Music Tech Magazine

FOCUSRITE Scarlett 3rd Gen

When it comes to releasing interfaces, Focusrite doesn’t tend to hang around. Whereas some companies will release one or two models every couple of years or so, Focusrite has core ranges which it updates, so you get half a dozen models and a couple of bundled packages all released at once with something, as they say, for everyone. The Scarlett range is, the company says, the best-selling range of interfaces the world has seen, but I do have to admit some confusion over the company’s other ‘rose’ flavoured ranges and where each one slots in with one another, so here is my attempt at a (hopefully) brief explanation.

The Scarlett range is the main USB entry point to Focusrite interfacing, boasting models for everyone from the beginner onwards. The iTrack range is the lightning-cable-equipped range of interfaces specifically tailored for mobile iOS recording, featuring such models as the iTrack Dock and fabulous cuboid iTrack One Pre. Clarett is Focusrite’s range of interfaces for Thunderbolt. It would seem, then, that the differences between Scarlett and Clarett would simply be down to Scarlett’s USB v the faster Clarett Thunderbolt interfacing standard. I say ‘would’, because Focusrite now has the Clarett USB range for super-low USB latency. You might then be asking what the differences are between Scarlett USB and Clarett USB and this comes down to better mic pres and other audio specs on the Clarett range – more on these later. Finally, there are the Reds,

You’re reading a preview, subscribe to read more.

More from Music Tech Magazine

Music Tech Magazine3 min readTechnology & Engineering
Ppg Wave 2
While a student at music college, a kindly and respected professor offered to introduce me to a composer who was something of a hero of mine. Paddy Kingsland had been one of the second wave of composers at the BBC Radiophonic Workshop. A timely trip
Music Tech Magazine5 min read
Creative Vocoding in Fl Studio
Revolutionary since its timely invention in 1938, the vocoder has miraculously granted all the power to sing for almost a century. It has become a staple of the electronic musician’s sound-mangling toolset too. Conceived on the cusp of World War II,
Music Tech Magazine1 min read
KLEVGRAND Skaka
Price £40 or £15 iPad Contact klevgrand.se Programming the nuances of a live shaker or percussion sound can be notoriously difficult. New plug-in Shaka offers flexible and natural-sounding percussion patterns with 12 sequence slots that can load any

Related Books & Audiobooks