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    The School for Wives: L'École des Femmes
    The School for Wives: L'École des Femmes
    The School for Wives: L'École des Femmes
    Ebook108 pages1 hour

    The School for Wives: L'École des Femmes

    By Molière

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    About this ebook

    Jean-Baptiste Poquelin is better known to us by his stage name of Molière. He was born in Paris, to a prosperous well-to-do family on 15th January 1622.

    In 1631, his father purchased from the court of Louis XIII the posts of "valet of the King's chamber and keeper of carpets and upholstery" which Molière assumed in 1641. The benefits included only three months' work per annum for which he was paid 300 livres and also provided a number of lucrative contracts.

    However in June 1643, at 21, Molière abandoned this for his first love; a career on the stage. He partnered with the actress Madeleine Béjart, to found the Illustre Théâtre at a cost of 630 livres.

    Unfortunately despite their enthusiasm, effort and ambition the troupe went bankrupt in 1645.

    Molière and Madeleine now began again and spent the next dozen years touring the provincial circuit. His journey back to the sacred land of Parisian theatres was slow but by 1658 he performed in front of the King at the Louvre.

    From this point Molière both wrote and acted in a large number of productions that caused both outrage and applause. His many attacks on social conventions, the church, hypocrisy and other areas whilst also writing a large number of comedies, farces, tragicomedies, comédie-ballets are the stuff of legend.

    ‘Tartuffe’, ‘The Misanthrope’, ‘The Miser’ and ‘The School for Wives’ are but some of his classics.

    His death was as dramatic as his life. Molière suffered from pulmonary tuberculosis. One evening he collapsed on stage in a fit of coughing and haemorrhaging while performing in the last play he'd written, in which, ironically, he was playing the hypochondriac Argan, in ‘The Imaginary Invalid’.

    Molière insisted on completing his performance.

    Afterwards he collapsed again with another, larger haemorrhage and was taken home. Priests were sent for to administer the last rites. Two priests refused to visit. A third arrived too late. On 17th February 1673, Jean-Baptiste Poquelin, forever to be known as Molière, was pronounced dead in Paris. He was 51.

    LanguageEnglish
    PublisherStage Door
    Release dateJul 21, 2018
    ISBN9781787800984
    The School for Wives: L'École des Femmes
    Author

    Molière

    Molière was a French playwright, actor, and poet. Widely regarded as one of the greatest writers in the French language and universal literature, his extant works include comedies, farces, tragicomedies, comédie-ballets, and more.

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      Book preview

      The School for Wives - Molière

      The School for Wives by Molière

      L’Ecole des Femmes

      Jean-Baptiste Poquelin is better known to us by his stage name of Molière. He was born in Paris, to a prosperous well-to-do family on 15th January 1622.

      In 1631, his father purchased from the court of Louis XIII the posts of valet of the King's chamber and keeper of carpets and upholstery which Molière assumed in 1641. The benefits included only three months' work per annum for which he was paid 300 livres and also provided a number of lucrative contracts.

      However in June 1643, at 21, Molière abandoned this for his first love; a career on the stage.  He partnered with the actress Madeleine Béjart, to found the Illustre Théâtre at a cost of 630 livres.

      Unfortunately despite their enthusiasm, effort and ambition the troupe went bankrupt in 1645.

      Molière and Madeleine now began again and spent the next dozen years touring the provincial circuit.  His journey back to the sacred land of Parisian theatres was slow but by 1658 he performed in front of the King at the Louvre.

      From this point Molière both wrote and acted in a large number of productions that caused both outrage and applause.  His many attacks on social conventions, the church, hypocrisy and other areas whilst also writing a large number of comedies, farces, tragicomedies, comédie-ballets are the stuff of legend.

      ‘Tartuffe’, ‘The Misanthrope’, ‘The Miser’ and ‘The School for Wives’ are but some of his classics.

      His death was as dramatic as his life.  Molière suffered from pulmonary tuberculosis. One evening he collapsed on stage in a fit of coughing and haemorrhaging while performing in the last play he'd written, in which, ironically, he was playing the hypochondriac Argan, in ‘The Imaginary Invalid’.

      Molière insisted on completing his performance.

      Afterwards he collapsed again with another, larger haemorrhage and was taken home. Priests were sent for to administer the last rites. Two priests refused to visit. A third arrived too late.  On 17th February 1673, Jean-Baptiste Poquelin, forever to be known as Molière, was pronounced dead in Paris. He was 51.

      Index of Contents

      DRAMATIS PERSONAE

      SCENE.—A Square in a Town

      THE SCHOOL FOR WIVES (L’ECOLE DES FEMMES)

      ACT I

      SCENE I

      SCENE II

      SCENE III

      SCENE IV

      SCENE V

      SCENE VI

      SCENE VII

      ACT II

      SCENE I

      SCENE II

      SCENE II

      SCENE III

      SCENE IV

      SCENE V

      SCENE VI

      ACT III

      SCENE I

      SCENE II

      SCENE III

      SCENE IV

      SCENE V

      ACT IV

      SCENE I

      SCENE II

      SCENE III

      SCENE IV

      SCENE V

      SCENE VI

      SCENE VII

      SCENE VIII

      SCENE IX

      ACT V

      SCENE I

      SCENE II

      SCENE III

      SCENE IV

      SCENE V

      SCENE VI

      SCENE VII

      SCENE VIII

      SCENE IX

      SCENE X

      MOLIÈRE – A SHORT BIOGRAPHY

      MOLIÈRE – A CONCISE BIBLIOGRAPHY

      DRAMATIS PERSONAE

      ARNOLPHE, alias M. de La Souche

      CHRYSALDE, friend to Arnolphe

      HORACE, in love with Agnes

      ENRIQUE, brother-in-law of Chrysalde

      ORONTE, father to Horace and a great friend of Arnolphe

      ALAIN, a country fellow, servant to Arnolphe

      A NOTARY

      AGNES, a young innocent girl, brought up by Arnolphe

      GEORGETTE, a country-woman, servant to Arnolphe

      SCENE.—A Square in a Town

      THE SCHOOL FOR WIVES (L’ECOLE DES FEMMES)

      ACT I

      SCENE I

      CHRYSALDE, ARNOLPHE.

      CHRYSALDE

      You have come to marry her, you say?

      ARNOLPHE

      Yes, I mean to settle the business tomorrow.

      CHRYSALDE

      We are here alone, and I think we can speak together without fear of being overheard. Do you wish me to open my heart to you like a friend? Your plan makes me tremble with fear for you. To take a wife is a rash step for you, whichever way you consider the matter.

      ARNOLPHE

      True, my friend. Possibly you find in your own home reasons why you should fear for me. I fancy that your own forehead shows that horns are everywhere the infallible accompaniment of marriage.

      CHRYSALDE

      These are accidents against which we cannot insure ourselves; it seems to me that the trouble people take about this is very ridiculous. But when I fear for you, it is on account of this raillery of which a hundred poor husbands have felt the sting. For you know that neither great nor small have been safe from your criticism; that your greatest pleasure, wherever you are, is to make a mighty outcry about secret intrigues…

      ARNOLPHE

      Exactly. Is there another city in the world where husbands are so patient as here? Do we not meet with them in every variety, and well provided with everything? One heaps up wealth, which his wife shares with those who are eager to make him a dupe; another, slightly more fortunate, but not less infamous, sees his wife receive presents day after day, and is not troubled in mind by any jealous twinge when she tells him that they are the rewards of virtue. One makes a great noise, which does him not the slightest good; another lets matters take their course in all meekness, and, seeing the gallant arrive at his house, very politely takes up his gloves and his cloak. One married woman cunningly pretends to make a confident of her confiding husband, who slumbers securely under such a delusion, and pities the gallant for his pains, which, however, the latter does not throw away. Another married woman, to account for her extravagance, says that the money she spends has been won at play; and the silly husband, without considering at what play, thanks Heaven for her winnings. In short, we find subjects for satire everywhere, and may I, as a spectator, not laugh at them? Are not these fools…

      CHRYSALDE

      Yes; but he who laughs at another must beware, lest he in turn be laughed at himself. I hear what is said, and how some folks delight in retailing what goes on; but no one has seen me exult at reports, which are bruited about in the places I frequent. I am rather reserved in this respect; and, though I might condemn a certain toleration of these

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