Semicolon: The Past, Present, and Future of a Misunderstood Mark
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About this ebook
“Delightful.” —Mary Norris, The New Yorker
A page-turning, existential romp through the life and times of the world’s most polarizing punctuation mark
The semicolon. Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?
In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim. Taking us on a breezy journey through a range of examples—from Milton’s manuscripts to Martin Luther King Jr.’s “Letters from Birmingham Jail” to Raymond Chandler’s The Big Sleep—Watson reveals how traditional grammar rules make us less successful at communicating with each other than we’d think. Even the most die-hard grammar fanatics would be better served by tossing the rule books and learning a better way to engage with language.
Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don’t need guides at all, and refocuses our attention on the deepest, most primary value of language: true communication.
Cecelia Watson
Cecelia Watson is a historian and philosopher of science, and a teacher of writing and the humanities. She is currently on Bard College’s Faculty in Language and Thinking. Previously she was an American Council of Learned Societies New Faculty Fellow at Yale University, where she was also a fellow of the Whitney Center for the Humanities and was jointly appointed in the humanities and philosophy departments.
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Reviews for Semicolon
45 ratings6 reviews
- Rating: 4 out of 5 stars4/5I picked up this book in memory of my friend Khun Bob who took the time to use semicolons in his SMS messages. l, myself, am of the avoid at all cost persuasion. I enjoyed Cecelia Watson's scholarship but I wish that it were a bit more prescriptive amidst the historical Yes and No.
- Rating: 3 out of 5 stars3/5I had forgotten I'd pre-ordered this, randomly, until it was delivered on my birthday! Not a title I would have chosen as a gift to myself, but interesting enough. I loved Lynn Truss' book on punctuation, and in my voluntary position as a dotter of i's and crosser of t's for a local journal, I'm usually pro-comma, anti-semicolon, so this is my type of grammar geekery.From the 'history' of the hybrid mark - Venice, 1494, in case anyone needs to know - to the legal and literary impact of the comma-cum-colon, Cecelia Watson looks at the past, present and future of the semicolon and the rigid rules of punctuation in general. 'How did the semicolon, once regarded with admiration, come to seem so offensive, so unwieldy to so many people?' she asks. Henry James and Herman Melville loved them (there are 4,000 semicolons in Moby Dick!), whereas Mark Twain hated having his punctuation corrected. Make of that what you will. Once popular in the 1800s, writers now view the semicolon with either derision or fear, mocking the mark because they don't know where to drop it. The fear might be well-deserved, however, as at least two court cases have hinged on the inclusion of a semicolon in a legal text.Watson's witty and irreverent study of the semicolon shifts into a bizarre defence of those who can versus those who mock, and the book is actually shorter than I thought, but I think I have more respect for the upgraded comma than I started with!
- Rating: 4 out of 5 stars4/5How should one go about writing a pop-scientific book that is solely about the semicolon? Is it best to be bone dry and scientific, as with most dictionaries, or bone dry and severely funny, as with Benjamin Dreyer's "Dreyer's English"?
Thankfully, Cecelia Watson approaches this nerdy subject with both clerical adroitness and humour, and she constructs all of this chronologically. From the start of her book:
How did the semicolon, once regarded with admiration, come to seem so offensive, so unwieldy, to so many people? Asking this question might seem academic in all the worst ways: what practical value could there be in mulling punctuation, and in particular its history, when we have efficiently slim guidebooks like Strunk and White’s The Elements of Style and thick reference volumes like The Chicago Manual of Style to set straight our misplaced colons and commas? We have rules for this sort of thing! But rule-based punctuation guides are a relatively recent invention.
Indeed, the beginning of the book is the beginnings—yes, plural—of grammar, and Watson pulls this off by being discreet and funny at the same time:
Courts of law, too, were in a lather over how to deal with punctuation marks: a semicolon in an 1875 legal statute caused all of Boston to fly into a panic when courts opined that the semicolon meant that alcohol couldn’t be served past 11:00 P.M. (Bostonians, ever resourceful, devised some pretty clever ways to get drunk well into the wee hours until the statute was finally revised six years after it went into force.)
That story brings the semicolon (and how people perceive it) to life; Watson's view on linguistic rules is both sane and open:
I wouldn’t deny that there’s joy in knowing a set of grammar rules; there is always joy in mastery of some branch of knowledge. But there is much more joy in becoming a reader who can understand and explain how it is that a punctuation mark can create meaning in language that goes beyond just delineating the logical structure of a sentence.
Watson's use of examples, both in terms of style and real-life legal wrangles, are illuminating, informative, scary, and funny. Here's one magnificent example of legal issues due to a missing semicolon (or, begrudgingly agreed, a rewrite):
A particularly heart-wrenching case that was tried on the cusp of the Great Depression painfully illustrates the problems that can be caused by a missing semicolon. In 1927, two men were convicted of murder in New Jersey.
The jury’s verdict and sentencing recommendation was written as follows: “We find the defendant, Salvatore Merra, guilty of murder in the first degree, and the defendant, Salvatore Rannelli, guilty of murder in the first degree and recommend life imprisonment at hard labor.”
The judge interpreted the life imprisonment recommendation as applicable only to Rannelli, since that recommendation followed only the repetition of “guilty of murder in the first degree” after Rannelli’s name. Using this reasoning, the judge sentenced Salvatore Merra to death for the same crime.
In an eleventh-hour appeal, Merra’s lawyer (and New Jersey senator) Alexander Simpson argued that the jury meant the life imprisonment recommendation to apply to both men—otherwise, the jurors would surely have used a semicolon to separate their verdict on Merra from their verdict on Rannelli, so that the verdict would have read: “We find the defendant, Salvatore Merra, guilty of murder in the first degree; and the defendant, Salvatore Rannelli, guilty of murder in the first degree and recommend life imprisonment at hard labor.”
The prosecution, on the other hand, countered that the jury clearly intended for Merra to die.
Watson goes through punctuation, grammar, and style by examining text and sayings by authors, for example, Irvine Welsh, Raymond Chandler, and Herman Melville.
Speaking of the latter, "Moby-Dick" contains around 210,000 words and 4000 semicolons; one for every 52 words, of which Watson notes that "[t]he semicolons are Moby-Dick’s joints, allowing the novel the freedom of movement it needed to tour such a large and disparate collection of themes."
There's a particularly wondrous dissing of David Foster Wallace, the author who is—by many white men—considered to be The Golden Child of the 21st century where language is concerned. Watson not only disses his "because"-form-of-logic stance on Standard written English, but also of his oft-failed grammar. It's fun to see, albeit a tad strange to see her rant go on for as long as it does.
All in all, this is a fun book to read. Watson has chosen to balance stories of grammatical rules and real-life examples of how the semicolon has been used (and abused), framing it all in neat paragraphs that stand out, simply because they're valuable. If this is a sign of things to come from this author, I will keep eyes peeled. - Rating: 4 out of 5 stars4/5Very cunning! A book designed for grammar nerds,
to explain to us why we shouldn’t be too picky about punctuation rules. It doesn’t treat punctuation in isolation, either. Everything is political, even punctuation. The parts about trying to teach grammar resonated with me too. Recommended. - Rating: 4 out of 5 stars4/5This book isn't really about the punctuation mark; rather, it's a response to grammar pedantry.
- Rating: 3 out of 5 stars3/5I willingly read this book making some assumptions that it would have a fun, playful spin regarding punctuation; however, I had difficulty paying attention. The book is well-written, but wasn’t for me. I’d recommend it to anyone interested in historical science and writing.
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