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Wood-Block Printing: A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice

Wood-Block Printing: A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice

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Wood-Block Printing: A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice

Lungime:
169 pages
55 minutes
Editor:
Lansat:
Nov 21, 2019
ISBN:
4057664655967
Format:
Carte

Descriere

"Wood-Block Printing" by F. Morley Fletcher. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Editor:
Lansat:
Nov 21, 2019
ISBN:
4057664655967
Format:
Carte

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Wood-Block Printing - F. Morley Fletcher

F. Morley Fletcher

Wood-Block Printing

A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice

Published by Good Press, 2019

goodpress@okpublishing.info

EAN 4057664655967

Table of Contents

ILLUSTRATIONS

COLLOTYPE PLATES

APPENDIX

ERRATA

WOOD-BLOCK PRINTING

JAPANESE METHOD

CHAPTER I

INTRODUCTORY

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

APPENDIX

BOOKS OF REFERENCE

INDEX

ARTISTS INTERESTED IN THE :: :: PERMANENCE OF :: :: THEIR WOOD BLOCK PRINTS

MADDERTON & CO., LTD., Loughton, Essex ENGLAND

JAPANESE WOODBLOCK CUTTING AND PRINTING

PENROSE'S

LIST FREE ON APPLICATION


ILLUSTRATIONS

Table of Contents


COLLOTYPE PLATES

Table of Contents


APPENDIX

Table of Contents


ERRATA

Table of Contents


WOOD-BLOCK PRINTING

Table of Contents

BY THE

JAPANESE METHOD

Table of Contents


CHAPTER I

Table of Contents

INTRODUCTORY

Table of Contents

Introduction and Description of the Origins of Wood-block Printing; its uses for personal artistic expression,

for reproduction of decorative designs, and as a fundamental training for students of printed decoration.

The few wood-block prints shown from time to time by the Society of Graver Printers in Colour, and the occasional appearance of a wood-block print in the Graver Section of the International Society's Exhibitions, or in those of the Society of Arts and Crafts, are the outcome of the experiments of a small group of English artists in making prints by the Japanese method, or by methods based on the Japanese practice.

My interest was first drawn in 1897 to experiments that were being made by Mr. J. D. Batten, who for two years previously had attempted, and partially succeeded in making, a print from wood and metal blocks with colour mixed with glycerine and dextrine, the glycerine being afterwards removed by washing the prints in alcohol. As the

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