The Art of the Essay: From Ordinary Life to Extraordinary Words
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About this ebook
What kind of writer are *you*? asks Charity Singleton Craig, as she opens you to a journey of discovery about the art of essay writing that explores both practical and reason-for-writing concerns.
From a near hummingbird disaster to a secret foray into hilarity, you’ll find yourself inspired alongside the author— to reimagine the simple stuff of your life as a starting point for thoughtful, sometimes amusing, always voice-infused writing that’s your very own ... as well as being a true gift to the world.
A great title for personal writing journeys, classrooms,and writers groups.
Charity Singleton Craig
Charity Singleton Craig has served as an editor at Tweetspeak Poetry and is a corporate communications specialist. She has appeared in various venues including Grub Street and Edible Indy.
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The Art of the Essay - Charity Singleton Craig
1
Listen to the Whispers
While working at my desk one summer day, I noticed my cat pawing at something on the back patio. Over the years, Kiki has practiced the unseemly habit of catching chipmunks, mice, and baby rabbits, then playing with them until they die.
She leaves her toys at the back door as gifts for us. Our job is biohazard cleanup.
This time, Kiki was playing with a tiny hummingbird, the one I had invited into the yard with a glass feeder filled with red sugar water. I should help! Wanting to give the bird some final dignity, I went outside and firmly tapped Kiki’s head.
The bird dropped and began to move. Wings flapping, body wiggling, the little hummer wasn’t going down without a fight.
After I engaged in a scuffle with the cat—and then the dog (who had to get in on the act)—I watched as the bird fluttered and fell, fluttered and fell, landing in a clump of hostas. The cat and the dog now safely contained, I stayed outside to see what would happen, but the foliage hid the bird’s iridescent green, so I eventually went back to work. A few days later, the little bird’s body had disappeared from beneath the hostas.
I preserved the hummer’s saga in a story on my blog.
In my life as an essayist, everything can matter. The goal, as writer Henry James famously said, is to be one of the people on whom nothing is lost.
Living with an awareness of the world creates a structure for writing that’s sturdier and more beautiful than pulling from abstract ideas alone. Before I ever introduce a topic to my audience, I meet it in real life.
Consider the hummingbird. What eventually became an essay about social outrage and personal overcoming started with the inquisitive act of going outside and experiencing a few unscripted moments with primal nature. Our inquisitiveness won’t always be rewarded. Sometimes, getting up to track down a whisper (or a wallop, as the case may be) reveals only that the morning mail has come. And when I flip through to see that it’s nothing but a flier from the local appliance store, I’ll stop for a glass of water on the way back to my desk, and that will be that.
Still, all around me are the beginnings, the endings, and even the middles of my next essays. I don’t want to miss them. So I live with awareness. I save the hummingbird, I track down the sounds, I follow my curiosity around the neighborhood or into the grocery store. As a writer, I start where I am.
But that’s not where I end. To transform the everyday stuff of life into subjects I’ll write about, I need more. I need to attend to what lives in pixels and airwaves and the pages of books. So I read, I listen, I watch … expectantly.
The day after I wrote about the hummingbird, I heard a story on WBUR’s Here and Now about Terry Masear, who rescues and rehabilitates hummingbirds in Los Angeles. Injured hummingbirds don’t just get up and fly, Masear said. They need a skilled rehabber.
I thought for days about my little bird, how unskilled I had been when I trusted the hostas to do the job of cover and rehab. I rehearsed the sequence of events. What could I have done differently? The degree to which I practically sentenced that bird to death would have changed the tone, if not the substance, of the story I crafted, had I known this information when I wrote it.
Then several days later as I worked at my desk, something outside again caught my eye. It was the hummingbird, zipping around our yard, zigzagging from feeder to flowerpot. For a few seconds the little bird hovered just in front of me. I almost cried. It was like he was saying thank you,
I texted to my husband. What are the odds?
Even Maeser would have been impressed that an unskilled rehabber like me had given a second chance to the tiny bird now skimming the dragon wing begonias.
This is how we listen to the whispers: we notice patterns, we make note of repetition, we look for the threads that weave together disparate bits of information. The hummingbird’s plight, as I’d first understood it, made a fine metaphor for a blog post. But combined with the information from Here and Now and the subsequent sightings of the little bird, who is very much alive and well, the story took a different turn.
To say that nothing is wasted for me as an essayist is not to say that I notice everything or that I even use everything I notice. Rather, everything I notice is considered. Everything is weighed and synthesized against everything else. To do so, all this stuff of life, the observations and details of my days, needs to be gathered and stored for later.
Over the years, my laptop has become a digital commonplace book, like the small notebook popularized during the Renaissance, which Barbara M. Benedict describes as one means of coping with the information overload of that era.
(Information overload? Just imagine the Renaissance plus the Internet.) In various apps and files, I collect quotes and ideas or tap out observations and curiosities. Later, if I can remember even a word or two of what I typed, I can search for and find what I need. With a simple Internet search, or a dive into Google Books or Amazon’s Search Inside
feature, I can even find more specific quotations from magazines or books. Of course I can also rifle through a desk drawer, flip through the pages of a paperback, or scour a box of old letters and journals to find things that aren’t accessible digitally. I’ve done that, too.
But I’ve also lost ideas, because I didn’t take the time to type them out. I’ve scribbled a thought and later not remembered what it meant. On a few occasions, I’ve recognized that the details around me might solve a mystery or help me understand something important about my life. I know I’ll want to remember this later, but I don’t have a way to capture it. I will myself to take it all in, to keep it close, and I walk away thinking I’ll never forget this feeling, this scene, this instant.
And then it’s gone, like the hummingbird that disappeared beneath the hostas. The memory flits just beneath my consciousness, and I regret that I didn’t do more to preserve it. Sometimes, if I’m very lucky, it shows up again, hovering right in front of me for a few seconds until, this time, I can hold on to it forever.
2
Memory & Truth
Steve and I are thinking about buying a tent and sleeping bags and going camping with the boys some weekends this summer,
I told Mom as I drove her back to her apartment. We had spent the afternoon at a cousin’s baby shower.
Hmmmm, that could be fun,
she said, watching the empty fields pass by through the window. In our part of Indiana, you can see for miles, especially in the leaf-bare winter.
We thought we’d buy just the minimum and see if we even like camping before we go all out.
That’s smart,
Mom said, ’cause you didn’t really like camping when you were a kid.
My right eyebrow raised—always a signal that I’m confused or frustrated.
What do you mean? I remember liking to camp. What part didn’t I like?
Was this mom’s stroke talking? Had she forgotten what I was like as a kid? Or had I forgotten my own life and interests?
Well, you didn’t really like being outside.
Huh. I don’t remember that at all. Like when I was little? Because when I was in high school, I used to go camping with friends and liked it. And when I was in college and just out of college, I went camping a lot.
Yeah, you were more of an inside kid,
she said simply.
Oh, do you mean like I was little and you and Dad were outside chopping firewood or picking up sticks and I wanted to stay inside?
Yeah, you preferred being inside,
she said. We’d all go outside and you’d just stay in and read.
Well, that was because I didn’t like to work!
We both laughed. "I liked being outside, but I didn’t like doing work outside. I didn’t even like doing work inside. Remember how I would dust the TV by lying on the floor and using my feet so I could keep watching cartoons?"
We both cracked up again. I definitely remember being that kid.
I think I liked being outside,
I said, trying to convince myself more than mom. And just look how hard I work now. Not lazy at all.
Mom just smiled.
Since last year when she moved into a senior apartment complex a couple of minutes away from us, my mother and I have spent more time together than any period since I was a child. I go to her apartment at least once a week for lunch, and another time each week to help with chores or tasks. We walk on the sidewalk around the perimeter of her building when the weather’s nice, and we drive to the YMCA and