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A man becomes drawn into a woman's laughter during tea, getting lost in her teeth, gasps, and throat. An elderly waiter tries to set up their table for tea in the garden. The man decides to focus on stopping the shaking of her breasts to try to piece together what happened that afternoon.
A man becomes drawn into a woman's laughter during tea, getting lost in her teeth, gasps, and throat. An elderly waiter tries to set up their table for tea in the garden. The man decides to focus on stopping the shaking of her breasts to try to piece together what happened that afternoon.
A man becomes drawn into a woman's laughter during tea, getting lost in her teeth, gasps, and throat. An elderly waiter tries to set up their table for tea in the garden. The man decides to focus on stopping the shaking of her breasts to try to piece together what happened that afternoon.
As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for suad!drill" I was drawn in by short gasps, inhaled at each momentary recovery, lost finally in the dar# caverns of her throat, bruised by the ripple of unseen muscles" An elderly waiter with trembling hands was hurriedly spreading a pin# and white chec#ed cloth over the rusty green iron table, saying$ %If the lady and gentleman wish to ta#e their tea in the garden, if the lady and gentleman wish to ta#e their tea in the garden """% I decided that if the sha#ing of her breasts could be stopped, some of the fragments of the afternoon might be collected, and I concentrated my attention with careful subtlety to this end"
Fyodor Dostoevsky's Notes From Underground: A Study in Humility, Irrationality, and Spiritual Friendship As An Expression of Christian Eschatalogical Hope