Dorkordicky Ponkorhythms: Wheel of Fortune
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About this ebook
Kwame Okoampa-Ahoofe Jr.
The first recipient of the 1988 John J. Reyne Artistic Achievement Award for English Poetry at New York City College, where he earned his bachelor?s degree (summa cum laude) in English, Communications and African-American Studies, Kwame Okoampa-Ahoofe, Jr., was born and raised in Ghana. He teaches English and Journalism at Nassau Community College of the State University of New York, Garden City. A graduate with Master?s and Doctor of Philosophy degrees from Temple University, Philadelphia, Okoampa-Ahoofe regularly writes political and cultural columns for the Accra Daily Mail, Ghanaweb.com, Africa-Forum.Net, AfricaNewsAnalysis.com, as well as occasional book reviews and commentary for the New York Beacon and the Ghanaian Chronicle. He is married and has a daughter.
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Dorkordicky Ponkorhythms - Kwame Okoampa-Ahoofe Jr.
DorkordickyPonkorhythms
Wheel of Fortune
Kwame Okoampa-Ahoofe, Jr.
iUniverse, Inc.
New York Lincoln Shanghai
Dorkordicky Ponkorhythms
Wheel of Fortune
All Rights Reserved © 2004 by Kwame Okoampa-Ahoofe, Jr.
No part of this book may be reproduced or transmitted in any form or by any means, graphic,
electronic, or mechanical, including photocopying, recording, taping, or by any information storage
retrieval system, without the written permission of the publisher.
iUniverse, Inc.
For information address:
iUniverse, Inc.
2021 Pine Lake Road, Suite 100
Lincoln, NE 68512
www.iuniverse.com
Library of Congress Control
Number: 2004095051
ISBN: 0-595-32435-5
ISBN: 978-0-5957-7227-8 (ebook)
Printed in the United States of America
DEDICATION
To: Raymond R. Patterson (1929-2001);
Atukwei Okai;
Doris Dolly Mensah (aka Mama Afua Oye);
also:
Nana Yaa Agyeiwaa and Abena Boakyewaa Amoh;
Afua Birago and Kwabena Boapea;
Abena Aninwaa Okoampa-Ahoofe, and
all their cousins of our third extant generation, who are also our future’s
bridge and pride; and, of course, also their grandparents (and most
recent ancestors), our mediators with the immediate past.
Contents
DEDICATION
Acknowledgments
Introduction
Friends Again
Idea
Contest
As It Was…
Lingering Questions
Memory (For John Mano)
II
Iron-Fisted Mutoko
Be Grateful
Time To Go Home
Suzuko Morikawa
Scholarly Rat
Michelle in A#
Briar Patch
Paulette
Jaclyn
Jaclyn II
Language Arts
Arrival
July 4th
Waco Echo
Pornography
Crisis
II
III
IV
V
VI
Motherhood
(For Janet Akosua Edge)
Motherhood II
Motherhood III
Side Notes
Self-Obit
Certified Liars
Papa Pushkin*
Rachel
Besieged
Awo Boatemaa
Intimations on Character Assassination
For BryantLouis
(aka Joseph Fening, RIP)
Cashel
If Charles Could Be…
Happy Birthday, Nkechie
Ogbanje
(To Chinua Achebe)
For Chris Hani
Step-Children
Mischief-Maker
Your Type of Men
About the Author
Criticai Acclaim for Okoampa-
Ahoofe’s Poetry
Acknowledgments
gl am grateful to the following relatives, friends and colleagues who have influenced my work and life in constructively diverse ways: Augusta Boateng-Sampong and David Arkorful; Martin and Hilda Okwaning-Aboagye; Abu S. and Naana Abarry; William K. Egyir; Miatta Hai and Walter Smith; Harold Bellinger; Dolores Smalls; Calvin Andrew; Abena Y. and E. K. Baning, Yaa Agyemang and Frank Sykes; Maame Yaa Adowaa; Abena Aninwaa Okoampa-Ahoofe; Adwoa Okoampa-Ahoofe and Kwame N. Amoh; Margaret Agyemang-Duah; Bruce Urquhart, Marian Parish, Roberta Kramer, Ralph Nazareth, Pramila Venkateswaran, Sammy Browne, Joe Asamoah and Evans Kwaku Owusu-Nyamah. And, of course, Mike Altman, my Publishing Services Associate (PSA) at iUniverse, Inc. As usual, the list is inexhaustible, and so are my appreciation and gratitude.
Introduction
When it was originally published in April 1997, Dorkordicky Ponkorhythms contained no introductory paragraphs; instead, it sported a brief prefatory note which read, exactly, as follows:
In courteously presenting to the world the poems herein,
the mouth-watering temptation to over-explicate both the
obvious and immutably cryptic has been religiously avoided.
My belief has always been that any unsolicited attempt to
explain (sic) the poetic artifact, on the part of the literary artist,
constitutes a mortal failure; for any