Bambu
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About this ebook
Bambu é a história para crianças, jovens e adultos que trata das aparências. Parece problema, dificuldade, complexidade no emaranhado que uma situação se mostra.
É assim, um tanto mais, talvez. O Presidente de um país foi avisado que estão ocorrendo invasões em terras, praças, mesmo jardins de Bambu.
Está em letra maiúscula e no singular porque é mais personagem, e é também um jeito de falar de uma só vez de todos. Espécies, as famílias, as origens e tudo o mais, por isso Bambu.
Digo Bambu e já estou tratando de tudo isso. E se pensa assim: coisa estranha, coisa perigosa o Bambu por aí.
O Presidente faz com que os ministros se movam. Ele chama um de cada vez. Procura achar uma solução, um jeito de resolver a questão. Ele descobre que possui outros modos de dar fim ao aparente problema. Outras coisas acontecem. A namorada do Presidente vai embora. Ele fica mal, doente, triste caído na cama.
Olha só, tudo tem a ver com Bambu. Forte, frágil, possui fibra, duro nas partes que tem nó, oco e vazio, outras vezes cheio, e ainda alto e esguio, tem vezes que se faz imenso e se junta em uma comunidade que se move através de raízes pequenas e enredadas, os rizomas, e depois ele faz barulhos ao vento acontecendo de parecer assobiar, cantar. Claro que não se fala de todas essas propriedades de Bambu, mas se trata disso de uma única vez como é o Bambu que causou medo e indignação em um país. Não sei bem se longe ou certo, mas foi que deu o que pensar. Para simplificar ,- eu acho -, o segundo título dessa história teria a frase de uma amiga chamada Hermelina: "Gente feita do nó de Bambu, não dobra". pmnt
The Bambu it's a little history about a problem. Yes, a among very stage where that happen. The Bambu is a metaphoric synthesis, of course singular about the growing along in quantity imaginable of Bambu within country. Bambu here, there and in somewhere places at the country where this fairy tale complex realizes. Realizes why this is a process that problem not stop. The history Bambu have a sense of the sign Bambu's characters: strong as fragility, has a fibre with as a generation of moral valors, nods, brilliant in the skins, create music that sing with another partners of the its group, so he it is hollow, empty and a lot of air or water. Bambu's history to simplify had original skills of a friend Hermelina: "The people that made of Bambu nods not fold". So, think about it is here a condition to create a life philosophy that has a representation in all stages of life as to be the better person as the Bambu history. pmnt
pmnt
Pedro Moreira Nt
Who I am Pedro Moreira Nt I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share. My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality. I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life. I wait to create something more dense and fragile so that a reader can discover more insight and make the story. I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible. I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying. My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release. From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents an...
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