33

r Level 5: Sound Techniques

LIP SLURS are played by keeping the embouchure firm

An INTERLUDE is a short musical piece. The

following Imperative Interludes will help you
practice lip slurs when playing large intervals.

and the airstream supported while slurring two notes that

have the same fingering.

RANGE ROVER 1

~7

ft

I~-

IJ

I:\

I@

10

II

IMPERATIVE INTERLUDE 1

18

ft r r r 10

IJ

10

lr r r 10

IJ

In

II

RANGE ROVER 2

~9

.w

~2

43

f~t r

i(,

lr (3tJ

I~

I:\

}j

In

II

ld J I J) I j J J I J_) I j J

II

IMPERATIVE INTERLUDE 2

f~I J J J IJ_j
RANGE ROVER 3

II
IMPERATIVE INTERLUDE 3

ft

J J IQ

IJ

ltJ

IJ

J J 163

IJ

I.J.

I J.

I J.

I J._

J
-&

HIGH FLYING-Here's a tune to play just for fun!

,,

Andante

J.

m-f!

I J.

I J.>

I J.

II

--

230

124

ON YOUR OWN!-Piay the first four measures, then write the last four
measures yourself! Now, play the entire piece.
4
,

Andante
f1 L

Fl.

Ob.

mf

l'l

Cl.
B.CI.

..

mf

l'l

... ..,. .....

A. Cl.

mf

-e

..,.

... -

'U

II

A. Sax

B. Sax

mfl

..

l'l

T. Sax

"u

..

fT

mf

l'l

Tpt.
Bar. TC

mf

II

-e

FHn.

mf

..

Trb.
Bar. BC
Bsn.

mfl

..

Tuba

..,.

mf
f'l

.....

mf ..
1\ I

..

Perc.

l~,
fl

Piano

i"'l

~f VI I

I"'

1"""'1=! I

1"""'1=! I

I I

E~ B~

E~

E~/B~

j. j.

iT

mf

...

B~

.....

... ..

Mlts.

..,.

..

..

'U

1\ I

i"'l

VI I

.....

A~

-'U

A~/B~

SOUND ADVICE
Encourage students to play their new compositions for each other.

j-,

I I
E~

H
e-

130

70

THEME AND VARIATIONS YOUR WAY-Write your own variation by changing the rhythm and/or
fl

Fl.

Ob.

Theme: Hot Cross Buns

t.J

notes, then play it!

2

'

fl

Cl.
B.CI.

'
...

tJ

...

-9

-9

"~

A. Cl.

?J

..,

?J

t.J

...

...

...

...

..,

~~~~~~~~

-61-

?J

'

flu

B. Sax

'
..,

tJ

A. Sax

fl

'

T. Sax
""'t.J
fl

Tpt.
Bar. TC

...

tJ

'
...

-9

-9

...

..

..

..

'

"

F Hn.

...

tJ

'

..

Trb.
Bar. BC
Bsn.

'

Tuba
I"'

1.- ~

Mlts.
t.J

-.1

?J

-.1

?)

..

...

-d

.. ...

-d

>

..,

?)

-.1-.1-.1-.1****

. ...

-d

(flam Tap)
L R

(flam Paradiddle)

>

~~;J;J~~~~

>

Perc.
~

Piano

B~

F7

B~

.
i
~,
fl

I
B~

..

F7

B~

F7

B~

F7

B~

l JJl
~

Variation: Cinnamon Buns

II

190

102

A WHOLE LOnA Tl ES-Fee/ the pulse of the beat on the tied eighth note.
Moderato
fl

Fl.
Ob.

---I

1 + 2 + 3 + 4 +

ll

Cl.
B.CI.

1 + 2 + 3 + 4 +

lllol

..

A. Cl.

<J

.....

..,_. -.J.. -.J

._
. . . <;;

1+2+3+4+

1+2+3+ 4 +

1+2+3+4+

1+2+3+ 4 +

fl

T. Sax

""u

-a-

.. ....

..

___

~ ~~-d

---

.. .... ,

..- .... ,

1+2+3+4+

1 + 2 + 3 + 4 +

1 + 2 + 3 + 4 +

1 + 2 + 3 + 4 +

l..,j

..

----

Bar. TC

u
ll

F Hn.

......

u
Trb.
Bar. BC

1 + 2 + 3 + 4 +

.....

.___....

..
I

..

1+2+3+4+

1+2+3+4+

..

.,_.,.,v

4 +

1 + 2 + 3 + 4 +

1 + 2 + 3 +

1+2+3+4+

1 + 2 + 3 + 4 +

II

T4

.J

II

nJ

41+ 2 + 3 + 4 +

"'

l~,
fl

..

.... v

-,j

.._.... ..

J-nJ

J-,n .J .J

-a-

:;t___:;t :;t -d

-a-

-.J___.,. -,j

"

.J~n

<;;

-,j . ._ .........

..

.. -

.J .J J---n

...
...

1\

1 + 2 + 3 + 4 +

F7

B~

.,._. -,j..

fl

Mlts.

l..,j

.....

1....1

Bsn.

Tuba

.._....
----

---

1 + 2 + 3 + 4 +

~..,

fl

Tpt.

Piano

1 + 2 + 3 + 4 +

lllol

A. Sax
B. Sax

Perc.

1....1

1 + 2 + 3 + 4 +

-..........
._

B~

-.:=:-.
..

.... v

F7

#
'-"

B~

J~l~~

F7

... ......

B~

t:t

.-..

...
('"'

--------------------------------------------------------------

SOUND ADVICE
Stress the importance of counting with subdivisions of the beat.

191

A WHOLE LOTTA DOTS-Fee/ the pulse of the beat on the dot.

Moderato
Fl.
Ob.

fl

t.J

B.CI.

+2+

+ 4

u
fl

1 +2 + 3 + 4

+2+

---'-'

+2+

+ 4

+ 4

'-"

..

...

~- ~'?}

1 +2 + 3 + 4

-"'
3

-,J .., ,_

~~~

t.J
fl

e-

. --1':)

..

+2+

+2+

+ 4

fl

+ 4

.
1 +2 + 3 + 4

+2+

+ 4

+2+

..

+ 4

+2+

1 +2 + 3 + 4

+2+

1 +2 + 3 + 4

,__,

1 +2 + 3 + 4

+ 4

-"'3

+ 4

-,J ..,,.

.., e-

~- ~'?}

-,J .., "'

- .

+ 4

1-' _6_ L

Mlts.

t.J

I i"'iTi !=n

I I

1+2+3+4e+

l~,
II

Piano

B~

--~

+2+

Perc.

- __

1 +2 + 3 + 4

... ..

'-"

fl

FHn.

Tuba

t.J

Bar. BC
Bsn.

'-"

1 +2 + 3 + 4

Trb.

.....

't.J

Bar. TC

..,

.
r

T.Sax

..,

.
1 +2 + 3 + 4

Tpt.

II

fl

A. Cl.

A. Sax
B. Sax

I
1 +2 + 3 + 4

Cl.

~!=nn
~I

+2+

3 e + 4

F=n I

~I

F7

B~

= :S
... ..

= ... -

'"'

e-

i'T"'ii F=n I

I I I I

F7

B~

J:

......

..,

F=n F=n I

I I

I
F7

~~~

.....

'"'

'-"

M"M I

I I I
B~

tf

'"'

SOUND ADVICE
This exercise sounds the same as A Whole Lotta Ties. Have half the class play that exercise while the other half plays
this exercise to ensure that the dotted notes and the tied notes receive the same durations.

26

r---------------------------------------------------------------------~
A quarter note receives 1 beat, and the dot that follows receives 112 a beat, therefore,
a DOTTED QUARTER NOTE receives 1112 beats and can be subdivided into three eighth notes.

(J. = )l)l)l)

...,.

Count and clap, then play this rhythm. Notice that the quarter note tied to the eighth sounds the same as the dotted quarter note.

41 J
1

JJ W
+

IJ_J J W

3+4+

JW

IJ.

3+4+

1+2+

II

3+4+

A WHOLE LOnA Tl ES-Fee/ the pulse of the beat on the tied eighth note.

Moderato

102

41 J DW

ltnJ J 10

ILDW

1 + 2 + 3 + 4 +

II

1 + 2 + 3 + 4 +

A WHOLE LOnA DOTS-Fee/ the pulse of the beat on the dot.

Moderato

103

41 w nw

IJ. Ju

1+2+3+4+

+2+

3+4+

I J.

II

JJ

D.C. AL FINE indicates to

Antonin Leopold Dvorak (1841-1904) was a Czech composer of the

repeat from the beginning and

play to the FINE (the end).

Romantic period best known for drawing inspiration from folk music and
for his remarkable New World Symphony and Slavonic Dances.

THEME FROM THE "NEW WORLD SYMPHONY"-P/ay the D.C., then end at the Fine.

Antonfn Dvorak

Largo

104

~Fine

4~1Jf"r= 14@ IJCJfJt

II
~D. C. al Fine

IW ljJJJio

mf
SYNCOPATION occurs when there is emphasis on a weak beat.
JOY TO THE WORLD-Full band arrangement.

4(, r
40"

Christmas Carol

Joyfully

105

>

J lj> j

>

mf

[!]

>

>

I J.
>

r 14 J J I@
T (syncopation)

>

r I"

>

I J.

J lj J
I:\

>