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very
\
wicked
/
place? [[
#f inherent connotation is an 6emic6 phenomenon, it must $e endowed with definite structural
characteristics" (ccording to #"+6u$$enet, words with inherent connotation can $e divided into
three groupsH .1 7ords whose inherent connotation is firmly rooted in some extralinguistic o$=ect:
8 1 7ords whose inherent connotation is due to linguistic rnotivation: ;1 7ords whose inherent
connotation is structured $y prosodic means alone" #n our case it is prosody that matters from first to
the last" That is why we focus our attention on those phenomena of sound which accompany the
enunciation of this &ind of words in actual utterancesH [[ 'Oh \1ane 'this is
[
bitter!
[
'This is \wicked![[
The word 6$itter6 is associated with the su$stance of an unpleasant taste" Cut here it is used for a
different purpose, $y Mr"*ochester to express his attitude to >ane6s decision to leave him forever"
The word 6$itter
I
is $rought out $y means of a high falling tone and increased loudness" (nother
exampleH gg It was \coldness both from her and her \mother. [[ The word 'coldness' is always
associated with low temperature" Cut here again the word is used figuratively" #t means 'unkind,
unfriendly, unwelcome', and this meaning is accompanied $y a strong inherent connotation" #n
the sentence a$ove the word is said with a falling tone, decreased loudness, and narrowed range"
5therwise stated, the inherent connotation of words of this group is normally reinforced $y means
of a certain prosodic arrangement" The second group comprises those words whose inherent
connotation depends on 6motivation6, i"e" words whose inner form is transparent, e"g"H A
\
mazing
[
girl.
/
Tomas, but where are you going to find a husband for her. [[ The semantic structure of
the word 'ama-ing) leaves us in no dou$t as to its connotationH that which ama-es" #n the example
the word is $rought out $y means of a falling tone and lento tempo" (long with the prosodic
features we can o$serve a paralinguistic featureH laughter. Ta&en together, they reinforce the
inherent connotation of the word in %uestion" (nother exampleH [[ He is a statesman of in'comparable
a\bility, Your \Grace. [[ The word 6incompara$le6 has got a distinct semantic structure" ( num$er of
prosodic features 2a high level tone, increased loudness1 are used $y the spea&er to $ring out the word
in the flow of speech" #n the case of words li&e 6ama-ing6, 6incompara$le6, etc" the prosodic expression
of inherent connotation is su$servient to either the 6referential6 or the 6motivated6 connotation
contained in them" (s far as group ; is concerned, the inherent connotation not motivated $y lexical
andcor morphological means and structured $y prosodic means alone, for exampleH [[ Now you must
'all
Uncle
\
Pumblechook[[ #n
this case there are two words with inherent connotationH 6delightful
.
and 6delicious)" Cut we shall
concentrate our attention on the ad=ective 6delicious6, $ecause it is neither referentially conditioned nor
linguistically mar&ed, The word is said with a high level tone and prolongation ofthe sound jlk , and
89
conse%uently the word stands out very clearly" (nother exampleH [[
\
Pray do 'not .talk of that
\odious /man. [[ There can $e no dou$t whatsoever that the word 6odious6 is a word with inherent
connotation" #t is $rought out $y means of a falling tone, slow tempo, and increased loudness" !rom
what has >ust $een said we may conclude that whenever we come across a word possessing inherent
connotation we should $ring it out $y a num$er or prosodic and paralinguistic features" Cut this rule
is not without exception" Cases when words of this &ind are not $rought out $y the spea&er do occur,
and we shall dwell upon them at some length" Let us ta&e the following examplesH [[But within a
'fortnight before the
/
marriage [ this terrible event oc
\
curred.[[ [[ A
\
terrible
\
story. [[ The second
time the word 6terri$le6 F a word with strong inherent connotation F is $rought out $y means of a high
falling tone and held sylla$le, while the first time it is not" 7hat is the reasonK 7e shall $egin $y
examining the extraFlinguistic context to see if any situational factors can account for it" #n other
words, we shall turn to the category of ver$al reaction to a situation, i"e" Ewho, says what, whenE"
This is a passage from EThe Spec&led CandE $y Sir (rthur Conan Doyle" Miss Stoner tells
Dr"7atson and Sherloc& Dolmes a$out the mysterious death of her sister" She saysH [[But within a
'fortnight be.fore the
/
marriage[ this
[
terrible e.vent oc\curred. [[7hen she finishes her story
Dr"7atson exclaimsH [[ A
\
terrible
\
story. [[
Thus, we can say that if the latter sentence is a natural reaction to an awful crime, the former
can $e regarded as a statement made $y a girl who, though she understands that this death was
terri$le 2it was her sister6s death1, uses the 6terri$le event6 as a cliche, $ecause it is not the first time
she is telling her story" Cesides, we should remem$er that this is a young woman and she is not
completely at home in a strange flat" (nother exampleH [[ It's 'really .very \painful
/
for me to be
'forced to
speak the \truth.[[ The word 6painful6 is emphasi-ed" This is a sentence from 'The #mportance of
Ceing EarnestE $y 5scar 7ilde" !or >ac& it is indeed very painful to have to confess that he has no
$rothers" Cut in the following sentence the situation is differentH [[ My 'dear \sir + it's 'painful for
me to dis
/
\cuss it. [[ The phrase containing the word 6painful6 is used here $y Milverton, a
$lac&mailer, in a way which approaches enantiosemy, for it has got nothing to do with his real
feelings"
7e can conclude that in general words possessing strong inherent connotation are pronounced
differently from words which are devoid of any specific inherent characteristics of this &ind" (ll the
deviations from this rule can $e explained in terms of Ewho, says what, whenE"
7e now turn to the analysis of adherent stylistic phenomena in terms of lexicological
phonetics" By adherent linguostylistic phenomena we mean those connotations which are
created by 'evocation'. In contrast to inherent connotation which "clings to the words",
adherent connotation may be acquired by a word only under certain conditions. To illustrate
what has =ust $een said we shall analyse the following sentenceH [[ He had 'told her a
bout his
\
love. [[
There had 'followed
bout
half 'fainting
hand in \hand. #t is %uite o$vious that the wordFcom$ination 6drun&en $eauty6 is not used in
8.
ordinary speech, although there is nothing in the components ta&en separately that would prevent
us from using them in everyday situations" #t is the com$ination of elements that is unusual" 7e are
accustomed to such com$inations as, for example, 6drun&en man6, 6drun&en %uarrel
.
, etc", on, the one
hand, and 6true, false, or real $eauty6, on the other" #f we turn to the recorded text we immediately
notice that this wordFcom$ination is clearly $rought out $y the spea&er $y means of the slowed
down tempo and a virtual pause $efore the first element of the wordFcom$ination" #t is useful to
compare the prosodic arrangement of this wordFcom$ination with the way usual or customary
wordFcom$inations with the words 6drun&en6 and 6$eauty6 are pronounced" [[There was a 'company
of
three or
four
drunken
/
soldiers near the
[
road. [[ [[ The cri'terion of
true
/
beauty is that it
\
increases on exami`nation; of /false - that it \lessens. [[ #n these sentences nothing draws attention
to the wordFcom$inations with the words under consideration as far as their prosody is concerned"
?o variations of tempo or pausation occur" Let us study another example of a 6free6 wordF
com$inationH [[ A 'young .man was
keep
out of
\
trouble.[ More: [[\0h 'sweet \ 1esus! [ 'These 'plain \simp.le \men!
#n the first sentence the com$ination 6a plain simple man6 is not $rought out $y the spea&er, it
is used as a chliche" #n the second sentence there can $e no dou$t as to its prominence" The change
of tone, loudness and range $rings home to us the fact that Sir Thomas More cannot approve, of
the =ailer6s $ehaviour, and more than thatH there appears a certain connection $etween the meanings
of the word 6simple6H .1 $elonging to a low class, and 81 wea&Fminded, idiotic" The evidence of
these examples suggests that practically any word may $ecome metasemiotically charged, and the
88
greater the metasemiotic $urden, the clearer the expression of prosodic contrast" #n other words, if
on the semantic level you ta&e what you get, on the metasemiotic one you are the master of the
situation, you can ma&e the word $ehave differently """
Cut the lexical pro$lems under investigation are $y no means confined to the more o$vious
manifestations of metasemiotic connotations" Lexicological phonetics goes into the specific
pro$lems of the lexis much more deeply" Thus, for instance, if we were to compare, the following
uses of the word common in terms of lexicological phonetics, we would find that it is on the $asis
of the latter that the reali-ation of different meanings of common is most readily effectedH [[
\
Why
he is a 'common ..labouring \boy.[[ [[
\
Why he is a \common 'labouring
\
boy. [[ #n this example we
can o$serve a semiologically relevant opposition of prosodic features which helps to differentiate
the two meanings of the word common H .1 ordinary, and 81 vulgar" Thus, there can $e 6no dou$t
whatsoever that the meaning6 the word here depends on the way it is spo&en" (nother exampleH [[
What \he wanted was to be a\mused [ to 'get
four
hours
\
pleasantly without
young
sort of
\
way....[ 3. [[ They 'scuttled for 'day and
/
days \ till they 'came to a 'great forest.,
'exclusively 'full of .trees and /bushes[ and 'stripy, [speckly, patchy-\blatchy