Nic Kane Miller and Crichton AP English Language and Composition 2 July 2013 Why I (Dont) Write By third grade, I had come to understand that I would not make my living as a writer. Nevertheless, I have always been intrigued with language and its properties. When I was as young as five, I began to establish myself as a musician. Because I enjoyed writing songs, putting my own thoughts down on paper was simple during elementary school. I would spend my days playing guitar, as well as writing songs. I constructed such distinguished anthems as The Cat Patrol and Butter on my Bagel." Thus began my short-lived career as a writer. Then came the third grade, with a research paper, the Totem Report. During this time, I was to author my first research paper, on the Hammerhead shark. Creative writing had been straightforward and individual; now I had to conform and do research. This came as a shock to me, and I struggled through the laborious process. Writing about other peoples ideas and putting them in my own words threw me off considerably. After third grade, I discovered my hatred of research reports. Moreover, at the end of every school year, there was a writing test that would involve responding to a prompt. For the years prior to the third grade, we were given a creative writing prompt, but never response to literature. However, in the third grade, I was given my first response to literature prompt. As if I did not hate research papers enough, the response to literature prompt proved to be a hindrance for the rest of my days at school. My dislike for writing was impelled by non-creative writing assignments. Starting in middle school, I had to write about a.) topics I hated and b.) integrate with the new formatting. The rules one must conform to - MLA, double-space, paragraph structure - were a driving force in my ever growing apathy for writing. Besides the new stipulations that were added, I was never Kane 2 Word Count: 1000 prodigious with words; I am still not that adroit. I have always tended to use the same boring verbs and adjectives. I have included all of this information because I do not think one can assess a writer's motives without knowing something of his early development (Orwell 3). Knowing these facts and personal stories can change the impact of ones writing. For example, if one knows that an author grew up in New York City, a book written by that author, if about the city, will seem more reliable and hold more truth. Even if it is a side job, I believe there to be three major motives for writing, and they exist in most, if not all. (i) Making a point. This is, for the most part, used to emphasize something one believes in or the desire to change the minds of others by ones own will. Every novel, article, or advertisement has been written to make a point. Ones point may be clear and concise or intricate and subtle, but it is still omnipresent. This is a trait shared by writers and, businessmen, lawyers, doctors, artists - essentially every career imaginable. (ii) Historical Response. With every historical event comes a reaction. Some historical events inspire films or plays, while others inspire books or poems. Almost every text that I have read was written as a response to a certain event that has occurred in the past. This event may not be something that you have heard about in history class, like the Civil War, but could be something that an author has experienced. Some texts are obvious, such as The Crucible and The Jungle, but most novels, like The Great Gatsby, are simply written as a response to a time period that the author experienced or has a connection to. (iii) Exposing Beauty. The world is filled with many drab things, but an author who has sheer motivation can see the beauty in any person, place, or thing. Writers use literary devices such as similes, metaphors and personification to expose the beauty in many situations. For Kane 3 Word Count: 1000 example, one writer may write, The rose was red, but a motivated writer will write, The shimmering rose was red like a freshly picked cherry. Figurative language is a large part of writing, and it helps to develop a writers style. I understand how the degree of each of these motives can vary from person to person, but I believe that all three motives exist in every writer, young or old, amateur or professional. Personally, I would identify myself with the first two motives. I have never cared much for exposing beauty, though figurative language is often a proponent of my songs. Over the last few years, what I have attempted to do is to either get a certain point across or elaborate on something I have experienced in the past. When I sit down and begin to write a song, I dont think, I would love to produce a fine work of art. Instead I think, What important events and influences would draw in an audience? Certain events, and relationships have all instigated these in part, but usually some more than others. It was in the fifth grade that I found myself to be writing songs mostly about girls, none in particular, but certainly based on ones I knew, while in my freshman year, I began to focus more on other experiences. I cannot, however, leave my songs drab and dry; the use of figurative language is necessary to create an aesthetic experience for listeners. My job is to explain and capture attention. By this point, I realize that I made it seem that my purpose in writing was to harness my audience and create a song they might enjoy. In the end, however, my motives are difficult to define and more often than not, my songs will be pushed by my own desires. Focusing back on my writing, I have, despite my objection to academic writing, improved immensely through my use of complex sentence structures and higher level vocabulary.