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Record of a Spaceborn Few
Record of a Spaceborn Few
Record of a Spaceborn Few
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Record of a Spaceborn Few

Rating: 4 out of 5 stars

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National Bestseller!

Winner of the Hugo Award for Best Series!

Brimming with Chambers' signature blend of heart-warming character relationships and dazzling adventure, Record of a Spaceborn few is the third standalone installment of the Wayfarers series, set in the sprawling universe of the Galactic Commons, and following a new motley crew on a journey to another corner corner of the cosmos—one often mentioned, but not yet explored.

Return to the sprawling universe of the Galactic Commons, as humans, artificial intelligence, aliens, and some beings yet undiscovered explore what it means to be a community in this exciting third adventure in the acclaimed and multi-award-nominated science fiction Wayfarers series, brimming with heartwarming characters and dazzling space adventure.

Hundreds of years ago, the last humans on Earth boarded the Exodus Fleet in search of a new home among the stars. After centuries spent wandering empty space, their descendants were eventually accepted by the well-established species that govern the Milky Way.

But that was long ago. Today, the Exodus Fleet is a living relic, the birthplace of many, yet a place few outsiders have ever visited. While the Exodans take great pride in their original community and traditions, their culture has been influenced by others beyond their bulkheads. As many Exodans leave for alien cities or terrestrial colonies, those who remain are left to ponder their own lives and futures: What is the purpose of a ship that has reached its destination? Why remain in space when there are habitable worlds available to live? What is the price of sustaining their carefully balanced way of life—and is it worth saving at all?

A young apprentice, a lifelong spacer with young children, a planet-raised traveler, an alien academic, a caretaker for the dead, and an Archivist whose mission is to ensure no one’s story is forgotten, wrestle with these profound universal questions. The answers may seem small on the galactic scale, but to these individuals, it could mean everything.

LanguageEnglish
PublisherHarperCollins
Release dateJul 24, 2018
ISBN9780062699237
Author

Becky Chambers

Becky Chambers is a science fiction author based in Northern California. She is best known for her Hugo Award-winning Wayfarers series, which currently includes The Long Way to a Small, Angry Planet, A Closed and Common Orbit, and Record of a Spaceborn Few. Her books have also been nominated for the Arthur C. Clarke Award, the Locus Award, and the Women's Prize for Fiction, among others. Her most recent work is To Be Taught, If Fortunate, a standalone novella. Becky has a background in performing arts, and grew up in a family heavily involved in space science. She spends her free time playing video and tabletop games, keeping bees, and looking through her telescope. Having hopped around the world a bit, she’s now back in her home state, where she lives with her wife. She hopes to see Earth from orbit one day.  

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Rating: 4.118157511214953 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    The third book in the Wayferes' series follows a giant spacecraft of Earthling refugees as they create a working community on their ship and relationships with alien species. This is more of a slice of life book that explores what life would be like if resources were limited. All the characters are great and well written again. The social dynamics are the real draw for the story. It is a very interesting and engaging book.
  • Rating: 4 out of 5 stars
    4/5
    Humans had to leave Earth because it could no longer sustain life, and they set off in spaceships that were meant to be temporary homes until they found new homes, but they ended up choosing to stay on those spaceships for many generations. This book examines the culture that has developed on those spaceships by following the stories of several different characters with varying degrees of satisfaction with their culture.All in all, the world building is really good here, and it's nice to soak it in. However, the story moves really slowly and there's not much action. In some ways, all of the stories feel too tidy - they are all wrapped up neatly at the end, and even though the characters of the different storylines don't interact much, their stories all dovetail very tidily. On the other hand, given how much sci-fi is dystopian these days, it's refreshing to read about people and cultures who ultimately get along with each other.
  • Rating: 4 out of 5 stars
    4/5
    I admire Becky Chambers's character-driven novels. I very much enjoyed the first two Wayfarer novels, which nicely balanced character and plot. They could even be science-fictiony and yet have enough realism and investment in the characters to tug at your heartstrings.Record of a Spaceborn Few, however, is long on character and short on plot. While it is a fascinating creation of a human exodus fleet and the measures necessary to keep it functioning, its plot is quite diffuse as we follow a number of characters for a few years. Some of these characters could clearly be the centers of their own novels, but too little time is spent with each.Becky Chambers has real talent in her ability to create and inhabit the minds of aliens. Here she has concentrated on humans, but in my opinion, the plot needs more action.
  • Rating: 5 out of 5 stars
    5/5
    Superb. A powerful, yet gentle, voice in SF, listen well to the subtleties. I enjoyed the first book, was less impressed by the 2nd but really taken with this one exceeding the grandeur of the 1st whilst retaining all the charm and delicacy.The setting is just after the conclusion to Long Way but shares none of the characters or locations. The setting is The Fleet, which I'm sure was referred to obliquely in the early books, but is now detailed. It's the remnants of humanities flight from Earth before they encountered the rest of the Galactic Commons. In clearly delineated chapters we follow five characters as they go about their normal lives, a few years after the prelude - the shocking destruction of one habitat after a bad luck combination of circumstances. In many ways it's a surprise to the fleet that it hadn't happened before, but the ramifications are still being felt. Of greater concern although perhaps less immediately obvious, is the pervasive effect the GC has had on culture and life aboard the Fleet. The Spaceborn Few that we follow are: Isabell an Archivist, her role is to too record everything that happens, from births and deaths through any and all matters of import. She's one of the custodians of the Fleets culture. She's been in contact with an alien sociologist who's investigating the rise of humanity, and comes for a visit. Tessa is more of a menial worker in a storeroom organising stock and the limited commodities that are available to any who can justify their need. Eulo is perhaps the most unusual character, in that she's a caretaker for the dead, and performs the funeral rites before composting the remains to recycle the nutrients into the closed eco-system of the Fleet., It is Eulo's role that symbolizes everything that makes the Fleet human - dignity, efficiency, practicality and concern, and yet she's human too, with wants and needs of her own apart from the role. Kip is a teenager and as all such can't stand the restrictions his parents place on him, and doesn't understand why he can't just hang out with his friends. He can't wait too leave the Fleet. Sawyer is only a little older having been brought up on a colony he couldn't wait to get away and rejoin the history of humanity and claim the food and board that have to be earned everywhere else.Through the interactions of the Few with their families and friends, and occasionally each other, we explore the difficulties of immigration and emigration on small communities, on the culture of space fight but also of broader human concerns, the importance of family and the freedom to express yourself and learn lessons with and without consequences. It's all just gentle, charming, important and sympathetic. There's no lack of imagination or clever technologies as needed, but no exposition either, just great writing how SF should be, telling a story but casting shadows on current culture.Everyone should read this, as an antidote to Epic Space Opera, it's how SF ought to be.
  • Rating: 5 out of 5 stars
    5/5
    This is a lovely book! Much like in [The Long Way to a Small Angry Planet], there's not a lot of "action-y" plot. But Chambers fills that space instead with a bouquet of compelling, distinctive characters that all experience growth over the course of the story. And the worldbuilding is great -- I feel like I really understand what it's like to be on the Exodus Fleet.
  • Rating: 4 out of 5 stars
    4/5
    This is more of the same by which I mean it's a very good yarn about people. There are no carried over characters from the earlier books, although the captain from book1 Ashby gets mentioned. We see a bit more of the galactic commons this time the human fleet. As before there are no spear carrying villains just a bunch of people being people and living with the consequences. I enjoyed this almost as much as book1 and I prefer it to book2
  • Rating: 5 out of 5 stars
    5/5
    It turns out all this book series was missing was space libraries.
  • Rating: 4 out of 5 stars
    4/5
    Great. I liked the previous book better in terms of plot and pacing, but the characters, world-building and writing style were all still fantastic.
  • Rating: 4 out of 5 stars
    4/5
    This is not a book of adventure, though its foundation is a desperate adventure of survival. Nor is it really a drama, though there is personal drama involved. What one essentially has here is a portrait of a human community that was forged when there was no other choice and the question that has risen is whether this community is really worth persevering with now that there are new opportunities. By this point it's clear that you read Chambers for her consideration of what the every-day order of business looks like under extraordinary circumstances and how individuals cope with this state of affairs.
  • Rating: 5 out of 5 stars
    5/5
    A fascinating book. You could argue that it has no plot per se, it's more of a sociological unfolding as the subtle impacts of different events gradually unfold.A large portion of the surviving human race as members of the Exodan fleet, born in space, just as their ancestors for many generations were.Now, the Fleet is under different pressures. They have a safe place for the fleet and there are planets where people can go (albeit pretty poor planets), but the social pressures of external trade, emigration and alien contacts are testing their culture and their way of life.What does the Fleet itself have to offer?The answers are subtle, but still meaningful. I definitely recommend this book - it may even make you think about your own way of living.
  • Rating: 4 out of 5 stars
    4/5
    While a bit more disjointed than the previous two books in the universe, I enjoyed this addition very much. It's more of a snapshot in time of the Exodus Fleet than a traditionally narrative book and it's very good at what it is - but you have to accept it on *its* terms and not try to force your notions of what a novel should be onto it.
  • Rating: 4 out of 5 stars
    4/5
    I like Becky Chamber's books very much, but sadly this one was my least favourite of hers. The writing is good, but I felt like there were too many characters, and not enough time to get to know them all, or emotionally get involved in their stories.
  • Rating: 4 out of 5 stars
    4/5
    For some reason, this one didn’t grab me like the previous two did. I enjoyed it, certainly, the characters were interesting, the setting was fascinating, the worldbuilding was as lush as ever, but I don’t know, something about it just didn’t quite click for me. Which is not to say that I don’t recommend it; I definitely do! I thought it was good. I just didn’t immediately fall in love with it like I did the first two.
  • Rating: 4 out of 5 stars
    4/5
    If you have read the first two books by Ms Chambers then you know what you are getting - sci-fi without the space battles. There is a death but it's only a very small part of the plot. I enjoyed this but not quite as much as the first two books. Sometimes it did feel as if there were too many POVs and yet looking back there is no character I would like to remove as you would lose part of the whole culture if you did. Fun, light read.
  • Rating: 5 out of 5 stars
    5/5
    This book was so good. I can't even really form full thoughts on how good this was, and how much I loved it. It just really hit home as to what it means to have a home, how important your culture is, and how sometimes you just need some perspective to appreciate where you come from. I loved The Long Way to a Small Angry Planet, and I just loved this just as much. It gave me tingly feelings inside, and just made me feel good. I loved how the story flowed, and these characters. Let's face it, this book is all about the characters. Becky Chambers just knows how to create wonderfully deep characters, who are relatable in different ways, and also give you a different perspective on life.Overall, this was such a great book, and everyone should read it.
  • Rating: 5 out of 5 stars
    5/5
    After reading the first book in this series I swore that was the most character-driven story I've ever read. And then the next one came out and THAT was the most character-driven story I've ever read. Until this one. I love these books, they keep delving deeper and deeper into the cultures of this universe and I love it.The whole point of this book is to explore what it means to be an Exodan, the decedents of the first groups to leave Earth. The author created such a deep and layered culture here so much so that I wish I could go there. All of the characters felt believable and relatable, sometimes heartbreaking so, and the worlds felt lived in and you could see how it all fits together. So much effort and thought went into creating this world and yet you can't feel the weight of that work, it just seems to all flow naturally. I really can't say enough how much I loved this book, it actually made me sad to finish it. These books seem to just get better and better and while I hope the author keeps writing in this universe, it will be interesting to read stories by her in other settings.
  • Rating: 5 out of 5 stars
    5/5
    This is an amazing book, and I loved every minute of it. It's my first Becky Chambers and now I have to read more.
    Here are my three top quotes:
    "Yet it was a quiet grief, an everyday grief, a heaviness and a lightness all at once."
    "That's how we'll survive, even if not all of us do."
    "Our species doesn't operate by reality. It operates by stories."
    Yes!
    I loved the cast of diverse characters and the plot threads that connected them all. I loved the worlds and the perspectives, and the clarity of this story. I was a little impatient with teenager Kip, but hey, that's what teenagers are for! The alien viewpoints were also fascinating.
    One of the best reads of 2018, for sure.
  • Rating: 4 out of 5 stars
    4/5
    The Exodan Fleet was designed to transport the Earth’s last inhabitants and their descendants for however long it took them to find a new planet. But even though the Exodans have joined the rest of the galaxy, the Fleet remains home to a permanent community. This is a multi-generational story about community and change. Isabel, the Fleet’s oldest Archivist, is hosting a visiting alien scholar, and the scholar, Ghuh’loloan, discovers that her method of documenting observations of the Fleet could spark changes. Tessa, a cargo-bay worker (and the sister of Ashby from The Long Way to a Small Angry Planet), lives with her aging father and her two kids. Eyas, a woman in her early 30s, is a funeral worker. Sawyer, a young man who has grown up planetside, is seeing if the Fleet could become his home. Kit, a frustrated teenager, is going through job trials. This might have been an easier book to review if the characters crossed paths with each other more often, or revolved more around common events, but instead it’s a book where what ties these storylines together is themes about culture, traditions and what happens when a community’s context changes. Exploring these themes from different perspectives allows for more nuance -- acknowledgement that there isn’t always one right answer, one right way of living.Like Chambers’ other novels, this story is touching, inclusive and hopeful. It’s focused on personal matters: home, relationships, finding your place, finding meaning in what you do. It’s portrayal of families is positive, lively and believable.I took longer than I’d expected to warm to the story, but once I did, I really liked it. I was fascinated by its ideas of how a space-born community might be organised -- exactly the sort of worldbuilding I like. “We are the Exodus Fleet. We are those that wandered, that wander still. We are the homesteaders that shelter our families. We are the miners and the foragers in the open. We are the ships that ferry between. We are the explorers who carry our names. We are the parents who lead the way. We are the children who continue on [...] By our laws, [this baby] is assured shelter and passage here. If we have food, she will eat. If we have air, she will breathe. If we have fuel, she will fly. She is daughter to all grown, sister to all still growing. We will care for her, protect her, guide her. We welcome you, Robin, to the decks of the Asteria, and to the journey we take together.”
  • Rating: 4 out of 5 stars
    4/5
    This is the third book in a loosely connected series that also includes The Long Way to a Small, Angry Planet and A Closed and Common Orbit. I really, really enjoyed those two books. I enjoyed this one, too, but I'm afraid not quite as much.I remember commenting, after reading the first one, that I found it so much fun, found the worldbuilding so interesting and the characters so charming that I was at least a hundred pages in before I realized that very little had actually happened, and that much of what I was reading could reasonably described as exposition. Even after realizing it, though, I just didn't care. Well, with this one, I did notice that very little was happening, and I did care. It felt a little slower, a little less satisfying, I'm afraid. There was still a lot to like about it, though. The universe Becky Chambers has created is still entertaining and interesting. The characters are likeable and very real-feeling, even if their personal stories are not quite as compelling as those of the main characters from A Closed and Common Orbit. And there's some nice, thoughtful thematic stuff about human restlessness, the disruption that happens when two cultures encounter each other, and the importance of finding your own place in the world while still carrying the heritage and history of your community with you. I did find the ending somewhat emotionally affecting, too.So, bottom line, it was still an enjoyable read, but I'm afraid the first two got my expectations up just a little too high. In any case, if she writes more in this series, I will absolutely be there.
  • Rating: 4 out of 5 stars
    4/5
    Chambers' Wayfarers stories are set in the Galactic Commons, a galactic federation of intelligent species, most of them significantly older than the newcomer humans. Each has looked at a different part of life in the Galactic Commons. This one is set in the Exodus Fleet, the fleet carrying the descendants of the last humans to leave Earth, fleeing its environmental collapse.

    They're a distinctly different culture from the humans who settled Mars and the outer planets prior to that final collapse. Originally, they were looking for an Earthlike planet to start over on, and they wanted their descendants to be prepared for planetary life. In addition to their quite functional food- and oxygen-producing farms, they have decorative oxygen gardens, theaters that show nature videos of Earth, murals on the walls that, functionally, don't need to be anything but bare metal.

    They also guard against the development of the competition and divisions that helped destroy Earth. Everyone has windows onto space in their living quarters. Everyone is guaranteed "if we have food they will eat, if we have air they will breathe, if we have fuel they will fly." Their economic system is barter.

    And membership in the Galactic Commons has brought changes, changes that can disrupt this system.

    Tessa is a supervisor in salvage operations--managing and sorting what comes in, sending it on to where those materials are most useful, making sure nothing goes to waste. She has two children, a husband with his own ship and work that takes him and that ship out of the fleet for extended periods, and an aging father. Her husband, George, is earning the Galactic credits the Exodan fleet didn't need before joining the Galactic Commons. Her father has failing eyesight and needs an eye replacement that is Galactic tech, not fleet tech--and which will need those credits George is earning.

    Those credits, in larger context, may also be about to buy AI technology that will eliminate the job Tessa has been doing for twenty years, and which she loves. If it happens, she'll find other work, and the security of her family won't be threatened, because this is the Fleet, but...it's making her uneasy, and restless.

    Isabel is an archivist. This means the obvious keeping and preserving of records, but it also mean being the officiant at weddings, births, and funerals. She has a love of history and knowledge; she corresponds with scholars outside the fleet. One, a Harmargian, a member of a species that was distinctly divided on whether humans should be admitted to the Commons, has come to visit and observe.

    Eyas is a caretaker; she prepares the bodies of the deceased for composting and return to the soil that helps the fleet live, and counsels the families of the deceased. It's work she loves, finds meaningful, and always wanted to do. Yet she fells there's a piece missing, something more she could be doing as well.

    Sawyer is a young man descended from a family that left the Fleet, to settle on a planet. They moved around, never really staying on one planet, and then an epidemic struck for which Galactic medicine didn't yet have proper treatment for humans. They developed it quickly, but Sawyer was the only survivor. At 24, he's decided to go check out his family's original home, try something new to him. He meets Eyas, who impatiently gives him a little advice about how to start fitting in with the Exodans. And he meets a man who connects with with job salvaging materials from a wrecked ship.

    Kip is a teenager feeling restless and dissatisfied. He has no idea what he wants to do, he's not sure he wants to stay in the fleet, and he has a friend with perhaps more intellectual firepower (not that Kip isn't smart), but perhaps not as good judgment or concern for others.

    They're all trying to find their way, all being affected by the changes that are coming to the fleet, now that they're part of the Galactic Commons and have been settled, not on planet, but around an otherwise unused star. Their culture is surviving, but also growing and changing. This is a story about how they cope, how they adapt, what they feel and think and do. It's about decent people trying to make the right decisions, for themselves and those they care about, in changing circumstances.

    For me, that makes it the best kind of story. Chambers makes these people you can care about, and want good outcomes for.

    Highly recommended.

    I bought this book.
  • Rating: 5 out of 5 stars
    5/5
    I've been looking forward to reading Record of a Spaceborn Few ever since Becky Chambers first revealed that she was working on a follow-up to A Closed and Common Orbit, and I'm happy to report that it doesn't disappoint.The latest installment of the Wayfarers series focuses on the Exodans, descendants of the humans who originally left Earth to find a less broken home. The Exodans of the present have chosen to stay on their ships in space, in orbit around an alien sun, rather than settle on a planet.Chambers returns to the structure of A Long Way… with chapters that alternate between various characters, who include an archivist, a cargo worker with a young family, a caretaker of the dead, a new immigrant from the colonies, and a teenage boy, as well as reports from a visiting Harmagian looking to study the Exodans from an anthropological perspective.I think this structure works really well to offer different perspectives on Exodan life, humans’ place in the universe among other species, life and death, and - a favourite theme of this series - the very nature of humanity itself. I enjoyed all of the characters’ stories, which are sensitively told with plenty of love, some sadness and lots of humour.I absolutely loved reading this novel, and tore through it in 2 days. I really hope there's another installment on the way, because I can't wait to visit the Wayfarers universe again!
  • Rating: 4 out of 5 stars
    4/5
    About as absorbing an fast moving as a novel with 6 viewpoints can get. This is an exploration of the changing culture that developed on the generation ships that were the final flight of humans from a devastated earth. 4 of the narrators are local, a grandmother, a mother, a caretaker for the dead, and a teenage boy, one is an alien essentially blogging it's visit, and the third is an immigrant looking for something new. The slight connection to earlier books is Wayfarer Captain's sister Tessa. The characters are interesting and well developed and the conflicts do not seem at all artificial. I wasn't really into the teenage angst bits, but they support the the work in it's entirety.
  • Rating: 5 out of 5 stars
    5/5
    Again. This book is written about a different part of Chambers' fictional universe. This book tells the stories of Isabel, Tessa, Kip, and Eyas, as they intertwine.Chambers does an excellent job of telling a fictional tale, while weaving into it a political landscape as well as the particulars of life. I enjoyed it a lot.
  • Rating: 5 out of 5 stars
    5/5
    Becky Chambers's Wayfarers books are magical. They are space opera novels, each self-contained, that are not about big explosions and dramatic plot lines. They are about people, not necessarily human, who interact, and love, and survive. They are almost like psychological studies, but not of the stuffy literary fiction variety. These are beings you want to know and hang out with.The third book in the series carries on the beauty of the previous two. The characters are new, but it didn't take me long at all to be gripped by each plot line as I wondered how they would all converge. There are deep themes of death, how we cope with loss, how we remember, and never once is it preachy. Several times, I was in tears as I read.
  • Rating: 4 out of 5 stars
    4/5
    This one was almost a little too slice of life-y for me. There’s a lot of emotional depth and it pays off but man its slow rolling.
  • Rating: 4 out of 5 stars
    4/5
    Liked it, but I didn't love it like the others in this 'verse
  • Rating: 4 out of 5 stars
    4/5
    Another great Becky Chambers that I found hard to put down. Sweet and gentle (even the murder isn't much of a murder), the book reflects on leaving and staying, the need to change and the need to know our roots. I did feel it divided a bit into older, wise, women and younger, foolish, boys, and the foolish boys were so very foolish, but it's not a big criticism.
  • Rating: 3 out of 5 stars
    3/5
    3.5 stars.

    Becky Chamber's style of slice of life was a much better read in the cozy confines of a small spaceship than across the sprawling expanse of an interstellar fleet. While some of the individual stories were excellent, I did not feel that intimate interconnectedness of A Long Way to a Small Angry Planet.
  • Rating: 5 out of 5 stars
    5/5
    This ended up being my favorite of the four because of it was about a somewhat closed society with values I share, and growth and change within it. There’s almost no adventure compared to the first 2, nor is the story propelled by revealing characters’ secrets like the 4th. It’s the slowest, and I imagine I may be in the minority in loving it best.
  • Rating: 3 out of 5 stars
    3/5
    I've bounced pretty hard off the Wayfarers books in the past, and am pretty happy to report that I found this one...perfectly fine! Chambers works better for me the less plot is happening—and this one contents itself to mostly being slice-of-life, just on a generation starship dealing with its quasi-irrelevance in a larger and mostly peaceful galactic community. There's still a few cringey science bits, but they're not central.

Book preview

Record of a Spaceborn Few - Becky Chambers

Dedication

For Anne, who showed me I could.

Contents

Cover

Title Page

Dedication

Prologue: Four Standards Earlier

Tessa

Isabel

Eyas

Kip

Sawyer

Part 1: From the Beginning

Tessa

Isabel

Sawyer

Kip

Eyas

Isabel

Tessa

Sawyer

Kip

Eyas

Isabel

Tessa

Part 2: We Have Wandered

Tessa

Isabel

Eyas

Kip

Sawyer

Tessa

Kip

Isabel

Eyas

Kip

Sawyer

Part 3: To This Day, We Wander Still

Sawyer

Tessa

Isabel

Sawyer

Kip

Tessa

Eyas

Sawyer

Part 4: But for All Our Travels

Kip

Tessa

Isabel

Kip

Eyas

Part 5: We Are Not Lost

Tessa

Eyas

Kip

Isabel

Part 6: We Fly with Courage

Eyas

Isabel

Tessa

Kip

Isabel

Tessa

Part 7: And Will Undying

Eyas, Half a Standard Later

Kip, One Standard Later

Tessa, Two Standards Later

Isabel, Three Standards Later

Acknowledgements

An Excerpt from THE GALAXY, AND THE GROUND WITHIN

Prologue: Opening Hours

Ouloo

Day 236, GC Standard 307: Course Adjustments

Speaker

About the Author

Also by Becky Chambers

Copyright

About the Publisher

With the exception of the prologue, the timeline in this book begins during the final events of The Long Way to a Small, Angry Planet.

Prologue

Four Standards Earlier

Tessa

‘Mom, can I go see the stars?’

Tessa looked up from her small workbench and down to her even smaller daughter. ‘I can’t take you now, baby,’ she said. She nodded toward the cleanerbot she was trying to coax back to life. ‘I want to finish this before your Uncle Ashby calls.’

Aya stood in place and bounced on her heels. She’d never in her life been still, not while sleeping, not while sick, not while she’d grown in Tessa’s belly. ‘I don’t need you to go,’ Aya said. ‘I can go myself.’

The declaration was made boldly, laden with enough self-assurance that Tessa set down her screwdriver. The words I don’t need you made a part of her shrivel in on itself, but then, wasn’t that the point of being a parent? To help them need you less and less? She turned to Aya, and considered. She thought of how deep the elevator shaft to the family cupola was, how easy it would be for a bouncing almost-five-year-old to slip off the bench and fall a full deck down. She tried to remember how old she herself had been the first time she’d gone down alone, but found she couldn’t. Aya was clumsy, as all people learning their bodies were, but she was careful, too, when she put her mind to it. She knew to buckle her safety harness on the ferry, to find an adult if she heard air hissing or metal groaning, to check for a green pressure light on any door before opening it. Aya was a kid, but a spacer kid, and spacer kids had to learn to trust themselves, and trust their ships.

‘How would you sit on the bench?’ Tessa asked.

‘In the middle,’ Aya said.

‘Not on the edge?’

‘Not on the edge.’

‘And when do you get off of it?’

‘When it gets to the bottom.’

‘When it stops,’ Tessa said. It wasn’t hard to picture her daughter jumping off while still in motion. ‘You have to wait for the bench to stop all the way before getting off of it.’

‘Okay.’

‘What do you say if you fall?’

‘I say, falling!

Tessa nodded. ‘You shout it real loud, right? And what does that do?’

‘It makes . . . it makes the . . . it makes it turn off.’

‘It makes what turn off?’

Aya bounced and thought. ‘Gravity.’

‘Good girl.’ Tessa tousled her kid’s thick hair with approval. ‘Well, all right, then. Go have fun.’

Her daughter took off. It was only a few steps from Tessa’s table at the side of the living room to the hole in the centre of the floor, but running was the only speed Aya knew. For a split second, Tessa wondered if she’d just created a future trip to the med clinic. Her fears gave way to fondness as she watched Aya carefully, carefully unlatch the little gate in the kid-height railing around the elevator shaft. Aya sat on the floor and scooted forward to the bench – a flat, legless plank big enough for two adults sitting hip-to-hip. The plank was connected to a motorised pulley, which, in turn, was attached to the ceiling with heavy bolts.

Aya sat in quiet assessment – a rare occurrence. She leaned forward a bit, and though Tessa couldn’t see her face, she could picture the little crumpled frown she knew had appeared. Aya didn’t look sure about this. A steep, dark ride was one thing when held firmly on your mother’s lap. It was another entirely when the only person taking the ride was you, and nobody would catch you, nobody would yell for help on your behalf. You had to be able to catch yourself. You had to be able to raise your voice.

Aya picked up the control box wired to the pulley, and pressed the down button. The bench descended.

I don’t need you, Aya had said. The words didn’t sting anymore. They made Tessa smile. She turned back to the cleanerbot and resumed her repairs. She’d get the bot working, she’d let her daughter watch ships or count stars or whatever it was she wanted to do, she’d talk to her brother from half a galaxy away, she’d eat dinner, she’d call her partner from half a system away, she’d sing their daughter to sleep, and she’d fall sleep herself whenever her brain stopped thinking about work. A simple day. A normal day. A good day.

She’d just about put the bot back together when Aya started to scream.

Isabel

Isabel didn’t want to look. She didn’t want to see it, didn’t want whatever nightmare lay out there to etch itself permanently into memory. But that was exactly why she had to go. Nobody would want to look at it now, but they would one day, and it was important that nobody forgot. Somebody had to look. Somebody had to make a record.

‘Do you have the cams?’ she asked, hurrying toward the exit.

Deshi, one of the junior archivists, fell alongside her, matching her stride. ‘Yeah,’ he said, shouldering a satchel. ‘I took both packs, so we’ll have plenty to— holy shit.’

They’d stepped out of the Archives and into a panic, a heaving chaos of bodies and noise. The plaza was as full as it was on any festival day, but this was no celebration. This was terror in real time.

Deshi’s mouth hung open. Isabel reached out and squeezed his young hand with her wrinkled fingers. She had to lead the way, even as her knees went to jelly and her chest went tight. ‘Get the cams out,’ she said. ‘Start recording.’

Her colleague gestured at his scrib and opened his satchel, and the camera spheres flew out, glowing blue as they absorbed sight and sound. Isabel reached up and tapped the frame of the hud that rested over her eyes. She tapped again, two short, one long. The hud registered the command, and a little blinking light at the corner of her left eye let her know her device was recording as well.

She cleared her throat. ‘This is senior archivist Isabel Itoh, head of the Asteria Archives,’ she said, hoping the hud could pick up her voice over the din. ‘I am with junior archivist Deshi Arocha, and the date is GC standard 129/303. We have just received word of— of—’ Her attention was dragged away by a man crumbling soundlessly to his knees. She shook her head and brought herself centre. ‘—of a catastrophic accident aboard the Oxomoco. Some kind of breach and decompression. It is believed a shuttle crash was involved, but we do not have many details yet. We are now headed to the public cupola, to document what we can.’ She was not a reporter. She did not have to embellish a moment with extraneous words. She simply had to preserve the one unfolding.

She and Deshi made their way through the crowd, surrounded by their cloud of cams. The congregation was dense, but people saw the spheres, and they saw the archivists’ robes, and they made way. Isabel said nothing further. There was more than enough for the cams to capture.

‘My sister,’ a woman sobbed to a helpless-looking patroller. ‘Please, I think she was visiting a friend—’

‘Shh, it’s okay, we’re okay,’ a man said to the child he held tight against his chest. ‘We’re gonna be home soon, just hold on to me.’ The child did nothing but bury xyr face as far as it would go into xyr father’s shirt.

Star by star, we go together,’ sang a group of all ages, standing in a circle, holding hands. Their voices were shaky, but the old melody rose clear. ‘In ev’ry ship, a family strong . . .’

Isabel could not make out much else. Most were crying, or keening, or chewing their lips in silence.

They reached the edge of the cupola, and as the scene outside came into view, Isabel suddenly understood that the clamour they’d passed through was appropriate, fitting, the only reaction that made any sense in the face of this. She walked down the crowded steps, down as close as she could to the viewing glass, close as she could to the thing she didn’t want to see.

The rest of the Exodus Fleet was out there, thirty homestead ships besides her own, orbiting together in a loose, measured cluster. All was as it should be . . . except one, tangled in a violent shroud of debris. She could see where the pieces belonged – a jagged breach, a hollow where walls and homes had been. She could see sheet metal, crossbeams, odd specks scattered between. She could tell, even from this distance, that many of those specks were not made of metal or plex. They were too curved, too irregular, and they changed shape as they tumbled. They were Human. They were bodies.

Deshi let out a wordless moan, joining the chorus around them.

‘Keep recording,’ Isabel said. She forced the words from her clenched throat. They felt as though they were bleeding. ‘It’s all we can do for them now.’

Eyas

‘Do they know how many yet?’ someone asked. Nobody had said much of anything since they’d left the Asteria, and the abrupt end of quiet startled Eyas out of wherever she’d been.

‘Forty-three thousand, six hundred,’ Costel said. He cleared his throat. ‘That’s our best estimate at this point, based on counting the evacuees who scanned in. We’ll get a more accurate number once we— once we collect the rest.’

Eyas had never seen her supervisor this rattled, but his halting words and uneasy hands mirrored her own, mirrored them all. Nothing about this was normal. Nothing about this was okay. If someone had told her the standard before – when she’d finally shed her apprentice stripes – where accepting this profession would lead her, would she have agreed to it? Would she have continued forward, knowing how this day would unfold?

Probably. Yes. But some warning would’ve been nice.

She sat now with the other caretakers from her segment, twenty of them in total, scattered around the floor of a volunteered cargo ship, headed to the Oxomoco. More cargo ships and caretakers were on their way as well, a fleet within the Fleet. This ship normally carried foodstuffs, she could tell. The smells of spice and oil hung heavy around them, ghosts of good meals long gone. Not the smells she was accustomed to at work. Scented soap, she was used to. Metal. Blood, sometimes. Methylbutyl esters. Cloth. Dirt. Rot, ritual, renewal.

She shifted in her heavy exosuit. This, too, was wrong, as far a cry as there was from her usual light funerary garments. But it wasn’t the suit that was making her uncomfortable, nor the spices tickling her nose. Forty-three thousand, six hundred. ‘How,’ she said, working some moisture into her mouth, ‘how are we supposed to lay in that many?’ The thought had been clawing at her ever since she’d looked out the window thirteen hours prior.

Costel said nothing for too long a time. ‘The guild doesn’t . . . we don’t know yet.’ A ruckus broke out, twenty questions overlapping. He put up his palms. ‘The problem is obvious. We can’t accommodate that many at once.’

‘There’s room,’ one of Eyas’ colleagues said. ‘We’re set up for twice our current death rate. If every Centre in the Fleet takes some, there’s no problem.’

‘We can’t do that, not all at once,’ said another. ‘You’d fuck up the carbon–nitrogen ratio. You’d throw the whole system out of whack.’

‘So, don’t do it all at once. A little at a time, and we . . . we . . .’

‘See,’ their supervisor said. ‘There’s the issue.’ He looked around the group, waiting for someone to step in with the answer.

‘Storage,’ Eyas said, shutting her eyes. She’d done some quick math while the others spoke, much as she hated to reduce something this important to numbers. One hundred and eighty Centres in the Fleet, each capable of composting a thousand corpses over a standard – but not at the same time. A Human body took just under four tendays to break down fully – bones and all – and there wasn’t space to lay in more than a hundred or so at once. Even if you could set aside the carbon–nitrogen ratio, you couldn’t change time. You’d have to store tens of thousands of bodies in the interim, which the morgues could not handle. More importantly, you’d have to tell tens of thousands of families that they’d have to wait to grieve, wait to hold a funeral, wait their turn to properly say goodbye. How would you choose who went first? Roll dice? Pick a number? No, the trauma was great enough without adding anything smacking of preferential treatment to the mix. But then . . . what would they do? And how would those same families respond when told that the people ripped away from them would not be joining their ancestors’ cycle – would not transform into nourishment for the gardens, would not fill the airways and stomachs of those who remained – like they’d always been promised?

She put her face in her hands. Once more, silence returned to the group, and this time, no one broke it.

After a while, the ship slowed and stopped. Eyas stood, the pain inside stepping back to make room for the task at hand. She listened to Costel give instructions. She put on her helmet. She walked to the airlock. One door closed behind her; another opened ahead.

What lay outside was an obscenity, an ugliness she would wrestle another time. She blocked out the ruined districts and broken windows, focusing only on the bodies floating between. Bodies she could handle. Bodies she understood.

The caretakers scattered into the vacuum, thrusters firing on their backs. They flew alone, each of them, the same way that they worked. Eyas darted forward. The sun was muted behind her tinted visor, and the stars had lost their lustre. She hit her stabilisers, coming to a halt in front of the first she would collect. A man with salt-and-pepper hair and round cheeks. A farmer, by the clothes he wore. His leg dangled oddly – possibly the result of some impact during the explosive decompression – and a necklace, still tied around his neck, swayed near his peaceful face. He was peaceful, even with his eyes half-open and a final gasp at his lips. She pulled him toward her, wrapping her arms around his torso from behind. His hair pressed against her visor, and she could see the flecks of ice woven through it, the crunchy spires the cold had sculpted. Oh, stars, they’re going to thaw, she thought. She hadn’t considered that. Spacing deaths were rare, and she’d never overseen a funeral for one. She knew what normal procedure was: vacuum-exposed bodies got put in pressure capsules, where they could return to normal environmental conditions without things getting unseemly. But there weren’t enough pressure capsules for the Oxomoco, not in the whole Fleet. No, they’d be piling frozen bodies in the relative warmth of a cargo hold. A crude half-measure improvised in haste, just like everything else they were doing that day.

Eyas took a tight breath of canned air. How were they supposed to deal with this? How would they give these people dignity? How would they ever, ever make this right?

She closed her eyes and took another breath, a good one this time. ‘From the stars, came the ground,’ she said to the body. ‘From the ground, we stood. To the ground, we return.’ They were words for a funeral, not retrieval, and speaking to corpses was not an action she’d ever practised (and likely never would again). She didn’t see the point of filling ears that couldn’t hear. But this – this was the way they would heal. She didn’t know where this body or the others would go. She didn’t know how her guild would proceed. But she knew they were Exodan. They were Exodan, and no matter what threatened to tear them apart, tradition held them together. She flew back toward the ship, ferrying her temporary charge, reciting the words the First Generation had written. ‘Here, at the Centre of our lives, we carry our beloved dead. We honour their breath, which fills our lungs. We honour their blood, which fills our hearts. We honour their bodies, which fuel our own . . .’

Kip

Not in a million years would Kip have wanted to be held up – that was for kids, not eleven-year-olds – but he couldn’t help but feel kind of envious of the little droolers sitting comfy around their parents’ heads. He was too big to be held, but too short to see over the forest of grown-ups that filled the shuttledock. He stretched up on tiptoe, swaying this way and that, trying to see something other than shoulders and shirt sleeves. But no, whenever he found a gap to look through, all there was beyond was more of the same. Tons of people packed in tight, with kids up top, making the view all the more impossible. He dropped his heels down and huffed.

His dad noticed, and bent down to speak directly in Kip’s ear. ‘Come on,’ he said. ‘I’ve got an idea.’

It wasn’t easy for them to push their way back out of the middle, but they managed – his dad leading the way, Kip following the grey-striped print of his father’s shirt. It was a nice shirt, the kind of shirt you wore to naming days or weddings, or if someone important came to the hex for dinner. Kip was wearing a nice shirt, too – yellow with white dots. He’d struggled with the buttons, and his mom had had to help him get it closed. He could feel the fabric tugging tight over his chest every time he took a breath, just like he could feel his toes pressing against the ends of his shoes. His mom had shaken her head, and said she’d go over and see if his cousin Wymer had any bigger hand-me-downs lying around. Kip wished he could get brand new clothes, like the ones the import merchants hung outside their stalls, all crisp and straight and without stitches where somebody else’s elbows had poked through. But he could see stitches on his dad’s shirt, too, and on most of the shirts they pushed past. They were still nice shirts, though, as nice as people could manage. Everybody wanted to look good for the Aeluons.

No matter whether the shirts were new or stitched, there was one thing everybody had on: a white band tied around their upper right arm. That was what people wore in the tendays after funerals, so other people knew to cut you some slack and give you some kindness. Everybody had them on now – everybody on the Asteria, everybody in the whole Fleet. Kip didn’t know anybody who’d died on the Oxomoco, but that wasn’t the point, Mom had said while tying cloth around his arm. We all lost family, she’d said, whether we knew them or not.

Kip looked back once they’d cleared the crowd. ‘Where are we going?’ he asked with a frown. He hadn’t been able to see anything where they were, but the empty dock was far away now, and the ship would be arriving any minute. They weren’t going to miss it, were they? They couldn’t.

‘Trust me,’ Dad said. He waved his son along, and Kip could see where they were headed: one of the cargo cranes perched nearby. Some other people had already got the same idea, and were sitting in the empty gaps of the crane’s metal neck. His dad put his hand on Kip’s shoulder. ‘Now, you should never, ever do what we’re about to do any other time. But this is a special occasion, yeah? Do you think you can climb up there with me?’

Kip nodded. ‘Yeah,’ he said, his heart pounding. Dad didn’t break the rules often. Ever, really. No way would Mom have gone for this. Kip was secretly glad she hadn’t come.

They climbed up the crane’s service ladder, then clambered along the fat metal supports. The crane was way taller than it had looked from the floor, and Kip was a little scared – not like scared scared, he wasn’t a baby – but the climb wasn’t hard. It was kind of like the obstacle course at the playground, only way bigger. Besides, he was with his dad. If Dad said it was okay, it was okay.

The other people already on the crane smiled at them. ‘Pull up a seat,’ one lady shouted.

Dad laughed. ‘Don’t mind if we do.’ He swung himself into an empty spot. ‘Come on, Kip.’

Kip pulled himself alongside, letting his arms hang over one support beam and his feet swing free below another. The metal below his thighs was cold, and definitely not designed for sitting. He could already tell his butt was going to go numb.

But the view . . . the view was awesome. Being far away didn’t matter so much when you were up top. Everything looked small – the people in the crowd, the patrollers at the edges, the in-charge group waiting right at the dock. ‘Is that the Admiral?’ Kip said, pointing at a grey-haired woman in a distinctive green council uniform.

‘That’s her,’ Dad said.

‘Have you ever met her?’

‘No.’

‘I did, last standard,’ said the friendly, shouting lady. She sipped something hot from a canteen. ‘She was on my sanitation team.’

‘No kidding,’ Dad said. ‘What’d you think?’

The lady made a yeah, not bad kind of face. ‘I’d vote for her again.’

Kip felt a knot start to unravel itself, a mass that had been tangled in him ever since the crash. Here was his dad, climbing up a crane with him and chatting easily with strangers. There was the crowd, assembled in the smartest clothes they had, nobody crying or screaming anymore. There was the Admiral, looking cool and official and powerful. Soon, the Aeluons would be there, too, and they’d help. They’d make things right again.

The dock lights turned yellow, indicating an incoming vessel. Even up high, Kip could hear the crowd hush. All at once, there it was. It flew into the dock silently – a smooth, gleaming Aeluon skiff with rounded corners and pearly hull. It almost didn’t look like a ship. Ships were angular. Mechanical. Something you bolted and welded together, piece by piece, chunk by chunk. This ship, on the other hand, looked like it had been made from something melted, something poured into a mould and polished for days. The entire crowd held their breath together.

‘Stars, that’s something,’ Dad said quietly.

‘Get ’em all the time over at cargo,’ the lady said. ‘Never get tired of it.’

Kip didn’t say anything. He was too busy looking at the most beautiful thing he’d ever seen. He almost asked his dad what this kind of ship was called, but his dad obviously hadn’t seen one before, and Kip didn’t know the lady, so he didn’t want to ask her. He’d look up Aeluon ships on the Linkings when he got home. He knew all the types of Human ships, and he also liked to know stuff about alien bodies, but he hadn’t ever thought to learn about their ships. It was easy, in the Fleet, to think that Human ships were all there was.

A hatch yawned open. How, Kip couldn’t say, because there weren’t any edges on the outer hull to suggest doors or seams. The crowd broke into a cheer as three Aeluons stepped out. Kip had really wanted to see them up close, but even at a distance, they made his heart race. Bare silver heads he knew were covered in tiny scales. Patches on their cheeks that swirled with colour. Weird grey and white and black clothes that, he guessed, had never been anybody’s hand-me-downs.

‘Why are they wearing masks?’ Kip asked. ‘Can’t they breathe oxygen?’

‘They can, and do,’ Dad said. ‘But sapients who don’t live around Humans tend to find us, ah . . . pungent.’

‘What’s pungent mean?’

‘We stink, kid.’ The lady laughed into her canteen.

‘Oh,’ Kip said. He wasn’t sure how he felt about that. And the longer he sat there, the less he was sure how he felt about anything. His insides began to tangle themselves again as he watched the Admiral greet their otherworldly neighbours. Her uniform no longer looked cool, the crowd no longer looked smartly dressed, and the dock no longer looked normal, not with a big flying gemstone resting in the middle of it. The Aeluons were here to clean up a mess the Fleet couldn’t, a mess that wouldn’t have happened without busted ships and worn-out tech. They shook hands Human-style with the stinky, stitched-up council, and beneath Kip’s excitement, beneath his wonder, a sadness spread.

He watched the Aeluons, and he felt ashamed.

Sawyer

The trick to living on Mushtullo was knowing which sunrise to wait for. Ressoden came up first, but only spacer merchants and little kids made the mistake of going out that early. Ressoden was dinky, capable of providing usable light but not enough warmth to burn off the cold. The pre-dawn fog carried the kind of insidious wetness that wormed its way to your bones, and you couldn’t be blamed for deciding to wait for the third sun – big, fat Pelus – to banish the clouds entirely. But that, too, was a rookie mistake. You had about a half an hour after Pelus’ appearance until the surrounding swamps to evaporate, and the roasting midday air became thick enough to chew. The second sunrise – Makarev – was where it was at. Makarev held court for an hour and sixteen minutes, just long enough for you to get up and catch a tram to wherever it was you needed to go. Not too damp, not too muggy, not too hot, not too cold. You didn’t need to layer, and you wouldn’t show up to work with a sweaty shirt that wouldn’t dry out. Ideal.

Sawyer pressed his palm against the inner wall of his capsule bunk, and he could tell that Makarev was just about there. His capsule was supposedly temperature controlled – and okay, sure, he hadn’t frozen to death or anything – but the insulation was as cheap as his rent. He lay under his blankets, waiting for the wall to hit that level of warmth that meant . . . now. He sat up on his mattress and hit one of the buttons on the wall. The sink shelf slid out, a thick rectangle with a basin and a pop-up mirror and the almost-empty box of dentbot packs he needed to restock. He rinsed his face, drank some water, cleaned his mouth, combed his hair into place. He pushed a different wall button. The sink retracted, and a larger shelf extended, holding a quick-cooker and a storage box full of just-add-water meals. He knew he had a long day at work ahead, so he opted for two packs of Magic Morning Power Porridge, which were still heating up when he checked his scrib and discovered he had no job to get to.

He didn’t bother to finish reading the soulless form letter his (former) employer had sent. He knew what it said. Unforeseen funding shortage, blah blah, sincerely regret the abrupt notice, blah blah, wish you the very best of luck in future, blah blah blah. Sawyer fell back onto his pillow and shut his eyes. He was nineteen, he’d been working since twelve, and he’d had ten jobs by now. The math there was not in his favour.

‘Great,’ he sighed, and for a while, he considered staying in bed all day, blowing the extra creds needed to cool his capsule while Pelus was out. But now his creds were even more precious than before, and if he’d been laid off, that meant everybody else at the factory had, too. They’d all be descending on the commerce square, ingratiating themselves to business owners until one of them offered a job. That was how things worked with Harmagians, anyway. No résumés or interviews or anything. Just walk up and hope they like you. With other species, finding a job was a less tiring to-do, but Harmagian jobs were where the creds were at. There were jobs in his neighbourhood, probably, but Humanowned work didn’t get you very far. Much smarter to head out to the square and try his luck. He could do it. He’d done it before.

With a weary will, he sat back up, ate his porridge, and put on clean clothes (these, too, were stored in the wall). He scooted off the end of his mattress and out the capsule hatch, planting his feet on the ladder outside in a practised way. He gripped his doorframe as he started to lower himself down, and immediately withdrew his hand with disgust. ‘Oh, come on,’ he sighed, grimacing at the grey gunk smeared across his fingers. Creep mould. The grey, greasy stuff loved the night-time fog, and it grew so fast you could clean it up before bed and find a fresh new mat in the morning, just like the one inching over Sawyer’s tiny home now. He wiped his palm on an old shirt and resumed his exit, taking care to not get any of the gunk on his clothes. He had new bosses to impress, and this already wasn’t his day.

It would be, though, he decided, hoisting his mood as he climbed down. He’d go out there, and he’d find a job. He’d find something even better than the job he’d had yesterday.

He headed out into Mushtullo’s second morning, weaving his way through the neighbourhood. The narrow paved streets were as packed as the tall buildings that lined them, and the general flow of foot traffic was headed for the tram stations, like always. He saw a few other better-dressed-than-usual people in the crowd, and he quickened his step. Had to get to the square before the good stuff got snapped up.

Out of the corner of his eye, he spotted something out of the ordinary: a small crowd – old people, mostly – gathered by that little weather-worn statue of an Exodan homesteader over by the grocery. They were decorating the statue, laying wreaths of flowers and ribbons over

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