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A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others
A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others
A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others
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A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others

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At the peak of his career, Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was working as an assistant for his friend, Shakespearean actor Sir Henry Irving, a well known and acclaimed actor in his day. But it would be the assistant whose name would outshine the boss’s.
 
Stoker, an Irish novelist and short story writer, is known around the globe for his Gothic horror character Dracula. Inspired in part by his friend Irving, as well as the notorious Vlad the Impaler, Stoker studied stories about vampires, but ultimately his Count Dracula would become synonymous with the famous monsters. And drawing off his experience as a newspaper writer, Stoker wrote Dracula as a collection of realistic diary entries, telegrams, letters, ship's logs, and newspaper clippings, all of which made the story that much scarier and unique. 
LanguageEnglish
PublisherKrill Press
Release dateNov 27, 2015
ISBN9781518317125
A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others
Author

Bram Stoker

Bram (Abraham) Stoker was an Irish novelist, born November 8, 1847 in Dublin, Ireland. 'Dracula' was to become his best-known work, based on European folklore and stories of vampires. Although most famous for writing 'Dracula', Stoker wrote eighteen books before he died in 1912 at the age of sixty-four.

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    A Collection of Bram Stoker’s Short Stories - Bram Stoker

    A COLLECTION OF BRAM STOKER’S SHORT STORIES: DRACULA’S GUEST AND 8 OTHERS

    ..................

    Bram Stoker

    CROW PRESS

    Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.

    This book is a work of fiction; its contents are wholly imagined.

    All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

    Copyright © 2015 by Bram Stoker

    Interior design by Pronoun

    Distribution by Pronoun

    TABLE OF CONTENTS

    Introduction

    Dracula’s Guest

    PREFACE

    Dracula’s Guest

    The Judge’s House

    The Squaw

    The Secret of the Growing Gold

    The Gipsy Prophecy

    The Coming of Abel Behenna

    The Burial of the Rats

    A Dream of Red Hands

    Crooken Sands

    A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others

    By

    Bram Stoker

    A Collection of Bram Stoker’s Short Stories: Dracula’s Guest and 8 Others

    Published by Crow Press

    New York City, NY

    First published 1914

    Copyright © Crow Press, 2015

    All rights reserved

    Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

    About Crow Press

    Crow Press is a publishing house that loves reading and distributing horror stories, weird fiction, and tales of the bizarre.

    INTRODUCTION

    ..................

    AT THE PEAK OF HIS career, Abraham Bram Stoker (November 8, 1847 – April 20, 1912) was working as an assistant for his friend, Shakespearean actor Sir Henry Irving, a well known and acclaimed actor in his day. But it would be the assistant whose name would outshine the boss’s.

    Stoker, an Irish novelist and short story writer, is known around the globe for his Gothic horror character Dracula. Inspired in part by his friend Irving, as well as the notorious Vlad the Impaler, Stoker studied stories about vampires, but ultimately his Count Dracula would become synonymous with the famous monsters. And drawing off his experience as a newspaper writer, Stoker wrote Dracula as a collection of realistic diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which made the story that much scarier and unique.

    DRACULA’S GUEST

    ..................

    PREFACE

    ..................

    A FEW MONTHS BEFORE THE lamented death of my husband—I might say even as the shadow of death was over him—he planned three series of short stories for publication, and the present volume is one of them. To his original list of stories in this book, I have added an hitherto unpublished episode from Dracula. It was originally excised owing to the length of the book, and may prove of interest to the many readers of what is considered my husband’s most remarkable work. The other stories have already been published in English and American periodicals. Had my husband lived longer, he might have seen fit to revise this work, which is mainly from the earlier years of his strenuous life. But, as fate has entrusted to me the issuing of it, I consider it fitting and proper to let it go forth practically as it was left by him.

    FLORENCE BRAM STOKER

    DRACULA’S GUEST

    ..................

    WHEN WE STARTED FOR OUR drive the sun was shining brightly on Munich, and the air was full of the joyousness of early summer. Just as we were about to depart, Herr Delbrück (the maître d’hôtel of the Quatre Saisons, where I was staying) came down, bareheaded, to the carriage and, after wishing me a pleasant drive, said to the coachman, still holding his hand on the handle of the carriage door:

    ‘Remember you are back by nightfall. The sky looks bright but there is a shiver in the north wind that says there may be a sudden storm. But I am sure you will not be late.’ Here he smiled, and added, ‘for you know what night it is.’

    Johann answered with an emphatic, ‘Ja, mein Herr,’ and, touching his hat, drove off quickly. When we had cleared the town, I said, after signalling to him to stop:

    ‘Tell me, Johann, what is tonight?’

    He crossed himself, as he answered laconically: ‘Walpurgis nacht.’ Then he took out his watch, a great, old-fashioned German silver thing as big as a turnip, and looked at it, with his eyebrows gathered together and a little impatient shrug of his shoulders. I realised that this was his way of respectfully protesting against the unnecessary delay, and sank back in the carriage, merely motioning him to proceed. He started off rapidly, as if to make up for lost time. Every now and then the horses seemed to throw up their heads and sniffed the air suspiciously. On such occasions I often looked round in alarm. The road was pretty bleak, for we were traversing a sort of high, wind-swept plateau. As we drove, I saw a road that looked but little used, and which seemed to dip through a little, winding valley. It looked so inviting that, even at the risk of offending him, I called Johann to stop—and when he had pulled up, I told him I would like to drive down that road. He made all sorts of excuses, and frequently crossed himself as he spoke. This somewhat piqued my curiosity, so I asked him various questions. He answered fencingly, and repeatedly looked at his watch in protest. Finally I said:

    ‘Well, Johann, I want to go down this road. I shall not ask you to come unless you like; but tell me why you do not like to go, that is all I ask.’ For answer he seemed to throw himself off the box, so quickly did he reach the ground. Then he stretched out his hands appealingly to me, and implored me not to go. There was just enough of English mixed with the German for me to understand the drift of his talk. He seemed always just about to tell me something—the very idea of which evidently frightened him; but each time he pulled himself up, saying, as he crossed himself: ‘Walpurgis-Nacht!’

    I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English, of a very crude and broken kind, he always got excited and broke into his native tongue—and every time he did so, he looked at his watch. Then the horses became restless and sniffed the air. At this he grew very pale, and, looking around in a frightened way, he suddenly jumped forward, took them by the bridles and led them on some twenty feet. I followed, and asked why he had done this. For answer he crossed himself, pointed to the spot we had left and drew his carriage in the direction of the other road, indicating a cross, and said, first in German, then in English: ‘Buried him—him what killed themselves.’

    I remembered the old custom of burying suicides at cross-roads: ‘Ah! I see, a suicide. How interesting!’ But for the life of me I could not make out why the horses were frightened.

    Whilst we were talking, we heard a sort of sound between a yelp and a bark. It was far away; but the horses got very restless, and it took Johann all his time to quiet them. He was pale, and said, ‘It sounds like a wolf—but yet there are no wolves here now.’

    ‘No?’ I said, questioning him; ‘isn’t it long since the wolves were so near the city?’

    ‘Long, long,’ he answered, ‘in the spring and summer; but with the snow the wolves have been here not so long.’

    Whilst he was petting the horses and trying to quiet them, dark clouds drifted rapidly across the sky. The sunshine passed away, and a breath of cold wind seemed to drift past us. It was only a breath, however, and more in the nature of a warning than a fact, for the sun came out brightly again. Johann looked under his lifted hand at the horizon and said:

    ‘The storm of snow, he comes before long time.’ Then he looked at his watch again, and, straightway holding his reins firmly—for the horses were still pawing the ground restlessly and shaking their heads—he climbed to his box as though the time had come for proceeding on our journey.

    I felt a little obstinate and did not at once get into the carriage.

    ‘Tell me,’ I said, ‘about this place where the road leads,’ and I pointed down.

    Again he crossed himself and mumbled a prayer, before he answered, ‘It is unholy.’

    ‘What is unholy?’ I enquired.

    ‘The village.’

    ‘Then there is a village?’

    ‘No, no. No one lives there hundreds of years.’ My curiosity was piqued, ‘But you said there was a village.’

    ‘There was.’

    ‘Where is it now?’

    Whereupon he burst out into a long story in German and English, so mixed up that I could not quite understand exactly what he said, but roughly I gathered that long ago, hundreds of years, men had died there and been buried in their graves; and sounds were heard under the clay, and when the graves were opened, men and women were found rosy with life, and their mouths red with blood. And so, in haste to save their lives (aye, and their souls!—and here he crossed himself) those who were left fled away to other places, where the living lived, and the dead were dead and not—not something. He was evidently afraid to speak the last words. As he proceeded with his narration, he grew more and more excited. It seemed as if his imagination had got hold of him, and he ended in a perfect paroxysm of fear—white-faced, perspiring, trembling and looking round him, as if expecting that some dreadful presence would manifest itself there in the bright sunshine on the open plain. Finally, in an agony of desperation, he cried:

    ‘Walpurgis nacht!’ and pointed to the carriage for me to get in. All my English blood rose at this, and, standing back, I said:

    ‘You are afraid, Johann—you are afraid. Go home; I shall return alone; the walk will do me good.’ The carriage door was open. I took from the seat my oak walking-stick—which I always carry on my holiday excursions—and closed the door, pointing back to Munich, and said, ‘Go home, Johann—Walpurgis-nacht doesn’t concern Englishmen.’

    The horses were now more restive than ever, and Johann was trying to hold them in, while excitedly imploring me not to do anything so foolish. I pitied the poor fellow, he was deeply in earnest; but all the same I could not help laughing. His English was quite gone now. In his anxiety he had forgotten that his only means of making me understand was to talk my language, so he jabbered away in his native German. It began to be a little tedious. After giving the direction, ‘Home!’ I turned to go down the cross-road into the valley.

    With a despairing gesture, Johann turned his horses towards Munich. I leaned on my stick and looked after him. He went slowly along the road for a while: then there came over the crest of the hill a man tall and thin. I could see so much in the distance. When he drew near the horses, they began to jump and kick about, then to scream with terror. Johann could not hold them in; they bolted down the road, running away madly. I watched them out of sight, then looked for the stranger, but I found that he, too, was gone.

    With a light heart I turned down the side road through the deepening valley to which Johann had objected. There was not the slightest reason, that I could see, for his objection; and I daresay I tramped for a couple of hours without thinking of time or distance, and certainly without seeing a person or a house. So far as the place was concerned, it was desolation, itself. But I did not notice this particularly till, on turning a bend in the road, I came upon a scattered fringe of wood; then I recognised that I had been impressed unconsciously by the desolation of the region through which I had passed.

    I sat down to rest myself, and began to look around. It struck me that it was considerably colder than it had been at the commencement of my walk—a sort of sighing sound seemed to be around me, with, now and then, high overhead, a sort of muffled roar. Looking upwards I noticed that great thick clouds were drifting rapidly across the sky from North to South at a great height. There were signs of coming storm in some lofty stratum of the air. I was a little chilly, and, thinking that it was the sitting still after the exercise of walking, I resumed my journey.

    The ground I passed over was now much more picturesque. There were no striking objects that the eye might single out; but in all there was a charm of beauty. I took little heed of time and it was only when the deepening twilight forced itself upon me that I began to think of how I should find my way home. The brightness of the day had gone. The air was cold, and the drifting of clouds high overhead was more marked. They were accompanied by a sort of far-away rushing sound, through which seemed to come at intervals that mysterious cry which the driver had said came from a wolf. For a while I hesitated. I had said I would see the deserted village, so on I went, and presently came on a wide stretch of open country, shut in by hills all around. Their sides were covered with trees which spread down to the plain, dotting, in clumps, the gentler slopes and hollows which showed here and there. I followed with my eye the winding of the road, and saw that it curved close to one of the densest of these clumps and was lost behind it.

    As I looked there came a cold shiver in the air, and the snow began to fall. I thought of the miles and miles of bleak country I had passed, and then hurried on to seek the shelter of the wood in front. Darker and darker grew the sky, and faster and heavier fell the snow, till the earth before and around me was a glistening white carpet the further edge of which was lost in misty vagueness. The road was here but crude, and when on the level its boundaries were not so marked, as when it passed through the cuttings; and in a little while I found that I must have strayed from it, for I missed underfoot the hard surface, and my feet sank deeper in the grass and moss. Then the wind grew stronger and blew with ever increasing force, till I was fain to run before it. The air became icy-cold, and in spite of my exercise I began to suffer. The snow was now falling so thickly and whirling around me in such rapid eddies that I could hardly keep my eyes open. Every now and then the heavens were torn asunder by vivid lightning, and in the flashes I could see ahead of me a great mass of trees, chiefly yew and cypress all heavily coated with snow.

    I was soon amongst the shelter of the trees, and there, in comparative silence, I could hear the rush of the wind high overhead. Presently the blackness of the storm had become merged in the darkness of the night By-and-by the storm seemed to be passing away: it now only came in fierce puffs or blasts. At such moments the weird sound of the wolf appeared to be echoed by many similar sounds around me.

    Now and again, through the black mass of drifting cloud, came a straggling ray of moonlight, which lit up the expanse, and showed me that I was at the edge of a dense mass of cypress and yew trees. As the snow had ceased to fall, I walked out from the shelter and began to investigate more closely. It appeared to me that, amongst so many old foundations as I had passed, there might be still standing a house in which, though in ruins, I could find some sort of shelter for a while. As I skirted the edge of the copse, I found that a low wall encircled it, and following this I presently found an opening. Here the cypresses formed an alley leading up to a square mass of some kind of building. Just as I caught sight of this, however,

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