Syy Akk

sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

an#egey

k_qy

DDRA 31012
sBvY g~k, _r ntY h| rOgklv
History of Greek and Roman Drama & Theater
hrSy (Core)
sBvY g~k, _r ntYkr[vn# h ov]n#_g# n^|N
p^LbX p]Ul av_bQyk# lb|q.
g~k h _r ntY kr[vn#_g# Bevn# h Av|_y#
pble h ble hnge# qYE_yk h^.
] sB
p]h
_qH
U
r
N
g~k ntY klv
n p[y
p[ Ake
p[y
1. g~k ntY h rOg kl_
y
v
pBvy h kHny
2. g~k
ntYyt
15
blp{
ee#kl~n
s|j
_qHpln ps.
3. sBvY g~k ntYkr[vn#
h ov]n#_g# n|N.
Is#kls#
_g#
Prometheus Bound
_s_F|k#ls#
_g#
Oedipus Rex/ Antigone
y]p^s#_g#
Trojen
women
a[s#_t|F|ns#_g#
Lisystrata
_r ntY klv
1. _r ntY h rOgklv _k_
15
g~k ntY_y# blp{
2. sBvY _r ntYkr[vn#
h ov]n#_g# n|N
p#_lts#_g# Pot of Gold
_s_nk_g#
n|N
p^LbX h[Xn#k#
30
_qHn, skC h HvY qRHY aQ|rk
1

30

02

a[gy~

a_H#y gn#E

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply
an#egey

pL] aQv|S^ky avsn_y# le p&SNy 100%

g~k ntY spy - |rs^Oh, _vlt
sBvY g~k ntY klv jyvQn, bn#l
_jre#n, perj
a[s#_t|Fns#_g# ntY jy_s#kr, kn
A.E.Haigh - Tragic Drama of the Greeks
W.Beare - Roman stage
bth^r ntY h rOgklv - gle#, sce
_r ntY h _trn#s# - jy_s#kr, kn
g~k h _r nv phsn ntY enk# - pveny p~s#,
ln#
gNre#n, Vns^

DDRD 31022
QYkln, Alsben, 17 vn s^yv_s# y]_rp~y ntY h rOgklv
Medieval, Elizabethan and 17th Century Drama & Theatre
hrSy (Core)
aprqg ntY kl_ kHny p^LbX nYye#k av_bQy lb|
g[n.
aprqg ntY kl_ s_H#S^e p^LbX av_bQyk# sh^e
E_yk h^.
_qH p]h ]
sBr
n p[y
N
U
Akev
p[y
p[
y

I _kts
1. QYkln y]_rp_y# s|j
_qHpln ps.
2. QY k|ln jnvn#qn ntY
(ms#t, mWkl, _|
Wl) skljn -pveny
bn#l jyvQn

10

II _kts
1. Alsben AOgln#e_y#
ntY klvt blp{ s|j
_qHpln ps.
2. Alsben ntYkr[_v sh
ov]n#_g# n|N

ks#_tp |_l_g#
Fv]s#ts#
ly
_S#k#s#p^y_g#
h[ml [k#be#
m s
ny^s#

10

_qH
n p[y

p]h
N
p[y

]
U
p[
y

sB
r
Ake
v

30

02

III _kts

an#egey

1. 17
vn
s^yv_s#
y]_rp~y
ntY
h
rOgkl_ _H#Se h
pvNe

10

2. _|ly sh g()_e#_g#
n|N

30
k_qy
a[gy~
nqS#T

_qHn, skC h HvY qRHY aQ|rk

pL] aQv|S^ky avsn_y# le p&SNy 100%

gn#E

a_H#y gn#E

ntY klv h[l h _p#&Sk ob jyvQn, bn#l

en_g#, cM_s
h[ml sOqp - en_g#, bn#l
ntY p_Hy Qke, rOe#
_|ly he_g# ey - _kkr, p. psn#
bth^r ntY h rOgklv - gle#, sce
T.S.Eliot - Elizabathan Dramatists
E.F.C. Ludouyke - Understanding Shakespeare
A.C.Bradley - Shakespearean Tragedy
Doctor Faust - Wolfgang Ron Goethe
_H#k#s#p^y h h[ml - s#nnyk, .As#.._

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

DDRA 31032
H|s#ey p_y#SN h _l#KN k
Academic Research & Writing Methods
hrSy (Core)
p_y#SNyn#t h A w^n# nv n g_SNy sXh
En# nve# .
p_y#SN kvt anklv n _lKnge k_ h[kyv
sh^e E_yk h^.
] sB
ugn# p]h
U
r
vn
N
p[ Ake
p[y
p[y
y
v
1. p_y#SN k_qy - nen
k h[Xn#.

20
05

an#egey

2. HvY qRSY e&Sk _vl

h[Xn#.
05
3. nv e&Sk _vl Bey h
b[X p_y#SN nbn#Qn/
pek aqy spqny.
15
4. BS Bey p^LbX
nen p^Lge# se ne
e.
30

k_qy
a[gy~
nqS#T

30

02

_qHn
pL] aQv|S^ky avsn_y# le p&SNy 100%

gn#E
a_H#y gn#E

p_y#SN kv qe#e Ws#k_ upkrN - a_pl,

_rln#
p_y#SN kv - Qpl, ge_ h^m
s|j _ }lQ - re#npl, nn#q_s#n
s|j p_y#SN - ar_s#kr, qy
s^Ohl a&Sr nYsy akrqy _kpr_h#v|, sX_gm

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

an#egey

k_qy

DDRA 33042
vRe#ey |_gp_qHny h p|_yg^k p]hNv
Career Guidence & Practical Training
hr Syy (Core)
p}v
vDe#ey
ssk
sOvQny
krg[nt
|
_gp_qHke#vy s[py~ h _&S#e p]hN g^n#
vDe#ey av_b|#Qyk# lb|g[n.
vRe#ey p_Hyt }lk sskle# qYEn# h^ h
_&S#e p]hNv sh^e upQ|n# h^k^.
] sB
ugn# p]h
U
r
vn
N
p[ Ake
p[y
p[y
y
v
1.
p}v
vRe#ey
|
_gp_qHny
_pxr[S sOvQny
20
10
nyke#vy
kN#d|yge kyke#vy
s#y q&Se sOvQny
ilk#k jyg[n
vRe#ey ssk s[p^
ay k_ se k_q
aQYyny
s]K p&SNy
2. vYvsyke#v sOvQny
vYpRe v|e sks# k
20
10
(&S] vYpr / p|sOg^k
vYpRe)
}lY spqn vYpRe
s[lskrNy
&S] vYpr kLNkrNy
b[OkkrNy (Savings,
Loans,
Leasing)
30
15
60
02
_qHn, p|_yg^k aQYyn
_qvn aQv|S^ky avsn_y# p|_yg^k p&SNy 60%,

a[gy~

p[vr[ 30%,
p[m 10%
6

nqS#T

1. Find the perfect Career Anita Houghton

gn#E

2. Cool Careers Carolyn Boyes - 2008

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

DDRA 31054
r{pNy III
Acting III
pQ|n Sy (Major)
n|Ne#k h pHs#e r{pN kyyn# _ve En#
_pL sXh avHY n h ksle vQny krg[n.
n|Ne#k h r{pNy p^LbX e&Sk av_bQ_yn#
p^p]n# r{pN H^lp^_yk h^.
ugn#
vn
p[y

p]h
N
p[y

]
U
p[
y

sB
r
Ake
v

1. ceyk# aEkEny k.
2. r{pN H^lp^_yk_g# nv| 30
k
sn#n_qn
avkHy
hng[n h HKYe aQYyny.

30

3. r{pN H^lp^_yk_g# v|k

sn#n_qn avkHy aQYyny
4. r{pN
H^lp^_yk_g#
an#e kyv

5. r{pN H^lp~n# aer an#e

sbXev
relationship

k_qy
a[gy~

(Inter

Personal

30

30

12
04
0
_qHn, skC, p|_yg^k s[s^ avHY HvY qRSY aQ|
rk
pL] aQv|S^ky avsn_y# p|_yg^k p&SNy
90%,
p[m 10%

nqS#T
gn#E
7

60

60

a_H#y gn#E

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply
an#egey

rOg H^lpy h ntY nS#pqny - gNre#n, e

as^e# rOgn klv - _bn#rs#n[k#
s#t[ns#ls#k h oh_g# r{pN ky Qke,
rOe#
Acting Re- Considered- Phillip B. Zarrilli
Actors On Acting - Cole & Chinoi
Twentieth Century Actor Training - Alison Hodge
Empty Space - Peter Brook
Theatre of Oppresed - Augnsto Boal
The Dictionary of Theater
Anthropology - Eugineo Barba

DDRA 31063
Hn#ek ntYy _pLpl
Dramatical events in Rituals
hrSy (Core)
s^Ohl H|n#ek aH^e ntYy _pLpl p^LbX
av_bQyk# g[n.
spy^k s^Ohl rOg klvn# p^L^bX p|_yg^k
av_bQyk# a[e E_yk h^.
] sB
ugn# p]h
U
r
vn
N
p[ Ake
p[y
p[y
y
v

gbd| _klly sh gr[_g# 24

30

|lv

h_sn# sy_ An Ogr

_pLply

rtyk

y|g_y#

sh

qr[ n[lll

_k#l sn#ny

p]_vk#e

24
_pLplvl

a[eLe#

aO_gpOg

aQYyny k^_n# nen 12

60
rOg kyy u_qs p_H
8

30

90

03

k_qy
a[gy~

a_Hy gn#E

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply
an#egey

p|_yg^k s[s^ _qHn h skC, HvY qRSY aQ|rk,

s#vyO _&S#e aQYyny
pL] aQv|S^ky avsn_y# p|_yg^k p&SN 90],
p[m 10]
Hn#ek sh s^Ohl s|jy kyvs, es#s
rtyk yg ghy kyvs, es#s
18 sn#n sOv|q _bn#er_g#, lynl
sn#n yk _hve# qhat sn#ny - pnn#, _k#.As#
_q_v|l _q#v sOklpy h s|jy kar, ayre#n
g[m ntk p_Hy - qsnyk, ]qyn#_s#
p|_yg^k phert neny I/ II - _kt_gd, jy_s#n
s^Ohl g[m ntky - srcn#, Aqr
sbrg] ntYy _pLpl - lOkelk, Qmk
sbrg] nen klv - rjp&S, H^y
s^Ohl nen klv - qsnyk, ]qyn#_s#

DDRA 31073
n|NkrNy sXh spy^k s^Ohl ntYy
Traditional Sinhala Drama for Creations
hrSy (Core)

_qH~y spy^k rOgnyn# p^LbX n lb|g[n.

_qH~y spy^k rOgnyn# p^LbX av_bQy lb|g[n.
ugn#v
n p[y

p]h
N
p[y

]
U
p[y

sBr
Ake
v

 spy^k ntkvl an#ege

avs#E|
nr{pNy
p^LbX
aQYyny k.
_sk ntk_y# gs kp n[v
s[ks~_ avs#E|v
_k#l ntk_y# jsy, _ln#n
_kl

45

30

sXkr[ ntk_y# bqe# rj]

h ky aer egy
_gTbr
kE|_
a[ele#
jy_s#n
yk#
_sny
sh
_gTbr aer ewy
ly_nr,
ndg_
*[r[n#_k#l_y h ly_nr
ky aer ewy
_erge# n|dgk _ktsk#
_sk
,
_k#l,
ndg
spyn#
a[sn#
nv
n|NkrNyt p^s~.

k_qy
a[gy~

a_Hy gn#E

15

60

30

90

03

p|_yg^k s[s^ _qHn h skC, HvY qRSY aQ|rk, s#vyO _&S#e

aQYyny
pL] aQv|S^ky avsn_y# p|_yg^k p&SN 90], p[m 10]
_kl ntk s kUar, ayre#n
_sk ntk p]rNy - ar_s#kr, _k#.
s^Ohl g[m n|tky srcn#, Aqr
g[m ntk p_Hy qsnyk, ]qyn#_s#
_kl jn ntkyk# _n_ _kt_gd, jy_s#n
_kl ntk sh^eYy gNelk, A. A.
_vs# ]hN h _kl n[t] - _j_s#kr, nn#q_qv
_kl n[t] c|ry lyn_g#, s^

10

11

Sy P#kk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

DDRA 31083
vYvhk p|sOg^k klv (]| ntY h skln neny)
Applied Performing Arts (Mudra Natya and Contemporary Dance)
hrSy (Core)
ntY Syt Vee#vyk# a[e kl pkHn |QY p^LbX av_bQy lb|
q.
pkHn |QYyk# _ls ] ntY sp_y# ney hngn.
p|
p]hN ]U p[y sBr
_yg^k
p[y
Pkev
p[y

an#egey

k _qy
a[gy~
a_H#y gn#E

40
20
60
02
p|_yg^k p]hN k HvY qRSY aQ|rk
_qvn aQv|S^ky avsn_y# pve#vn p|_yg^k p&SNy 90%
p[m 10%
o_pr g~e ntY b[_l ] ntY ayre#n ka|r - keR 2010
rOgH^lpy h ntY nS#pqny - e gNre#n
ntY p_Hy sce gle# - _gd_g# (1980)
_sr[ aVyky _hve# ntY nS#pqk sgepl q s^lv| - _gd_g#
(2000)
s^Ohl nen klv - ]qyn#_s# qsnyk - _gd_g# (2011)
nv nen kl_ p]_rgm_y - ]qyn#_s# qsnyk, e^s#s
kyvs - _gd_g# (2004)

12

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

DDRA 32094
r{pNy IV
Acting IV
pQ|n Sy (Major)
n|Ne#k h pHs#e r{pN kyyn# _ve En#
_pL sXh avHY n h ksle sOvQny.
n|Ne#k h r{pNy p^LbX e&Sk av_bQ_yn#
p^p]n# r{pN H^lp^_yk h^.
]
ugn# p]h
sBr
U
vn
N
Ake
p[
p[y
p[y
v
y
1. s]h^k rOg aer an#e
sbXevy
30
30
2. avkHy av_bQ krg[n
n|Ny k h Bey
3. As[n nr{pN aBYs
4. Q r{pN_qn#_g#
pv|q p^LbX aQYyny
_kn#s#tn#n#
s#t[ns#ls#k
b_tl _bS#
v_sv_lq _y_hl
an#_enn# a_t
_ys^ _g|_t|s#k
av]gs#_e _b|al
iy]_n bb|
l s#t[s#bg#/ s#_tl a[l
ss[n _l
eS^ ssk
y^kl _c_kF#
p^lp# s[l

30
30

12
0
_qHn, skC, p|_yg^k s[s^ avHY HvY qRSY aQ|rk
60

k_qy
a[gy~

60

04

_qvn aQv|S^ky avsn_y# p|_yg^k p&SNy 90%, p[m

10%

nqS#T
gn#E
13

a_H#y gn#E

rOg H^lpy h ntY nS#pqny - gNre#n, e

as^e# rOgn klv - _bn#rs#n[k#
s#t[ns#ls#k h oh_g# r{pN ky Qke, rOe#
Acting Re- Considered- Phillip B. Zarrilli
Actors On Acting - Cole & Chinoi
Twentieth Century Actor Training - Alison Hodge
Empty Space - Peter Brook
Theatre of Oppresed - Augnsto Boal
The Dictionary of Theater
Anthropology - Eugineo Barba

14

Syy Akk
sO_k#ey

DDRA 32103

H~Sy

ntY rcny sh aQY&SNy

Script Writing and Directing
hrSy (Core)
ntY _pL rcny sh aQY&SNy S_yh^ p|_yg^k __np]NYy
vQny krg[n.
ntY n|N_y#q e# h n|Ne#k k_pyyn#
Beyt gn#n rck_yk h aQY&Svr_yk h^.

vgy
ar]N
aQYyn Ply
an#egey

ugn# p]h
vn
N
p[y
p[y

]
U
p[
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sB
r
Ake
v

90

03

ntY _pL rcny

Q qRSY |QY sXh

p^tpe# rcn_y# q Ah^
s~|vn# sh s_H#Se
hng[n.
pbn#Q
sh^eY
rcn
p^LbX
sO&S^p#e
aQYyny.
aKYe . BS Bey h
rcky_g# qRS#Ty, sO_e
Bey h ntk_y# sh^eY
gNy p^LbX aQYyny
ntk~y
avs#E|
_gdn[g~.
_k ntYyk# rcn k.

30

30

30

aQY&SNy

ntY aQY&SN_y# Q
p^yvr
h
ntY
_qkge qk#v| v}
kyvly hng[n.
ntY _pL aEkEny sXh
a_nke# H^lp~n# yk
krg[n_
aQY&Svry_g#
15

60

30

kyBry s~.
k_qy
a[gy~

a_H#y gn#E

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply
an#egey

_qHn, skC, p|_yg^k s[s^ h HvY qRSY aQ|rk

_qvn aQv|S^ky avsn_y# p|_yg^k p&SNy 90%,
p[m 10%
Screen Writers Hand Book - Syd Field
er[N nvkekr[_vk _ve arke, lyn_g# (pvek)
r{pv|h^n rcn klv - _s#nnyk, _sr
yE|Ey h n|Ny - pllygr[, cn#s^

DDRA 32112
rOg_lkkrNy h vn kLnkrNy
Stage Lighting for Drama and sound Management
hrSy (Core)
rOg_lkkrNy n|Ne#k _ls ntY nS#pqn_yh^q
yk krgn#n akry p^LbX av_bQyk# lb|q.
n|Ne#k rOg_lkkrN_y# p|_yg^k av_bQyk#
sh^e E_yk h^.
p|_y p]h ] sB
g^k
N
U
r
p[y
p[y
p[ Ake
y
v

16

I _kts

k_qy
a[gy~
a_Hy gn#E

Syy Akk
sO_k#ey
H~Sy
vgy
ar]N
aQYyn Ply

1. rOgBm_y# s#vBvy h
rOgBm s[ls p^LbX
aQYyny
20
2. rOg_lk upkrN h e&Sk
_vl hng[n.
3. rOg_lk n|Ny sXh
ntY _pL aQYyny k.
4. ntY
_pL
aE
kEny
20
krn#_nk vH_yn# rOg_l
k H^lp^y|
5. rOg_lky sh a_nke#
anHOg^k
kl
aer
an#e sbXe
6. Q __Hln#t aye# ntY
n|N sXh rOg_lky
20
60
Bey
p|_yg^kv
aQYyny k.
7. Q p|sOg^k n|N
sXh
rOg_lk
n|
12
60
60
04
NkrNy.
0
_qHn, skC, HvY qRSY aQ|rk, p|_yg^k s[s^ h
v[d]U
_qvn aQv|S^ky avsn_y# p|_yg^k p&SN 70%,
p[vr[ 20%, p[m 10%
s_ l lk#kv - _rhN, jyll
rOg_lk H^lpy - qsnyk, cn#_s#n
_sr[ aVyk _hve# ntY nS#pqk s^lv|, sgepl q
_qk ntY_y# anSOg^k aOg pqs^, jge#

DDBC 31012
ntY h rOgklv
Drama and Theatre
vry (Elective)
anY Sy Q|rvn# hrn En# eL ntY h rOgkl_
|QYy HkYe p^LbX av_bQyk# a[ek.
p|sOg^k kl|vn# hrN Ey^n# eL ntY h rOgklv
p^LbX n h ksle vQny .
17

ugn# p]h
vn
N
p[y
p[y
}lk p]hNvl s^t ntY
_qkge

qk#v|

40

]
U
p[
y

sB
r
Ake
v

20

v}

kyvly eL aQY&Svry_g#
Bmkv sh kyBry

an#egey

1. }lk _pL ky
2. nUvrNy
3. ntYy AL (Blocking)
4. p]hN kyvly
5. a|nSOg^k kl n|N
H^lp~n# ykkrg[n
6. s_S p]hNv
7. rOgverNy

k_qy
a[gy~

40
20
60
02
_qHn, p|_yg^k s[s^, HvY qRHY aQ|rk
aQv|S^ky avsn_y# p|_yg^k p&SN 90%, p[m
10%

nqS#T
gn#E
a_Hy gn#E

Syy Akk
sO_k#ey
H~Sy
vgy

_sr[ aVyky _hve# ntY nS#pqk - s^lv|, sgepl

rOg H^lpy sh ntY nS#pqny - gNre#n, e
_vs# ]hNq s[b{ ]hN q - srcn#, Aqr
ntY p_Hy - gle#, sce

DDBC 32022
]| ntY
Mudra Natya
vry (Elective)
18

ar]N
aQYyn Ply

an#egey

k_qy
a[gy~

ntY Syt Ve^e#vyk# a[e p|sOg^k kl |QYyn#

p^LbXv av_bQy lb|q.
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Decrox resource Book Leabhart Thomas and Chamber

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23

24