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Almond Trees: Musings About a Jazz Icon
Almond Trees: Musings About a Jazz Icon
Almond Trees: Musings About a Jazz Icon
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Almond Trees: Musings About a Jazz Icon

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Almond Trees, Musings About a Jazz Icon is a collection of 36 poems, primarily free verse, that explore John Coltranes story from family background to his acclaimed music. The book is the authors informal, personal search for new insights into Coltranes giftedness and the importance of small groups in recognizing and fostering such giftedness among children and youth.
LanguageEnglish
PublisherXlibris US
Release dateOct 23, 2014
ISBN9781499068740
Almond Trees: Musings About a Jazz Icon
Author

Isabella

Award winning, international best selling author, Isabella, lives in California with her wife and three sons. Isabella's first novel, Always Faithful, won a GCLS award in the Traditional Contemporary Romance category in 2010. She was also a finalist in the International Book Awards, and an Honorable Mention in the 2010 and 2012 Rainbow Awards.She is a member of the Rainbow Romance Writers, Romance Writers of America and the Gold Crown Literary Society. She has written several short stories and just finished her next novel, Razor's Edge - American Yakuza III, set for an April 15th release. She is current working on Cigar Barons - A family dynasty where blood isn't thicker than water, it's war!

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    Book preview

    Almond Trees - Isabella

    ALMOND TREES

    Musings About a Jazz Icon

    Isabella

    Copyright © 2014 by Isabella.

    Image—John Coltrane, 1963

    By Gelderen, Hugo van/Anefo

    Source: Dutch National Archive

    http://www.gahetna.nl/collectie/afbeeldingen/fotocollectie/zoeken/weergave/detail/start/1/tstart/0/q/zoekterm/John%20Coltrane%20CC-BY-SA

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Rev. date: 11/06/2014

    Xlibris

    1-888-795-4274

    www.Xlibris.com

    532575

    CONTENTS

    Dedication

    Preface

    Acknowledgements

    INTRODUCTION

    Monet’s Palette

    Power

    Quiet, Introspection, Serendipity

    and Humility

    THE STORY—Part 1

    Nation

    North Carolina

    The Point

    Easy

    Shattered

    Leaving

    South North

    Pause

    THE STORY—Part 2

    Transcendent

    A Love Supreme

    Seed

    Education

    a. Introduction

    b. Self

    c. Self and Others

    d. Schools

    Adversary

    Flying Low

    Window

    Climbing

    Cataclysmic

    Universal

    Classic

    Blue Train

    Giant Steps

    Kind of Blue

    My Favorite Things

    A Love Supreme—Redux

    Other

    Freedom

    RETROSPECTIVE

    Almond Trees

    Special

    Values

    End Notes

    Bibliography

    Dedication

    To the Classic Quartet

    John Coltrane, Elvin Jones, McCoy Tyner, and Jimmy Garrison

    image_edited.jpg

    John Coltrane, 1963

    Photo by Gelderen, Hugo van/Anefo

    Dutch National Archives and Wikipedia

    But, overall, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe… That’s what I would like to do. I think that’s one of the greatest things you can do in life and we all try to do it in some way. The musician’s is through his music.

    John William Coltrane, 1962

    My goal is to live the truly religious life, and express it in my music. If you live it, when you

    play there’s no problem because the music is part of the whole thing. To be a musician is really something. It goes very, very deep. My music is the spiritual expression of what I am—my faith, my knowledge, my being.

    John William Coltrane, 1966

    Preface

    Several years ago a friend asked me to review a short essay he had written on what distinguishes John Coltrane as one of the greatest jazz musicians of the twentieth century. My first impulse was to decline since my interest in John Coltrane ended abruptly decades ago when I purchased Meditations. Nothing had prepared me for the cacophony of dissonance I heard on Track 1, The Father And the Son And The Holy Ghost. I filed Meditations away permanently.

    Once I began to read the essay, memories of the gifted fourth-graders I taught my second year at P.S. 125 M, New York City, flooded my mind. I questioned the notion of genius, methods of distinguishing genius early on, and how best to educate such students. Significant

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