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The Daughters of Temperance Hobbs: A Novel
The Daughters of Temperance Hobbs: A Novel
The Daughters of Temperance Hobbs: A Novel
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The Daughters of Temperance Hobbs: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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A magical bloodline. A family curse. Can Connie break the spell before it shatters her future?

A bewitching novel of a New England history professor who must race against time to free her family from a curse, by Katherine Howe, New York Times bestselling author of The Physick Book of Deliverance Dane.

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America—especially women’s home recipes and medicines—and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

When a hint from her mother and clues from her research lead Connie to the shocking realization that her partner’s life is in danger, she must race to solve the mystery behind a hundreds’-years-long deadly curse.

Flashing back through American history to the lives of certain supernaturally gifted women, The Daughters of Temperance Hobbs affectingly reveals not only the special bond that unites one particular matriarchal line, but also explores the many challenges to women’s survival across the decades—and the risks some women are forced to take to protect what they love most.

LanguageEnglish
Release dateJun 25, 2019
ISBN9781250304872
Author

Katherine Howe

Katherine Howe is the author of the #2 New York Times bestseller The Physick Book of Deliverance Dane, as well as The House of Velvet and Glass. She is widely considered an expert on American colonial life and the Salem Witch Trials, having written both as an academic and a novelist on the subject. She is the author of The Penguin Book of Pirates (forthcoming, Feb 2024). Katherine lives and sails in New England with her family

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Rating: 3.745614035087719 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    The author picks up with the same protagonist (and family tree) as in The Physick Book of Deliverance Dane. In this book, Connie Goodwin is now a professor in Boston and an expert on witchcraft. She is a descendant of Salem, MA residents who practiced it and has her own "talents" in that regard. Here, amidst her job and associated stress, she and her live-in boyfriend are at a crossroads with Sam wanting to marry and Connie unsure. She realizes that all the husbands in her family tree died young because of a curse. She is determined to remove the curse by delving into her ancestor's recipes and dissolving it, before she marries Sam. In the end, don't know if they did marry; however, the ending was upbeat. Having read her first book and being from the Salem area, I enjoyed this well-written book.
  • Rating: 4 out of 5 stars
    4/5
    I did not read the first book, The Physick Book of Deliverance Dane but did go out and buy it when I finished this volume. I enjoyed the mix of witchcraft, magical realism and romance. While this is a sequel it can be read alone quite well. It is a mix of current time and historical fiction and I did enjoy the parts in the past more than the parts in the present as Is typical for me. It's a quick and entertaining read
  • Rating: 4 out of 5 stars
    4/5
    I really enjoy magical realism, historical fiction, a bit of paranormal, a touch of witchcraft. Put these together and I’m all in. The Daughters of Temperance Hobbs by Katherine Howe is a sequel but can be read as a stand alone. I had not read the first book, The Physick Book of Deliverance Dane and ended up reading it first. I was glad I did. It gave me a richer depth of knowledge of the characters histories and relationships that added to my experience. Connie Goodwin is a history professor working on tenure, engaged, pregnant, who learns of a family curse... but there may be a loophole. What could go wrong?!? Katherine Howe is an excellent writer who really makes the story come alive as Connie both struggles and succeeds in her journey, making it very authentic. I love how the past was interwoven with the current day. I really enjoyed this atmospheric, immersive read and highly recommend it. Thank you to LibraryThing and Henry Holt and Co. for the Advanced Reader Copy and the opportunity to review The Daughters to Temperance Hobbs. This was one of the most beautiful ARCs I’ve ever received.
  • Rating: 3 out of 5 stars
    3/5
    Having read The Physick Book of Deliverance Dane a few years ago, I was intrigued to catch up with Connie Goodwin and her adventures in this book. Overall, this novel made for an enjoyable read, partly because I expected that everything would turn out for the best for Connie, despite the missteps she seemed to be making. The historical mystery surrounding Temperance Hobbs and her past make for a fascinating intrigue for modern characters to unravel. Fun reading for those who like a touch of witchcraft in their historical fiction.
  • Rating: 4 out of 5 stars
    4/5
    Excellent book--which I read in hardback not by audio book. It has been a while since I read the first one in this series and so I had to stretch my mind a bit. Exciting page turner about a witch who ends up investigating her ancestor through her mother's 1600s home.
  • Rating: 3 out of 5 stars
    3/5
    The Daughters of Temperance Hobbs by Katherine Howe has readers traveling to Cambridge, Massachusetts in 2000. Professor Connie Goodwin is up for tenure and working on a book which leaves little time to spend with Sam. Things have been tense between Sam and Connie since he mentioned marriage and Connie told him that she does not believe it is the right time. After a visit to her mother and a chat with Liz, Connie is gobsmacked with unexpected news. When Connie’s research reveals that Sam’s life is in danger, she teams up with Zazi to save him from a deadly curse that has affected her family for centuries. The Daughters of Temperance Hobbs begins ten years after The Physick Book of Deliverance Dane ended. While The Daughters of Temperance Hobbs can be read alone, I believe it would have been beneficial if I had read The Physick Book of Deliverance Dane (it is in one of my TBR piles). Katherine Howe is a detail oriented writer. Her comprehensive descriptions allowed me to visualize the people, places and items. I especially enjoyed the depictions of Granna’s cottage and the libraries. I could tell that the author did thorough research for this book especially with the inclusion of the Latin names for plants. There was also a cipher in Latin. We learn about the world of academia as Connie teaches her classes, helps doctoral students with their dissertations and navigate the doctoral program, deals with students who need extensions (there are always a few) on assignments, grades papers, talks with fellow faculty members and prepares her tenure packet. While Connie is the narrator for most of the novel, there are chapters that take us back in time. Those flashbacks allow us to learn about Connie’s ancestors and their magical abilities. The pacing is slow in the beginning with it increasing later in the story. There was a section or two that I found a little confusing and would have liked more clarity. Those who wanted more of Connie’s story after reading The Physick Book of Deliverance Dane, will enjoy delving into The Daughters of Temperance Hobbs. I appreciated the epilogue at the end with the surprising reveal. The Daughters of Temperance Hobbs has a fatal curse, a concealed spell, an antique skeleton key, a spellbinding tome, a magical lineage, and daring witches.
  • Rating: 4 out of 5 stars
    4/5
    This one took me a little while to get into. Probably because I realized about a third of the way through that it is actually a sequel to "The Physick Book of Deliverance Dane." That being said, you CAN read this one on it's own, but you might be a little more invested in the characters if you read the other first. Katherine Howe is a great storyteller, and I really enjoy reading her characters. Too often authors turn these women who are just beginning to discover their powers into SuperWitches who are The Chosen One, and that can get a little annoying. In this novel, Connie has just as many flaws as she has strengths, and has to rely on help from others when she can't find all the answers. If Howe continues with the series, I would definitely continue reading.
  • Rating: 4 out of 5 stars
    4/5
    The tagged book is the sequel to Howe‘s first book. It would be best to read Physick Book of Deliverance Dane first as then Temperance Hobbs would make more sense. I enjoyed both of these books and you will too if you enjoy reading about Salem witches. In this book Connie Goodwin must race against time in order to break a family curse.
  • Rating: 5 out of 5 stars
    5/5
    I received this through a member giveaway. I loved the previous book "The Physick Book of Deliverance Dane," I also enjoyed this book as well. Alot of research went into this book. I enjoy fiction books that are inspired by historical events as this book was. I also enjoyed the Authors previous work, however this is a personal reference.I felt that this book started off slowly and dragged a bit in the beginning. Keep reading though, you wont be disappointed! I felt in parts this book was predictable for anyone that is well read and has studied the accusations of witchcraft that occured in the Americas, New England and Europe, as well as the superstitions people believed during that time period.I enjoyed this book but feel that the, "Physick Book of Deliverance Dane" was a more interesting and less predictable read.I enjoyed seeing more of the history and the future generations of women in Deliverance Dane's family. This book reminds me of another ficticious family of women. The Owen's Women in Alice Huffman's "Practical Magic," and "The Rules of Magic." If you loved this book, I highly recommend Alice Huffmans books too! I can't thank Henry Holt and Company for the oppurtunity to read and review this book, as well as Kathrine Howe for writing and researching this book. It was truly a pleasure to read. I would read it again!
  • Rating: 5 out of 5 stars
    5/5
    Katherine Howe’s The Daughters of Temperance Hobbs picks up approximately nine years after the events of her debut novel, The Physick Book of Deliverance Dane, and returns to Connie Goodwin, now a professor at Boston’s Northeastern University, who must work to counter a curse that follows her family using the aforementioned physick book that she discovered during her PhD candidacy. This curse threatens Sam, the steeplejack Connie met in her graduate school days and who is now her partner. Connie gains new insight into folklore through Zazi, one of her advisees, who specializes in southwestern witchcraft traditions. Howe, who studied witchcraft and served as the editor of The Penguin Book of Witches, references various historical witchcraft traditions in a manner that adds a welcome touch of realism to the fantasy genre. Further, her depiction of academia will ring true for those who have pursued graduate education in the humanities.For example, as Connie attends a graduate-level symposium, a grad student delivers “a paper so rife with jargon that it had essentially amounted to a long recitation of the same bibliography that all grad students recite when they first discover critical theory. Butler, Kristeva, Lacan, Derrida, Foucault…” (pg. 103-104). In the previous novel, Howe portrayed Connie as working on her dissertation in 1991 without the aid of computer archival research. In advancing the plot to the year 2000, she’s able to comment on the changes computers introduced to academia, writing, “Computers, man. They made history research so fast Connie almost couldn’t believe it” (pg. 126). At one point, Howe perfectly summarizes the PhD process in a single sentence, writing, “There was so little in this process that was under anyone’s control” (pg. 121).As a PhD candidate, I find Howe’s portrayal of academia remarkably accurate. This, of course, results from Howe’s own experience in higher education. I read her debut novel just prior to beginning my PhD and it prepared me for some of the culture of higher education just as I find this novel an accurate depiction of ABD life, though technology has changed since the novel’s setting in early 2000. Further, Howe’s depiction of interdepartmental politics (pgs. 12-14, 97-98, 209-211) and graduate student politics (pg. 253-254), while fictional and condensed for the sake of narrative, will resonate with grad students and postdocs. In her author’s note, Howe argues of the decline in witchcraft prosecutions in the eighteenth century, “As common households in Britain and the colonies found it easier to secure food and goods, adjudicating the bewitchment of calves or butter was no longer of the mortal import that it had been in the 1600s. Economics, rather than changed belief, pushed witchcraft off the legal docket” (pg. 334). She also admits to where she left the story subjective at the end for the reader’s benefit, though Howe explains how even that subjectivity is based on historical and pharmaceutical evidence. Through these notes, Howe plays a key role in fostering an interest in historical scholarship with her novels acting as a “gateway drug” to the exciting sense of discovery that accompanies archival work.
  • Rating: 4 out of 5 stars
    4/5
    This book was the perfect witchy summer read that I didn't know I needed. I have never read the first book in this series, but that didn't hinder my enjoyment or understanding of this at all. Connie thought she just had to worry about finishing her book, getting her tenure packet in, and grading her student' papers; but on top of that her boyfriend just proposed, she might be pregnant, and she found an old family heirloom that could turn her research and life around. Her mother has convinced Connie that no men live long after "the next generation is set" and Connie is desperate to discover if that is true. She plunges herself into researching family history and realizes that her mother is right, but there may be a loophole, weather work. If she can figure out the writings she discovered in her mother's house, she may be able to save the life of the man she loves and become more intimately connected to her family history then she ever thought possible. Fascinating read! I loved the history components and all the characters, I'll have to go back and read the first one now!
  • Rating: 2 out of 5 stars
    2/5
    Well, okay then. That sums up how I feel.I loved The Physick Book of Delivery Dane, which came out a decade ago, and so I was excited to get an early copy of this followup. And then I started reading, and my excitement turned to annoyance.What we have with this book is a mind-numbing journey into academia. Connie is stressed going for tenure. This is drilled into us, over and over. Connie is grading papers. Connie is talking to students, helping them navigate their doctoral program or whatever else. Connie is again stressing about tenure. The tone is pretentious and the content is repetitive. The characters have no personality. I didn't feel any sparks between Connie and Sam. I didn't feel... anything.At the 25% mark on my Kindle, I was still waiting for something, anything, to happen. We'd finally work up to a point where it felt like we'd have a moment, and then we'd just move on to something else. Back to academia. Back to Connie's incessant self-involvement. And so I started skimming, because, yeah, I was bored. At the 35% mark, I gave up.The author definitely knows her subject, but nothing about this book worked for me.*I received an advance copy from the publisher, via NetGalley.*
  • Rating: 5 out of 5 stars
    5/5
    The Daughters of Temperance Hobbs is Katherine Howe's follow-up to The Physick Book of Deliverance Dane, set about 10 years after that book ends.Many of the same themes are continued from Dane to Hobbs. Again there are two historical periods, though this time the more recent one looks much more like our current period. As Howe has said, the first book was set in 1991 because she wanted Connie to have to do physical research rather than digital research, as well as not be able to just call on a cell when trouble arises. So there are really two historical narratives in both books.Additionally, the play between, and often the difficulty in communicating between, generations is present again. Because of the personal nature of the danger here, the generations work through the difficulties a little more easily, but there are still multiple ways of viewing the world based on their generational perspective.Maybe because of my time in academia I wasn't as bothered by the amount of attention given to the academic world of Connie, but it did provide an avenue for us to learn what we needed in order to better understand the events of the distant past. Otherwise, Connie/Howe would have had to basically lecture us during her narrative so we could follow the other narrative.The only thing that really kept this from 5 stars for me was that I would have liked to have gotten into the "action" a little sooner.. Having said that, I am not sure how that could have been done while also giving us the information we needed. This is so well researched and relies on an understanding of the actual as well as the created historical past I think it requires a lot of set up.As a small aside, Coursera offers a MOOC on Plagues, Witches, and War: The Worlds of Historical Fiction that is very interesting and includes a seminar Howe did with the students at UVA who were taking the course in person. The seminar was about The Physick Book of Deliverance Dane and was very good. I think I completed the course back in 2013 or 2014, but have been back to it several times because of the authors who spoke to the class/us.I still highly recommend this book and definitely worth your while if you enjoyed The Physick Book of Deliverance Dane. Reviewed from a copy made available by the publisher via NetGalley.
  • Rating: 3 out of 5 stars
    3/5
    The Daughters of Temperance Hobbs by Katherine HoweSource: NetGalley and Henry Holt & CompanyRating: 3/5 stars**MINI-REVIEW**The Bottom Line: I wanted to like this book so much more than I actually did and I can only pinpoint one element which kept me from truly loving a book that is generally right up my alley. Here’s my issue: the paranormal elements don’t feel at all like they fit with the rest of the story. I feel like this book is two books, one historical fiction and one paranormal, squished together for a poor fit. Any historical fiction related to witches and the Salem Witch Trials is going to be able to stand alone for many readers so adding the paranormal elements to this particular story didn’t feel either needed or necessary. What’s more, I found Connie to be the least likeable of all the characters which left me struggling to root for her. I did like Sam, Grace, and Zazi a whole lot and feel like they really kept the story moving more than Connie did: Sam is a kind soul, Zazi is a firecracker, and Grace is just the right amount of hippie. I also enjoyed the explanations of the time period and the magic and how the past dramatically impacted the present. If it weren’t for the wonkily (that’s a technical term) added paranormal elements, I think I would have felt much differently about this book and been able to assign it a much higher star rating.
  • Rating: 3 out of 5 stars
    3/5
    I love a good witch story and had previously read The Physick Book of Deliverance Dane by Katherine Howe, which is what sparked my interest in her latest book. In the beginning, I struggled to get into the story. It seemed bogged down by the day to day of the academia world. Students stressed over grades, thesis writing, instructors worried about their book deals, tenure and so forth took up much of the first third of the book.In the midst of all this, Connie Goodwin is trying to do research for her book that she is behind in writing. She is also up for tenure, so getting the book to the publisher is important. Naturally, the book is about colonial America and the home recipes, or “magic” that was thought be a part of the recipes.What adds to the story is that Connie is a direct descendant of a woman tried as a witch in colonial America and her mother resides in the home that has been passed down through the generations of women.The last quarter of the book was more interesting but the ending seemed rushed. I didn’t enjoy this one as much as I did Howe’s previous work.Many thanks to NetGalley and Henry Holt & Company for allowing me to read an advance copy and give my honest review.
  • Rating: 4 out of 5 stars
    4/5
    I really enjoyed this book. I liked how it jumps from the 1800s to 2000s and give bits and pieces of the backstory to piece together with the current story. The characters were well thought out and easy to connect with. I enjoyed the twists and turn. I definitely need to go pick up the book before this one. Can't wait to read it!
  • Rating: 1 out of 5 stars
    1/5
    NOTE: This review contains spoilers.....I received this book through the Early Reviewers. It was promoted as, if you like A Discovery of Witches, you'll like this. For me, it didn't live up to the hype. Connie, the lead character, didn't really have any endearing or sympathetic characteristics until almost the very end. For a history professor with direct family ties to witch craft, she is dismissive until personally needy. Her mother is described as a "hippie", as if the author doesn't even want to go into mystical terms. I consider myself literate but the author used words I had to look up which made me feel kind of stupid. Not, however as stupid as we are to believe Connie is. A learned individual who doesn't understand birth control? Sam was the most relatable character in the book. If he were real, there's just no way he would have stuck around. Connie doesn't get a clue until it's almost over. So many plot holes and implausible character traits made an absolute mess of this book. I know the author put a lot of work and heart into this, as I never could. I honestly can't recommend it though.
  • Rating: 5 out of 5 stars
    5/5
    This book was very interesting. The author has done so much research into many aspects pertaining to this book. Salem witch trials, herbs and plants, conjuring, spells, and so much history. This usually is not a genre that I read, but, I really did enjoy it. I would read from this author againI received this book from the publisher with promise to write an honest review
  • Rating: 3 out of 5 stars
    3/5
    Beware all who pick up this book. Be prepared to suspend belief in the norm and be open to the possibilities of other forces, witchcraft and the inexplicable. It would also be helpful if you overlook certain lapses which defy, well everything.There is an inordinate amount of time spent on carping about the “Publish or Perish” theme inherent in the world of academia. Everything alluding to that made me dislike Connie’s personality. It almost felt as if when the story lagged let’s revisit how intense it is to be on the path for tenure and never sure if your are going to make the grade and expect the people who love you most to understand even when you are being totally selfish.The story was solid, some of the “stuff” that got thrown in was a distraction and wandered. Some of the characters who popped in and popped up at times was a bit too convenient. Interesting characters, setting, and exploration of the importance of all manner of plants in the furtherance of healing, spells, witchcraft and who knows what else. Three and 1/2 stars.Thank you NetGalley and Henry Holt and Company for a copy.
  • Rating: 2 out of 5 stars
    2/5
    I received this book as part to the LT earlier reviewer program and was very excited to received. I really enjoyed Howe's previous works including the Physick Book of Deliverance Dane. For some reason, however, this one just did not have me at all interested. The pacing was painfully slow and plot was a little dull. I had to keep coming back to it in the hopes that it would pick up and I would tear through the remaining chapters. Unfortunately I just never cared that much about the main character Connie and her story, despite the fact that I found the same character lovely in the previous book. Perhaps it was just the mood I was in when I read it, others may enjoy it just as much.
  • Rating: 5 out of 5 stars
    5/5
    Connie is working hard toward tenure. She is struggling between that and her life in general. She has a wonderful boyfriend but she tends to put him on the back burner. Then, she realizes a “curse” from her past ancestors may be a threat to his life. Did I mention Connie is descended from witches?Connie is an absent minded professor. She is a little scatter brained until it is time to protect her loved ones. Then her intellect really shows out. She is one determined young woman when her family is involved. And she has to be! Her ancestors are nothing to laugh at. There are so many mysteries, spells and curses to uncover to find the answers she needs.I love how the author sprinkled historical references throughout this book. This added so much to the mystery and excitement. I did think the ending was tied up nicely in a neat bow. I wanted more drama and umph!I read The Physick Book Of Deliverance Dane years ago. I remember enjoying it but I do not remember much about it. So, it is not necessary for you to read that one first. It may help you to understand Connie’s history but not vital for you to enjoy this one. And for the record…I liked this one more than the first one. Just kept me intrigued all the way through!I received this novel from Henry Holt company for a honest review
  • Rating: 3 out of 5 stars
    3/5
    A sequel to The Physick Book of Deliverance Dane, which I'm finding hard to believe I read ten years ago. This one is very similar to its predecessor in terms of general storyline, abrupt twist at the end, and a certain something that didn't quite add up for me. The historical flashbacks mostly work well, though, and in the end, this proved an engaging read.
  • Rating: 3 out of 5 stars
    3/5
    I was hoping to love this one as much as I remembered loving The Physick Book of Deliverance Dane, and while it was an alright read, it fell short of all the luster I had expected. It somewhat picks up where Deliverance Dane left off, but the first part of the book was spent just chattering away about academia that had little to do with the main plot. Things finally got going towards the end, but by then I just wanted to know how it ended and move on to my next book. If you enjoy reading about research and academia with a tad bit of history, this might be worth your time, but expect a lot of hopping around, characters that aren't quite as smart as they should be, and a potentially somewhat unsatisfying plot line.
  • Rating: 3 out of 5 stars
    3/5
    The Daughters of Temperance Hobbs is a sequel of sorts to Howe's earlier novel, The Physick Book of Deliverance Dane. Connie Goodwin, who in the previous book was a grad student discovering secrets within her grandmother's house that were tied to the Salem witch trials, is now a professor seeking tenure at a university in Boston. But when Connie is led to believe that her boyfriend Sam's life may be in danger based on some of her research, she begins a frantic search for answers in order to stop a familial curse. I don't remember a lot of detail about the Deliverance Dane book, other than that I enjoyed the overall story, but found it lacking in some ways. But I was excited to receive this advanced reader copy of Temperance Hobbs, hoping that this book would elaborate and tie the story together a bit more for me. Unfortunately, that wasn't really my experience. In fact, I have to wonder if I read the same book as others who have reviewed this one. There were portions that I found interesting and intriguing, but for the most part I was disappointed in this book. I didn't particularly like Connie's character. I found the majority of the story dull and lacking in meaningful content. More than anything it felt very choppy and confusing, with rough transitions and irrelevant details, leaving me to wonder if I'd interpreted something correctly or not. The climax at the end of the book just felt unrealistic to me, and the postlude felt very rushed and incomplete. I don't know. It's hard to describe exactly my critiques of this book, but it seems like it could've been so much more than it was. Granted, this is an advanced reader copy, but in my experience, not a lot is fundamentally changed between an ARC and a final published copy, so I wouldn't anticipate any major revisions. So much potential here, and a beautiful book cover. But the execution was lacking.
  • Rating: 4 out of 5 stars
    4/5
    Connie Goodwin is a direct descendant of a woman who was executed as a witch in Salem and she is trying to remove a curse in order to keep her family safe. I understand this is a continuation of an earlier book from this author (which I have not read), but this is reasonably free-standing and the narrator fills in the essential pieces from the past. I enjoyed the historical parts very much, since the era and events are not ones I know very well. I also enjoyed the side characters and especially Zazi and Grace are favorites as they are both knowledgeable, quick, and clever. The main character, however, does not completely jive for me as she sometimes comes across as not very sharp, which I feel she should have been. Also, I'm not quite buying her feelings for Sam, but perhaps I need the previous installment to see how they go together. The story is very engaging and it was quick page-turning that took me to the pleasing denouement at the end.
  • Rating: 4 out of 5 stars
    4/5
    Connie has finally finished her dissertation defense and is working on obtaining tenure teaching colonial American History. Life seems to be settling down...finally! Except, she and her boyfriend seem to be drifting apart from one another. When Connie begins working on her research in early American folk healing and cooking, she discovers some very disturbing secrets about past ritualistic practices that are affecting her present and may destroy her future. As Connie races to find information that can prevent these disastrous consequences, she is startled to discover the intricacies of her ancestry and its connection to witchcraft. A past that continues to have an effect on her present, and may destroy her very future. This book is a sequel to The Physick Book of Deliverance Dane, which I did not realize until I was about 1/3 of the way into the book! I enjoyed both books, but felt that they kind of just...well...ended suddenly. Maybe I expected more twists and turns and plot conundrums...or just wanted more twists, plots, and conundrums! Overall, I enjoyed the book and am glad that I made the connection to its' predecessor, as this shed a little light on the plot. Thank you LibraryThing for the early reviewers edition of this book!
  • Rating: 4 out of 5 stars
    4/5
    The Daughters of Temperance Hobbs is essentially a sequel to the author's previous book, The Physick Book of Deliverance Dane. I have not read that book, but it did not lessen the enjoyment in reading this novel. There is enough background given that any reader can quickly pick up the story.The primary story is set in 2000, in the Boston area. Connie Goodwin is an historian, but she is also descended from a line of witches. The plot centers on her efforts to break a curse that seems to be on the fathers of her ancestors. The fact that Connie is pregnant and concerned for the welfare of her partner drives her efforts.The story moves between the present day and an historical thread featuring some of the witches who are Connie's ancestors, beginning with Deliverance Dane. Initially, I thought this plot line might be a distraction, but it is integral to Connie's search, and enhances the overall presentation.This book has interesting, well-written characters and evocative settings. I love the descriptions of Connie's mother's house, which is an important location in the plot. I could clearly picture the house, its setting, and its furnishings.If you like stories about witches and witchcraft, I definitely recommend this.
  • Rating: 4 out of 5 stars
    4/5
    The Daughters of Temperance Hobbs moves back and forth from present day 2000 and back to the 1600's. In modern day Connie Goodwin is a direct descendant of Deliverance Dane, a witch tried during the Salem witch trials. Connie is a professor on tenure-track living in Boston with her boyfriend Sam. Sam wants to get married but Connie isn't so sure. From doing her research she discovers there may be a curse in the bloodline of her ancestors dealing with the death of their spouses. Is there a curse and if so how can she break the curse? So the story is pretty much about Connie, with the help of her friends and mother, unearthing documents and old records searching for answers to save Sam from the fate of her ancestors. There is also the stress of academia on grad students as well as professors. Witchcraft and witches.
  • Rating: 5 out of 5 stars
    5/5
    I knew when I started this book it was by the same author that wrote The Physick Book of Deliverance Dane, which I just loved back 20 years ago. What I didn't know was this book is a continuation of that book, and when I started to think the characters and the setting seemed familiar, and then made the connection - I was SO psyched! And I was not disappointed. When I see a book about witches I want old school, Salem witch type witches and I want magic, and spells and herbs and stones and all things witchy. This book delivered all those things in droves. It's told in an alternating story line between the 1600s and modern day, which normally I don't love, but in this case kept me very firmly grounded in the book's witchy-ness. I can't fully express how happy I have been to read this, all I can say is, if you loved The Physick Book of Deliverance Dane then you will probably love this. And if you haven't read The Physick Book of Deliverance Dane, I highly suggest you hurry up and read it so you can enjoy this one as much as I did.A very, very huge thanks to NetGalley and the publisher for providing me with an advanced copy to read in exchange for my honest opinion.
  • Rating: 4 out of 5 stars
    4/5
    The Daughters of Temperance Hobbs by Katherine Howe may be a sequel to The Physick Book of Deliverance Dane, but it is not necessary to read one before the other. While there are references to Deliverance and her book throughout The Daughters of Temperance Hobbs, Ms. Howe provides all the background you need to understand Connie's story. I say this with confidence because I did not read the first one but thoroughly enjoyed its sequel.For any reader who is not in academia, Connie's story about her teaching and the pressures to obtain tenure and publish her book are fascinating. At least, I thought they were because they are so far removed from the corporate world, where increasing sales and lowering costs are the driving forces of any decision-making. The world of academia appears just as cutthroat but more nebulous, wherein your success or failure hinges not on the company's performance but on your own ability to put up with the constant research and competition. I appreciate this insight into a world that never interested me for my own personal goals but remains such a large part of our educational system.The other half of Connie's story, the witchy one, is downright fun. I love a good witchcraft story, especially one where almost all of the characters maintain that belief in witchcraft has merit given its influence in our society and the fact that such belief continues in our highly logical, scientifically-minded world. Her urgency to save Sam from the family curse does remind me of Alice Hoffman's Practical Magic, but that is where the similarities end. The Daughters of Temperance Hobbs has more gravitas to it, surrounding its tale of magic with scholarly insight that makes the story that much more believable.While The Daughters of Temperance Hobbs has its moments of darkness, the story as a whole is an entertaining one. Ms. Howe's approach to the idea of witchcraft, as well as the practice of it, lends credence to its possibility. At the same time, Connie's desperation to save her partner and uncover more of her past in order to do so makes you understand the scholar's excitement about research, that thrill of finding something no one else did, of making connections that have the possibility to change someone's life, of physically touching the past in a way that most people will never be able to do. It is almost enough to change my mind about getting a doctorate. Almost being the operative word.

Book preview

The Daughters of Temperance Hobbs - Katherine Howe

PART I

AETITE

And Ruth said, Intreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God.

Ruth 1:16

King James Bible

The Devil has made us like a Troubled Sea; and the Mire and Mud, begins now also to heave up apace.

Cotton Mather,

The Wonders of the Invisible World, 1693

Prologue

Easthorpe

Essex, England

Candlemas, 1661

The first clod hit Livvy Hasseltine’s face—a starburst of cold mud exploding hard on her jaw. Livvy spat dirt, dropped her basket, and turned to run. The taste of dirt and sheep soil in her mouth.

Get out of here! one of the boys screamed. The others bayed like hounds. Another clod sailed by her ear. Livvy hunched her shoulders, trying to make herself small. Cloak flapping behind her like sparrow wings.

Split-wood fences and stacked stone paddocks walled both sides of the road. Cold late winter mist lay so thick that Livvy couldn’t see much farther into the fields behind the fences than a rod or two, but she could hear the soft lowing of shaggy-backed cows, their jaws working the cud as she fled by. One of the fields had the bull in it. She didn’t know which one.

Livvy grasped up her skirts around her knees, her boot heels landing hard in puddles touched with ice. Veering left, she slithered through a gap in the fence, hoping she had guessed right, dashing past a knot of sheep settled together in a wooly row against the chill, soft ears flapping. She slid down a rolling hillock of damp turf and her coif flew off, a pale dove lifted away by fingers of fog. Brown fringe of hair falling into her eyes. She glanced behind her, through the cloud rolling heavy between the cottages of Easthorpe, this mean little village where they never used to live. How many boys? Three, their shadows moving after her down the lane. She could hear their breath. Their syncopated feet.

You! Satan spawn! Longtooth demon beast! Best you run!

Which way she go?

This way!

I got her.

Another clod came sailing through the fog and fell with a splat six feet behind her. Livvy picked up speed. Woolen stockings bagging at her knees.

Livvy’s breath came high and tight in her chest, her cheeks flushing scarlet. She wasn’t a runner. She didn’t like to go outside the cottage, most days. She preferred it near the hearth, teasing the flames with a poker, helping their landlady by sweeping up ashes or shelling peas. It was a mistake, to go out. To be seen. Livvy was a watery girl, prone to fevers. Her skin clammy and hot. Livvy craved quiet, and warm things, and she loved her straw pallet in the attic and holding the turnspit dog to her chest, feeling him warm asleep and his heart beating under her hand. Livvy wished she’d stayed in their rented corner of the cottage loft. Invisible. Unknown.

The mud clinging to her eyelashes made her eye start to water. Sure, the water was from mud. Not from crying.

We’re coming for you, little girl! Laughter, shouts. Sheep bleating in alarm.

Sweat soaked through her shift and darkened the wool of her dress, painting circles under her arms and a vee down her back. Sweat plastered her ragged fringe to her forehead. Through the mist Livvy could only see rolling green-brown turf dotted with sheep, some goats, round-bellied and rubbing their horns together.

The mists parted before her as she ran, and knitted behind her, as though she were running in a dream, her feet not touching the ground, wet clods falling farther behind. Mist thickening. Gasping, Livvy spied half a dozen sheep trotting apart like the ripples in a pond full of stones. The boys were still coming.

Ahead, a shape—another cottage maybe, behind a line of trees. Livvy dug into the mist with her elbows, breath exploding out of her chest, pushing herself faster. The trees were thick and old, she didn’t know what kind, her mother would scold her for not knowing. No, she knew this one—an ash. Good. Livvy skidded behind the ash’s trunk, old with gnarled elbows, some branches hanging low. She flattened herself against the trunk. Hidden. Chest heaving. Hearing herself breathing, trying to force herself quiet, she swallowed her breath away, nostrils flaring.

Where’d she get off to?

Footprint here.

How close? Livvy’s pulse throbbed at her throat. The ash bark wet and crumbling under her fingers.

She be running thataway.

Murmuring behind hands, shuffling feet. They talked about her with oaths in their mouths.

Sounds of sleeves wiping noses and grumbling and the three boys—she didn’t know their names—jogged down the slope, leaping first one, then the next and the next, over the shallow, rocky creek that wound its way across the bottom of the field. Livvy held still.

The three voices called out for her, after her, they thought, stopping to pick up clods of mud and rock and hurl them into the mist where they thought she had fled. They drew away, down past the creek.

Livvy caught her skirts in her hands and dashed on the balls of her feet to the looming shape before her, stone walls, leaded windows, peaked slate roof. When she drew into its shadow she saw that it wasn’t a cottager’s house after all, but the church. A sedate little steeple at one end. Gothic points over narrow, dark windows.

St. Mary the Virgin.

Her mother warned her away from popishness.

Naw, she didn’t go this way, a distant male voice called.

Let’s go back, another suggested.

Livvy crept to the church door. Heavy, solid, oak, with iron latch and hinges. Livvy pushed on it with her shoulder and it creaked open, and she slipped inside and the door whumped closed behind and she was safe.

Dark. Damp. Cool. Almost cold. Livvy folded her arms across her narrow chest and peered into the dimness within. Rows of pews. A few candles on an iron stand in the chancel, flickering under an effigy of the Virgin with a naked baby standing on her lap. The cloying smell of melted wax and pine garlands left hanging since Christmas. The cold saints’ eyes stared down at her. Following as she moved.

Idolatry. It was a very great sin.

Livvy edged around the stone walls, hunting for a place to conceal herself. Splinters of color moved over her face, cast from feeble sun through the stained-glass windows. Christ at the Resurrection.

She’d have to go back for the basket—they only had two. And the other had a ragged hole in the bottom, chewed by mice. She’d been carrying scrap greens, dandelions gleaned from the edge of a field. They’d be scattered and eaten by a goat by now. Livvy hated Easthorpe.

The alcove leading to the south door beckoned her, pointed roof and cool stone, shaded in darkness. Livvy crept around the corner, pressed her back to the stone wall, and slid to the floor. Outside, the boys called one to another. Close by. What would happen if they caught her? Perhaps they didn’t know themselves.

Brick quoins framed the pointed door. The church was sturdy. Ancient. She didn’t have a guess how old. She huddled on a rectangular stone slab fixed in the floor, the kind that hides a narrow stairwell leading down to tunnels stacked three deep with long-moldering corpses. The church walls draped with the clinging skeins of marriages and sacraments and deaths, centuries of private stories unspooling under the watchful eyes of the saints.

The voices outside faded. Livvy hugged her knees, staring into the late-afternoon darkness of the alcove. She watched the door. It was a boon being hidden away. Hiding in these few moments of quiet. In the cottage there was no hiding. She slept at her parents’ feet, with their landlady—a distant cousin of her mother’s—and her husband and her bevy of children snoring in the hall below. Eleven of them altogether. The attic air got heavy and wet from so much breathing.

Livvy’s eye tripped over a carved human shape at the topmost point in the quoin over the south-facing door. Something out of sorts about that shape. Odd, and like it was watching her. Only not like the dead-eyed Virgin.

Livvy got to her feet, touching her fingertips to the wall, and pushed her fringe away from her eyes, straining for a better look.

The keystone over the doorway was a different color and texture from the other stones. The church was multicolored rock cobbles, a rainbow of grays, and smooth stone—granite?—framing the doorways and the stained-glass windows. The keystone was different. Wrong. Sticking out of the shadows like a stubbed toe.

It was black chalkstone. Oblong, oddly shaped. Livvy crept nearer.

The carved shapes on the keystone were rough, untutored, unchurchlike. The kind of work a family would do for a headstone when they couldn’t afford to pay someone. Lines and curves, nonsense-shaped. Livvy stared harder, getting used to the darkness, and presently the scorings in the chalkstone resolved into the figure of a woman.

The woman was naked, save for a coif that covered her hair and ears. A tiny smile on her face, and round, staring eyes. Eyebrows drawn up, as though asking a question. Her ribs showed, breasts hanging, and she was squatting, the attitude of her hands insisting that the beholder stare upon her most secret parts. Her nakedness was bawdy. Unashamed. Carved alongside her, lightly, Livvy could just make out letters: E L U I.

Livvy smiled. She imagined that the chalk effigy smiled back.

You there! The voice shattered the peace of the alcove, and Livvy started.

What do you think you’re doing?

Livvy turned to find the young and disapproving face of the vicar. Black robes and a tight collar. His hair was thinning, and he had no cap on. In his hands hung pine garlands, drying and brown. Taking them down for Candlemas.

I was just— The silence in the church rang heavy in her ears.

Who are you? The vicar stepped nearer, squinting down at her.

I’m… Livvy had a horror of talking to strangers. They’d only been in Easthorpe some weeks. Enough to arouse suspicion, but not enough to have made friends.

You’re one of Goody Redferne’s boarders. He kept moving nearer. He had pox scars on his cheeks, making him look raw and burned.

Aye, Livvy managed. She took a step backward without meaning to and hit her heel on the wall. Pain flared up the tendons in her foot.

From Lancashire, he said, and when he said it his mouth twisted, and something changed in his eyes. Just arrived.

Above the southern door, the crouching carved woman seemed to be giving birth to all manners of escape.

Aye, Livvy said at length. Pendle Hill.

The pine garlands sighed softly to the vicar’s feet.

And who be your mother, little girl from Pendle Hill? He stepped nearer, his slipper crushing the desiccated needles. Livvy’s nose twitched at the sharp scent of the pine oil.

Anna be her Christian name. Anna Hasseltine.

No, the vicar said slowly. "I asked you, who be your mother?"

Confused, Livvy crept with her toes nearer the door.

She—She’s— Livvy stammered. I’m—

What do you want here? He was so close, only an arm’s length away.

I was only—

You were only what?

Livvy’s eyes traveled up to the squatting black chalk woman. Her hands on her knees. Her smile saying, Yes. Look at me. I know you. I knew you before you knew yourself.

You be an abomination, the vicar said, softly and so friendly-like that at first Livvy thought she must have misheard him.

What? Livvy said.

You best be getting on, the vicar said, dropping his voice to a sinister whisper. Wee Cromwellian. Little spawn of the Pretender. I’m just back from London, you know. He stepped near enough that she could feel his wet breath on her cheek.

Livvy’s wrists ached. In the pillory, back in Pendle, she’d been left so long the bones in her wrists grated together like dry pebbles.

Oh, aye. The vicar’s poxed eye gleamed. I saw it all. Cromwell’s body dragged through the streets on a sledge. Hanged for a day, then his head hacked off. Driven on a pike twenty foot high. Mounted above Westminster Hall. Can you conceive it? The Lord Protector himself, slack-jawed, pecked by crows?

Livvy’s feet inched her along the wall, away from the vicar, nearer the door. Three feet. Then two. Almost near enough to grasp the handle.

Go on. Get out of here, the vicar snarled. There’s no call for the likes of you in God’s house.

Her hand fell on the door. Pushed it open. The evening mist drifted in, carrying the smells of sheep and darkness.

This were never God’s house, Livvy said, too loudly, and stepped into the coming night.

Chapter One

Cambridge, Massachusetts

Early February

2000

It would appear that we are nearly out of time, Janine Silva said, eying her vintage Spiro Agnew wristwatch, and Connie Goodwin’s vision blurred with a surreal sense of déjà vu.

For six years, every major event of her graduate student life had taken place in this room. The new student welcome reception was held here—Connie had worn flip-flops, of course, which was appalling, but true. Her reading seminars were taught here. Her oral exams—the longest four hours of her life, so stressful that she had basically blocked them out the moment they were over. That was here too. Her practice job talk, before a panel of fellow doctoral candidates each wanting to ask a question more probing and picayune than the next, also here. And the dreadful, stultifying holiday parties, year after year, which she’d attended mainly so that she and her roommate Liz Dowers—Liz of the half-dimple smile and ability to actually lecture in medieval Latin—could make off with the cheese platter at the end. Years and years she had spent trapped in this room, like Theseus in the Labyrinth, an endless vista of sameness around this one conference table. And then, all at once, never again. Not since her final defense. In, what? 1995. Five years. A long time. And not a long time at all.

The room itself was essentially the same as she remembered. Pitted conference table, with a few fresh pairs of initials here and there, tattooed into the wood with ballpoint pen. The same stained blackboard, now hidden behind a freestanding whiteboard with an announcement for an undergrad study break next week—free pizza!—in blue dry-erase marker. The same white-whiskered portrait of an anonymous old man, gazing boringly out at his own receding importance. The same grimy window, with the same shutters, now pinned open to catch what remained of the thin winter light. Four in the afternoon, and already almost dark. February was the cruelest month in New England.

Janine Silva, chair of the newly renamed Committee on Degrees in Women’s, Gender, and Sexuality Studies, folded her hands in front of her and smiled at the faces assembled around the table.

I believe we have time for one more question, Professor Silva said. Who would like to do the honors?

Janine looked expectantly into each face in turn. To Janine’s left, Marcus Hayden, specialist in African American history, newly lured from Dartmouth with tenure and, it was rumored, a house in Belmont for him and his wife and four (four!) children. Marcus was a superstar. He’d gotten the Bancroft history prize with his first book (first!), and he appeared regularly as a commentator on cable news networks. He was the kind of guy Connie found herself thinking about in parenthetical interjections (a Bancroft!). If he had any shortcoming at all, it was that Marcus knew he was a superstar. He’d barely acknowledged Connie when she came into the room. He was cordial to Janine, but in an aloof, superstarish way. He had no notes in front of him, and was also looking at his watch—an expensive one. Well-cut sport coat and no tie. Too handsome for a tie. He had already moved on from this otherwise unmemorable afternoon. No way would the last question come from him.

To Janine’s right, Professor Harold Beaumont leaned back in his library chair, eyelids heavy, fingers knitted over his sweatered belly. Professor Beaumont had published a thousand-page Civil War monograph twenty-one years ago, with a university press that listed it for sale in hardcover at a cost of eighty-nine dollars (all but guaranteeing it would never be adopted for any course), and then he’d settled into tenure with comfortable indifference. Connie doubted he remembered having been on her own orals committee. Or if he did, he didn’t much care. He passed his days teaching one seminar a year, generally consisting of no more than four students at a time (they all had to buy his book), writing a regular column for the National Review, and going on cable news shows, though not the same channels as Professor Hayden. He had notes between his hands, the selfsame typewritten ones that he took to every examination like this one, but Connie was reasonably certain that he was about to fall asleep.

On the opposite side of the table, eyes wide, buttoned into an ill-fitting navy blue blazer that had the look of being borrowed from a friend, radiating the vibrating crackles of panic that perhaps Connie alone around the table could remember having felt, sat the reason for this gathering—a young, curly-headed graduate student named Esperanza Molina. Zazi, to her friends. Enduring the longest four hours of her entire life up to this point. Five pounds skinnier from months of studying. Light-headed, desperate for escape. Hands tightly folded, thumbs crossed as if in prayer. Her eyes met Connie’s and begged, Please let this be over.

I’ll do it, Connie said.

Janine beamed. Professor Goodwin? By all means. Go ahead.

Miss Molina. Connie leaned her elbows on the table and looked pointedly at the young woman—girl, really. Grad students looked younger to Connie every year. Would you kindly provide the committee with a concise but complete history of witchcraft in North America?

The second hand ticked on Connie’s watch. And kept ticking. It ticked long enough that Connie noticed it ticking. Her question was meant to be a lob. An easy tossup that Zazi could smash into the corner of the court—Connie had never actually played tennis, but same difference—and go out of her oral qualifying exam with a bang. This was a gimme question. Zazi’s eyes were open so wide that Connie could almost see the whites around her irises. What was happening in there? Was Zazi hunting through all her mental index cards—she probably didn’t use index cards, none of the grad students did anymore—shuffling through drawer after drawer, looking for the answer and finding them empty? What would Connie do if Zazi couldn’t answer? She would have to throw her a life preserver. Give her a hint or something.

Connie glanced at the other professors around the table, weighing how a life-preserver hint would go down, and what it might mean for Zazi passing the exam. Janine would probably let it slide. Maybe. Depending on how she felt about Zazi’s writing. Harold? Oh, he wouldn’t care, would he? Unless he felt like causing a problem just because he could. Connie wouldn’t put it past him. Plenty of professors—more than she’d like to acknowledge—took more pleasure from exercising their power over their students than they did in seeing their students succeed. She glared at him as she thought this, but he didn’t notice. And what about Marcus? His lips pressed together, flattening his mouth. Dammit. No way would he give Zazi a pass. No freaking way.

Zazi straightened in her chair, drawing her shoulders back and lifting her chin. She looked from one professor’s face to another, settling at last on Connie.

Northeast, South, or Southwest? Zazi said.


The Harvard graduate student of American history, as Zazi was, and as Connie had been, must demonstrate mastery of a dizzying array of facts, details, arguments, and agencies of staggering obscurity before being advanced to candidacy for the doctorate. This demonstration took place before a panel of professors, each chosen by the graduate student to form a committee carefully balanced between the competing interests of mentorship, influence, power, and ego. From Connie’s perspective, Zazi had chosen well. Two senior people, of differing politics and spheres of influence. A young superstar. And a young not-exactly superstar. Also of differing politics. And certainly different spheres of influence. Connie had never been invited on any cable news programs. Not a lot of call for commentary on early American colonial religious history on cable news. Thank God.

The questions Zazi had gotten that afternoon had been par for the course, and as wretched as any oral exam Connie had ever presided over. Discuss, if Zazi would, the major themes and publication details of some of the most widely disseminated escaped-slave narratives circulated in the eighteenth and nineteenth centuries. In what ways, would Zazi say, did the Antinomian Crisis find expression in the political and religious organization of the European colonies? Would Zazi please describe the first Wedgwood ceramic pattern put into mass production, and its importance in the history of American class signification and practices of consumption?

Awful. Just awful. Though Connie thought she was doing okay so far. Maybe not awesome, but totally fine. Connie glanced at Marcus again under her eyelashes.

Maybe not fine. Hmmm.

Zazi needed Connie, and not just for the lob. Zazi had come to Harvard straight out of the Plan II honors program at the University of Texas, and she intended to study American colonial history. She also had a secondary interest in syncretic and folk religions of the South and Southwest, specifically Hoodoo, Vodun, and Santería. Connie was doing her best to steer Zazi away from a dissertation on that, though. Hard to get a job with that topic. No university teaching positions listed occult expertise a plus after Ph.D. required.

As Connie knew well.

Zazi had arrived in Cambridge owning zero sweaters, breezed through her coursework, had frozen her first winter, bought two sweaters, and had been all set to sit for her oral exams on time when her plans had collapsed into wreckage around her. Steven Hapsburg, assistant professor of early colonial American history and Zazi’s advisor, had been denied tenure and would be leaving Harvard at the end of the semester. Rumor had it he was leaving academia altogether and moving to Puerto Rico to live on a boat. (Smart move.)

Hapsburg had come to Harvard in 1994, replacing Connie’s own advisor, Manning Chilton, when Chilton suffered an abrupt, appalling, career-ending distemper. Hapsburg was young, and earnest, and straight out of the University of Delaware with a studious dissertation on Connecticut shield-back chairs. He loaded up with courses and advisees and tutorials and got involved in residential life and published three articles (one in American Quarterly, even. American Quarterly!), got his book under contract with a decent university press, and then—kablooey.

Hapsburg’s ignominious departure should have come as a surprise to exactly nobody. Harvard’s history department hadn’t tenured a junior faculty member since the 1950s. They preferred to hire superstars from peer institutions, to be guaranteed they were getting the best. (Marcus Hayden, Exhibit A.) But no one had bothered to tell Zazi that.

One night the previous November Connie had been sitting her in office at Northeastern, a pile of one hundred and fifty blue-book midterm exams on her desk, already two weeks past when she’d promised her United States Survey 1580–1860 undergrads she’d have the exams back, starting her fourth mug of coffee for the day and drumming on her head with a pencil, when her office phone rang.

It was Janine Silva.

She’s very upset, Janine said, in a mild tone that reminded Connie that Janine had stepped in when she, Connie, lost her own advisor to a devastating illness just as she was beginning dissertation research. In the background, a nose blew, and weeping continued audibly.

He can’t stay on to see her through the exam? Connie said. Outside a breeze kicked up, rattling dry maple leaves against her office window like loosened teeth.

He’s moving onto a boat.

There’s no one else on faculty who can do it? What about someone in religious studies? Connie’s hand found her forehead and pinched an eyebrow.

I’m not asking you to be her advisor, Janine pointed out. The radiator under Connie’s office window rumbled to life. Like I did for you, Janine didn’t say. Third reader. Second, at most.

Isn’t Thomas a lecturer now? Can’t he do it?

Thomas Rutherford had been Connie’s undergrad thesis student when Connie was in grad school. He was now a lanky postdoc, half a foot taller (who knew boys still grew in college?), and as pale and studious as ever. Connie still met him for lunch, on occasion.

You know that won’t do her any good when she goes on the job market, Janine said. She’ll need a professor. For her letters.

But— Connie picked up the pencil from her desk and pressed her thumbnail into it, digging a crescent into the wood.

What she couldn’t say to Janine was that this was the year Connie was up for tenure herself. She had grad students of her own. She had nearly twice as much committee work as her colleague who came in the same year (a guy, of course). She had a book to finish. And, in theory, she had a life (ha ha). She couldn’t take on some wayward grad student at another institution. It wouldn’t help her tenure case at all. It would just eat up her time.

On the other end of the line, in the background, the nose blew louder, and Janine said Here, dear, with her hand over the receiver. Probably passing over the box of tissues. One of the first lessons of being junior faculty: keep a big box of tissues. They’ll be needed for the coming wave of dead grandmothers, career-ending B pluses, and dead-to-rights plagiarists feeling abrupt remorse.

Connie rested her forehead on her desk, staring into her plaid-skirted lap. There was a tiny moth hole over her knee.

Okay, she said.

Wonderful, Janine said. I’ll let her know. And that you’ll be her respondent at the graduate student history conference in the spring.

Connie replaced the telephone receiver without lifting her head.

I want to go live on a boat, she said to her empty office.


… was one of the reasons Catholicism was so adept at absorbing the rituals and folk practices of so many cultures, Zazi was saying.

Connie pinched herself on her arm to force herself to pay attention. It had been a long day. A long week, if she was honest. What was this, Friday? Friday already. At least she could take the whole weekend to write. Unless they had plans. Did they have plans?

Can you give a concrete example to support your argument, Miss Molina, rather than sweeping generalizations? Marcus sounded unimpressed.

Zazi’s smile wavered. She looked at Connie. Her dark eyes were worried. Connie gave her a subtle head nod. Zazi folded her thumbs in the opposite

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