Beyond the Glamour Photograph: How to Get Started and Be Successful as a Boudoir, Glamour, and Swimsuit Photographer

PHO000000 PHOTOGRAPHY / General

$44.95

Jack

PHO018000 PHOTOGRAPHY / Techniques / General

L 283

PHO003000 PHOTOGRAPHY / Business Aspects

Watson

Beyond the

Glamour Photograph

takes the new or aspiring photogra-

pher step by step through the process

of establishing a successful career in

glamour photography. Jack Watson

describes how to get started in the

business, details the tools of the trade,

shows where to find models and how

to direct them, and sheds light on

the professional business practices

that will help you to succeed in your

new career. Throughout the book,

Watson emphasizes the importance

of maintaining a positive work ethic

Boudoir How to Get Started and Be Successful as a and high professional standards in

this provocative, and sometimes con-

troversial, field. He shows his readers

, Glamour

that ultimately to succeed in this

business one needs to realize that it is

not all about glamour.

— Dan Biferie, Chair

, and Swimsuit Photographer

School of Photography

Southeast Center for Photographic Studies

Daytona State College

Jack Watson's







WITH 30-MINUTE

INSTRUCTIONAL



Jack Watson's

DVD

Glamour Shoot Live is a

real- time, no re-take video

of a live glamour shoot. It is

esale.

intended to educate the aspiring



glamour photographer as to how to work with a glamour model in and is not available for individual r



Glamour Shoot Live is a real- time, no-retake video of a

, Inc. • All rights reserved.

both studio and location settings. This DVD is a companion to the book Publishing Group

on

Beyond The Glamour Photograph

© 2009 Atlantic

.

en in the

live glamour shoot. It is intended to educate the aspiring Produced in the U.S.A

Glamour Shoot Live is a

y is assumed with respect to the use of informati

ISBN 978-1601383914

real- time, no re-take video

No patent liabilit Although every precaution has been tak .

contained herein.

of a live glamour shoot. It is

preparation of this DVD the publisher and author assume no 5 4 4 9 5

intended to educate the aspiring

glamour photographer how to work with a glamour model in y for errors or omissions. No warranty is implied

as is basis.

responsibilit

glamour photographer as to how to work with a glamour model in The information is provided on an

both studio and location settings. This DVD is a companion to the book

Beyond The Glamour Photograph

both studio and location settings.

and is not available for individual resale.

© 2009 Atlantic

P

P

r

ublishing Group

oduced in the U.S.A

, Inc

.

.

No patent liabilit

• All rights res

y is assumed with respect to the use of informati erved contained herein.

.

A

prepar

lthough every prec

ation of this DVD the publisher and author assume no aution has been tak

Atlantic Publishing Group, Inc.

responsibilit

on

• 1405 SW 6th Avenue • Ocala, FL 34471-0640

y for e

en in the

rrors or omis

The information is provided on an

sions. No warr

anty is implied

as is basis

.

.

Phone 800-814-1132 • Fax 352-622-1875 • www.atlantic-pub.com 9 781601 383914

includes instructional DVD

Beyond the

Glamour Photograph

How to Get Started and Be Successful as a

Boudoir, Glamour, and Swimsuit Photographer

By Jack Watson with Andy McFarland

Beyond The Glamour Photograph

How to Get Started and Be Successful as a Boudoir, Glamour, and Swimsuit Photographer By Jack Watson

Copyright © 2009 by Jack Watson

Atlantic Publishing Group, Inc. • 1405 SW 6th Avenue • Ocala, Florida 34471 • 800-814-1132 • 352-622-1875–Fax Web site: www.atlantic-pub.com • E-mail: sales@atlantic-pub.com SAN Number: 268-1250 • Member American Library Association No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be sent to Atlantic Publishing Group, Inc., 1405 SW 6th Avenue, Ocala, Florida 34471.

ISBN-13: 978-1-60138-391-4

Library of Congress Cataloging-in-Publication Data

Watson, Jack, 1947-

Beyond the glamour photograph : how to get started and be successful as a boudoir, glamour, and swimsuit photographer / by Jack Watson.

p. cm.

Includes bibliographical references and index.

ISBN-13: 978-1-60138-391-4 (alk. paper)

ISBN-10: 1-60138-391-6 (alk. paper)

1. Glamour photography. I. Title.

TR678.W37 2009

779--dc22

2009018000

10 9 8 7 6 5 4 3 2 1

COVER & INTERIOR DESIGN: Meg Buchner • megadesn@mchsi.com LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Web site is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Web site may provide or recommendations it may make. Further, readers should be aware that Internet Web sites listed in this work may have changed or disappeared between when this work was written and when it is read.

18 U.S.C. 2257 STATEMENT

In compliance with the Federal Labeling and Record-Keeping Law (also known as 18 U.S.C. 2257), all models shown in this book were 18 years of age or older during the time of photography. All models proof of age are held in Ocala, Florida by Atlantic Publishing Company. All content and images are in full compliance with the requirements of 18 U.S.C. 2257 and associated regulations.

Printed in China.

Table of Contents

Acknowledgments

6

chAPter 3:

tAlent Pool

69

Foreword

11

Model Mayhem ......................................69

PreFAce

15

One Model Place ....................................71

MySpace ..................................................72

About the Author

Internet Interviews .................................72

& contributor

17

Do Not Be A GWC—

Guy with Camera ...................................74

chAPter 1:

Modeling Agency —

getting stArted

21

Not Just For Models ...............................76

Glamour Photography

What TFP/TFCD Means ..........................76

— A Necessary Definition ......................21

Importance of Screening Talent .............77

Tools of the Trade ...................................25

Age Does Matter — Sort Of ...................79

Grip Equipment .....................................38

Reference Image Resources ....................44

chAPter 4:

working with models

81

chAPter 2:

Avoid the Creep Factor ...........................81

cAmerA setuP

53

This is Not a Dating Service ...................82

Understanding the Camera Manual ......53

The Difference between Playboy®,

What Does ƒ Stop Have To Do With

Penthouse®, and Maxim® Styles of

Glamour? ................................................54

Photography ...........................................83

Shutter Speed and Capturing Beauty ....58

Educating the Model ..............................84

ISO, the Photographer’s Friend .............63

Making the Model Feel Safe ...................86

White Balance for Dramatic Effect ........65

Wardrobe Choices and Sources .............87

JPG versus RAW Image Capture .............66

3

Table of Contents

Shooting Glamour Without a

chAPter 6:

Make-up Artist and Hair Stylist .............89

sAFeguArding your imAges 127

Posing the Model —What the Mouth

Backup, Save, Store .............................. 127

Says, the Body Will Follow .....................90

Back-Up Servers ................................... 128

Being a Model’s Fan Club During

the Shoot .................................................93

Avoid the Crowded Hard Drive .......... 129

Time of Day Determines the Look ........95

Images for Models’ Use ....................... 129

One, Two, and Three Light Studio

Glamour Setups ......................................96

chAPter 7:

editing — the toughest

Background Elements that Work for

Job you FAce

131

Blonds, Brunettes, and Red Heads .........97

Butterfly, Loop, and Rembrandt —

How Jack and Andy Touch Up

Friends to the Face ..................................99

Images ...................................................131

Keeping a Good Reputation

What Our First Glamour Images

with Models .......................................... 101

Looked Like ......................................... 133

Model Compensation Guidelines .......104

The Inverted Pyramid Formula

for Editing Glamour ............................ 135

Photographer Compensation

Guidelines ............................................104

Do Not be Afraid of the

Delete Button ....................................... 135

chAPter 5:

The Unimportance of Software

Assignment PhotogrAPhy 109

Type when Editing ............................... 137

The Difference between Editing

Getting Assignments ............................109

and Touch-Up ...................................... 137

Motorcycles and Models ..................... 110

Save Edit Time — Shoot For All

Shooting Assignments ..........................113

Potential Clients ................................. 138

Negotiating a Fee ..................................114

Working with a Stylist or Photo Editor 117

chAPter 8:

the legAl AsPects

Things That Make You Look Bad .........119

oF glAmour

141

Things That Make You Look Good .... 120

Why a Model Release? ..........................141

When the Shooting Ends

and Editing Begins ...............................121

Why They Must Be 18 ......................... 152

Collecting Your Fee ............................. 124

When Do I Need a Property Release .. 153

The Model Release ............................... 154

The Property Release ........................... 154

4 Beyond The Glamour Photograph

Stock Photo Release — When and

Internet Chat — Where and

For What Purpose ................................ 154

What to Say ...........................................191

Copyright When and How .................. 155

Conventions .........................................191

Trademark When and How ................ 155

Workshops .......................................... 192

Someone Steals Your Image —

Know Your End User – Make Contact

Now What? .......................................... 156

– How We Do It ................................... 196

The Web… Use with Caution ............. 156

chAPter 12:

chAPter 9:

PublicAtion

199

to Print, or not to Print

159

A Freebee Can Lead to a Payday ......... 199

Are You a Printer or a Photographer? . 159

Do Not Be Afraid to Pick Up

Reasons to Use Outside Printers ......... 160

the Phone ............................................. 200

Preparing Images for Outside Printing 162

Query E-mails .......................................201

Preparing Images for Self-Printing ..... 165

Working With the Photo Editor ...........202

Importance of Displaying Your Work 166

Photographer’s Market Publication

as a Resource ........................................209

chAPter 10:

Develop Your Own Web Market —

mArketing

167

It Pays ....................................................212

Andy’s First Publication ...................... 167

chAPter 13:

Jack’s First Publication ....................... 168

the mAking oF

Internet for Profit and Exposure ..........170

glAmour shoot live,

videos thAt mAke money

215

Business Cards .................................... 175

Portable Electronic Portfolio —

Do Not Leave Home Without It ......... 177

APPendix A:

model Agency listing

219

When to Search for a

Photographic Agent ............................. 178

The Book — Your Portfolio —

index

269

Do You Need One? .............................. 180

chAPter 11:

networking

181

Models as a Resource ...........................181

Modeling Web Site Chat Rooms ......... 190

5

Table of Contents

6 Beyond The Glamour Photograph

Dedication: for Mamie Ruth and James Earl Watson: Rest easy in Heaven — I have had a good life, and you taught me well.

To my sister, Kay: Thanks for always being my biggest fan.

Acknowledgments

Few things can rival the beauty of a well- photos. Unknowingly, the research for the crafted photograph. Unlike reality, which

book really started at that time. What I reveal continually unveils and refreshes itself before is based in large part on my own experiences the human eye, a still photograph fixes a visual

and those of my great friend and incredible

point in time, allowing us to savor that moment

glamour photographer, Andy McFarland, who

for as long as we’d like.

has generously provided thoughts and samples

of his photography throughout this book. His

I’ve had the great opportunity during my lifetime

contributions have added tremendously to the

to see the sun rise and fall while standing on,

dimension of this project.

or flying above, all the continents on Earth many times. Each time a new day begins, a

Although I’ve been writing for numerous publi-

new opportunity exists for the photographer.

cations most of my adult life, nothing could have

While it may seem that my focus in this book

prepared me for the tremendous amount of time

is more on the practical and business side of involved in actually writing a book. When I first

female glamour photography, it’s really about

contacted Doug Brown, the Publisher at Atlantic

photography in general. All things are glamorous,

Publishing Group, I verbalized my thoughts

not just photos of beautiful women. Capturing

about an unconventional book on the business

the magic moment and doing something with

aspect of glamour photography. I submitted an

that photo is what this story is all about.

outline and description of the content and he graciously gave me the green light. If there is It’s my hope that the insight provided in this a better publisher in the world to work for, I’d

book will give the aspiring glamour photogra-

be surprised — thank you Doug. As could be

pher, and new or veteran glamour model, new

expected from a class organization like Atlantic

options and a little taste of reality regarding Publishing, I was blessed by having an incredible

their expectations about the glamour photo

group of editors assigned to my project. Becca

business.

Ashley and Melissa Peterson have been both

saints and confidants during this lengthy writing

Writing this book has been a long journey

process. They made sense out of my sometimes

that started in 1965 with my first published lengthy ramblings, and helped cheerlead my

Acknowledgments 7

efforts as the book evolved. During the filming photographic life, and I will forever be in their

of the companion DVD, Becca even spent the

debt. Thank you.

day on the set as a working crew member —

now that’s dedication to duty. Special thanks Special thanks go to models Alexa and Mia for

go to Meg Buchner, the Art Director at Atlantic

the cover images of the book, and their patience

Publishing, who gave beauty and excitement to

in posing for numerous examples within these

the photos and text within these pages. You’re

pages. Throughout the book, you will find

simply the best.

numerous images of these amazingly beautiful

women.

I have many to thank for my continued

involvement in photography. Principal among

To the special and wonderful models appearing

those who have inspired and motivated me are

in this book: All of you gave your time, and the wonderful group of core professors at the

most of you appear in the book. To Amber,

Southeast Center for Photographic Studies at

Amy, Andy, Angela, Anna, Ashley, Ashlee, Aylen,

the Daytona State College campus in Daytona

Bethany, Bianca, Brittany, Carmen, Casey,

Beach, Florida. The Department Chair,

Charity, Cherry, Christine, Colleen, Courtney,

Professor Dan Biferie, deserves special thanks.

Cristel, Crystal, Danielle, Darryl, Erica, Evan, His encouragement and support in my pursuit

Hillary, Holly, Jana, Jaimie, Jenni, Jennifer, of purpose and perfect glamour photography

Jessica, Karli, Kate, Katy, Katya, Kelly, Krista, K.T., has been inspirational, and his counsel greatly

Laura, Lauren, Lesley, Lisa, Lindsey, Loredana,

appreciated. Professor Gary Monroe taught

Marie, Marliese, Marinda, Melissa, Michelle,

one of my first classes in black and white

Mendi, Nancy, Nicole, Nikki, Rachael, Sammi,

photography. His mastery of capturing the

Sara, Savanna, Shannon, Sonja, Sherri, Stacie, moment and his unflappable encouragement

Stephanie, Tabby, Tara, Theresa, Trisha, Valerie,

of student photographers is truly amazing.

Venessa, and Whitney: Your beauty is without

Professor Eric Breitenbach truly gave me the

question, and your friendship is a treasure.

focus to continue as a glamour photographer.

Many thanks from both Andy and me.

His classroom discussions and critiques of the

art and form that makes a photo beautiful are

I could not have completed, or even attempted

constantly in the back of my mind when I trip the

to write this book without the continued

shutter. Professor Patrick Van Dusen is a master

support and patience of my loving wife, Leigh.

of portrait photography, and his many lessons

She will always be my most beautiful model

on studio lighting will be forever ingrained in

— no exception. Thank you for your love and

my memory and serve me well on a daily basis.

friendship. You are my inspiration. Your beauty

Special thanks go to Kevin Miller, Director of is my standard.

the Southeast Museum of Photography, for

To my daughter, Piper, who is an incredible

introducing me to the many directions that

photographer in her own right: Remember that

photography can take you. To all of you —

a responsibility comes with passion and desire.

your love and passion for photography inspires

Take your talent beyond dreams, and make

everyone. Looking back, the years spent with

your life and images count.

these gentlemen were probably the best of my

8 Beyond The Glamour Photograph

Although Andy works alone for much of

evolving; as it evolves, the change and purpose

his photography, I love having an assistant.

of this type of imagery must be readdressed.

My favorites are award-winning photogra-

pher Jason Sweeters, long-time friend and

I hope you learn from, and enjoy, our stories

photography junkie Rob McKenzie, and, of

and many examples. I encourage you to

course, my very talented daughter, Piper. Gifted

emulate our work. That’s what the examples

makeup artist and friend Sunanda Brammer

are for. With imitation, you can always learn

deserves special recognition for her tireless

something. Exploit your own variations on

assistance on many of the shoots needed for

pose, wardrobe, lighting, and model selection.

the book. To all of you: Your tireless assistance

This is what will set you apart from other

always makes me look better. Thank you.

shooters. Remember, there are no rules. Just

make it glamorous, and most of all…

This book took about six months from query

to completion, and now that it’s published, I

Stay in Focus,

see another book in the future. This is only a

Jack E. Watson

small part of the story. Both Andy and I see the field of glamour photography continually

Acknowledgments 9

10 Beyond The Glamour Photograph

Foreword

As an author of three glamour photography Photographs come from knowing how to work books myself, I was honored when Jack

with your model by making them feel at ease

Watson asked me to write the foreword for his

through professional conduct while building

first glamour photography book, as I know the

rapport with your subject. Photographs come

time and effort involved in putting together

from understanding that the lighting used

such voluminous information. Like Jack, I too

to capture that perfect smile is the lifeblood believe in spreading the gospel of photography,

of the image – much like blood is to our

especially glamour photography, and rest

bodies. Photographs come from the ability

assured, you will get a ton of that gospel in this

to communicate to your subject, while also

book.

capturing an image that communicates the

intended message your subject wants to portray.

Though all books are written and produced in

Photographs come from understanding your

many styles, ultimately the goal is to provide equipment in a comprehensive form while still

information the reader can utilize to improve

utilizing a creative eye when depressing that their craft – in this case, glamour photography.

shutter-release button.

Glamour photography, to me, is the ability

to capture the inner- and outer-beauty of the In summary, great photographers produce great

subject, mainly that of the female form, while

photographs through comprehension, commu-

producing an image with a perfect smile. A

nication, and creativity. Beyond the Glamour

smile that doesn’t necessarily include teeth, but

Photograph covers all those aspects that should

a smile defined by the corners of the mouth help you in all the three C’s of being a great

in harmony with the corners of the lips, thus

photographer, but ultimately, it’s up to you to

a photograph and not a picture as the end

put them into practice and there is no better result.

method to practice photography than capturing

the likeness of the beautiful female form. Take

Often I’m asked, "What’s the difference

this book and read it over and over. Both Jack

between a photograph and a picture?" Simply

and I are U.S. Army Veterans who will tell you,

put, a picture anyone can take, a photograph the Army teaches through repetition (drill

only a true photographer can capture and that

sergeants) hoping that repetition of learned

same photographer will take many pictures to

skills will save your life during combat.

capture that photograph. We all take pictures,

but how many of us can take photographs?

While photographing a model should not be

like war, battling the lack of knowledge in un-

Foreword 11

derstanding your equipment, how to work

something I like to call "photographic

with a model, and how to produce an image

therapy." A passion that drives you to produce

creatively, all starts with books like this and

photographs, not pictures; a passion that

others in this specific genre. And as with all

drives you to become the best not only for

battles, they usually have reasons why they

yourself, but for your subjects.

are initiated, the actual conflict and the end

result – hopefully where everyone, the pho-

The conflict in glamour photography

tographer, the subject, and the intended

comes from the passion that drives you to

audience gains something of value.

produce great images. Often, we make it too

complicated and we get frustrated when we

The initiation is the simplest part when it

take a bad image that’s our own internal

comes to glamour photography. It should

conflict. My advice is to remember the

be your passion in photography to make

difference between a professional and an

someone smile internally because you’ve

amateur photographer. A professional will

captured their inner and outer beauty –

not show you their bad images. Knowing

American Idol star, Amy Davis, is captured in a thoughtful moment by glamour photographer Rolando Gomez during one of his many International Glamour, Beauty and the Nude exotic workshops held in the U.S. Virgin Islands. Gomez utilized the

modeling lamp from his Hensel Integra Pro 500 monolight that caused him to white-balance to the tungsten light source as the flash itself was not triggered. This white-balance technique added a blue tinge to the daylight filtering through the window.

12 Beyond The Glamour Photograph

how to spot a bad image is what separates a

with the perfect smile on their faces. Without

professional from the rest. That knowledge

the face, you’ve got nothing but a picture. Go

and experience will bring more models and

capture a photograph. You’ll not only honor

private glamour clients to your studio. The

Jack knowing that he’s accomplished his goals

skills needed to acquire great images will only

with his book, but you’ll be honored by other

be acquired through repetition (read, shoot,

photographers and your subjects too.

critique, read, shoot, critique, etc.) and by reading books like this, putting it to practice

Rolando Gomez

and becoming your own toughest critic.

Today, if you feel that conflict because of

your own lack of experience, tackle it with

resources like this book and Web sites like

Garage Glamour™ (www.garageglamour.

com) a Web site I founded more than ten years ago. That conflict is also tackled by learning what makes a great photo, from posing to

lighting and composition to cropping. Again,

be your toughest critic and by comparing your

images to photographs in this book or even

my own Web site, www.rolandogomez.com.

Attend glamour photography workshops like

those advertised on Garage Glamour™ and

my personal Web site. Attend seminars and

lectures at great venues like Photo Plus Expo

in Manhattan or FotoFusion in West Palm

Beach. But most importantly, practice, live,

breathe, and eat photography every minute

that you can; then the battle will end and the

result will be a new beginning in your photo-

graphic career.

Playboy Playmate Holley Dorrough’s beauty is captured in Hopefully by the time you’ve read this book,

Philadelphia. Photographer Rolando Gomez placed black cards, two 4- by 8-foot foam core black panels formed my books, and other books in glamour

as a V on each side of Holley to ensure the detail would photography and photography in general, you

not be washed out in her white coat. The black cards will have heard, read, and seen enough gospel of

help subtract light from the more reflective white coat and photography that your images will be subjects

also reflect black to provide detail in the highlighted areas of the image.

with perfect smiles, because in fact, clothed or

unclothed, the best glamour photographs are

those that are about the subject and ultimately

Foreword 13

14 Beyond The Glamour Photograph

Preface

Few, if any of us, are oblivious to the fact that of photos throughout to demonstrate the skill the use of a sexy or glamorous photograph

of the author and contributor.

as a component for an advertising layout is the

magnet of choice that draws a reader’s eye to a

As with many artistic endeavors in life, it is not

print ad. Venture down Times Square in New

the technical knowledge but the repetition of York and look up at 50-foot-high billboards

an activity that makes you better at your craft.

advertising jeans, underwear, perfume, or any

Consider each section a starting point, with the

number of products, and a sexy photo of either

core knowledge presented simply. There are

a male or female is usually the key component

several sections that will readdress previously of the display.

written statements. The purpose of the

repetition is reinforcement of a concept that the

This book is about the business of photograph-

author finds important. As with any craft, only

ing, selling, and getting your images of the sexy

practice will allow you to improve, so practice female model on billboards, and in magazines,

what is preached. If you follow the guidelines calendars, and Web environments. Although

established in these pages, you could easily end

there are many sexy, handsome guys out there,

up a successful glamour photographer. These 12

the focus of this book is exclusively about pho-

chapters will point you in the right direction, tographing and marketing the female model.

and arm you with the necessary knowledge to

The content is designed for the semi-profes-

succeed. The rest is just practice.

sional or amateur photographer who is trying

to break into glamour photography. Addition-

Additionally, this book explains how Jack Watson

ally, aspiring glamour models can use it as a and Andy McFarland got into the glamour

means to understanding self-promotion and to

photography business, and how you can follow

recognize what is needed to make their images

in their footsteps. Both Jack and Andy have had

marketable. Everything from camera settings to

their images of sexy female models published in

marketing strategies is covered.

magazines as photo spreads, centerfolds, covers,

and advertising campaigns, in addition to being

Unlike other books on female glamour

viewed by hundreds of thousands of people on

photography, this is not a showcase of the

numerous Web sites. Their distinctive styles have

writer’s talent as a photographer, or a technical,

made them extremely popular with models and

difficult-to-follow instruction book on glamour

publishers, and sought after by many of the top

photography. The content provides easy, practical

swimsuit and lingerie models in the country.

guidelines that are explained only in enough

detail to accomplish the desired task, and plenty

Many get into photography because they’re

intrigued by the ability to capture aestheti-

Preface 15

cally pleasing images that can be shared with

ing your glamour photos. Most importantly,

others, and also allow a revisit of that moment

you will be shown in adequate detail how they

in time.

broke into the glamour business, and how you

can succeed without having to endure their

Glamour photography, like any aspect of

many mistakes.

photography, has a purpose, place, and reason

for its being. You can treat it as an outlet for

With persistence, desire, and a creative eye, your visual senses, or, like the author, make marketing your images is easier than you

it a profitable business. That’s what this book

might imagine. This is not a book