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LIFE Downton Abbey: Behind the Scenes of the Iconic TV Show
LIFE Downton Abbey: Behind the Scenes of the Iconic TV Show
LIFE Downton Abbey: Behind the Scenes of the Iconic TV Show
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LIFE Downton Abbey: Behind the Scenes of the Iconic TV Show

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LIFE goes upstairs, downstairs, and into every fascinating historical nook and cranny of America's favorite British TV mansion-and Highclere Castle, the storied 17th century stately home where the series is filmed. Magnificent photography and gripping stories make this a must-have read for the show's millions of fans.

Find out more about:
  • The illegitimate daughter of a Rothschild whose marriage to the Fifth Earl of Carnarvon kept Highclere in the family.

  • Highclere's connection to the discovery of Tutankhamun's tomb, the sudden death of an Earl, and the first rumors of a famous curse.

  • World War I, as it was depicted in Downton Abbey-and as it really unfolded on the home front.
LanguageEnglish
PublisherLife
Release dateJan 15, 2016
ISBN9781618934505
LIFE Downton Abbey: Behind the Scenes of the Iconic TV Show

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    Book preview

    LIFE Downton Abbey - Editors of Life

    DOWNTON ABBEY

    DOWNTON ABBEY

    Cover

    Title Page

    Introduction: Welcome To DOWNTON ABBEY

    The Family Album

    In The Beginning

    Interlude: The Sinking of the Titanic

    The Past is Prelude

    Interlude: Sexual Mores and Women’s Rights

    The End of the World As They Knew It

    Interlude: The Ravages of War

    The Aftermath

    Interlude: Flappers and All That Jazz

    The Staff Album

    Behind the Scenes

    Interlude: The History of Highclere Castle and the Carnarvons

    Secrets of Season Six

    INTRODUCTION

    WELCOME TO DOWNTON ABBEY

    By J.I. Baker

    NICK BRIGGS/THE NEW YORK TIMES/REDUX

    Clapper loader Joanne Smith readies the clapper board on the set of Downton Abbey while filming at Highclere Castle in Newbury, England, on April 23, 2013. The cast and crew are shooting the fourth season. The actors seated with their backs to the camera are Hugh Bonneville, who plays Lord Grantham, and Maggie Smith, as the Dowager Countess, Lady Violet. Annd . . . action!

    Over an Italian dinner in London’s posh Belgravia district, screenwriter Julian Fellowes and executive producer Gareth Neame were brainstorming ideas for a new television series. At some point, Neame mentioned Gosford Park, the 2001 Robert Altman film that Fellowes had written. The film had garnered the writer an Oscar—and Neame was convinced that its milieu (the intersecting lives of masters and servants in an Edwardian English house) would make a smashing TV show.

    Fellowes was leery—why rehash old material?—but the idea stuck. He had, after all, been living with this world and its people for a long time. (He himself is a member of the House of Lords—and, though he wasn’t to the manor born, he was born within grouse-shooting distance of it.) A few days later, Fellowes sent Neame an e-mail fleshing out the initial plot and describing the characters that audiences would come to love and hate . . . but mostly love.

    Premiering in 2010, the ITV series became, over five years and six seasons, the highest-rated British drama of the past decade—and a worldwide phenomenon, captivating viewers from Cambridge to Cambodia.

    It’s impossible to explain the lightning-in-a-bottle alchemy that fuels a phenomenon like Downton, but I believe a key reason for the success was combining a much-loved, familiar and expressly British genre, that of the English country house, with the pace, energy, and accessibility of the most contemporary show, Neame has said. There was also a return to melodrama and the kind of old-fashioned romance that audiences hadn’t seen in ages—and were clearly hungry for.

    Though ratings have declined since season five—perhaps reflecting a sense that the show was beginning to feel tired—the approach of the sixth and final season, which premieres stateside on January 3 on PBS, has driven many longtime Downton devotees into something like mourning. (Except, of course, without the de rigueur Edwardian black.)

    To mark the end of the much-loved show, LIFE is proud to offer this commemorative edition—featuring a look at the real-life history behind the show, a sneak peak at season six, a five-season recap, and, most notably, a portfolio of lush, little-seen portraits from renowned photographer Clive Booth. So turn the page to help us celebrate six short years of love, lust, marriage, death, war—and impeccable table manners.

    THE FAMILY ALBUM

    Intimate portraits of the Crawley clan-worthy of Downton’s walls

    LORD GRANTHAM

    PBS/PHOTOFEST

    My fortune is the work of others who laboured to build a great dynasty. Do I have the right to destroy their work or impoverish that dynasty? I am a custodian, my dear, not an owner. I must strive to be worthy of the task I have been set.

    LADY CORA

    PHOTOGRAPH BY CLIVE BOOTH © 2012

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