, but there was an old story about a dragon queen who wanted to teach her enemies a lesson. Inviting them to the palace as honored guests, she put a pinch of dragon bone ash in their dinners every night and on the last morning of their stay, they were all found dead in their beds, their bodies hollowed out. As if the life had been scooped out of them.

Despite its dangers, in exactly the right amount, with the correct combination of herbs, dragon bone was the one thing that could draw the dragonfire toxins out—precisely because of its leaching qualities. Asha popped off the cork lid and measured out the amount.

The mark of a good slave was to see what was needed before it was asked for, and Jarek only purchased the best of anything. So as Asha gathered her ingredients, crushing and boiling them down to a thick paste, Jarek’s slave tore strips of linen for fresh bandaging.

Where is he? she asked as she stirred, trying to hasten the cooling process. She didn’t need to say Jarek’s name. His slave knew who she meant.

Asleep in his wine goblet. He suddenly stopped ripping linen to stare at her hands. I think it’s cool enough, Iskari.

Asha looked where he looked. Her hands shook hard. She dropped the spoon and lifted them to her face, watching them tremble.

I should have more time than this. . . .

The slave took the pot from her, perfectly calm. Sit, he said, motioning with his chin to the tabletop. As if he were in charge now and she had to do what he said.

Asha didn’t like him telling her what to do. But she liked the violent trembling even less. She hoisted herself up onto the table one-handed while he scooped a spoonful of blackish paste and blew softly until it stopped steaming. She held her burned hand still against her thigh while he used the spoon to spread the grainy paste across the raw surface of her blistered palm and fingers.

Asha hissed through her teeth at the sting. More than once, he stopped, concerned by the sounds she made. She nodded for him to go on. Despite the horrible smell—like burned bones—she could feel the ash at work: a cool sensation sinking in, spreading outward, battling the scorching pain.

Better? He kept his gaze lowered as he blew on the next spoonful.

Yes.

He coated the burn twice more, then reached for the first linen strip.

When he went to wrap it, though, they both hesitated. Asha pulled away while he hovered, frozen, leaning over her. The off-white linen hung like a canopy between his hands while the same thought ran through both their minds: in order to wrap the burn, he needed to touch her.

A slave who touched a draksor without his master’s permission could be sentenced to three nights in the dungeons without food. If the offense were more severe—touching a draksor of high rank, such as Asha—he would be lashed as well. And in the very rare case of intimate touch, such as a love affair between a slave and a draksor, the slave would be sent to the pit to die.

Without Jarek to give permission, his slave wouldn’t—couldn’t—touch her.

Asha moved to take the linen to try to bandage her hand herself, but he pulled away, out of reach. She watched, speechless, as he returned to wrap her hand—slowly and carefully, his nimble hands cleverly avoiding contact.

Asha looked up into a long, narrow face full of freckles. Freckles as numerous as stars in the night sky. He stood so close, she could feel the heat of him. So close, she could smell the salt on his skin.

If he sensed her looking, he didn’t show it. Silence filled the space between them as he wrapped the linen around and around her salved palm.

Asha studied his hands. Large palms. Long fingers. Calluses on his fingertips.

A strange place for calluses on a house slave.

How did it happen? he asked as he worked.

She could feel him almost look up into her face, then stop himself. He reached for the next strip—a smaller one—and started on her fingers.

I told an old story.

Asha wondered how much a skral would know about the link between the old stories and dragonfire.

She didn’t say the answer aloud. No one could know the truth: after all these years of trying to right her wrongs, Asha was still as corrupt as ever. If you opened her up and looked inside, you’d find a core that matched her scarred exterior. Hideous and horrible.

I told a story about Iskari and Namsara.

Iskari was the goddess from which Asha derived her title. These days, Iskari meant life taker.

Namsara’s meaning had also changed over time. It was both the name of the healing flower on the floors of this room as well as a title. A title given to someone who fought for a noble cause—for his kingdom or his beliefs. The word namsara conjured up the image of a hero.

I killed a dragon, Asha told the slave in the end, and it burned me as it died.

He tucked in the ends of her bandage, listening. To get a better grip,

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