Documente Academic
Documente Profesional
Documente Cultură
SOUTH KENSINGTON
FRIDAY 6 FEBRUARY 2015
INDEX
A
Andr, A., 75
H
Hch, H., 23
B
Bethy, E., 108
Bombois, C., 9-12
Bores. F., 71
Bourdelle, .-A., 83
Braque, G., 3
Brasilier, A., 15, 16, 48,
50, 51
Brianchon, M., 100
Buffet, B., 13, 14, 17
K
Klimt, G., 43, 45
Kokoschka, O., 37, 44
Kubin, A., 40, 41
Kupka, F., 24
C
Camoin, C., 22
Cariot, G., 117, 124
Cocteau, J., 73
D
dEspagnat, G., 128
Dal, S., 72, 74
Derain, A., 70, 86
Dix, O., 27-31
Domergue, J.-G., 129,
131
Domnguez, ., 69
Dufy, J., 46, 95
Dufy, R., 77, 93, 98
Dyf, M., 126
E
Ernst, M., 60, 63
Esteban, F., 65
L
Lanskoy, A., 103, 104
Laug, A., 87
Lebasque, H., 85
Lebourg, A., 89, 92
Lhote, A., 105
Liebermann, M., 35, 36
Lipchitz, L., 78
Luce, M., 133
M
Maclet, E., 120
Maillol, A., 84
Malle, C., 122, 134
Man-Katz, 80
Manguin, H., 88
Marc, R., 112
Marquet, A., 20
Masson, A., 58, 62
Mintchine, A., 81
Mir, J., 61
Montzin, P.E., 115
Morandi, G., 52-54
N
Nadal, C., 47, 94, 116
F
P
Feininger, L., 26
Palencia, B., 49, 101,
Foujita, L.T., 59, 64, 130
102
Franck, P., 38
Picabia, F., 66
G
Picasso, P., 1, 2, 5, 201Gall, F., 118, 123, 125
270
Goerg, E.J., 121
Pissarro, L-R., 119
Grosz, G., 32
Pissarro, P., 127, 132
Gurschner, H., 39, 42
Prax, V., 109
Gutfreund, O., 111
R
Rami, A., 271
Rodin, A., 82
S
Schuffenecker, C.-., 91
Schwitters, K., 33, 34
Severini, G., 67
Sidaner, H. le, 76, 90
Signac, P., 99
Smet, L. de, 55, 56
T
Terzian, G., 113, 114
Tobiasse, T., 79
Trotin, H., 7
V
Venard, C., 96, 97, 106,
107, 110
Vivin, L., 6, 8
Vlaminck, M. de, 18,
19, 21
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l*1
PABLO PICASSO (1881-1973)
Tte dhomme
signed, dated and inscribed Pour Roland Pozzi Picasso Le 18.6.63. (within
the composition)
felt-tip pen on the title page of a book
10 x 8 in. (27.8 x 21.2 cm.)
Drawn on 18 June 1963
3,500-5,500
$5,500-8,600
4,400-6,900
PROVENANCE:
l2
PABLO PICASSO (1881-1973)
Pour Nounours
signed, dated and inscribed Pour [...] Son ami Picasso Le 9.7.71. (within the
composition)
felt-tip pen on the frontispiece from a book
8 x 6 in. (20.9 x 15.2 cm.)
Drawn on 9 July 1971
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
Maurice Bresnu, Cte dAzur, as a gift from the artist and thence by descent;
sale, Htel Drouot, Paris, 12 February 2014, lot 80.
Acquired at the above sale by the present owner.
l*3
GEORGES BRAQUE (1882-1963)
La tte
plaster and wax
Length: 4 in. (10.4 cm.)
Executed circa 1929-32
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Quentin Laurens, the holder of the Droit Moral, has confrmed that this
work is registered in his archives.
4
l4
KEES VAN DONGEN (1877-1968)
l*5
AFTER PABLO PICASSO (1881-1973)
Nu debout
Femme la collerette
signed van Dongen (lower right); signed with the initials, numbered and
with Andr Mettheys monogram No.7.V.D. (on the underside)
glazed ceramic plate
Diameter: 9 in. (23.4 cm.)
Executed circa 1907, this work is unique
stitched with the signature and dated Picasso 3.7.38 (lower right) and
numbered and with the symbol 10/20 (on the reverse)
wool tapestry
82 x 72 in. (210.3 x 184 cm.)
Conceived in 1938 and executed by Marigold Enterprises in 1980 in a
numbered edition of 20 plus three hors commerce examples.
6,000-8,000
$9,500-13,000
7,600-10,000
Jacques Chalom des Cordes will include this plate in his forthcoming
van Dongen catalogue raisonn being prepared under the sponsorship
of the Wildenstein Institute.
12,000-18,000
$19,000-28,000
16,000-23,000
6
LOUIS VIVIN (1861-1936)
Sacr-Coeur
signed L.VIVIN (lower left)
oil on canvas
19 x 27 in. (50.5 x 69.7 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Acquired by the father of the present owner in the 1960s and thence
by descent.
EXHIBITED:
Salzburg, Residenzgalerie, Die Welt der Naiven Malerei, July September 1964, no. 107.
l7
HECTOR TROTIN (1894-1966)
Grande Fte de la Rosire
signed h.Trotin. (lower left)
oil on panel
18 x 24 in. (46 x 61.2 cm.)
800-1,200
$1,300-1,900
1,100-1,500
PROVENANCE:
Acquired by the father of the present owner in the 1960s and thence
by descent.
8
LOUIS VIVIN (1861-1936)
Scne de port
signed L.VIVIN (lower left)
oil on canvas
18 x 24 in. (46.3 x 61.3 cm.)
800-1,200
$1,300-1,900
1,100-1,500
PROVENANCE:
Acquired by the father of the present owner in the 1960s and thence
by descent.
l*9
CAMILLE BOMBOIS
(1883-1970)
Avant de paratre
signed Bombois C.lle (lower left)
oil on canvas
36 x 23 in. (92.2 x 60.5 cm.)
Painted circa 1927
25,000-35,000
$40,000-55,000
32,000-44,000
PROVENANCE:
l*10
CAMILLE BOMBOIS (1883-1970)
Les beaux contes bleux
PROVENANCE:
18,000-25,000
$29,000-39,000
23,000-31,000
10
6,000-10,000
$9,500-16,000
7,600-13,000
PROVENANCE:
l*12
CAMILLE BOMBOIS (1883-1970)
Promenade en banlieue
signed Bombois.C.lle (lower left)
oil on canvas
13 x 16 in. (33.2 x 41 cm.)
Painted circa 1929
5,000-8,000
$7,900-13,000
6,300-10,000
PROVENANCE:
11
l*13
BERNARD BUFFET (1928-1999)
Pain et ufs sur le plat
PROVENANCE:
30,000-40,000
$48,000-63,000
38,000-50,000
12
l*14
BERNARD BUFFET (1928-1999)
Bouquet de feurs dans un pot lait
signed and dated Bernard Buffet 54 (upper
centre)
oil on canvas
39 x 21 in. (99.8 x 54.7 cm.)
Painted in 1954
30,000-50,000
$48,000-79,000
38,000-63,000
PROVENANCE:
13
l*15
ANDR BRASILIER (B. 1929)
Chantal aux tulipes
signed Andr Brasilier (lower right); signed,
dated and inscribed Chantal aux tulipes Andr
Brasilier 1972 (on the reverse)
oil on canvas
24 x 18 in. (61.2 x 46.3 cm.)
Painted in 1972
5,000-7,000
$7,900-11,000
6,300-8,800
PROVENANCE:
l16
ANDR BRASILIER (B. 1929)
Nampteuil sous Muret, Aisne
signed Andr Brasilier (lower left); signed, dated
and inscribed Nampteuil sous Muret (Aisne)
Andr Brasilier 1966 (on the reverse)
oil on canvas
23 x 28 in. (60 x 73 cm.)
Painted in 1966
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
l*17
BERNARD BUFFET (1928-1999)
Le moulin vent
PROVENANCE:
35,000-45,000
$55,000-71,000
44,000-57,000
15
l*18
MAURICE DE VLAMINCK
(1876-1958)
Rue Harly
signed Vlaminck (lower left)
pen and India ink on paper
13 x 17 in. (35 x 44.3 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
l*19
MAURICE DE VLAMINCK
(1876-1958)
Le Sausseron Valmondois
signed Vlaminck (lower right)
oil on canvas
21 x 25 in. (54 x 65 cm.)
16,000-24,000
$26,000-38,000
21,000-30,000
PROVENANCE:
20
ALBERT MARQUET (1875-1947)
La Frette
PROVENANCE:
25,000-35,000
$40,000-55,000
32,000-44,000
17
l*21
MAURICE DE VLAMINCK (1876-1958)
Le tunnel
PROVENANCE:
20,000-30,000
$32,000-47,000
26,000-38,000
18
l22
CHARLES CAMOIN (1879-1965)
Le remorqueur dans le port de Saint-Tropez
20,000-30,000
PROVENANCE:
$32,000-47,000
26,000-38,000
19
l23
HANNAH HCH (1889-1978)
Katze
signed with the initials H.H. (lower right)
watercolour and pen and India ink on paper
4 x 5 in. (12.5 x 13.6 cm.)
Probably executed before 1930
1,000-1,500
$1,600-2,400
1,300-1,900
PROVENANCE:
The artists estate (with the estate stamp on the reverse of the artists mount).
Private collection, England.
l24
FRANTIEK KUPKA (1871-1957)
Autour dun point (E.III)
stamped with the artists signature (lower left)
gouache and pencil on paper
8 x 9 in. (21.6 x 23 cm.)
Executed circa 1920
6,000-8,000
$9,500-13,000
7,600-10,000
PROVENANCE:
l25
ERICH BUCHHOLZ (1891-1972)
Komposition
signed and dated EBuchholz 21 (lower right); signed and dated EBuchholz 21 (on the reverse)
brush and India ink on paper
13 x 10 in. (34.7 x 27.3 cm.)
Executed in 1921
1,000-1,500
$1,600-2,400
1,300-1,900
PROVENANCE:
26
LYONEL FEININGER (1871-1956)
Paris Faades IV
PROVENANCE:
18,000-25,000
$29,000-39,000
23,000-31,000
21
l27
OTTO DIX (1891-1969)
l28
OTTO DIX (1891-1969)
Betonierter Schtzengraben
Angres
12,000-18,000
$19,000-28,000
10,000-15,000
16,000-23,000
$16,000-24,000
13,000-19,000
PROVENANCE:
PROVENANCE:
EXHIBITED:
EXHIBITED:
LITERATURE:
O. Conzelmann, Der andere Dix, Sein Bild vom Menschen und vom Krieg,
Stuttgart, 1983, no. 189 (illustrated p. 122).
S. Pfffe, Otto Dix, Werkverzeichnis der Aquarelle und Gouachen, Stuttgart,
1991, no. G1917/4 (illustrated p. 267).
LITERATURE:
K. van Lil, Otto Dix und der Erste Weltkrieg, Die Natur des Menschen in der
Ausnahmesituation, Munich, 1999 (illustrated p. 143).
U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen und Pastelle, vol.
1, Weimar, 2003, no. WK 5.4.49 (illustrated p. 418).
l29
OTTO DIX (1891-1969)
l30
OTTO DIX (1891-1969)
Margot
Hedwig
signed and dated DIX 1921 (lower right) and inscribed Hedwig
(upper right)
black crayon on paper
19 x 13 in. (49.3 x 34.4 cm.)
Drawn in 1921
8,000-12,000
8,000-12,000
$13,000-19,000
11,000-15,000
$13,000-19,000
11,000-15,000
PROVENANCE:
PROVENANCE:
EXHIBITED:
EXHIBITED:
LITERATURE:
H. Kinkel, Otto Dix, Protokolle der Hlle, Zeichnungen, Frankfurt & Hamburg,
1968 (illustrated p. 66).
B.S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1971, no. IV.C.55.
U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen und Pastelle, vol.
8, Weimar, 2003, no. EDV 5.1.18 (illustrated p. 683).
B. S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1971, no. III.C.19.
U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen und Pastelle, vol.
8, Weimar, 2003, no. EDV 5.3.2 (illustrated p. 707).
Hamburg, Kunstverein, Otto Dix, 1966, no. 134; this exhibition later travelled
to Frankfurt, Kunstverein.
Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, Radierfolge
Der Krieg, December 1971 - January 1972, no. 59 (illustrated); this
exhibition later travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle,
Rome, Galleria Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria
Forni and Bolzano, Galleria Goethe.
Munich, Museum Villa Stuck, Otto Dix, August - October 1985, no. 333.
LITERATURE:
This drawing is a study for the etching Vohse (Karsch 22). According
to Ulrike Lorenz, this is one of the few nude drawings which Otto Dix
directly translated into a print.
23
l31
OTTO DIX (1891-1969)
Skizze zur Kriegsradierung Matrosen in
Antwerpen
signed DIX (lower right); signed and DIX (on the reverse)
pencil on paper
12 x 17 in. (30.7 x 43.2 cm.)
Drawn circa 1923-1924, with further sketches on the reverse
4,000-6,000
$6,300-9,400
5,100-7,500
PROVENANCE:
31
B.S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1981,
no. VII.C.8.
S. Pfffe, Otto Dix, Werkverzeichnis der Aquarelle und Gouachen,
Stuttgart, 1991, p. 143 ff.
U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen und
Pastelle, vol. 8, Weimar, 2003, no. EDV 12.0.17 (illustrated p. 893).
32 (recto)
32
GEORGE GROSZ (1893-1959)
Waffenschieber (recto) and Sitzende Frau (verso)
signed and inscribed GROSZ 136. Studie and with the artists
date stamp 21. Feb. 23. (on the reverse)
reed pen and India ink on paper
22 x 18 in. (56.8 x 46.2 cm.)
Executed in 1923
4,000-6,000
$6,300-9,400
5,100-7,500
PROVENANCE:
The artists estate, 1959 (with the Nachlass stamp and numbered
3.68.5 on the reverse).
Richard A. Cohn, New York.
Anonymous sale, Sothebys, New York, 5 October 1992, lot 101.
Tony Subal Kunsthandel, Vienna.
Acquired from the above by the present owner.
l33
KURT SCHWITTERS
(1887-1948)
Ohne Titel (Norwegische Landschaft
aus der Erinnerung)
signed with the initials and dated KS 40 (lower
right)
oil on panel
9 x 12 in. (25.2 x 31.2 cm.)
Painted in 1940
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
Kurt Schwitters painted this Norwegian landscape in 1940, when he was at one of the World
War II internment camps in England. A landscape painted from memory, full in colour with
strong hints of impasto, this work speaks of escapism, a utopian and somewhat expressionistic
vision of the great outdoors. This bears a striking contrast to the Dada collages for which he is
best known, however Schwitters enjoyed exploring both styles throughout his lifetime and subtle
commonalities are to be found between both, evidently in the recognizable colour scheme and,
where this work is concerned, in the tiny newsprint impressions evident upon close inspection
within the varnish. This piece belonged formerly to Edith Wantee Thomas whom Schwitters
would meet the year after it was painted, in December 1941, and who would remain his partner
for the rest of his life.
l34
KURT SCHWITTERS
(1887-1948)
Lake Windermere near Low Wood
signed with the initials and dated KS 46
(lower right); signed, dated and inscribed Kurt
Schwitters 1946 Lake Windermere (on the
reverse)
oil on board
10 x 14 in. (26.8 x 36.6 cm.)
Painted in 1946
7,000-9,000
$11,000-14,000
8,800-11,000
PROVENANCE:
25
35
MAX LIEBERMANN (1847-1935)
Buchenwald bei Ksen, study for Gedchtnisfeier fr
Kaiser Friedrich III in Ksen
signed MLiebermann (lower right)
charcoal on paper
Drawn in 1911
18 x 11 in. (46.1 x 29.1 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
36
MAX LIEBERMANN (1847-1935)
Badekarren und Pferd am Strand von
Noordwijk
signed MLiebermann (lower left)
black crayon on paper
5 x 8 in. (13.4 x 21.4 cm.)
Drawn in 1911
1,200-1,800
$1,900-2,800
1,600-2,300
PROVENANCE:
l37
OSKAR KOKOSCHKA
(1886-1980)
Mdchenakt
signed with the initials, dated and inscribed OK
53 Salzburg (lower right)
wax crayon on paper
11 x 15 in. (29.8 x 39.7)
Executed in Salzburg in 1953
5,000-7,000
$7,900-11,000
6,300-8,800
PROVENANCE:
38
PHILIPP FRANCK (1860-1944)
Birken im Neuen Garten, Vorfrhling
signed and dated PHILIPP-FRANCK 1937 (lower
right)
oil on canvas
44 x 47 in. (112.3 x 120 cm.)
Painted in 1937
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
27
l39
HERBERT GURSCHNER (1901-1975)
Tiroler Paare im Schnee
signed GURSCHNER. (lower left)
oil on panel
10 x 8 in. (27.4 x 22 cm.)
6,000-8,000
$9,500-13,000
7,600-10,000
PROVENANCE:
l40
ALFRED KUBIN (1877-1959)
Jger und Wilderer
signed AKubin (lower right) and inscribed Jger und Wilderer (lower left)
watercolour and pen and India ink on cadastre paper
image: 8 x 8 in. (22 x 21 cm.)
sheet: 12 x 11 in. (32.3 x 28.8 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
l41
ALFRED KUBIN (1877-1959)
Abenteuer eines Kaisers
signed Kubin (lower right) and inscribed Abenteuer eines Kaisers (lower
left)
pencil on cadastre paper
10 x 14 in. (26 x 36.2 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
l42
HERBERT GURSCHNER
(1901-1975)
Alkohol
signed, indistinctly dated and inscribed
H.GVRSCHNER.MVHLAV.19.TIROL.24
(lower left)
oil on burlap
38 x 25 in. (98 x 64.8 cm.)
Painted in Tirol in 1924
15,000-25,000
$24,000-39,000
19,000-31,000
PROVENANCE:
29
43
GUSTAV KLIMT (1862-1918)
Stehend nach links, study for Bildnis Hermine Gallia
pencil on paper
17 x 12 in. (45.3 x 32.2 cm.)
Drawn circa 1903-04
12,000-18,000
$19,000-28,000
16,000-23,000
PROVENANCE:
This work is a study for the oil Bildnis Hermine Gallia (Novotny-Dobai
138), today in the National Gallery, London. Gallia was an important
patron of the arts in Vienna during Gustav Klimts time and is the
subject of several important works by the artist.
l44
OSKAR KOKOSCHKA (1886-1980)
Clematis und Rosen
signed, dated and inscribed fr die liebe Doris zu Weihnachten OKokoschka
1967 (lower right)
watercolour on paper
24 x 19 in. (62.9 x 49.8 cm.)
Executed 1967
15,000-20,000
$24,000-31,000
19,000-25,000
PROVENANCE:
Private collection, England, a gift from the artist for Christmas 1967,
and thence by descent to the present owner.
30
*45
GUSTAV KLIMT (1862-1918)
EXHIBITED:
20,000-30,000
PROVENANCE:
$32,000-47,000
26,000-38,000
London, Fischer Fine Art Gallery, Gustav Klimt, Egon Schiele and artists from
the Viennese Secession, July 1985.
LITERATURE:
31
l46
JEAN DUFY (1888-1964)
Bouquet danmones de tulipes et
de mimosa
signed Jean Dufy (lower right)
watercolour and gouache on card
21 x 16 in. (54.7 x 41 cm.)
Executed circa 1942-1945
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
l47
CARLOS NADAL (1917-1998)
Club nautique
signed and dated CNadal 82 (lower centre);
signed and inscribed CLUB NAUTIQUE
CNadal(on the reverse)
oil on paper laid down on canvas
18 x 21 in. (46.2 x 55.3 cm.)
Painted in 1982
7,000-10,000
$11,000-16,000
8,800-13,000
l*48
ANDR BRASILIER (B. 1929)
Les peupliers dors (Vision dautomne)
EXHIBITED:
15,000-20,000
$24,000-31,000
19,000-25,000
PROVENANCE:
33
l*49
BENJAMN PALENCIA (1894-1980)
Serranillos
EXHIBITED:
15,000-20,000
LITERATURE:
$24,000-31,000
19,000-25,000
PROVENANCE:
34
l*50
ANDR BRASILIER (B. 1929)
Cavalcade au ciel ros
signed Andr Brasilier. (lower right); signed, dated and inscribed Cavalcade
au Ciel ros A.B. 2010 (on the reverse)
oil and pencil on canvas
25 x 18 in. (65 x 46 cm.)
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
This work is sold with a certifcate from Alexis Brasilier and it will be
included in the forthcoming Andr Brasilier catalogue raisonn.
l*51
ANDR BRASILIER (B. 1929)
Le vase de Sicile
signed Andr Brasilier. (lower centre); signed, dated and inscribed Le Vase
de Sicile A.B. 1979. (on the reverse)
oil on canvas
39 x 28 in. (100 x 73 cm.)
Painted in 1979
12,000-18,000
$19,000-28,000
16,000-23,000
PROVENANCE:
This work is sold with a certifcate from Alexis Brasilier and it will be
included in the forthcoming Andr Brasilier catalogue raisonn.
35
l52
GIORGIO MORANDI (1890-1964)
Fiori
signed Morandi (lower centre)
pencil on paper
9 x 7 in. (24 x 20 cm.)
Drawn in 1950
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
T. Varni, Bologna.
G. Golinelli, Bologna.
Private collection, Alessandria.
Anonymous sale, Finarte, Milan, 17 May 1990, lot 212.
Acquired at the above sale by the present owner.
EXHIBITED:
Siena, Palazzo Pubblico, Morandi, I fiori, November 1990 January 1991, no. 32 (illustrated).
Piacenza, Galleria Braga, Morandi, Riflessioni sullopera,
December 1991 - March 1992, no. 19 (illustrated).
LITERATURE:
l53
GIORGIO MORANDI (1890-1964)
Natura Morta
signed Morandi (lower centre)
pencil on paper
3 x 4 in. (8 x 10.2 cm.)
Drawn in 1962
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
l54
GIORGIO MORANDI (1890-1964)
Paesaggio
signed Morandi (lower centre)
pencil on paper
2 x 3 in. (7.1 x 9.8 cm.)
Drawn in 1963
4,000-6,000
$6,300-9,400
5,100-7,500
PROVENANCE:
l55
LON DE SMET (1881-1966)
Bateaux au port
signed with the monogram LDS (lower right)
oil on board
20 x 19 in. (52.6 x 49.2 cm.)
7,000-12,000
$11,000-19,000
8,800-15,000
PROVENANCE:
l56
LON DE SMET (1881-1966)
Lever de soleil sur la rivire Lys,
Ghent
signed with the monogram and dated
1913 LDS (lower right)
oil on canvas
13 x 19 in. (33.3 x 49.5 cm.)
Painted in 1913
1,000-2,000
$1,600-3,100
1,300-2,500
PROVENANCE:
37
l57
JOAN MIR (1893-1983)
Les essencies de la terra
signed Mir. (lower right)
wax crayon and colour lithograph on Japan paper
19 x 14 in. (50 x 35.7 cm.)
Executed circa 1968
15,000-25,000
$24,000-39,000
19,000-31,000
ADOM (Association pour la dfense de loeuvre de Joan Mir) has confrmed the authenticity of this
work.
l58
ANDR MASSON (1896-1987)
La statue agressive
PROVENANCE:
18,000-24,000
$29,000-38,000
23,000-30,000
Paris, Galerie Louise Leiris, Andr Masson, oeuvres rcentes, October November 1970, no. 11 (illustrated p. 19).
London, Waddington Galleries, Andr Masson, Paintings, January February 1972, no. 29.
Milan, Arte 92, Andr Masson, Opere 1943-1971, October 1990 January 1991, no. 18 (illustrated p. 55).
39
l59
LONARD TSUGUHARU FOUJITA (1886-1968)
Chat en alerte
signed Foujit (lower right)
pencil on paper
12 x 9 in. (22.9 x 32.5 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, Htel
Drouot, 28 October 2013, lot 57.
Acquired at the above sale by the present owner.
l60
MAX ERNST (1891-1976)
Initiale P
signed and dated max ernst 65 (lower right)
frottage and crayon on paper
10 x 8 in. (26.9 x 20.8 cm.)
Executed in 1965
2,500-3,500
$4,000-5,500
3,200-4,400
PROVENANCE:
W. Spies, S. & J. Metken, Max Ernst, Oeuvre-Katalog, Werke 1964-1969, Cologne, 2007, no. 4101
(illustrated p. 130).
l*61
AFTER JOAN MIR
(1893-1983)
La mangouste
stitched with the signature and symbol MIRO
(in the weave on the reverse)
wool tapestry
60 x 77 in. (153.3 x 197.3 cm.)
Conceived in 1935
3,000-5,000
$4,800-7,900
3,800-6,300
l62
ANDR MASSON (1896-1987)
Rapt
signed andr Masson (lower right)
oil on canvas
20 x 19 in. (53 x 50.2 cm.)
Painted in 1955
12,000-18,000
$19,000-28,000
16,000-23,000
PROVENANCE:
l63
MAX ERNST (1891-1976)
Jeune homme aux bras croiss
stamped with the artists signature and numbered Max Ernst 3/3
1177 1687 (underneath); stamped with the goldsmiths mark and the
French assay mark for silver (on the reverse)
silver
Height: 8 in. (20.4 cm.)
Conceived in 1967 and cast in an edition of three
15,000-20,000
$24,000-31,000
19,000-25,000
PROVENANCE:
41
l64
LONARD TSUGUHARU FOUJITA (1886-1968)
Jeune flle et ses petits oiseaux
signed and dated Foujita 16-9-56 (lower centre)
pencil on tracing paper
11 x 7 in. (30.1 x 19.5 cm.)
Drawn on 16 September 1956
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, Htel
Drouot, 26 March 2013, lot 135.
Acquired at the above sale by the present owner.
l65
ESTEBAN FRANCS (1913-1976)
Fantastic masks in green
oil, gouache and gouache on card
22 x 28 in. (58.3 x 73.4 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Worthing, Art Gallery, Paintings from the Collection of Edward James, 1963,
no. 30.
l66
FRANCIS PICABIA (1879-1953)
Caricature
signed with the initials F.P. (lower left)
pen and blue ink on paper
10 x 8 in. (26.8 x 20.8 cm.)
Drawn circa 1947-1949
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
l67
GINO SEVERINI (1883-1966)
Natura morta
signed G.Severini (lower right)
pen and India ink on paper
8 x 10 in. (22 x 26.5 cm)
Drawn circa 1948
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
l*68
MAX ERNST (1891-1976) AND
YVETTE CAUQUIL-PRINCE (1928-2005)
La ville entire
stitched with the signature max Ernst and with the Yvette CauquilPrince monogram (lower centre); with the Yvette Cauquil-Prince label and
numbered 1/1 (on the reverse)
hand-woven wool tapestry
111 in. x 169 in. (284 x 431 cm.)
Executed in 1975
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
EXHIBITED:
43
l69
SCAR DOMNGUEZ (1906-1958)
Caballos alados
signed and dated Dominguez 51 (lower left)
gouache and pen and ink on board
11 x 13 in. (27.8 x 35 cm.)
Executed in 1951
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
l70
ANDR DERAIN (1880-1954)
Tte danimal satirique
with the atelier stamp (Lugt 668a; lower right)
brush and India ink on paper
9 x 12 in. (24.8 x 32.2 cm.)
Executed circa 1940
1,500-2,500
$2,400-3,900
1,900-3,100
PROVENANCE:
l71
FRANCISCO BORS (1898-1972)
Joueurs de carte
signed and dated Bors 28 (upper right)
oil on canvas
36 x 28 in. (93 x 73 cm.)
Painted in 1928
6,000-8,000
$9,500-13,000
7,600-10,000
PROVENANCE:
l72
SALVADOR DAL (1904-1989)
Composition abstraite
signed Dal (on a sheet on the reverse)
oil, gouache and India ink on board
6 x 5 in. (16.8 x 14.8 cm.)
Executed in Cadaqus in November 1973
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
l73
JEAN COCTEAU (1889-1963)
Tte dhomme aux yeux poisson
signed and dated Jean Cocteau 1960 (lower right)
felt-tip pen on paper
25 x 19 in. (64 x 49.6 cm.)
Executed in 1960
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
l74
SALVADOR DAL (1904-1989)
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
Vienna, Palais Auersperg, Salvador Dali, eine Austellung des Museu PerrotMoore, Cadaques, March - April 1982, no. 118 (illustrated); this exhibition
later travelled to Munich, Residenz and Perpignan, Palais des Rois de
Majorque.
This work is sold with a certifcate from Robert and Nicolas Descharnes.
This drawing is a study for Salvador Dals masterpiece La Cne (Descharnes
1098), today in the National Gallery of Art, Washington.
45
l75
ALBERT ANDR (1869-1954)
Jeune flle assise la fentre devant le jardin
signed Albert Andr (lower right)
oil on canvas
28 x 23 in. (73.4 x 60.5 cm.)
Painted circa 1928
6,000-8,000
$9,500-13,000
7,600-10,000
PROVENANCE:
Evelyne Yeatman has confrmed the authenticity of this work and it will
be included in the forthcoming Albert Andr catalogue raisonne.
PROPERTY FROM A PRIVATE AUSTRALIAN COLLECTION
*76
HENRI LE SIDANER (1862-1939)
Sortie du soir
signed Le Sidaner (lower right)
oil on panel
8 x 13 in. (21.8 x 35 cm.)
Painted circa 1890-1895
6,000-8,000
$9,500-13,000
7,600-10,000
PROVENANCE:
77
RAOUL DUFY (1877-1953)
Btiments, chafaudages, Rue Lepic
LITERATURE:
20,000-30,000
$32,000-47,000
26,000-38,000
PROVENANCE:
47
l*78
JACQUES LIPCHITZ (1891-1973)
Exodus
signed, numbered and marked with the thumbprint J.Lipchitz 1/7 (on the
side underneath)
bronze with brown patina
Height: 21 in. (55.3 cm.)
Conceived in 1947 and cast in a numbered edition of 7
22,000-28,000
$35,000-44,000
28,000-35,000
PROVENANCE:
l*79
THO TOBIASSE (B. 1927)
Jai vu feurir Bethsabe au Jardin des Grenades
signed theo tobiasse (upper right), dated 82 (in the centre) and inscribed
Jai vu feurir Bethsabe au Jardin des Grenades (lower right)
oil on canvas
45 x 35 in. (116 x 89 cm.)
Painted in 1982
12,000-18,000
$19,000-28,000
16,000-23,000
PROVENANCE:
48
l80
MAN-KATZ (1894-1962)
Portrait de H.R.
signed Man-Katz (lower right)
oil on canvas
57 x 38 in. (145.5 x 96.5 cm.)
Painted in 1955
15,000-20,000
$24,000-31,000
19,000-25,000
PROVENANCE:
Paris, Grand Palais, Salon dAutomne, November December 1956, no. 883, p. 77.
81
ABRAHAM MINTCHINE
(1898-1931)
Nature morte
signed A.Mintchine. (upper right)
oil on canvas
21 x 28 in. (54 x 73 cm.)
7,000-12,000
$11,000-19,000
8,800-15,000
PROVENANCE:
M. di Veroli & G. Testori, Abraham Mintchine, 18981931, Milan, 1981, no. 214 (illustrated p. 141).
49
82
AUGUSTE RODIN (1840-1917)
Balzac, tude type C (buste), 1re version, petit modle
signed A.Rodin (on the left shoulder) and inscribed with the foundry mark
.Alexis.Rudier. .Fondeur.Paris. (on the right shoulder); stamped in relief
A.Rodin (on the inside)
bronze with brown and black patina
Height: 6 in. (15.3 cm.)
Conceived in 1892, this cast executed by Alexis Rudier between 1918 and
1927
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
83
MILE-ANTOINE BOURDELLE (1861-1929)
Les trois rivires
signed E. Bourdelle (lower centre)
plaster relief
6 x 11 in. (17 x 28.3 cm.)
Executed circa 1896
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
84
ARISTIDE MAILLOL (1861-1944)
Nu allong
pencil on paper
9 x 11 in. (23 x 28.2 cm.)
With a further sketch of a nude on the reverse.
1,800-2,500
$2,900-3,900
2,300-3,100
PROVENANCE:
*85
HENRI LEBASQUE (1865-1937)
Jeune flle aux poissons
signed HLebasque (lower left)
oil on canvas
29 x 20 in. (75 x 50.8 cm.)
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
M. Behrens, Germany.
Anonymous sale, Christies, London, 3 December
1985, lot 202.
Private collection, Japan.
LITERATURE:
l86
ANDR DERAIN (1880-1954)
Nu debout
signed Derain (lower right)
sanguine and pastel on paper
25 x 16 in. (63.5 x 41.5 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
The Comit Andr Derain has confrmed the authenticity of this work.
51
87
ACHILLE LAUG (1861-1944)
Verger en feurs
PROVENANCE:
18,000-25,000
$29,000-39,000
23,000-31,000
52
l88
HENRI MANGUIN (1874-1949)
Le Golfe de Saint-Tropez depuis lOustalet
signed Manguin (lower right)
oil on canvas
15 x 24 in. (38 x 61.4 cm.)
Painted in Summer/Autumn 1920
15,000-20,000
EXHIBITED:
$24,000-31,000
19,000-25,000
PROVENANCE:
53
89
ALBERT LEBOURG
(1849-1928)
Larrive du bateau
vapeur la Bouille
signed, dated and inscribed
aLebourg Rouen 1920 (lower right)
oil on canvas
18 x 28 in. (46.7 x 73.3 cm.)
Painted in Rouen in 1920
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
90
HENRI LE SIDANER
(1862-1939)
Le Palais, matin dt,
Hampton Court
signed Le Sidaner (lower right)
oil and colour crayon on paper
10 x 15 in. (26.5 x 38.1 cm.)
Executed circa 1908
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
54
91
CLAUDE-MILE
SCHUFFENECKER
(1851-1934)
Notre Dame de Paris
signed Schuffenecker (lower left;
enhanced)
oil on canvas
17 x 23 in. (43.5 x 60 cm.)
Painted in 1895
15,000-25,000
$24,000-39,000
19,000-31,000
PROVENANCE:
92
ALBERT CHARLES
LEBOURG (1849-1928)
Remorqueur sur la Seine
en aval de Rouen
signed A.Lebourg (lower left)
oil on canvas
19 x 28 in. (48.8 x 73.1 cm.)
7,000-9,000
$11,000-14,000
8,800-11,000
PROVENANCE:
55
*93
RAOUL DUFY (1877-1953)
Les oeufs
signed and dated 29 Juin 1920 Raoul Dufy
(lower centre)
watercolour and pencil on paper
19 x 26 in. (50.4 x 66.2 cm.)
Executed on 29 June 1920
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
l*94
CARLOS NADAL (1917-1998)
La plage Nice
signed cNadal (lower right); signed, inscribed
and with the atelier stamp n.15 LA PLAGE A NICE
cNadal (on the reverse)
oil on canvas
21 x 25 in. (54.2 x 65.2 cm.)
15,000-25,000
$24,000-39,000
19,000-31,000
PROVENANCE:
56
l95
JEAN DUFY (1888-1964)
Sintra, Portugal
PROVENANCE:
20,000-30,000
$32,000-47,000
26,000-38,000
LITERATURE:
J. Bailly, Jean Dufy, catalogue raisonn de loeuvre, vol. 2, Paris, 2010, no.
B.1529 (illustrated p. 371).
57
l*96
CLAUDE VENARD (1913-1999)
Bateau sur la Seine
signed C.VENARD (lower right)
oil on canvas
35 x 45 in. (89.5 x 116 cm.)
7,000-12,000
$11,000-19,000
8,800-15,000
l97
CLAUDE VENARD (1913-1999)
Pommes vertes
signed C.VENARD (lower left); inscribed pommes vertes (on the
reverse)
oil on canvas
29 x 29 in. (75 x 75 cm.)
4,000-6,000
$6,300-9,400
5,100-7,500
PROVENANCE:
58
98
RAOUL DUFY (1877-1953)
Fontaine Cannes
PROVENANCE:
18,000-22,000
$29,000-35,000
23,000-28,000
*99
PAUL SIGNAC (1863-1935)
Toulon
signed PSignac (lower left) and dated and
inscribed Toulon 9 mai 34 (lower right)
watercolour and pencil on paper
9 x 17 in. (24.2 x 43.4 cm.)
Executed in Toulon on 9 May 1934
7,000-9,000
$11,000-14,000
8,800-11,000
PROVENANCE:
59
l100
MAURICE BRIANCHON (1899-1979)
Nature morte aux pommes de pin
EXHIBITED:
8,000-12,000
$13,000-19,000
11,000-15,000
PROVENANCE:
60
LITERATURE:
l*101
BENJAMN PALENCIA
(1894-1980)
Primavera en la sierra
signed and dated B.Palencia 62 (lower right)
oil on canvas
28 x 21 in. (73 x 54 cm.)
Painted in 1962
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
l*102
BENJAMN PALENCIA
(1894-1980)
Cerro grana (Castilla)
signed BPalencia 1973 (lower right)
oil on canvas
21 x 25 in. (54 x 65 cm.)
Painted in 1973
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
l103
ANDR LANSKOY (1902-1976)
Paysage avec une ferme
signed Lanskoy (lower right)
oil on canvas
10 x 16 in. (27 x 41 cm.)
1,500-2,500
$2,400-3,900
1,900-3,100
PROVENANCE:
l104
ANDR LANSKOY (1902-1976)
Portrait de femme
signed with the initials a.L. (lower right)
oil on panel
7 x 5 in. (17.8 x 13.7 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
Galerie Kriegel, Paris; sale, Artcurial, Paris, 30 June 2008, lot 73.
Acquired at the above sale by the present owner.
l105
ANDR LHOTE (1885-1962)
Paysage vallonn
signed ALhote (lower left)
watercolour and pencil on paper
13 x 20 in. (33.3 x 50.8 cm.)
Executed circa 1910s
2,500-3,500
$4,000-5,500
3,200-4,400
PROVENANCE:
l*106
CLAUDE VENARD
(1913-1999)
Voiture classique
signed C.VENARD (lower right)
oil on canvas
45 x 57 in. (114.3 x 146 cm.)
7,000-10,000
$11,000-16,000
8,800-13,000
PROVENANCE:
l107
CLAUDE VENARD (1913-1999)
Nature morte au vase
signed C.VENARD (lower right)
oil on canvas
29 x 29 in. (75 x 75 cm.)
4,000-6,000
$6,300-9,400
5,100-7,500
PROVENANCE:
63
l108
ETIENNE (ISTVN) BETHY
(1897-1961)
l*109
VALENTINE PRAX (1899-1981)
5,000-8,000
$7,900-13,000
6,300-10,000
Nature morte
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
PROVENANCE:
l110
CLAUDE VENARD
(1913-1999)
LAtelier du peintre
signed C.VENARD (lower right)
oil on canvas
44 x 56 in. (112.3 x 143.8 cm.)
Executed circa 1950s
9,000-12,000
$15,000-19,000
12,000-15,000
Renata Venard has confrmed the
authenticity of this work.
This work is sold with a photocertifcate from Alain Vercel.
111
AFTER OTTO GUTFREUND
(1889-1927)
Pes
with the signature stamp Gutfreund and stamped
S.V.U. MNES SVYM GLENUM NA ROK 1928
(underneath)
terracotta
Height: 5 in. (13.8 cm.)
Conceived in 1927 and cast in 1928
500-1,000
$790-1,600
630-1,300
PROVENANCE:
65
l112
ROBERT MARC (1943-1993)
Lou
signed ROBERT MARC (lower centre); inscribed H903 (on the reverse)
oil on canvas
36 x 28 in. (91.7 x 73 cm.)
Painted in 1990
3,000-5,000
$4,800-7,900
3,800-6,300
l113
GEORGES TERZIAN (1939)
Femme la guitare
signed G.TERZIAN (lower right); signed, dated and inscribed GEORGES
TERZIAN FEMME LA GUITARE (on the reverse)
oil on canvas
51 x 31 in. (130 x 81 cm.)
4,000-6,000
$6,300-9,400
5,100-7,500
l114
GEORGES TERZIAN (B. 1939)
Composition abstraite
signed G.TERZIAN (upper right); signed G.TERZIAN (on the reverse)
oil on canvas
46 x 39 in. (117.5 x 100 cm.)
5,000-7,000
$7,900-11,000
6,300-8,800
66
l*115
PIERRE EUGNE MONTZIN
(1874-1946)
Pique-nique au bord du Loing
signed Montezin (lower left)
oil on canvas
28 x 23 in. (72.8 x 59.8 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
l116
CARLOS NADAL (1917-1998)
Taller
signed cNadal (lower right); signed,
inscribed and with the atelier stamp TALLER
cNadal (on the reverse)
oil on canvas
18 x 21 in. (46.2 x 55 cm.)
7,000-10,000
$11,000-16,000
8,800-13,000
PROVENANCE:
67
l117
GUSTAVE CARIOT (1872-1950)
Neige Georgenborn
signed G. Cariot 1924 (lower right)
oil on canvas
21 x 28 in. (54 x 73.2 cm.)
Painted in Georgenborn in 1924
4,000-8,000
$6,300-13,000
5,100-10,000
PROVENANCE:
l118
FRANOIS GALL (1912-1987)
Eugenie lit le journal sur une plage normande
signed F.Gall (lower right); signed and inscribed SUR LA PLAGE F.GALL (on the
reverse)
oil on canvas
16 x 13 in. (41 x 33 cm.)
3,000-5,000
$4,800-7,900
3,800-6,300
The Comit Franois Gall has confrmed the authenticity of this work and it will
be included in the forthcoming catalogue raisonn in preparation by Marie-Lise
Gall.
l119
LUDOVIC-RODO PISSARRO (1878-1952)
Kew Gardens
signed Ludovic Rodo (lower right)
oil on canvas
15 x 18 in. (38 x 46.5 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
68
l120
ELISE MACLET (1881-1962)
Place du Tertre Montmartre
signed maclet (lower left)
oil on board
17 x 23 in. (45.5 x 60.7 cm.)
2,000-4,000
$3,200-6,300
2,600-5,000
PROVENANCE:
l*121
EDOUARD JOSEPH GOERG (1893-1969)
Les parisiennes aux champs
signed E.Goerg. (lower right); signed, titled and dated Les parisiennes aux
champs E.Goerg Juillet 59 (on the reverse)
oil on canvas
25 x 31 in. (65.2 x 81 cm.)
Painted in July 1959
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
l122
CHARLES MALLE (B. 1935)
La Seine Notre Dame, Paris
signed C.Malle (lower left); inscribed La Seine Notre Dame Paris
(on the reverse)
oil on canvas
28 x 39 in. (73 x 100 cm.)
4,000-6,000
$6,300-9,400
5,100-7,500
l123
FRANOIS GALL (1912-1987)
Jeune femme rousse, assise en bord de Seine Vernon
signed F.Gall (lower left)
oil on canvas
10 x 8 in. (27 x 22.3 cm.)
Painted circa 1959-1960
2,000-3,000
$3,200-4,700
2,600-3,800
The Comit Franois Gall has confrmed the authenticity of this work and
it will be included in the forthcoming catalogue raisonn in preparation by
Marie-Lise Gall.
l124
GUSTAVE CARIOT (1872-1950)
Les champs de bl
signed and dated G.Cariot 1948 (lower right)
oil on canvas
5 x 10 in. (14.1 x 27.2 cm.)
Painted in 1948
1,000-2,000
$1,600-3,100
1,300-2,500
PROVENANCE:
l125
FRANOIS GALL (1912-1987)
Eugnie relevant son chignon devant la coiffeuse
signed and inscribed F.Gall Paris (lower right)
oil on canvas
11 x 9 in. (28.6 x 23.5 cm.)
Painted circa 1957-1960
1,800-2,500
$2,900-3,900
2,300-3,100
The Comit Franois Gall has confrmed the authenticity of this work and
it will be included in the forthcoming catalogue raisonn in preparation by
Marie-Lise Gall.
70
l126
MARCEL DYF (1899-1985)
Claudine aux fruits
signed Dyf (lower left)
oil on canvas
28 x 23 in. (73 x 60 cm.)
Painted circa 1950s
2,500-3,500
$4,000-5,500
3,200-4,400
PROVENANCE:
l127
PAULMILE PISSARRO (1884-1972)
La Mare aux Biches, Lyons-la-Fort
signed Paulmile.Pissarro. (lower left); signed and inscribed La Mare aux
biches Lyons la fort Paulmile.Pissarro (on the reverse)
oil on canvas
21 x 18 in. (55 x 46 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
The authenticity of this work has been confrmed by Llia Pissarro and
will be recorded in the archives of Pissarro Stern Publications.
128
GEORGES DESPAGNAT (1870-1950)
Jeunes flles au jardin
signed with the initials GdE (lower right)
oil on canvas
21 x 25 in. (54.5 x 65.2 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
71
l129
JEAN-GABRIEL DOMERGUE (1889-1962)
Elgante au chapeau blanc
signed Jean Gabriel Domergue (lower right)
oil on board
9 x 7 in. (24 x 18.9 cm.)
1,800-2,500
$2,900-3,900
2,300-3,100
PROVENANCE:
l130
LONARD TSUGUHARU FOUJITA (1886-1968)
La banque
signed and inscribed Foujita Italie (lower left) and dated 27-3-59 (upper left)
ballpoint pen and pencil on paper
6 x 4 in. (15.8 x 12.5 cm.)
Drawn on 27 March 1959
1,000-2,000
$1,600-3,100
1,300-2,500
PROVENANCE:
Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, Htel Drouot,
28 October 2013, lot 172.
Acquired at the above sale by the present owner.
l131
JEAN-GABRIEL DOMERGUE (1889-1962)
Elgante au chapeau jaune
signed Jean-Gabriel Domergue (lower right)
oil on board
9 x 7 in. (23.9 x 19 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
72
l132
PAULMILE PISSARRO (1884-1972)
Proussy, Calvados
signed Paulmile.Pissarro. (lower centre); signed and inscribed
Proussy-Calvados Paulmile.Pissarro (on the reverse)
oil on canvas
18 x 21 in. (46.2 x 55 cm.)
2,500-3,500
$4,000-5,500
3,200-4,400
133
MAXIMILIEN LUCE (1858-1941)
Le chemin Mricourt
signed Luce (lower right); signed and inscribed Mericourt
M.Luce (on the reverse)
oil on card laid down on panel
9 x 13 in. (25 x 35.2 cm.)
Painted circa 1925-1930
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
l134
CHARLES MALLE (B. 1935)
Paris, Place de la Rpublique
signed C.Malle. (lower right); inscribed Paris Place de la
Rpublique (on the reverse)
oil on canvas
28 x 36 in. (73 x 92 cm.)
4,000-6,000
$6,300-9,400
5,100-7,500
135-200 No Lots
Impressionist/Modern
and Picasso Ceramics
Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
10393
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UK5,000 to UK10,000
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UK10,000 to UK20,000 by UK1,000s
UK20,000 to UK30,000 by UK2,000s
UK30,000 to UK50,000 by UK2,000, 5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
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at auctioneers discretion
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75
28 & 29 APRIL
MILAN MODERN & CONTEMPORARY
MILAN
15 JULY
MODERN BRITISH & IRISH ART
LONDON, SOUTH KENSINGTON
29 APRIL
IMPRESSIONIST/MODERN ART EVENING
AUCTION
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15 OCTOBER
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EVENING AUCTION
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IMPRESSIONIST/MODERN
WORKS ON PAPER AUCTION
NEW YORK
15 OCTOBER
THE ITALIAN SALE
LONDON, KING STREET
30 APRIL
IMPRESSIONIST/MODERN ART
DAY AUCTION
NEW YORK
4 MAY
SWISS ART
ZURICH
16 OCTOBER
POST-WAR AND CONTEMPORARY ART
DAY AUCTION
LONDON, KING STREET
22 & 23 OCTOBER
IMPRESSIONIST/MODERN ART
PARIS
23 OCTOBER
SHANGHAI SALES
SHANGHAI
2 & 3 JUNE
ART DAPRS-GUERRE ET
CONTEMPORAIN
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3 NOVEMBER
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22 JUNE
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LONDON, KING STREET
23 JUNE
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LONDON, KING STREET
24 JUNE
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LONDON, KING STREET
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DAY AUCTION
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25 JUNE
PICASSO CERAMICS
LONDON, SOUTH KENSINGTON
26 JUNE
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LONDON, SOUTH KENSINGTON
30 JUNE
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EVENING AUCTION
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LONDON, KING STREET
4 NOVEMBER
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NEW YORK
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DAY AUCTION
NEW YORK
25 NOVEMBER
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26 NOVEMBER
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AUCTION
LONDON, KING STREET
7 DECEMBER
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ZURICH
8 DECEMBER
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AMSTERDAM
8 & 9 DECEMBER
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10 DECEMBER
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LONDON, SOUTH KENSINGTON
11 DECEMBER
MODERN BRITISH & IRISH ART
LONDON, SOUTH KENSINGTON
19/12/14
Picasso Ceramics
Friday 6 February 2015
Natalie Radziwill
Head of Sale
Imogen Kerr
Junior Specialist
AUCTION
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Natalie Radziwill
Tel:+44 (0)20 7752 3223
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christies.com
l*201
PABLO PICASSO (1881-1973)
Visage dhomme (A.R. 287)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / I.121 Edition Picasso 75/350 Madoura (underneath)
partially glazed ceramic plate
Height: 15 in. (38.7 cm.)
Conceived in 1955 and executed in a numbered edition of
350; framed
3,000-5,000
$4,800-7,900
3,800-6,300
l202
PABLO PICASSO (1881-1973)
Quatre profls enlacs (A.R. 84)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(underneath)
glazed ceramic plate
Diameter: 10 in. (26.4 cm.)
Conceived in 1949 and executed in an edition of 35; this work
is a variant in colour and design with decoration to the reverse
7,000-10,000
$11,000-16,000
8,800-13,000
202 (recto)
202 (verso)
l203
PABLO PICASSO (1881-1973)
Visage (A.R. 288)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso (underneath)
partially glazed ceramic pitcher
Height: 11 in. (29.5 cm.)
Conceived in 1955 and executed in an edition of 500
3,000-5,000
$4,800-7,900
3,800-6,300
l204
PABLO PICASSO (1881-1973)
Femme (A.R. 301)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / 20/200 / Edition Picasso (underneath)
partially glazed and engraved ceramic pitcher
Height: 11 in. (29.5 cm.)
Conceived in 1955 and executed in a numbered edition of 200
5,000-8,000
$7,900-13,000
6,300-10,000
l205
PABLO PICASSO (1881-1973)
Pichet glace (A.R. 142)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / Edition Picasso / 37/100 / Madoura (underneath)
glazed and engraved ceramic pitcher
Height: 12 in. (32.2 cm.)
Conceived in 1952 and executed in a numbered edition of 100
5,000-7,000
$7,900-11,000
6,300-8,800
l*206
PABLO PICASSO (1881-1973)
Trois sardines (A.R. 34)
stamped, marked and numbered Madoura Plein Feu / Edition
Picasso / I113 95/200 (underneath)
glazed and engraved ceramic plate
Length: 15 in. (38.5 cm.)
Conceived in 1948 and executed in a numbered edition of
200; framed
4,000-6,000
$6,300-9,400
5,100-7,500
l*207
PABLO PICASSO (1881-1973)
Visage grav, fond grge (A.R. 29)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / I.110 166/200 (underneath)
glazed and engraved ceramic plate
Length: 15 in. (38 cm.)
Conceived in 1947 and executed in a numbered edition of
200; framed
4,000-6,000
$6,300-9,400
5,100-7,500
*208
PABLO PICASSO (1881-1973)
Quatre poissons polychromes (A.R. 31)
stamped, marked and numbered Madoura Plein Feu / Edition
Picasso / I.111 142/200 (underneath)
glazed ceramic plate
Length: 15 in. (38.7 cm.)
Conceived in 1947 and executed in a numbered edition of
200; framed
4,000-6,000
$6,300-9,400
5,100-7,500
l209
PABLO PICASSO (1881-1973)
Poisson fond noir (A.R. 167)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(underneath)
partially glazed ceramic plate
Length: 16 in. (42.4 cm.)
Conceived in 1952 and executed in an edition of 100
4,000-6,000
$6,300-9,400
5,100-7,500
l210
PABLO PICASSO (1881-1973)
Poisson fond roux (A.R. 169)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(underneath)
partially glazed ceramic plate
Length: 16 in. (42.2 cm.)
Conceived in 1952 and executed in an edition of 100
4,000-6,000
$6,300-9,400
5,100-7,500
l*211
PABLO PICASSO (1881-1973)
Mains au poisson (A.R. 214)
stamped and numbered Madoura Plein Feu / Empreinte
Originale de Picasso / 101/250 (underneath)
partially glazed ceramic bowl
Diameter: 11 in. (29.6 cm.)
Conceived in 1953 and executed in a numbered edition of
250; framed
3,000-5,000
$4,800-7,900
3,800-6,300
l*212
PABLO PICASSO (1881-1973)
Nature morte la cuiller (A.R. 165)
dated 22.12.52. (in reverse; lower right); stamped, marked
and numbered Madoura Plein Feu / Empreinte Originale de
Picasso / E.101 / 148/200 (underneath)
partially glazed ceramic plate
Diameter: 15 in. (38 cm.)
Conceived on 22 December 1952 and executed in a numbered
edition of 200; framed
3,000-5,000
$4,800-7,900
3,800-6,300
10
l*213
PABLO PICASSO (1881-1973)
Visage aux yeux rieurs (A.R. 608)
stamped, marked and numbered Madoura Plein Feu /
Edition Picasso / R137 / Edition Picasso / 287/350 / Madoura
(underneath)
partially glazed and engraved ceramic pitcher
Height: 13 in. (33.4 cm.)
Conceived on 9 January 1969 and executed in a numbered
edition of 350
15,000-20,000
$24,000-31,000
19,000-25,000
l214
PABLO PICASSO (1881-1973)
Oiseaux et Poissons (A.R. 291)
stamped, marked and numbered Empreinte Originale de
Picasso / Madoura Plein Feu / 5 (underneath); numbered and
inscribed 8/25 II (inside)
unglazed painted white earthenware vase
Height: 19 in. (50 cm.)
Conceived in 1955 and executed in a numbered edition of 25
40,000-60,000
$63,000-94,000
51,000-75,000
(alternate view)
12
l*215
PABLO PICASSO (1881-1973)
Plat espagnol au toros (A.R. 403)
stamped and marked Madoura Plein Feu / Edition Picasso /
Edition Picasso 93/100 Madoura (underneath)
partially glazed and engraved ceramic plate
Diameter: 16 in. (41 cm.)
Conceived in 1957 and executed in a numbered edition of
100; framed
4,000-6,000
$6,300-9,400
5,100-7,500
14
l216
PABLO PICASSO (1881-1973)
Visage et hibou (A.R. 407)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / Edition Picasso / 30/200 (underneath)
partially glazed and engraved ceramic vase
Height: 9 in. (24.8 cm.)
Conceived in 1958 and executed in a numbered edition of 200
7,000-10,000
$11,000-16,000
8,800-13,000
l217
PABLO PICASSO (1881-1973)
Chouette femme (A.R. 119)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso (underneath)
partially glazed ceramic vase
Height: 11 in. (27.9 cm.)
Conceived in 1951 and executed in an edition of 500
3,000-5,000
$4,800-7,900
3,800-6,300
16
l218
PABLO PICASSO (1881-1973)
Chouette (A.R. 607)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / Edition Picasso / 59/500 / Madoura / R.147
(underneath)
partially glazed and engraved ceramic vase
Height: 11 in. (30 cm.)
Conceived in 1969 and executed in a numbered edition of 500
4,000-6,000
$6,300-9,400
5,100-7,500
17
l219
PABLO PICASSO (1881-1973)
Hibou (A.R. 224)
stamped and numbered Madoura Plein Feu / Edition Picasso /
14 (underneath)
painted and engraved ceramic sculpture
Height: 12 in. (32.5 cm.)
Conceived in 1953 and executed in an edition of 25
40,000-60,000
$63,000-94,000
51,000-75,000
18
19
l220
PABLO PICASSO (1881-1973)
Joueur de diaule (A.R. 1)
stamped, marked and numbered Madoura Plein Feu / Edition
Picasso / I108 / 36/200 (underneath)
partially glazed and engraved ceramic plate
Length: 14 in. (36.8 cm.)
Conceived in 1947 and executed in a numbered edition of 200
3,000-5,000
$4,800-7,900
3,800-6,300
20
l221
PABLO PICASSO (1881-1973)
PROVENANCE:
Colombe de la paix
dated and inscribed Vallauris le 22.1.54. and stamped Madoura Plein Feu
(underneath)
glazed ceramic plate
Diameter: 12 in. (32.2 cm.)
Executed in Vallauris on 22 January 1954; this work is unique
20,000-30,000
$32,000-47,000
26,000-38,000
l222
PABLO PICASSO (1881-1973)
Service visage noir (A.R. 47)
stamped and marked Madoura Plein Feu / daprs Picasso /
Madoura L (underneath)
glazed and engraved ceramic plate
Diameter: 9 in. (23.3 cm.)
Conceived in 1948 and executed in an edition of 100
2,000-3,000
$3,200-4,700
2,600-3,800
l223
PABLO PICASSO (1881-1973)
Service visage noir (A.R. 42)
stamped and marked Madoura Plein Feu / daprs Picasso /
Madoura G (underneath)
glazed and engraved ceramic plate
Diameter 9 in. (23.7 cm.)
Conceived in 1948 and executed in an edition of 100
2,000-3,000
$3,200-4,700
2,600-3,800
22
l*224
PABLO PICASSO (1881-1973)
Vase au dcor pastel (A.R. 190)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / Edition Picasso / 88/200 (underneath)
terracotta vase with pastel
Height: 12 in. (32 cm.)
Conceived on 4 June 1953 and executed in a numbered
edition of 200
3,000-5,000
$4,800-7,900
3,800-6,300
l225
PABLO PICASSO (1881-1973)
Grande tte de femme au chapeau orn (A.R. 518)
stamped and numbered Madoura Plein Feu / Empreinte Originale de
Picasso / 22/50 (on the reverse)
unglazed terracotta plaque
23 x 19 in. (60.7 x 50.2 cm.)
Conceived in 1964 and executed in a numbered edition of 50
30,000-50,000
$48,000-79,000
38,000-63,000
24
In the example of Grande tte de femme au chapeau orn Picasso cut only
a single state for the linoblock. The plaster cast of the linoleum block has
preserved for posterity the fne carvings and grooves of the relief in the
negative areas. These are the areas which would not receive ink and which
would only be apparent printed in the linoleum print when the heaviest
of pressure is applied during the print run. In this way we can view the
plaster cast, and the resulting surface of the terracotta plaque, as a means
of understanding the skill and shallow depths to which Picasso carved his
linoblocks no linoleum block was deeper than 5 mm.
The linocut, Grande tte de femme au chapeau orn, was experimental in its
nature; playing with texture and pushing the material to its limits. The same
can be said for the resultant terracotta plaque. The variation in the surface,
in order to be a true refection of the plaster cast, had to absolutely perfect. If
not, the application of the black glaze would not create the required effect.
Structurally, it was extremely demanding to create a terracotta plaque of
this size in the early 1960s - at almost 60 cm. high and 50 cm. wide. One
imagines many failed efforts rejected by Picasso and the Ramis. That there
are no fring cracks in a terracotta tile of this size, as in this example from the
edition, is remarkable.
By exploring the linoleum block in plaster and pursuing the creation of the
terracotta plaques, we can see how the necessary process of carving the lino
must have struck a chord with Picasso; as the plaques elevate the necessary
action within printmaking, to a standalone object in relief an artwork in its
own right.
We would like to thank Stephen Gallagher, Associate Print Specialist, for his
assistance with this catalogue note.
l226
PABLO PICASSO (1881-1973)
l227
PABLO PICASSO (1881-1973)
8,000-12,000
$13,000-19,000
11,000-15,000
2,000-3,000
$3,200-4,700
2,600-3,800
l228
PABLO PICASSO (1881-1973)
Visage en gros relief (A.R. 506)
stamped, marked and numbered Madoura Plein Feu /
Empreinte Originale de Picasso / 12/100 / T106 (underneath)
terracotta plate
Diameter: 10 in. (26 cm.)
Conceived on 15 July 1963 and executed in a numbered
edition of 100
1,000-1,500
$1,600-2,400
1,300-1,900
l229
PABLO PICASSO (1881-1973)
Visage (A.R. 500)
stamped, marked and numbered Madoura Plein Feu /
Empreinte Originale de Picasso / 7/100 / T102 (underneath)
terracotta plate
Diameter: 10 in. (26.3 cm.)
Conceived on 12 July 1963 and executed in a numbered
edition of 100
1,000-1,500
$1,600-2,400
1,300-1,900
l230
PABLO PICASSO (1881-1973)
Homme aux petits bras (A.R. 99)
stamped Madoura Empreinte Originale de Picasso (on the
reverse)
terracotta medallion
Height: 3 in. (9.7 cm.)
Conceived in 1950 and executed in an edition of 250
500-1,000
$790-1,600
630-1,300
27
l231
PABLO PICASSO (1881-1973)
Joueur, danseur et buveur and Ttes dhommes
dated 9.3.57. (upper right)
10 x 12 in. (25.6 x 30.8 cm.)
partially glazed and painted ceramic plaque
Executed on 9 March 1957; this work is unique
30,000-50,000
$48,000-79,000
38,000-63,000
230 (recto)
230 (verso)
l*232
PABLO PICASSO (1881-1973)
Tte dhomme aux cheveux longs (A.R. 597)
stamped, marked and numbered Madoura Plein Feu /
Empreinte Originale de Picasso / J 110A 17/50 (on the reverse)
partially glazed terracotta plaque
12 x 12 in. (30.5 x 30.5 cm.)
Conceived in December 1968 to January 1969 and executed in
a numbered edition of 50; framed
5,000-8,000
$7,900-13,000
6,300-10,000
l233
PABLO PICASSO (1881-1973)
Centaure (A.R. 338)
stamped and marked Madoura Plein Feu / Empreinte
Originale de Picasso / C 112 (underneath)
painted terracotta plate
Diameter: 16 in. (42.8 cm.)
Conceived in 1956 and executed in an edition of 100
3,000-5,000
$4,800-7,900
3,800-6,300
29
234
PABLO PICASSO (1881-1973)
Visage no. 0 (A.R. 458)
marked and numbered Edition Picasso/31/500/Madoura
(underneath)
glazed ceramic plate
Diameter: 10 in. (25.4 cm.)
Conceived in 1963 and executed in a numbered edition of 500
2,500-3,500
$4,000-5,500
3,200-4,400
l*235
PABLO PICASSO (1881-1973)
Visage no. 202 (A.R. 495)
marked and numbered No202 Edition Picasso 315/500
Madoura (underneath)
glazed ceramic plate
Diameter: 9 in. (25 cm.)
Conceived in 1963 and executed in a numbered edition of
500; framed
3,000-5,000
$4,800-7,900
3,800-6,300
l236
PABLO PICASSO (1881-1973)
Petit visage no. 65 (A.R. 471)
marked and numbered N.65 / Edition Picasso / 121/150 /
Madoura (underneath)
partially glazed ceramic plate
Diameter: 9 in. (25.1 cm.)
Conceived in 1963 and executed in a numbered edition of 150
2,000-3,000
$3,200-4,700
2,600-3,800
30
l237
PABLO PICASSO (1881-1973)
Horloge la langue (P.H. 1427)
stamped with the artists signature and numbered Picasso
18/20 and stamped with the silversmiths mark, the French
assay mark for silver and numbered 2389/1427 (underneath)
silver repouss plate
Diameter: 16 (42 cm.)
Conceived in 1956 and executed in silver in a numbered
edition of 20 plus two preuves dartiste and two preuves
dauteur
20,000-30,000
$32,000-47,000
26,000-38,000
31
l*238
PABLO PICASSO (1881-1973)
Faune cavalier (P.H. 1406)
stamped with the artists signature and numbered Picasso
2/20 180/77 1409 (on the reverse); stamped with the
goldsmiths and a French mark (on the suspensory loop on the
reverse)
gold medallion
Diameter: 2 in. (5 cm.)
Conceived in 1956 and executed in gold in a numbered
edition of 20 plus two exemplaire dartiste and two exemplaire
dauteur; with wooden the case
7,000-10,000
$11,000-16,000
8,800-13,000
l*239
PABLO PICASSO (1881-1973)
Taureau (P.H. 1413)
stamped with the artists signature and numbered Picasso
2/20 1413 (on the reverse); stamped with the goldsmiths
mark and a French mark (on the suspensory loop on the
reverse)
gold medallion
Diameter: 2 in. (5 cm.)
Conceived in 1956 and executed in gold in a numbered
edition of 20 plus two exemplaire dartiste and two exemplaire
dauteur; with the wooden case
6,000-8,000
$9,500-13,000
7,600-10,000
l*240
PABLO PICASSO (1881-1973)
Visage en forme dhorloge (P.H. 1425)
stamped with the artists signature and numbered Picasso
2/20 1425 (on the reverse); stamped with the goldsmiths
mark and a French mark (on the suspensory loop on the
reverse)
gold medallion
Diameter: 2 in. (5 cm.)
Conceived in 1956 and executed in gold in a numbered
edition of 20 plus two exemplaire dartiste and two exemplaire
dauteur; with the wooden case
7,000-10,000
$11,000-16,000
8,800-13,000
32
l*241
PABLO PICASSO (1881-1973)
l*242
PABLO PICASSO (1881-1973)
12,000-18,000
$19,000-28,000
16,000-23,000
5,000-8,000
$7,900-13,000
6,300-10,000
l243
PABLO PICASSO (1881-1973)
Colombe brillante (A.R. 218)
stamped Madoura Plein Feu / Edition Picasso (underneath)
glazed and engraved ceramic plate
Length: 15 in. (38.9 cm.)
Conceived in 1953 and executed in an edition of 400
5,000-8,000
$7,900-13,000
6,300-10,000
34
l*244
PABLO PICASSO (1881-1973)
Masque (A.R. 311)
marked and numbered Edition Picasso 36/250 Madoura (on
the reverse)
partially glazed ceramic plaque
7 x 7 in. (20 x 20 cm.)
Conceived on 27 January 1956 and executed in a numbered
edition of 250, framed
1,500-2,000
$2,400-3,100
1,900-2,500
l*245
PABLO PICASSO (1881-1973)
Masque (A.R. 310)
marked and numbered K.121 Edition Picasso 69/300 Madoura
(on the reverse)
partially glazed ceramic plaque
7 x 7 in. (20 x 20 cm.)
Conceived on 27 January 1956 and executed in a numbered
edition of 300, framed
1,500-2,000
$2,400-3,100
1,900-2,500
l246
PABLO PICASSO (1881-1973)
Bouquet la pomme (A.R. 305)
dated 22.1.56. (in reverse; lower centre); stamped Madoura
Plein Feu / Empreinte Originale de Picasso (underneath)
partially glazed ceramic plate
Diameter: 10 in. (25.8 cm.)
Conceived on 22 January 1956 and executed in an edition of 400
2,000-3,000
$3,200-4,700
2,600-3,800
35
l247
PABLO PICASSO (1881-1973)
Service poisson (A. R. 3-28)
each stamped and marked Madoura Plein Feu/Edition
Picasso/GR (underneath); and with the corresponding letters
A-X (underneath the bowls and plates); and numbered 35
(underneath the bowls, plates dish and tureen, except for
plate U)
glazed ceramic dinner service
26 pieces consisting of one dish, 12 bowls, 12 small plates,
and one tureen with lid
Dish diameter: 16 in. (40.5 cm.)
Bowl diameter: 7 in. (18.5 cm.)
Plate diameter: 8 in. (21.8 cm.)
Tureen diameter: 15 in. (29.7 cm.)
Conceived in 1947 and executed in an edition of 300
30,000-50,000
$48,000-79,000
38,000-63,000
36
l248
PABLO PICASSO (1881-1973)
Danseurs et joueur de diaule (A.R. 341)
stamped, marked and numbered Madoura Plein Feu /
Empreinte Originale de Picasso / R=D101 24/100
unglazed white earthenware plate
Diameter: 15 in. (38.8 cm.)
Conceived in 1956 executed in a numbered edition of 100
2,500-3,500
$4,000-5,500
3,200-4,400
l249
PABLO PICASSO (1881-1973)
Toros (A.R. 161)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso/Madoura (underneath)
partially glazed ceramic plate
Diameter: 7 in. (20.1 cm.)
Conceived on 29 July 1952 and executed in an edition of 500
2,000-3,000
$3,200-4,700
2,600-3,800
l250
PABLO PICASSO (1881-1973)
Visage de faune tourment (A.R. 319)
stamped and numbered Madoura Plein Feu / Empreinte
Originale de Picasso / 86/100 (underneath)
partially glazed ceramic plate
Diameter: 16 in. (41.2 cm.)
Conceived in 1956 and executed in a numbered edition of 100
4,000-6,000
$6,300-9,400
5,100-7,500
38
l251
PABLO PICASSO (1881-1973)
Cavalier et cheval (A.R. 138)
stamped, marked and numbered Edition Picasso / Madoura
Plein Feu / Edition Picasso / 273/300 / Madoura (underneath)
glazed and engraved ceramic pitcher
Height: 7 in. (20 cm.)
Conceived in 1952 and executed in a numbered edition of 300
3,000-5,000
$4,800-7,900
3,800-6,300
l252
PABLO PICASSO (1881-1973)
Tte de chvre de profl (A.R. 106)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(underneath)
partially glazed ceramic plate
Diameter: 10 in. (26.3 cm.)
Conceived in 1950 and executed in an edition of 50; this work
is a variant in design with four leaves in place of three
2,000-3,000
$3,200-4,700
2,600-3,800
lD253
PABLO PICASSO (1881-1973)
Tte de chvre de profl (A.R. 108)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(underneath)
partially glazed ceramic plate
Diameter: 9 in. (25.2 cm.)
Conceived in 1950 and executed in an edition of 50
800-1,200
$1,300-1,900
1,100-1,500
l254
PABLO PICASSO (1881-1973)
Tte de chvre de profl (A.R. 110)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(underneath)
partially glazed ceramic plate
Diameter: 10 in. (26.7 cm.)
Conceived in 1950 and executed in an edition of 60
2,000-3,000
$3,200-4,700
2,600-3,800
40
l255
PABLO PICASSO (1881-1973)
l*256
PABLO PICASSO (1881-1973)
2,000-3,000
$3,200-4,700
2,600-3,800
1,500-2,500
$2,400-3,900
1,900-3,100
l*257
PABLO PICASSO (1881-1973)
Profl de taureau (A.R. 317)
dated XXII II 56 (in reverse; lower right); stamped Madoura
Plein Feu / Empreinte Originale de Picasso (on the reverse)
partially glazed ceramic plaque
Diameter: 10 in. (25.8 cm.)
Conceived on 22 February 1956 and executed in an edition of
450; framed
1,500-2,000
$2,400-3,100
1,900-2,500
l258
PABLO PICASSO (1881-1973)
Picador (A.R. 211)
stamped and numbered Edition Picasso / Madoura Plein Feu /
261/500 (underneath)
partially glazed ceramic bowl
Diameter: 6 in. (16.4 cm.)
Conceived in 1953 and executed in a numbered edition of 500
1,000-2,000
$1,600-3,100
1,300-2,500
lD259
PABLO PICASSO (1881-1973)
Picador et taureau (A.R. 195)
stamped Madoura Plein Feu/Empreinte Originale de Picasso
(underneath)
partially glazed ceramic plate
Diameter: 10 in. (26.5 cm.)
Conceived on 25 September 1953 and executed in a small
edition
1,800-2,200
$2,900-3,500
2,300-2,800
42
l260
PABLO PICASSO (1881-1973)
l261
PABLO PICASSO (1881-1973)
1,000-2,000
$1,600-3,100
1,300-2,500
1,000-1,500
$1,600-2,400
1,300-1,900
l262
PABLO PICASSO (1881-1973)
1,500-2,000
$2,400-3,100
1,900-2,500
l263
PABLO PICASSO (1881-1973)
Danseurs (A.R. 387)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(on the reverse)
partially glazed ceramic plaque
Diameter: 7 in. (20.1 cm.)
Conceived in 1956 and executed in an edition of 500
1,500-2,000
$2,400-3,100
1,900-2,500
l264
PABLO PICASSO (1881-1973)
Danseurs (A.R. 388)
stamped Madoura Plein Feu / Empreinte Originale de Picasso
(on the reverse)
partially glazed ceramic plaque
Diameter: 7 in. (19 cm.)
Conceived in 1956 and executed in an edition of 500
1,200-1,800
$1,900-2,800
1,600-2,300
l265
PABLO PICASSO (1881-1973)
Ttes (A.R. 368)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso (underneath)
partially glazed ceramic pitcher
Height: 5 in. (13.3 cm.)
Conceived in 1956 and executed in an edition of 500
1,500-2,500
$2,400-3,900
1,900-3,100
44
l266
PABLO PICASSO (1881-1973)
Picador (A.R. 160)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso (underneath)
partially glazed ceramic plate
Diameter: 8 in. (20.9 cm.)
Conceived in 1952 and executed in an edition of 500
1,000-2,000
$1,600-3,100
1,300-2,500
l267
PABLO PICASSO (1881-1973)
Oiseau au ver (A.R. 172)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso (underneath)
partially glazed ceramic ashtray
Diameter. 6 in. (15.8 cm.)
Conceived in 1952 and executed in an edition of 500
1,000-2,000
$1,600-3,100
1,300-2,500
l268
PABLO PICASSO (1881-1973)
Oiseau au soleil (A.R. 174)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso (underneath)
partially glazed ceramic ashtray
Diameter: 6 in. (16 cm.)
Conceived in 1952 and executed in an edition of 500
1,000-1,500
$1,600-2,400
1,300-1,900
45
l269
PABLO PICASSO (1881-1973)
Ttes (A.R. 367)
stamped and marked Edition Picasso / Madoura Plein Feu /
Edition Picasso Madoura (underneath)
partially glazed ceramic pitcher
Height: 5 in. (13.8 cm.)
Conceived in 1956 and executed in an edition of 500
1,500-2,500
$2,400-3,900
1,900-3,100
l270
PABLO PICASSO (1881-1973)
Picador (A.R. 176)
stamped and marked Madoura Plein Feu / Edition Picasso /
Edition Picasso (underneath)
partially glazed ceramic ashtray
Diameter: 6 in. (15.2 cm.)
Conceived in 1952 and executed in an edition of 500
1,000-1,500
$1,600-2,400
1,300-1,900
271
ALAIN RAMI
Picasso, Catalogue of the edited ceramic
works 1947-1971
the complete catalogue raisonn of Picassos ceramic editions,
in English, published in Paris, 1988
500-800
$790-1,300
630-1,000
46
47
30/09/14
48
ELECTRICAL GOODS
All electrical goods offered in this catalogue have
either been tested and certified by an appropriately
qualified electrician or have been operationally disabled. We would strongly advise that any intended
re-commissioning is undertaken by an appropriately
qualified electrician.
EXPLANATION OF
CATALOGUING PRACTICE
Terms referred to in paragraph 2 are as follows:A work catalogued with the name(s) or recognised
designation of an artist, without any qualification, is,
in our opinion, a work by the artist.
In other cases, the following expressions, with the
following meanings are used:
By . . .
in our opinion a work by the artist.
Cast from a model by . . .
in our opinion a work from the artists model,
originating in his circle and cast during his lifetime
or shortly thereafter.
Attributed to . . .
in our opinion probably a work by the artist in
whole or in part.
In the style of . . .
in our opinion a work of the period of the artist and
closely related to his style.
Manner of . . .
in our opinion a work executed in the artists style
but of a later date.
After . . .
in our opinion a copy (of any date) of a work of
the artist.
Signed . . .
Dated . . ..
Inscribed . . .
Stamped . . .
in our opinion the signature/date/inscription/stamp
is by the artist or manufacturer.
Bearing the signature. . .
Bearing the date . . .
Bearing the inscription . . .
Bearing the stamp . . .
in our opinion the signature/date/inscription/stamp
is not by the artist or manufacturer.
Measurements are taken where possible from the
platemark (P), otherwise they record the size
of the sheet (S) or the borderline of the subject
(L). All measurements are in centimetres to the
nearest centimetre and are approximate.
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Department at least 24 hours prior to the auction at +44 (0)20
7389 2658 (London, King Street) or +44 (0)20 7752 3225
(London, South Kensington). Arrangements to bid in languages
other than English must be made well in advance of the sale
date. Telephone bids may be recorded. By bidding on the
telephone, prospective purchasers consent to the recording of
their conversation.
SUCCESSFUL BIDS
While Invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome
of their bids to avoid incurring unnecessary storage charges.
Successful bidders will pay the price of the final bid plus
premium plus any applicable VAT.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard & American
Express only (up to 25,000), and cash (up to 5,000 (subject
to conditions)), bankers draft (subject to conditions) or cheque
(must be drawn in GBP on a UK bank; clearance will take 5 to
10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217
72 Lombard Street, London
EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for
international transfers, SWIFT LOYDGB2LCTY. For banks
asking for an IBAN: GB81 LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express only. A
limit of 25,000 for credit card payments will apply. This limit
is inclusive of the buyers premium and any applicable taxes.
Credit card payments at London sale sites will only be accepted
for London sales. Christies will not accept credit card payments
for purchases made in any other sale site. The fax number to
send completed CNP (Card Member not Present) authorisation
forms to is +44 (0) 20 7389 2821. The number to call to make
a CNP payment over the phone is +44 (0) 20 7752 3388.
Alternatively, clients can mail the authorisation form to the
address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject to
conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with all
transactions.
All mailed payments should be sent to:
Christies, Cashiers Department,
8 King Street, St Jamess, London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable
(at 20%) on the Hammer price. VAT is also payable (at 20%)
on the buyers Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where applicable
Customs duty will be charged (per rate specified by HMRC
guidance) on the Hammer price and VAT will be payable at
20% on duty. When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the import
into another EU country, he must advise Christies immediately
after the auction.
BuyersfromwithintheEU:
VAT payable at 20% on just the buyers premium (NOT the
hammer price).
BuyersfromoutsidetheEU:
VAT payable at 20% on hammer price and buyers premium.
If a buyer, having registered under a non-EU address, decides
that the item is not to be exported from the EU, then he
should advise Christies to this effect immediately
q Z
ero rated
No VAT charged.
(no symbol) Auctioneers Margin Scheme
In all other circumstances no VAT will be charged on the
hammer price, but VAT payable at 20% will be added to the
buyers premium which is invoiced on a VAT inclusive basis.
WineAuctions
This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale
relating to wine for further details.
VATRefunds
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot
reclaim any VAT charged.
ARTISTS RESALE RIGHT (DROIT DE SUITE)
If a lot is affected by this right it will be identified with the
symbol next to the lot number. The buyer agrees to pay to
Christies an amount equal to the resale royalty. Resale royalty
applies where the Hammer Price is 1,000 Euro or more and
the amount cannot be more than 12,500 Euro per lot. The
amount is calculated as follows:
Royalty
4.00%
3.00%
1.00%
0.50%
0.25%
49
Furniture/
Large Objects
Transfer/Admin
Storage per day
Extended
Liability Charge:
42.00
21.00
5.25
2.65
The lower amount of 0.6% of
Hammer Price or 100% of the
above charges
Pictures/
Small Objects
50
Conditions of Sale
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out the
terms governing the legal relationship of Christies
and the seller with the buyer. You should read them
carefully before bidding.
3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.
1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2.
CATALOGUE DESCRIPTIONS
AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale, on the
following basis.
(a) Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly
in the case of any items of significant value, that
you instruct your own restorer or other professional
adviser to report to you in advance of bidding.
(b) Cataloguing Practice
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice, which appear after the catalogue entries.
(c) Attribution etc
Any statements made by Christies about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
(d) Estimates
Estimates of the selling price should not be relied on
as a statement that this is the price at which the item
will sell or its value for any other purpose.
(e) Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety
of purposes. Unless otherwise specifically agreed, no
promise is made that a lot is fit for any particular purpose.
(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
next to the lot number. The auctioneer may open
the bidding on any lot below the reserve by placing
a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the
amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders.
(i) Auctioneers discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots
and, in the case of error or dispute, and whether
during or after the sale, determining the successful
bidder, continuing the bidding, cancelling the sale
or reoffering and reselling the item in dispute. If
any dispute arises after the sale, then, in the absence
of any evidence to the contrary the sale record
maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of
a contract for sale between the seller and the buyer.
Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the
expiration of seven calendar days from the date of
the sale or on collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyers premium
In addition to the hammer price, the buyer agrees
to pay to us the buyers premium together with any
applicable value added tax. The buyers premium
is 25% of the final bid price of each lot up to and
including 50,000, 20% of the excess of the hammer
price above 50,000 and up to and including
1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and
Cigars: 17.5% of the final bid price of each lot, VAT
is payable at the applicable rate.
(b) Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
(c) Payment and ownership
The buyer must pay the full amount due
(comprising the hammer price, buyers premium
and any applicable taxes or resale royalty)
immediately after the sale. This applies even if
the buyer wishes to export the lot and an export
licence is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us
from the buyer have been received by us in good
cleared funds even in circumstances where we have
released the lot to the buyer.
09/08/13
51
(i)
(ii)
(iii)
(iv)
(v)
(vi)
6. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christies
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
7. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
8. LAW AND JURISDICTION
The rights and obligations of the parties with
respect to these Conditions of Sale, the conduct of
the auction and any matters connected with any
of the foregoing shall be governed and interpreted
by the laws of England. By bidding at auction,
whether present in person or by agent, by written
bid, telephone or other means, the buyer shall
be deemed to have submitted, for the benefit of
Christies, to the exclusive jurisdiction of the courts
of the United Kingdom.
05/01/10
52
AUSTRIA
VIENNA
INDIA
MUMBAI
RUSSIA
MOSCOW
UNITED KINGDOM
LONDON
LONDON,
SOUTH KENSINGTON
BELGIUM
BRUSSELS
DELHI
SPAIN
BARCELONA
NORTH
ISRAEL
TEL AVIV
MADRID
SOUTH
SWEDEN
STOCKHOLM
NORTHWEST AND
WALES
+358 40 5837945
Barbro Schauman
(Consultant)
FRANCE
PARIS
ITALY
MILAN
+377 97 97 11 00
Nancy Dotta
THE NETHERLANDS
AMSTERDAM
+33 (0)1 40 76 85 85
GERMANY
DSSELDORF
PEOPLES REPUBLIC
OF CHINA
BEIJING
+49 (0)21 14 91 59 30
Arno Verkade
FRANKFURT
HONG KONG
+49 (0)61 74 20 94 85
Anja Schaller
SHANGHAI
HAMBURG
+49 (0)89 24 20 96 80
Marie Christine Grfin
Huyn
STUTTGART
+49 (0)71 12 26 96 99
Eva Susanne Schweizer
DENOTES SALEROOM
SWITZERLAND
GENEVA
CHANNEL ISLANDS
TURKEY
ISTANBUL
IRELAND
UNITED STATES
NEW YORK
E MA I L info@christies.com
03/11/14
53
INDIAN
CONTEMPORARY ART
POSTERS
PRINTS
JAPANESE
WORKS OF ART
JEWELLERY
AUSTRALIAN PICTURES
MARITIME PICTURES
BOOKS AND
MANUSCRIPTS
SWISS ART
MINIATURES
TOPOGRAPHICAL
PICTURES
MODERN DESIGN
ORIENTAL CERAMICS
AND WORKS OF ART
SILVER
TWENTIETH CENTURY
BRITISH ART
EUROPEAN CERAMICS
AND GLASS
NINETEENTH CENTURY
FURNITURE AND
SCULPTURE
SCULPTURE
TRIBAL AND
PRE-COLUMBIAN ART
CONTEMPORARY ART
COSTUME, TEXTILES
AND FANS
MUSICAL INSTRUMENTS
London
Tel: +44 (0)20 7665 4350
Fax: +44 (0)20 7665 4351
Email: education@
christies.com
New York
Tel: +1 212 355 1501
Fax: +1 212 355 7370
Email: christieseducation@
christies.edu
Hong Kong
Tel: +852 2978 6747
Fax: +852 2525 3856
Email: hkcourse@
christies.com
CHRISTIES FINE ART
STORAGE SERVICES
New York
+1 212 974 4570
newyork@cfass.com
Singapore
Tel: +65 6543 5252
Email: singapore@cfass.
com
CHRISTIES
INTERNATIONAL
REAL ESTATE
New York
Tel +1 212 468 7182
Fax +1 212 468 7141
info@christiesrealestate.com
London
Tel +44 20 7389 2551
Fax +44 20 7389 2168
info@christiesrealestate.com
info@christiesrealestate.com
WINE
POST-WAR ART
CHRISTIES EDUCATION
VICTORIAN PICTURES
PHOTOGRAPHS
CORPORATE
COLLECTIONS
Hong Kong
Tel +852 2978 6788
Fax +852 2845 2646
POPULAR CULTURE
AND ENTERTAINMENT
OTHER SERVICES
AUCTION SERVICES
KEY TO ABBREVIATIONS
KS:
London, King Street
NY:
New York, Rockefeller Plaza
PAR:
Paris
SK:
London, South Kensington
06/11/14
54
Contact
Nicolette Tomkinson
ntomkinson@christies.com
+44 (0)20 7752 3301
christies.com
Contact
30 January4 February
8 King Street
London SW1Y 6QT
Keith Gill
kgill@christies.com
+44 (0)20 7389 2175
Contact
30 January4 February
8 King Street
London SW1Y 6QT
Cornelia Svedman
csvedman@christies.com
+44 (0)20 7389 2561
Impressionist/Modern
and Picasso Ceramics
Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
10393
BIDDING INCREMENTS
by UK50s
by UK100s
UK2,000 to UK3,000
UK3,000 to UK5,000
by UK200s
by UK200, 500, 800
(ie: UK4,200, 4,500, 4,800)
UK5,000 to UK10,000
by UK500s
UK10,000 to UK20,000 by UK1,000s
UK20,000 to UK30,000 by UK2,000s
UK30,000 to UK50,000 by UK2,000, 5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
above UK200,000
at auctioneers discretion
Sale Number
Address
Post Code
Daytime Telephone
Evening Telephone
Fax (Important)
Please tick if you prefer not to receive information about our upcoming sales by e-mail
Signature
If you have not previously bid or consigned with Christies, please attach copies of the following documents.
Individuals: government-issued photo identification (such as a photo driving licence, national identity card,
or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or
bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice
on the information you should supply. If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies, please attach identification documents for yourself as well as the
party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New
clients, clients who have not made a purchase from any Christies office within the last one year, and those
wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our
option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request
that you complete the section below with your bank details:
Name of Bank(s)
Address of Banks(s)
Account Number(s)
Maximum Bid UK
(excluding buyers premium)
Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
Code
A194
L194
L3
N194
P194
K194
K5
C110
Subscription Title
Impressionist and Modern
Modern Art
Impressionist and Modern Art
(includes German, Austrian and Surrealist Art)
Modern British and Irish Art
Impressionist & Modern Art
Impressionist and Modern Art
Impressionist and Modern Art
Modern British and Irish Art
Swiss Art
Paintings, sculpture and works on paper by the most important artists of the late 19th century through the mid-20th century, including Czanne, Matisse, Monet, Picasso, van Gogh and all those who
forged artistic movements such as Fauvism, Cubism and Surrealism.
Paintings, sculpture and works on paper by Swiss artists from the
early 19th to the late 20th century.
Location
Issues
UKPrice
US$Price
EURPrice
Amsterdam
King Street
2
5
27
143
44
238
40
219
King Street
New York
Paris
South Kensington
South Kensington
Zurich
4
4
2
3
4
2
95
141
38
43
57
48
152
228
61
71
95
76
144
213
57
66
87
72
www.christies.com/shop
Photographs, Posters and Prints Impressionist and Modern Art
Jewellery, Watches and Wine Antiquities and Tribal Art
Asian and Islamic Art Russian Art
Furniture, Decorative Arts and Collectables American Art and Furniture
Books, Travel and Science Design, Costume and Memorabilia
Post-War and Contemporary Art
Old Master Paintings and 19th Century Paintings
60
Christies
CHRISTIES INTERNATIONAL PLC
Patricia Barbizet, Chairwoman and
Chief Executive Officer
Stephen Brooks, Global Chief Operating Officer
Loc Brivezac, Gilles Erulin, Gilles Pagniez,
FranoisHenri Pinault,
Jussi Pylkknen, Global President
Sophie Carter, Company Secretary
CHRISTIES EXECUTIVE
Patricia Barbizet, Chairwoman and
Chief Executive Officer
Jussi Pylkknen, Global President
Stephen Brooks, Global Chief Operating Officer
Francois Curiel, Marc Porter
Charles Cator, Deputy Chairman,
Christies International
CHRISTIES EUROPE
CHAIRMANS OFFICE
Jussi Pylkknen, Chairman
Orlando Rock, Deputy Chairman
SENIOR DIRECTORS
Mariolina Bassetti, Giovanna Bertazzoni,
Olivier Camu, Philippe Garner, Richard Knight,
Francis Outred, Andreas Rumbler,
Franois de Ricqles
DIRECTORS
Prof. Dr. Dirk Boll, Roland de Lathuy,
Eveline de Proyart, Roni GilatBaharaff,
Paul Hewitt, Clarice Pecori Giraldi,
Christiane Rantzau, Jop Ubbens, Juan Varez
CHRISTIES EUROPEAN
ADVISORY BOARD
Pedro Girao, Chairman,
Christopher Balfour, Patricia Barbizet,
Arpad Busson, Loula Chandris,
Kemal Has Cingillioglu, Ginevra Elkann,
I. D. Frstin zu Frstenberg, Laurence Graff,
H.R.H. Prince Pavlos of Greece, Alicia Koplowitz,
Viscount Linley, Robert Manoukian,
Rosita, Duchess of Marlborough,
Dimitri Mavrommatis,
Countess Daniela Memmo dAmelio, Usha Mittal,
Leopoldo Rods, igdem Simavi
CHRISTIES UK
CHAIRMANS OFFICE
Viscount Linley, Chairman
Nol Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
Robert Copley, Deputy Chairman;
The Earl of Halifax, Deputy Chairman;
Francis Russell, Deputy Chairman;
Julia Delves Broughton, James HerveyBathurst,
Amin Jaffer, Orlando Rock,
Nicholas White, Mark Wrey
SENIOR DIRECTORS
Dina Amin, Daniel Baade, Philip Belcher,
Jeremy Bentley, Ellen Berkeley, Jill Berry,
Giovanna Bertazzoni, Prof. Dr. Dirk Boll,
Peter Brown, James BruceGardyne,
Olivier Camu, Sophie Carter, Benjamin Clark,
Christopher ClaytonJones, Karen Cole,
Isabelle de La Bruyere, Leila de Vos,
Nicole Dembinska, Paul Dickinson,
Harriet Drummond, Julie Edelson,
Hugh Edmeades, David Elswood,
David Findlay, Margaret Ford, Daniel Gallen,
Philippe Garner, Jane Griffiths, Karen Harkness,
Philip Harley, James Hastie, Paul Hewitt,
Rachel Hidderley, Mark Hinton, Nick Hough,
Michael Jeha, Hugues Joffre, Donald Johnston,
Erem KassimLakha, William Lorimer,
Catherine Manson, John McDonald,
Nic McElhatton (Chairman, South Kensington),
Alexandra McMorrow, Jeremy Morrison,
Nicholas Orchard, Francis Outred,
Clarice PecoriGiraldi, Benjamin Peronnet,
Henry Pettifer, Steve Phipps, Will Porter,
Paul Raison, Tara Rastrick, William Robinson,
John Stainton, Alexis de Tiesenhausen,
Lynne Turner, Jay Vincze, Andrew Ward,
David Warren, Andrew Waters,
Harry WilliamsBulkeley, Martin Wilson,
Andr Zlattinger
DIRECTORS
Richard Addington, Zoe Ainscough,
Georgiana Aitken, Marco Almeida, Maddie Amos,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David BowesLyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Sigrun Danielsson,
Armelle de LaubierRhally, Adrian Denton,
Sophie DuCret, Anna Evans, Arne Everwijn,
Adele Falconer, Nick Finch, Peter Flory,
Elizabeth Floyd, Christopher Forrest, Giles Forster,
Patricia Frost, Sarah Ghinn, Zita Gibson,
Alexandra Gill, Sebastian Goetz, John Green,
Simon Green, David Gregory, Mathilde Heaton,
Annabel Hesketh, Sydney Hornsby,
Peter Horwood, Simon James, Robert Jenrick,
Sabine Kegel, HansPeter Keller, Jeffrey Kerr,
Tjabel Klok, Quincy Kresler, Robert Lagneau,
Nicholas Lambourn, Joanna Langston, Tina Law,
Darren Leak, Adriana Leese, Brandon Lindberg,
22/12/14
PICASSO CERAMICS
SOUTH KENSINGTON
FRIDAY 6 FEBRUARY 2015