With Pen & Ink: Expanded Edition
By James Hall and Jeff A. Menges
()
About this ebook
This expanded edition updates the original publication's century-old materials list, reflecting the currently available products that best support these traditional skills. Also included are additional gallery samples, selected from the author's original list of exemplary sources, for guidance and inspiration to assist in learning from these timeless teachings.
James Hall
JAMES W. HALL is an Edgar and Shamus Award-winning author whose books have been translated into a dozen languages. He divides his time between South Florida and North Carolina.
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With Pen & Ink - James Hall
Copyright
Copyright © 2020 by Dover Publications, Inc.
Foreword Copyright © 2020 by Jeff A. Menges
All rights reserved.
Bibliographical Note
This Dover edition, first published in 2020, is an unabridged republication of the work originally published by The Prang Company, New York, in 1913. The present edition has been expanded with a gallery of additional illustrations selected by Jeff A. Menges, who has also written a Foreword for the modern reader.
Library of Congress Cataloging-in-Publication Data
Names: Hall, James, 1869–1917, author. | Menges, Jeff A., editor.
Title: With pen & ink /James Hall; foreword for the modern reader by Jeff A. Menges.
Other titles: With pen and ink
Description: Expanded edition. | Mineola, New York: Dover Publications, Inc., 2020. | Includes bibliographical references.
Identifiers: LCCN 2019054444 | ISBN 9780486841922 (paperback)
Subjects: LCSH: Pen drawing—Technique.
Classification: LCC NC905 .H18 2020 | DDC 741.2/6—dc23
LC record available at https://lccn.loc.gov/2019054444
Manufactured in the United States by LSC Communications
84192801
www.doverpublications.com
2 4 6 8 1 0 9 7 5 3 1
2020
CONTENTS
FOREWORD FOR THE MODERN READER by Jeff A. Menges
PREFACE by James Hall
INTRODUCTION, INCLUDING MATERIALS, by James Hall
DECORATIVE PEN DRAWINGS
FIRST PROBLEM
To draw in pure outline a typical leaf or other nature subject
SECOND PROBLEM
To utilize pure outline in decorative arrangements applied to initials, head and foot pieces, and book plates
THIRD PROBLEM
To draw plant forms in outline and solid black
FOURTH PROBLEM
To apply outline and black to decorative arrangements of the types considered in the second problem
FIFTH PROBLEM
To apply outline and black to a simple architectural subject
SIXTH PROBLEM
To apply outline and black to a figure subject with accessories
SEVENTH PROBLEM
To make a cover design in outline and black, using a decorative floral panel with the necessary lettering
EIGHTH PROBLEM
To make a cover design in outline and black by surrounding the panel containing the necessary lettering with a border varying in width to correspond with the margins of the type page
NINTH PROBLEM
To draw flowers in outline, black, and middle value
TENTH PROBLEM
To render still life or still life with plant forms in several values
ELEVENTH PROBLEM
To render typical landscape subjects in several values
TWELFTH PROBLEM
To render a figure subject in several values
PICTORIAL PEN DRAWINGS
GENERAL STATEMENT
THIRTEENTH PROBLEM
To render simple still life forms in light and shade
FOURTEENTH PROBLEM
To render still life in a free manner
FIFTEENTH PROBLEM
To render plant life pictorially
SIXTEENTH PROBLEM
Simple outdoor subjects
SEVENTEENTH PROBLEM
The rendering of trees in winter and in summer
EIGHTEENTH PROBLEM
The drawing of buildings
NINETEENTH PROBLEM
The sketching of figures
TWENTIETH PROBLEM
Studies of heads
TWENTY-FIRST PROBLEM
Complete figure sketches
A Short List of Books
LIST OF ILLUSTRATIONS DECORATIVE PEN DRAWINGS
1.Outlines of plant form
2.Initials, book plates, and panels in outline
3.Plant drawings in outline and black
4.Initials, book plates, and still life compositions in outline and black
5.Six renderings of an old house in outline and black
6.Four renderings of a figure composition in outline and black
7.Cover design embodying a floral panel in outline and black
8.Cover design embodying a floral border in outline and black
9.Flowers rendered in outline, black, and gray
10.Still life and plant form rendered in several values
11.Landscapes rendered in several values
12.Figure compositions rendered in several values
PICTORIAL PEN DRAWINGS
13.Still life
14.Still life
15.Various plant forms
16.Outdoor subjects
17.Trees
18.Buildings
19.A page of small figure sketches
20.Typical heads
21.A young woman
22.An old lady
NEW GALLERY OF ILLUSTRATIONS
(following page 70, see additional source material on pages 69-70)
23.Summer Morning,
F. H. Ball, from Pen, Pencil, and Chalk
24.The Pirate,
Monro Orr, from Pen, Pencil, and Chalk
25.Love, Youth, and Death,
A. Garth Jones, from Modern Pen Drawings
26.The Vision of St. Agatha,
Harold Nelson, from Modern Pen Drawings
27.Grass Cutting,
Lucy Kemp-Welch, from Modern Pen Drawings
28.Rustum and the Simoorg,
Patten Wilson, from Modern Pen Drawings
29.Are not you he . . . ,
Arthur Rackham, from A Midsummer-Night's Dream
30.Portrait of Moffat P. Lindner,
Fred Pegram, from Pen Drawing and Pen Draughtsmen
31.Illustration for Quevedo's Pablo de Ségovie, Daniel Vierge, from Pen Drawing and Pen Draughtsmen
32.The Modest Rose Puts Forth a Thorn,
Louis Fairfax-Muckley, from Pen Drawing and Pen Draughtsmen
FOREWORD FOR THE MODERN READER
LINES drawn in ink produce bold statements on paper—they are definitive—their placement on the surface is either black or white. Constructing visual representations from these marks can be refined to a skill, and for some, even be made into an occupation. When James Hall wrote With Pen and Ink in 1913, he had already been teaching Art in New England and New York, and saw ink work as a practical art form to be instructed in schools. Newspapers and magazines were booming—as were books—and the primary method to create illustrations for their use was by drawing with ink.
The same clear