America - A Prophecy

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THOM AS A DS
America
A Prophecy
for mezzo-soprano and large orchestra with optional large chorus
Op.19
(1999)
Texts from the books of Chilam Balam (Mayan)

and La Guerra by Matteo Flexa
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2002 by Faber Music Ltd

First published in 2002 by Faber Music Ltd
3 Queen Square London WC1N 3AU
Music processed by Paul Rigby and Stuart Orford
Cover image from The Codex Borgia: A Full-Color Restoration of the Ancient Mexican Manuscript
by Gisele Diaz and Alan Rodgers published by Dover Publications
Printed in England by Caligraving Ltd
All rights reserved
ISBN 0-571-52114-2
Permission to perform this work in public must be obtained from the Society duly controlling performing rights
unless there is a current licence for public performance from the Society in force in relation to
the premises at which the performance is to take place. Such permission must be obtained in the UK
from Performing Right Society Ltd, 2933 Berners Street, London W1P 4AA.
America was commissioned as a Message for the Millennium by the New York Philharmonic
with generous support from the Francis Goelet Fund.
The first performance was given by the New York Philharmonic,
with Beth Clayton, conducted by Kurt Masur,
in the Avery Fisher Hall, New York, USA, on 11 November 1999.
Duration: c.15 minutes
To buy Faber Music publications or to find out about the full range of titles available
please contact your local retailer or Faber Music sales enquiries:
Faber Music Ltd, Burnt Mill, Elizabeth Way, Harlow CM20 2HX
Tel: +44 (0)1279 82 89 82 Fax: +44 (0)1279 82 89 83
sales@fabermusic.com fabermusic.com
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ORCHESTRA
4 flutes (III & IV = piccolo) 1
4 oboes
2 clarinets (I in B b, II in A)
bass clarinet in B b
contrabass clarinet in B b
4 bassoons (IV = contrabassoon)
4 horns in F
3 trumpets in B b (I = piccolo trumpet in B b)
2 tenor trombones
bass trombone
tuba
percussion (4 players) (see below)
harp 2
piano
mezzo-soprano solo
large SATB chorus (optional)
strings (16.16.12.10.8 3 players) 4
1
2
3
4
all flutes require low B

low C b essential
some double basses with a low B if possible
the string parts are divisi at the desk;
where indicated (a) = outside players, (b) = inside players
The Score is in C
Chorus part and orchestral parts available on hire from the publishers
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PERCUSSION REQUIREMENTS
timpani (requires piccolo timpanum:
4 rototoms:
snare drum
3 or more deep military tenor drums
The parts are divided into Tenor drum 1 (player 3) and Tenor drum 2 (player 4).
Where marked, player 2 may join in with Tenor drum 1.
All passages for tenor drums may be doubled by more percussionists where they are available.
6 sizes of field drum (without snares), optionally tom-toms,

graded in pitch from very low to medium high
2 tam-tams
rubber ball required for player 4s tam-tam
bass drum
crotales:
2 strings of small camel bells, suspended
ideally placed at opposite sides of stage; 4 bells are played on each string
tubular bells:
wooden lid of crotale box
suspended or laid flat; or similar resonant thin wooden surface producing a crack when struck
with hard sticks, e.g. a chair
wood chimes
large chocola (Schlittelrohr, tubo)
whip
large rattle
PLAYER DISTRIBUTION
Player 1 timpani, 4 rototoms, tam-tam (shared with player 2 or 4 according to layout),
whip, wooden lid of crotale box
Player 2 snare drum, tenor drum, 6 field drums, bass drum, tam-tam, chocola
Player 3 crotales, tubular bells, string of camel bells, tenor drum,
wood chimes (as far to conductors right as possible)
Player 4 string of camel bells, tenor drum, tam-tam,
rattle (as far to conductors left as possible)
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TEXTS
I
Mezzo-Soprano
O my nation
Prepare
The people move as if in dreams
They are weak from fuck and drink
The prophets and the priests are blind
In his bed the governor weeps
It is the end of all our ways
O my nation
Prepare
They will come from the east
Their god stands on the pole
They will burn all the land
They will burn all the sky
They will break with a cross
O my nation
Your gods, your fathers, your children.
Your cities will fall
Your trees will be scaffolds
They will rule from the backs of your fallen.
It is foretold
Prepare
Chorus
Todos los buenos soldados que asentaren a esta guerra no quieren ir descansados
Si salieren con victoria la paga que les darn ser que siempre tendrn en el cielo eterna gloria
[All the good soldiers who enlist in this war do not seek for rest
If they emerge with victory the pay they will be given shall be that they will for ever have in heaven
eternal glory]
II
Mezzo-Soprano
Burn, burn, burn

On earth we shall burn
We shall turn to ash
Drift across the land, over the mountains, out to sea
Weep, weep, weep
But know this well:
Ash feels no pain
Chorus
Haec est victoria qua vincit mundum fides nostra

[This is the victory by which our faith conquers the world]
English text (mezzo-soprano):

from the Mayan books of Chilam Balam, including an adaptation by the composer
of text from The Destruction of the Jaguar 1987 by Christopher Sawyer-Lauanno. Reprinted by permission of City Lights Books.
Spanish and Latin texts (optional chorus):
lines from La Guerra by Matteo Flexa (c.14811553)
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This music is copyright. Photocopying is illegal.
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52114ins.qxd
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Page 6
6
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7
21
21
21
12
W
W
=
7
12
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3
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5
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7
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9
7
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5
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f sost. legatiss.
:
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6
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3
12
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5
6
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7
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3
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6
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1
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3
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1
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3
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29
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Wx
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52114ins.qxd
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10:24
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8
3
3
-W
33
=
Picc. 1
2
W
5
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6
:
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1
2
3
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3
4
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3
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B. Cl.
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12
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Bsn 1
2
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2
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3
4
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pp
2
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7
9
7
9
7
9
port.
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2P
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8
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1
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div.
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div.
22
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pi ff
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bell down
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12
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12
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bell up
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tutti (ord.)
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5
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8
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div.
bells down
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poco f
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12
12
5
8
12
5
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mf espr.
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k
12
poco f
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ff eroico
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Tbn. 2
5
molto ff
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7
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2
3
12
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1
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2. ff
3.
12
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21
a2
a2
:
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8
7
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5
fff molto cantab.
1. solo ff eroico
21
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12
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5
5
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2
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f non troppo
12
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5
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bell up
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bells up
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Fl. 1
2
W W
21
W W
W
port. - W
52114ins.qxd
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37
=
Picc. 1
2
(a2)
6
(a2)
Fl. 1
2
W
W
W
6
W
W
W
W
W
W
W
6
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W
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W
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W
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21
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21
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6
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2
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5
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12
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3
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2
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(a2)
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5
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5
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2
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7
W
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2. solo f
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9
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a2 soli
:
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W
-W
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W
32
soli
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:
-W
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ff
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8
Tpt 2
fff
W
W
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W
-W
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2
ff
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12
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mf
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5
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5
7
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:
f cantab.
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5
poco f
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fff
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7
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5
1
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1
2
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5
5
ff
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rinf.
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7
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ff poss.
a2
3
4
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12
fff
1. solo f
5
=
7
W
mf
p
5
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3
W
-W
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1
2
3
W
Cb. Cl.
Cbsn
3
W
fff
2
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mf
fff
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6
+
mf
fff
mf
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fff
bell up
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W
21
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5
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W
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sim.
sim.
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(bell up)
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:
W
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sim.
231
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fff poss.
f cresc.
W
bells up
W
:
W
W
fff poss.
(a2)
3
4
W
W
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W
W
mf cresc.
Ob.
fff poss.
bells up
f cresc.
(a2) bells down
1
2
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W
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9
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B
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2
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)
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p
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:
mf
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:
mf
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W
12
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div.
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fff
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W
12
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port.
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5
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8
:
port.
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fff
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P
Vc.
div.
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W
W
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2
port. - W
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W
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12
W
W
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W
W
W
12
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2
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12
5
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f
9
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unis.
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7
port.
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12
fff
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W
W
12
fff
O
unis.
9
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fff
5
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port.
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W
Db.
div.
port.
W
ff
poco f
;
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5
M
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-W
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f (sub.)
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5
ff
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ff
5
2M
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9
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fff
5
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2
port.
i
where possible
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W
W
12
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D
42
Fl. 1
2
a2
=
9
5
W
W
W
W
W
W
W
W
W
W
W
pp legato
bells down
1
2
a2
9
appass.
9
W
W
W
fff
Ob.
bells down
3
4
a2
9
appass.
9
W
W
W
fff
bell down
appass.
9
6
W
W
W
*
5
h
W
fff
Cl.
bell down
2
:
W
W
.W
W
W
W
9
W
W
W
ppp legato
appass.
9
fff
appass.
9
B. Cl.
L
W
W
W
<
fff
legato
appass.
Cb. Cl.
5
W
W
W
appass.
9
W
W
W
W
W
W
W
W
ppp
appass.
9
L
W
W
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W
W
W
5
fff
2.
Bsn
a2
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ppp sub.
fff
1
2
W
W
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h
fff
appass.
Cbsn
>
9
W
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fff
a2 appass., brassy
=
1
2
5
W
W
W
<
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fff
Hn
a2 appass., brassy
3
4
5
W
W
W
fff
a3 appass.
9
Tpt 1.2.3
9
W
W
W
fff
appass.
<
Tba
>
9
W
W
W
f poss.
9
W
W
W
fff
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appass.
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9
9
W
W
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molto appass.
f
cresc.
M-Sop.
"
:
"
molto
2
3
!
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fff
3
3
W
my
tion
na
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Pre
D
P
=
9
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5
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W
W
W
W
W
W
W
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W
W
ppp sub.
fff
appass.
sul tasto
8
Vln II
]
]
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W 0
"
ord.
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^
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]
unis. sul tasto

;
8
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3
"
"
]
7
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]
ord.
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pppp
7
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Vc.
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W
W
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W
W
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W
W
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W
W
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unis.
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Db.
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h
p sub.
W
W
W
W
52114ins.qxd
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11
47
=
Fl. 1
2
(a2)
.! K
)
.W
W
W
/W
W
W
W
W
ppp cresc.
k
3
4
:
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12
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W
W
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poco f
ad lib. loco
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mf )
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=
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r
7
>
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ppp
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M-Sop.
+ 2
pp
3 sub.
3
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pare
sempre appass., espr.
=
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:
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cresc.
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52114ins.qxd
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10:24
Page 12
12
(fff)
51
Picc.
.W
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:
,
fff2
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W
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5
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W
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6
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.
Picc. 1 to Fl. 4, Picc. 2 to Fl. 3

^
6
+
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W
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9
:
6
4
9
6
4
9
5
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6
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6
4
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9
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4
9
3
5
cresc.
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(a2)
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3
4
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5
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:
5
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1
2
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6
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:
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brassy
* bells up
3
4
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2
3
f
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5
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6
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6 Field drums (S.D. sticks)

8
ppp
2
W
ff
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div.
:
;
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h
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dolciss., espr., calmissimo
molto cantab., lontaniss. [ossia quasi \ lontaniss.]
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5
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r
6
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pi
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6
4
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;
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bell down
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;
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bells up
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bell down
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52114ins.qxd
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10:24
Page 13
13
E
55
9
solo, senza vib.
=
:
6
W
6
W
12
1
6
W
12
6
W
12
12
12
12
W
)
6
W
2
1
W
12
)
6
W
12
2
W
1
6
molto ritmico sempre
Cl.
2
:
Bsn 2
3
>
Timp. dead centre, no pitch, very light sticks

=
<
8
pppp non chiaro
Camel) bells
W
2
W
\) W
X
W
W
W
W
W
W
W
W
W
W
damp all
6
+
pp
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Camel bells
r
W
W
W
W 0
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\)
W
W
ppp
W
W
damp all
pp
3
^
B.D. (hard sticks)

r
8
>
^
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^
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W
^
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^
W
^
W
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7
9
pppp non chiaro
E
=
9
altri
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flaut.
back
2 desks
9
:
W 0
" 0
ppp
altri
Vln II
III
back
2 desks
:
altri
;
9
;
9
(X )
Y 0
ppp
Vla
back
2 desks
Y 0
W 0
" 0
p calmo
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<
8
1 solo
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Y
"
p marc., espr.
calmo
Y
W
5
mf legato
to flute
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altri
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back
2 desks
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0
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ppp
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>
2
1
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:
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senza vib.
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senza vib.
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9
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2
solo, senza vib.
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2
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W
)
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2
1
W
52114ins.qxd
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10:24
Page 14
14
59
!
W
6
+
1
:
pp sub.
W
W
W
W
3
:
5
2
W
W
W
W
W
W
ppp
1
2
W
2
.W
1
1
2
W
1
1
W
1
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W
2
W
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W
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1
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1
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6
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3
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3
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6
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1
W
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1
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)
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1
6
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2
mp
ppp
pp
ppp
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2
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."
5
W 0
)
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pp
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mf
mf
mp
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mp
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mf
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1
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2
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21
mp
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1
W
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p
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ppp
)
6
:
2
W
mp
pp
dim.
ppp
2
W
W
,
ppp
)
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dim.
Fl.
W
5
ppp
W
6
"
1
W
5
2
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:
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2
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mf
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2
Ob.
3
4
:
1
:
Cl.
2
:
senza vib.
;
"
"
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W
6
3
ppp velato
senza vib.
;
Bsn 2
.W
6
>
Hn 1
2
:
>
=
:
altri
W
+
ppp velato
Vln I
3
back
2 desks
:
" 0
W
8 0
6
W
II flaut.
" 0
altri
!
"
! 0
.W
!
" 0
ppp
Vln II
)
back
2 desks
:
altri
6
Y
sul tasto, flaut.

9
"
"
.W
"
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3
ppp lontano
Vla
legato, senza portamento sempre
back
2 desks
0
;
! 0
!
"
<
9
altri
Y 0
Y
" 0
.Y
. W
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legato, senza portamento sempre

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back
2 desks
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0
Y
0
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>
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3
.W
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)
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. W
W
52114ins.qxd
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10:24
Page 15
15
F
63
)
=
W 0
1
:
.W
5
W 0
ppp
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2
1
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mp
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2
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4
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2
:
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;
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7
ppp
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9
>
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senza vib. sempre

f
M-Sop.
)
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! 0
The
peo
)
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W 0
ple
W
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move
as
F
=
:
altri
:
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mp
8 0
6
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ppp
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9
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;
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mp
pppp
altri
W
W
W
+
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p
3
)
! 0
"
"
Vla
back
2 desks
Yy
y W
"
Y
W
"
mp
<
9
altri
Y 0
0
Y
! 0
" 0
pppp
Vc.
)
<
back
2 desks
y 0
y " 0
Y
!
Y
W
Y
W
3
W
8
Y
)
N
8
q
"
3
6
W
W
ppp calmissimo
div.
Db.
>
N
9
9
q
"
3
ppp calmissimo
52114ins.qxd
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10:24
Page 16
16
67
=
W
6
1
:
2
W
2
5
2
W
2
5
2
W
.W
W
2
W
W
W
W
W
W
W
W
W
2
W
2
W
2
5
2
W
.W
W
2
W
2
W
2
W
W
W
W
W
W
5
12
W
.W
W
W
W
W
W
W
5
W
12
W
.W
W
W
W
5
ppp
W
6
W
6
pp
W
2
1
W
2
W
mf
mp
W
2
W
,
W 0
W
W 0
W
ppp
ppp
5
W
W
5
mp
W 0
W
1
W 0
ppp
W
W
W
f
W
W
6
2
1
W
pp
mf
Fl.
W
W
W
W
5
W
W
W
W
W
5
,
.W
.W
12
W
W
W
5
5
W
5
W
2
1
W
2
W
ppp
mf
W
5
,
ppp
mf
W 0
W 0
W
W
2
ppp
ppp
ppp
W
W
,
mf
ppp
W 0
ppp
5
,
f
2
W 0
W
W 0
mp
2
W
.W
5
ppp
mp
2
W
W
5
,
ppp
senza vib.
" 0
"
W
6
ppp
ppp
W 0
W
+
"
W
+
3
poco
senza vib.
1
senza vib. W
:
Ob.
2
"
" 0
.!
8 0
7
W 0
W
W
W
6
+
ppp senza colore
(ppp)
Cl.
senza vib.
9
2
:
W
!
W 0
Bsn 2
ppp senza colore
>
pochiss.
)
!
1
2
<
3
)
.W
6
W
k
"
!
W
W
W
3
4
:
>
12
W 0
M-Sop.
W 0
X
Y
" 0
;
!
W
Y
W
W
Y
W
.W
!
mp
N
!
6
W
W
+
6
8
6
W
)
"
W
6
8 0
7
3
6
2
Y
W
W
8
6
Y
"
3
N
>
3
mf
3
6
2
Y
3N
8
ppp
"
W
-Y
.!
W 0
+
<
Db.
div.
ppp
!
:
Vc.
3
3
mp molto cantab.
back
2 desks
flaut. arm.
weak
ppp
W
6
pppp
Vla
W 0
.!
W 0
legato, senza portamento

)
ppp
are
sul tasto, flaut.

senza vib.
9
altri
12
W
W 0
Vln II
:
W 0
ppp
2
W
W 0
ppp
back
2 desks
sul tasto, flaut.

senza vib.
W
+
front
2 desks
They
Vln I
back
2 desks
9
:
dreams
altri
8 0
f
W 0
2
in
if
6
+
)
!
2. ppp
con sord.
Hn
W
!
52114ins.qxd
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10:24
Page 17
17
71
7
2
W
=
:
2
W
2
W
W
5
W
W
2
W
W
.W
2
1
W
6
+
W
W
2
W
.W
2
"
W
W
2
W
.W
W
W
W
W
W
,
1
W
2
W
2
1
5
W
p
W
2
W
.W
f
W
2
W
2
W
2
,
.W
W
5
W
W
1
W
5
.W
W 0
5
W
+
2
W
2
W
W
1
W
5
2
*
5
1
W
.W
5
.W
W
2
W 0
5
W
+
2
W
W
W
W
W
W
.W
W
1
W
ff
W
5
W
1
W
W
1
1
W
W
1
ff
2
W
.W
1
W
ff
2
W
.W
W
W
1
W
6
W
ff
.W
W
W
1
W
W
2
W
5
W
5
.W
W
W
W
6
3
ppp
2
W
2
W
W
W
Ob. 2
p
2
ff
(senza vib.)
1
W
f
2
W
.W
2
W
2
W
ff
p
2
W
2
W
.W
2
W
2
W
f
W
ff
2
W
ppp
2
W
f
W
W
W
ppp
W
W
.W
.W
ff
2
W
Fl.
f
2
W
2
W
ppp
1
W
W
.W
2
W
5
W
Cl.
sim.
2
:
.W 0
!
8
6
+
8 0
7
ppp
(senza vib.)
;
W 0
W 0
ppp
Bsn 2
ppp
(senza vib.)
;
.W 0
6
.W
pp
>
ppp
=
1
2
<
3
)
W
7
"
.W
Hn
3
4
9
:
>
M-Sop.
12
.W 0
! 0
!
W
2
.W 0
from
drink
altri
and
fuck
Vln I
sim.
W
back
2 desks
:
+
(tutti) ord.
8
.Y
ord. legato, senza portamento

8
. W
Y
7
.W
.!
.Y
. W
Y
Y
W
W
.Y
. W
W
"
Y
Y
"
W
+
mf
;
W
W
.W 0
6
.Y 0
. W 0
W 0
Y
!
W
6
+
" 0
mp
3
.W
ppp very dark sound

N
molto sul tasto
molto
)
W
.W
ppp
.W 0
ppp
ppp
sul tasto
mf
Y
!
.W
W
sul tasto, flaut.

senza vib.
molto sul tasto
W
W
mf
3
Y
Y
Vla
altri
)
Y
Y
Y
ppp marc.
1st desk
W 0
)
Y
ppp sempre
Vln II
back
2 desks
ppp
altri
.W 0
6
3
.W
ppp very dark sound
sul tasto
"
back
2 desks
.W 0
8
;
pppp
leggieriss., legato (senza port.)

<
8
!
!
8
Y
.!
ppp
mp
.Y
. W
.Y
. W
Y
W
3
Y
3
W
6
+
molto
Vc.
back
2 desks
W
W
.W
+
pp
<
altri
W 0
.W
7
Y
poch.
pochiss.
Db.
div.
N
>
ppp
"
W
N
52114ins.qxd
10/07/2002
10:24
Page 18
18
75
=
W
W 0
W
W
W
fff
ppp
sub.
6
W
W
W 0
W
!
fff
ppp
Fl.
sub.
W 0
"
3
:
W
W
ppp
fff
sub.
3
:
1
:
8 0
7
yW
.W
5
W 0
)
W
W
.W
! 0
.W 0
ppp
Cl.
W K
2
:
8 0
7
Bsn 2
>
(con sord.)
3
)
W
<
1
2
yW
.W
6
k
"
6
W
3
ppp
7
!
"
3
ppp
Hn
.W
6
8
!
W
3
4
3
W
!
W
+
3. (senza sord.)
<
.W
.W
3
ppp
3
9
Tpt
2
3
9
:
Tbn. 1
2
<
>
poch. vib.
mf
8
M-Sop.
.W
2
W 0
W
.W 0
+
pro
phets
altri
.W
The
! 0
)
W 0
12
and
the
priests
.W
W
.W
are
blind
Vln I
:
altri
:
W K
back
2 desks
.W
W 0
)
)
W
W
.W
.W 0
"
Vln II
:
altri
W K
back
2 desks
.W
W 0
!
)
W
.W
.W 0
! 0
3
yW
+
.W
"
!
"
3
)
.W
Vla
molto sul tasto
back
2 desks
.W
<
9
W
6
+
3N
altri
pppp
N
Vc.
sul tasto
<
back
2 desks
W
6
Db.
div.
>
.W
W
+
N
pppp
W
+
.W
3
ppp
52114ins.qxd
10/07/2002
10:24
Page 19
19
79
=
W
W
W
W
W
W
W
W
W K
W
5
W
W
W
W
W
W
2
W
.W
3
W
/W
W
W
W
W
.W
W
.W
W
3
W
/W
mp
.W
2
W
1 /W
W
.W
W
W
.W
5
+
1 /W
W
W
W
6
W
W
1 /W
W
W
echo
8
:
W
5
.W
.W
*
5
2
W
5
W
5
W
W
W
2
W
W
5
W
5
W
12
.W
W
W
3
)
W
W
"
molto cantab.
)
6
W
ppp
sim. W
8
3
ppp
Bsn
>
W
6
sim.
;
.W
W
+
pppp
W
W
W
7
3
ppp
mp
W
W
"
ppp
a2 senza sord.
very distant
=
<
1
2
3
<
3
4
7
6
8 0
!
W
yW
W
6
ppp poss.
4. ppp (senza sord.)

1
"
!
W
W
W
Hn
Tpt
whisper mutes a2
2
3
.W 0
W 0
.W
W 0
>
senza vib.
f
9
M-Sop.
ppp
mp
(sounds) ppp
<
7
W
W 0
Tbn. 1
2
.W
W
=
9
Vln I
sim.
back
3 desks
8
:
)
)
W
W
.W
back
2 desks
Y 0
.W 0
Y 0
W 0
.Y
. W
Y
W
Vla
3
;
8
3
W
Y 0
Y
Y
.W 0
pp
<
Y 0
W 0
Y 0
W 0
!
W
W
Wy
+
W 0
W
W 0
2
) (X )
Y
W
ff
Y 0
Y
W 0
!
ppp
9
ppp
flaut. senza vib.
back desk only

W
Vc.
<
ppp
Y
W
Y 0
Y 0
Y
. W
back
2 desks
7
W
(X )
)
.Y
the
senza port.
legato, calmo
W 0
ppp leggieriss.
altri
Y 0
poco f
back
3 desks
W 0
!
+
altri
Y 0
bed
senza port.
ord.
II legato, calmo
Vln II
his
mf
9
:
W
+
3
W
ppp
altri
.W 0
!
W
In
altri
3
N
W
"
W
+
ppp
1 solo from back desk
W
W
Db.
div.
>
)
W
"
pppp
2
W
mf
pppp
B. Cl.
12
.W
.W
6
W
<
12
.W
.W
W
mf
mf
W
2
W
12
.W
2
W
W
W
12
ff
12
.W
.W
W
W
W
W
2
W
mf
12
.W
mf
12
5
W
.W
mf
2
W
f
.W
pppp
)
W
W
.W
W
mf
ff
Cl.
W
5
mf
ff
mf
12
/W
.W
2
W
W
W
f
.W
2
W
mf
*
12
/W
.W
ff
W
W
ff
W
mf
2
W
f
2
5
mf
21
.W
5
+
21
.W
W
W
W
W
*
12
.W
ff
2
W
1
2
W
ff
W
mf
21
.W
W
W
ff
.W
W
W
2
W
.W
mf
mf
W
pp
W
2
W
W
mf
1 /W
.W
W
W
W
W
.W
mf
pp
W
2
W
W
W
*
W
p
W
ppp mp
mf
W
W K
ppp
Fl.
p
W
.W
W
W
ppp
2
W
W
W
flaut. senza vib.

6
W
6
+
ppp
52114ins.qxd
10/07/2002
10:24
Page 20
20
+ = 52
molto rit.
83
6
W
W
2
/W
.W
! 0
/W 0
W
W
pp
W
W
W
.W
W
W
*
6
.W
/W
W
W
.W
W
W
W
2
4
8
2
4
pp
Fl.
W
.W
W
4
4
9
W
2
.W
4
4
9
/W 0
a tempo
+ = 96-98
(colla parte)
.W
6
.W
W
W
2
4
9
4
4
9
2
4
9
4
4
9
+
W
N
W
W
4
:
W
W
.W
.W
W
W
W
W
W
W
.W
6
.W
+
W
3
)
1
:
*
5
2
4
9
4
4
9
*
5
2
4
9
4
4
9
*
5
2
4
9
4
4
.W
W K
Cl.
3
)
:
W
<
.W
B. Cl.
W K
3
*
.W
W K
2
4
9
8
"
4
4
9
Bsn 1
.W
>
W K
W
5
,
W
W
-W
-W
3
7
2
4
8
3
6
W
12
pp
4
4
9
-W
pp
-W
!
2
ppp
ppp
pp (match Tba)
W
;
solo
Cb. Cl.
3
8
(a2)
=
<
1
2
.W
W K
a2
<
3
4
9
"
2
4
9
4
4
9
2
4
9
4
4
9
pp
a3
<
9
Tbn. 1.2.3
4
4
9
pp
Hn
"
ppp (match Hns)
con sord.
<
Tba
2
4
8
"
2
4
8
>
4
4
9
"
pp
nat.
<
9
:
2
4
" 0
4
4
9
9
:
mp
Hp
<
2
4
9
4
4
9
" 0
R.H.: stop string between

damper and player
p
<
9
:
2
4
/" 0
4
4
!
Pno
<
pppp
2
4
9
/" 0
4
4
!
stopped
p marc.
cantab.
3
7
-W
! 0
-!
Ped. sempre
W
M-Sop.
:
W 0
! 0
go
vernor
W 0
W
poch.
poco p calmo
6
W
7
weeps
.W
is
the
2
4
It
4
4
+ = 52
a tempo
+ = 96-98
(colla parte)
3
=
9
:
tutti div.
8
edge of hair
6
Y
"
Vln I
pp
)
6
tutti div.
2
4
" 0
Vla
5
W
4
4
7
2
4
9
front desk
<
9
2
4
ppp
altri
3
<
W
back
desk
.W
*
W
*
W
"
"
pppp
4
4
9
2
4
ppp
(ord.)
4
4
)
W
1 solo
2
4
altri
"
lift bow sub.
" 0
"
molto sul tasto, flaut.
W K
"
molto sul tasto

flaut. senza vib.
4
4
molto sul tasto

IV flaut. senza vib.
" 0
Vc.
"
pppp
III
;
senza vib.
" 0
9
4
4

;
4
4
7
molto sul tasto

flaut. senza vib.
tutti II W
.W
2
4
pppp
Vln II
4
4
9
2
4
0
Y
2
4
)
6
pppp calmissimo
8
"
4
4
9
ppp
3
>
W
+
.W
*
!
ord.
W K
8
"
ppp
2
4
9
2 soli, div.
8
4
4
7
pp
1st half, sul tasto, flaut.
3
W
3
6
W
W
-W
!
ppp
ppp
p
3
W
W
pp
W
-W
+
tutti div.
Db.
1 solo
end
G
molto rit.
."
3
)
W
W
+
ppp
52114ins.qxd
10/07/2002
10:24
Page 21
21
88
a2
1
2
sim.
soli
6
9
W
2
.W
W
2
W
W
W
2
W
W
W
2
W
W
W
2
.W
-W
W
3.
3
4
W
W
2
W
W
W
W
2
W
W
.W
W
W
-W
W
5
W
5
W
1
:
W
W
W
W
W
W
W
W
-W
-W
5
W
-W
cresc.
pp
:
sim.
soli
6
.W
Ob. 1
2
cresc.
pp
Fl.
-W
Cl.
2
:
3
<
B. Cl.
x"
"
Cb. Cl.
"
>
-W
pp
1
2
Hn
3
4
:
1
:
Tpt
2
3
:
>
Pno
3
<
-!
()
(Ped. sempre)
-!
-!
pp marc.
M-Sop.
9
:
W
6
Vln II
:
9
:
W 0
-W
-!
-!
our
ways
W
6
W
6
"
"
"
-!
all
y"
of
Vln I
2
W
Vla
div.
"
;
"
+
sul tasto
<
9
Vc.
-W
sul tasto
9
3
)
3
6
6
6
-W
-W
3
)
3
6
W
W
ppp spettrale, legg.
tutti, div.
<
3
-W
3
)
W
W

3
x"
"
"
3
)
)
W
-W
3
6
tutti, sul tasto

>
3
6
3
W
)
W
Db.
div.
3
6
-W
)
)
-W
3
6
3
6
52114ins.qxd
10/07/2002
10:24
Page 22
22
H
93
=
1
2
1.
(a2)
W
xW
W
2
/W
W
W
W
W
W
W
W
2
-W
-W
W
xW
W
2
/W
W
W
W
W
W
W
W
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Page 24
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52114ins.qxd
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25
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52114ins.qxd
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10:24
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28
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52114ins.qxd
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10:24
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29
K
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32
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52114ins.qxd
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10:24
Page 36
36
(a2)
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52114ins.qxd
10/07/2002
10:24
Page 37
37
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38
185
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52114ins.qxd
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10:24
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193
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39
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7
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on no account 8ve higher O
8
f
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mf
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1
52114ins.qxd
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10:24
Page 40
40
198
(a2)
1
2
Fl.
2
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on no account 8ve higher
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7
12
3
mf
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omit if no C string
on no account 8ve higher
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div.
>
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(tutti)
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3
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52114ins.qxd
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10:24
Page 41
Q
202
1
2
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a2 senza vib.
3
4
:
41
2
4
9
3
8
9
2
4
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3
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3
4
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3
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3
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4
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1
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4
mf marc.
2
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W
W
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sim.
Bsn
3
4
<
3
>
to Picc. Tpt
3
4
Tpt 2
:
3
4
3
4
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3
4
>
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3
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3
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2
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9
2
4
9
3
4
9
4
4
9
3
12
Tam-tam deep boom, no splash

=
2
4
9
3
8
9
2
4
3
4
9
Perc.
l.v. sempre
!
4
4
9
4
4
9
Tam-tam deep boom, no splash

r
3
4
3
4
>
M-Sop.
2
4
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4
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8
9
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3
8
2
4
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2
4
3
4
9
7
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chil
3
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l.v. sempre
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3
4
4
4
9
dren
Q
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3
4
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:
2
4
9
3
8
9
2
4
9
3
4
9
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3
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2
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3
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div.
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3
8
9
3
8
2
4
9
2
4
2
4
3
4
4
4
7
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Vln II
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pizz.
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2
4
9
3
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4
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3
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9
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52114ins.qxd
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10:24
42
Page 42
pp
mf
)
1.
208
7
1
2
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6
2
4
3
4
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6
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)
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senza vib. sempre
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9
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marc. sempre
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marc. sempre
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52114ins.qxd
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10:24
Page 43
43
solo
preciso
)
6
4
Picc. 1
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213
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3
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Tam-tam vertical scrape

with sandpaper down back rim
9
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4
4
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B
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BB
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4
4
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"
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7
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3
4
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4
4
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fall
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arco
6
4
solo
:
arco
a
:
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div.
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Y
9
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Y
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W K
6
4
altri
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.
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4
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3
4
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(II)
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sost.
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:
non legato, senza port.

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altri
6
4
:
Y 0
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6
Y
.
!
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+
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arco, flaut. W O 0
:
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W
W
.
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4
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3
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4
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4
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4
4
4
4
4
3
4
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3
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3
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:
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4
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4
4
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4
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6
7
:
4
4
52114ins.qxd
10/07/2002
10:24
Page 44
44
4
4
Picc. 1
4
4
1
2
Fl.
:
(a2)
5
W
5
W
5
W
ff
3
W
pp
2
4
7
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2
4
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+
ff
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ff
mf
3
9
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+
2
4
6
mf
ff
2
4
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pp
4
4
<
B. Cl.
mf
mf / W 2
6
mf
6
+
4
4
;
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>
(a3)
W
2
W
1
W
2
W
1
W
2
W
1
W
2
W
(a2)
=
1
2
4
4
Hn
6
6
mf
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4
4
Tpt 2
3
:
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2
2
4
9
3
6
4
4
6
2
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3
5
4
4
7
3
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,
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5
21
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5
,
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9
6
:
mf
!
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W
ppp
to Bb Tpt
W
W
senza sord.
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dolce
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pk 2
cresc. molto
<
W
W
4.
sost.
cresc. molto
3
)
1.2 a2
4
4
2
4
4
4
r
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ppp
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legatiss.
2
4
4
4
r
Perc.
Pno
2
4
b b
b
x x" "
(Ped.)
(Z )
=
solo 1
:
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div.
4
4
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div.
4
4
:
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4
4
2
4
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W
2
4
4
4
2
4
7
2
4
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4
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2
4
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3
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2
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ord.
3 )
6
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ord.
Y
3
*all notes played with handle

except top Cbs marked ord.
W
6
3
3
mp
ord.
6
6
;
W
+
mp
4
4
IV
8
4
4
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4
9
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6
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4
6
scaf
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be
ppp
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8
6
ppp
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W
W
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,
,
pppp shadow horn
pppp
ppp
unis.
9
div.
legato, concentrated
6
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W
l.v. sempre
fff
3
6
-W
reverse sticks*
tutti div.
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W
M2
3
W
7
W
M
-W
pp2
ord.
W
i
-W
4
4
Y
W
4
4
6
ppp
4
4
6
fff
3
3
3
W
W
-W
will
3
6
W
W
4
4
6
leggiero
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W
N)
leggiero
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ff
4
4
6
2
4
9
N)
2
4
9
2
4
9
-W
leggiero
-W
-W
dolce
2
W
+
trees
w
xW
Crotales
4
4
dolce
2
glock. beaters 6
8
{ W
Your
P
-!
4
4
<
4
4
:
Lid of Crotale box

9
mf
4
4
:
>
4
4
altri
Db.
4
4
Vln I
solo 2
M2
-W
(Z )
B
B
{ W
ff
4
4
non vib. sempre
4
4
M-Sop.
3
3
B
B
4
4
9
N
4
4
<
4
4
9
2
4
4
4
>
Tenor drums unis. on rim
4
4
3
W
pp
-!
pp
=
4
4
9
4
4
6
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10:24
Page 45
45
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52114ins.qxd
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10:24
Page 46
46
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52114ins.qxd
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10:24
Page 47
47
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52114ins.qxd
10/07/2002
10:24
Page 48
48
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4
Picc. Tpt
Tpt
2
3
ff
>
ff
9
W
W
4
4
W
4
4
4
4
4
4
4
4
4
4
fff
2
<
fff
2
fff
2
fff
2
to Bb Tpt
6
4
4
4
4
fff
2
fff
Tubular bells Glock beaters

9
W
W
.W
.W
mf
f
Perc.
! 0
4
4
.W
ppp
pp
! 0
!
! 0
W
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
rotate evenly (smooth continuous sound)
Large chocola
3
4
4
4
W
W
.W W
W
3
4
:
ff
=
W
W
fff
solo
3
4
:
W
W
3
4
.W
3
4
;
>
.W
ff
Bsn
9
9
4
4
W
W
W
;
W
W
fff
.W
a2
W
9
W
W
molto f heavy
ff
1
2
fff
.W W
W
molto f heavy
W
W
(a2) marcato, non dolce
a2
Ob.
fff
3
4
1
2
3
. W
a2
3
4
:
(a2) marcato, non dolce
Fl.
3
4
. W
W
a2
3
4
! 0
4
4
! 0
dim.
VVVVVVVV
3
4
r
3
4
>
3
4
M-Sop.
:
Rattle
9
3
9
(
W
7
3
4
7
senza vib.
heavy, penetrating
.W
2
3
told
Pre
! 0
W
2
4
4
(ff) (quasi cresc.)
! 0
! 0
senza vib.
a tempo
. W
N
W 0
W
+
senza
vib.
W
6
+
. W
3
4
9
3
4
9
W
W
mp
pp
. W
Vln II
div.
3
4
Y
6
pp
mf
W
W
pp
6
.
.Y
W
mf
Y
W
3
6
.Y
W
W
Y
!
7
mf
3
6
4
4
4
4
7
mf
Y
W
.Y
3
)
ppp
6
.
4
4
W 0
+
3
6
6
!
+
mf
mf
5
Y 0
W
6
W
.Y
Y
W
6
.
mf
. Y
.
senza vib.
9
mf
.Y
pp
.W
Y
W
3
5
f
9
W
,
b. div.
>
pp mf
ppp
Y
4
4
f
9
O
Y
Y
!
senza vib.
3
4
:
mf
pp
senza vib.
9
3
4
W
W 0
a. div.
:
*
Y
.W
4
4
pp
mf
mf
o
W
senza vib.
3
4
:
b. div.
)
4
4
pp
pp mf
o*
(X )
2
Y
mf
W 0
!
,
mf
mf
pp
. Y
pp
W 0
W
W
mf
pp
N
W
a. div.
3
4
4
4
! 0
pare
3
4
Vln I
div.
4
4
senza dim.
)
h
ff
ff
colla voce
:
ff fff
Whip
fore
6
.
.Y
W
9
Y
mf
4
4
4
4
52114ins.qxd
10/07/2002
10:24
Page 49
49
V
241
1
2
(a2)
4
4
=
:
Fl.
(a2)
4
4
3
4
:
Cb. Cl.
>
2
W
W
W
2
W
.W
mp sempre
W
W
W
W
a2
6
4
4
W
W
W
W
W
W
5
2
2
W
.W
2
W
/W
W
W
W
W
.W
2
W
2
W
2
W
*
!
2
W
ppp
23 )
W
6
,
5
5
W
W W 00
W W 00
W W
W W
W W
W 0
W 0
2
.W 0
3
W
.W
.W 0
W 0
W
5
.W
5
W
)
W 0
W
2
W 0
W
W 0
ppp ritmico, regolare, non legato
W 0
W
W
straight mute (cardboard)
)
6
W 0
T. bells
4
4
=
:
Choc.
4
4
Perc.
>
4
4
M-Sop.
:
! 0
W 0
W 0
W
2
W 0
W
. Y
, 2
3
W W 00
W
W W
3
4
W 0
.W 0
W 0
5
+
5
W
W 0
.W 0
.W
12
W
*
5
W
W
W 0
W
)
6
W 0
W
W 0
2
3
W
W 0
W
2
3
W 0
W
W 0
W
3
4
9
3
4
sim.
dim. to end of breath
9
W 0
W
3
4
9
W 0
W
Y 0
W 0
3
4
9
3
4
9
+
+
W W
3
4
(" )
calmissimo
2
ppp
Y 0
! 0
4
4
W 0
"y
Y 0
! K
pppp senza cresc. al fine
(ff)
4
4
Vln I
div.
W 0
2
W W 00
W
Tam-tam always) half damped
.
:
! 0
W
ppp
5
5
2
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
)
ppp ritmico, regolare, non legato

3 5 )
6
4
*
V
=
! K
!
y"
4
4
r
3
4
con sord. (practice mute if poss.)
ppp
>
W
5
3
4
3
4
8
W 0
sim. sempre
sim. sempre
)
6
W
W
5
W
3
4
*
5
W
ritmico, regolare, non legato

W
4
4
2
5
3
4
.W
+
8
W 0
<
W 0
3
4
W
W
5
)
6
, 2
Tba
sim. sempre
W
5
W W 00
W W
6
7
W
4
4
W
2
3
4
pp
2
3
W
W
sim. sempre
)
5
W W
2
3
23
2
2
play mp cantab.
(sounds ppp)
W
W
W
W
W 0
5
.W
ppp
23
2 )
W 0
2
3
W
2
.W
32
k
5
play mp cantab.
(sounds ppp)
whisper mute W
! 0
W
3
4
)
6
pesante, ritmico
non legato ppp 3
ppp
W
3
4
W
W
.W
2
W
/W
)
W 0
<
2
2
.W
3
4
pesante, ritmico
4
4
W
5
*
5
W
play mp cantab.
(sounds ppp)
whisper mute W . W
4
4
2
W
a2
sonore
.W
W K
con sord.
4
4
W
W
)
6
W
W
<
W
W
Tpt 2
W
W
4
4
<
con sord.
Tbn. 2
W
W
W 0
<
W
W
)
5
Bb trumpet, whisper mute
match tuba
4
4
<
W
W
6
,
Hn
3
4
W
W
/W
W
+ 2
4
4
W
W
2 )
W
W
W
5
*
/W
W
pp
1
2
.W
mp sempre
4
4
W
W
W 0
+
flaut.
4
4
Vla
:
1. solo
7
W
6
.W
W
appass.
desk 3
8
ppp
9
0
W W 0
ppp
W W
4
4
solo
sul tasto, flaut.
W 0
W 0
W W
W W
W 0
5
pp
pp
(match trombones)
solo
1st desk, div.

8
0
W W 0
W W
6
7
23 )
W
W 0
4
4
k
5
8
7
9
pp
2nd desk, div.
Db.
>
)
6
6
W
7
W
4 7
5
4
W
mf pesante, ritmico,
regolare
sempre sim.
P
23
23
P
)
)
W 00
W W
W W
2
P
O
W W 0
0
+ 2
+
3
W
W
21
6
*
K
W W K
3
4
W
W
6
+
*
5
7
7
W
6
,
5
flaut.
match horns
)
7
W
W
(match trombones)
pochiss. sul pont.

altri, div. marc. P23
0
W W 0
3
4
8
W
5
pp
21
3
4
7
.W
solo, sul tasto, flaut. senza vib.
4
4
"
k
5
W 0
W
W
32
solo, sul
) tasto, flaut.
6
3
4
solo
pp sul tasto, flaut.
3
4
3
4
1. solo
8
!
4
4
pp
)
W 0
W
9
6
3
4
9
7
appass.
(match horns)
9
7
last desk div.
<
W 0
ppp
W
pp
solo, molto sul tasto, flaut.

W
2
W
Y 0
W
2
W
2
W
W 0
(1. solo)
4
4
.W
Y 0
W
desk 4, div.
<
Vc.
2
W
ppp
4
4
<
pp
4
4
<
tutti
2
/W
W
5
W
l
W 0
*
5
W W
W W
,
W W
W W
W 0
,
W
6
W W
6
W W 0
0
+
W W
W W
3
4
pp (match tuba)
3
7
4
W
)
!
W 0
)
W
W W 0
0
W W
W
+
W 0
6
7
52114ins.qxd
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10:24
Page 50
50
246
W
1
2
2
W
.W
5
3
4
W
W
.W
5
.W
/W
2
W
.W
W
W
7
W
6
.W
2
5
.W
2
5
W
W
2
W
5
W
W
W
5
6
W
32
W 0
32
non legato
W
W 0
W 0
W 0
4
4
W
6
+
W
5
W
5
W
W
2
W
W
5
6
2
2
W
6
W
W
5
W
W
2
2
.W
a2
2
W
W
.W
W
W
.W
W
5
W
W
W
W
5
6
+
7
"
W 0
4
4
pp
<
5
W
W
5
4
4
)
.W
4
4
6
W
4
4
5
6
non3 legato
<
W
5
)
6
W
2
W
.W
>
a2
.W
5
2
W
W
/W
W
7
W
.W
2
2
1
W
5
W
Fl.
Cb. Cl.
2
W
senza sord.
5
senza sord.
9
sim. sempre
Hn
<
4
4
9
)
<
W
6
W
W 0
4
4
,
23
W 0
1
:
23
W 0
5
23
W 0
5
23
W 0
! 0
5
+
ppp
W 0
3
:
W 0
Tpt 2
W
W
+
.W
W
7
! 0
W 0
W 0
W
)
W
<
7
W 0
*
5
W
*
W
2
3
4
4
7
"
senza sord.
7
W
5
,
Perc.
r
W
>
W 0
W 0
W
2
W
6
+
"
W
W
)
W 0
W 0
)
W
)
5
W 0
2
3
2
3
)
8
W
12
W 0
W 0
4
4
W
W 0
W
W 0

tutti
=
Vla
:
.W
2
W
ppp
2
W
2
W
.W
W
5
5
,
pp
ff
molto
pppp
3rd to last desk

<
9
.W
Y 0
4
4
Y 0
1
5
W
W
1
5
W
W
1
5
1
W
.W
W
5
pp
Y 0
! 0
Vc.
4
4
! 0
4
4
Y 0
<
pp
! 0
Tam-tam
=
solo
9
4
4
! 0
>
! 0
W
2
<
Tba
4
4
pp
4
4
)
5
6
W
)
W 0
4
4
W 0
<
.W 0
5
senza sord.
3
2
W 0
W
pp
4
4
9
ppp
Tbn. 2
6
+
<
W
W
2
W
4
4
play mf marc.
3
8
pppp
W W
W W
W 0
)
W 0
2nd to last desk, div.

*
<
!
)
)
W
5
6
W
4
4
)
W 0
W
6
last desk, div.

7
5
*
<
W
7
1st desk, div.
7
9
W 0
4
4
W K
7
! 0
2nd desk, div.

)
! 0
)
6
l
l
stop bow on string
O)
marc.
6
W 0
W
3
8
9
W 0
altri, div.
>
stop bow on string
(O )
W
W 0
W 0
4
4
6
W
O
)
5
W 0
2
3
stop bow on string
(O )
9
Db.
4
4
W
!
4
4
6
W 0
W
+
! 0
)
! 0
!
*
k
! 0
7
W 0
W
6
W
4
4
O
W 0
W
W 0
W
W
3
attacca
52114ins.qxd
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10:24
Page 51
51
II
Velocissimo + = 132
=
1
2
6
4
a2
9
9
6
W
f
:
Fl. 3 to Picc. 2
5
W
-W
-W
-W
6
4
Flutes 3
-W
-W
-W
W
8
9
:
W
-W 0
"
Fl. 4 to Picc. 1
6
4
4
:
5
W
6
4
:
6
4
Clarinet 1
6
4
Clarinet 2
:
<
ppp sub.
2
-W 0
-W
"
"
ppp
6
W 0
ppp
." 0
"
ppp
"
W
! K
W
W
spettrale
-W
W
5
,
."
-W 0
6
/W
"
! 0
7
ppp
mp
9
pp
5
W 0
W
W
7
mp
6
-W 0
6
4
>
"
"
6
4
:
6
4
:
."
0
"
l
Horns
3
4
"
"
."
3)
*
"
W
W
l
6
W 0
! K
."
Harmon mute (stem fully inserted)
6
4
solo
:
>
1
W
.W
6
12
W
12
sim.
W
6
32
1
W
fff
solo
32
.W
52
W

6
4
solo

Trumpets 2
6
4
:
ppp
pp
pp
l
pp
6
-W 0
pp
)
." 0
ppp
1
2
6
4
Bass Clarinet
Contrabass
Clarinet
Oboe 1
12
fff
sim.
W W W
32
1
12
W
12
W
12
.W
.W
fff
W
W
W
W
W
W
5
W
W
W
5
W
sim.
W
W
W
W
W
21
W
21
W
W
W
231
2
231 W 1
W
32
1
fff
prs de la table
6
4
Harp
:
. -W W
6
4
9
6
4
9
Mezzo-Soprano
:
.W
ppp
"
"
-W 0
"
"
Ped.
9
O1
-W
9
1
W
ff
1
W
1
W
-W
1
W
players 1,3,5,7,9,11,13,15
6
8
ppp
molto
-W 0
Vln I
div.
-W 0
burn
-W
6
1
W
.! 0
2
i
burn
6
4
1
W
Velocissimo + = 132
=
1
W
senza Ped.
! 0
W
W
W
Burn
mf
8
f
pp
mp
6
4
Piano
<
-W
sff secco
"
player 2 sul tasto

6
4
:
1 solo
6
9
pp espr.
-W 0
b
players 4,6,8,10,12,14,16
6
4
altri
:
sul tasto ppp

8
W
k
W
7
altri
div.
6
4
;
1st desk
Vla
;
altri
div.
;
altri
div.
W
W
W
W
7
!
!
^
.W
^
W ! W
^
W
W W W W W W
W
W
/W
.W
W
W
W
W
W
W
5
W
W
W
5
W
6
4
9
W
W
W
W
ppp
Y 0
W 0
6
Y
W
Y 0
ppp
8
Y
W
ppp
Vc.
"
"
-Y
- W
<
2nd to last desk
6
4
<
6
4
last desk
Y 0
W 0
7
W
ppp
8
Y
Y
Y 0
W 0
Y
W
Y
W
"
Y
"
1st desk
6
4
>
6
4
1
Y
13
5
+
1
Y
1
Y
W
6
espr.
mp
<
1
Y
1
Y
Y 0
W 0
6
W
5
<
mp
"
Y
!
sul pont. (poco)
ppp
"
<
7
!
pp
31
W
6
ppp
sul pont. (poco)
1
Y
W
6
1
Y
-W 0
- W 0
sul pont. (poco)
1
Y
W
6
mp
div.
9
1st desk only
1
Y
-W 0
- W 0
6
1
+
espr.
Db.
altri
fff
div.
31
pp
-Y
- W
W
6
fff
*
ppp
)
6
Y 0
W 0
6
1
W
fff
*
1
W
1
Y
ppp
-Y
- W
*
6
6
fff
W 0
31
-Y
- W
W
!
ff
mf
5
7
Y
-W
.W
mp
ff
5
W
6
sul pont.
(poco)
)
6
+
7
mf
O
W 0
6
1
+
-W
W
6
ff
ppp
9
mf
O
W 0
espr.
+
5
W
espr.
-W
W
W
W
-W 0
pp
O
W 0
! 0
-W 0
8
ord.
"
espr.
pp
^
"
"
/W
ord.
6
4
pp
W
espr.
-W 0
- W 0
ord.
ppp
(3 players)
6 8
4
<
(3 players)
6 8
4
<
8
7
players 3,5,7,9,11,13,15
sul tasto ppp
sul tasto
^
6
8
6
W
W
W
W !
W
W
:
4
ppp
players 4,6,8,10,12,14,16
sul tasto
6 8
8
7
6
:
4
W W
ppp
Vln II
div.
6
4
1st desk
div.
<
Y
Y
mp
" 0
6
!
5
9
q
pp
8
9
q
52114ins.qxd
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10:24
Page 52
52
6
x!
=
:
1
:
Ob. 1
W 0
W 0
W
.W
/! 0
"
.W 0
W
ppp eco
Cl.
W 0
W
9
2
:
! 0
pp
Cb. Cl.
solo
W
1
W
!
8
mp
>
32
.!
ppp eco
"x
W
=
.W
sim.
W
.W
W
7
pp
:
>
.W
W
W
W
6
! 0
7
pp
3
W
Tpt 2
W
W
W
6
W
W
3
W
3
W
ppp
.W
mp
!
W
mp
pp
mf
6
+
ppp
3
W
23
W
Pno
<
8
x"
( )
(Ped.)
non legato
9
M-Sop.
!
!
On
x!
:
Vln II
div.
:
9
9
.!
!
earth
earth
On
3
W
we shall
(1 solo)
=
players 2,4,6
9
N
"
0
W
pppp
b. div.
players 8,10,12,14,16
9
N
W
pppp
3
Y
1st desk
at the point
on the string (ord.)
leggiero
5
7
6
W
7
Y
tutti
div.
2nd desk
6
;
>
.Y
. !
7
Y
-Y
W
Y
W
Y
W
W
Y
W
Y
Y
pppp
"
!
0
0
" 0
p calmo
pizz.

O * leggiero
5
Y
Y 0
ppp non marc.
Vla
sul pont.
1 solo
Y 0
Y 0
Y 0
players 2,4,6
/!
arco
9
8
.Y 0
. W 0
mp marc.
ppp non marc.
"
ppp
b
div.
altri
div.
>

O * leggiero
;
-Y
W
Y
W
pppp
Y
W
Y
W
pizz.
W
Y
W
Y
W
Y
W
Y
Y
ppp non marc.
Y 0
Y
/!
arco, sul tasto

3
.W
9 players
mp marc.
8,10,12
ppp
W
^
!
^
52114ins.qxd
10/07/2002
10:24
Page 53
53
11
senza vib. W
=
8
"
"
pp
"
"
Picc.
senza vib.
9
"
0
"
W 0
!
pp
-W
senza vib.
leggierissimo
9
1
:
.! 0
9
W
6
W
5
W
8
ppp
ppp
Fl.
senza vib.
leggierissimo
9
.!
W 0
6
W
5
W
8
ppp
-W
ppp
alternate fingerings
Ob. 1
9
:
W
,
ppp
W
6
ppp
Cl.
!
8
:
>
W
+
ppp
whisper mute
=
9
1
:
ppp
Tpt
whisper mute
3
:
>
ppp
3
W
burn
we shall
3
Y
"
On
.!
W
8
earth
we
burn
shall
0
"
we shall
-Y
- W
Y
0
"
"
W
9
N
W
! 0
W 0
6
"
8 0
7
ppp
ppp
b. div.
.W
8
ppp
9
:
players 2,4,6
Vln II
div.
tutti (players 1,3,5,7,9,11,13,15)
7
W
earth
On
1 solo
=
burn
pp
.!
8
!
M-Sop.
pl. 8,10,12,14,16
W
W W
W
8
W
9
!
^
ppp
W
W
!
8
^
tutti
(players 1,3,5,7,9,11)
(1 solo)
7
"
ppp
"
!
"
Y 0
Y
-Y
- W
W 0
Y
!
+
ppp
players 2,4,6
8
Vla
div.
3
)
.Y 0
. W 0
Y 0
"
W 0
.Y
. !
b. div.
players 8,10,12
.W
<
.W
.W
5
front 2
desks
W
6
-Y
- !
8
ppp
3 players
at the point
on the string
<
Vc.
Y Y
Y Y
Y Y
Y
6
pppp
altri
div.
3 players
>
<
7
)
6
Y
W
ppp
)
!
Y
W
Y
6
Y 0
! 0
pp
poch.
52114ins.qxd
10/07/2002
10:24
Page 54
54
16
-!
Picc.
"
W
6
"
-!
/"
(senza vib.)
x!
8
W
6
3
p
N
W
N
W
N
W
N
W
N
W
N
W
N
W
N
W
alternate fingerings
W
7
N
W
N
W
N
W
N
W
N
W
N
W
W
7
.!
! 0
W
5
ppp
! 0
"
! 0
pp
W
7
!
!
.!
(senza vib.)
7
Ob.
W 0
xW
"
Fl.
"
!
8
ppp
9
Cl. 1
3
!
pppp
l
;
1
2
ppp velato
7
! 0
ppp
!
W
!
W
7
k
"
.!
k
.W
.W
"
! 0
ppp velato
Bsn
;
>
"
"
W
8
ppp velato
"
.!
"
! 0
7
3
f
whisper mute
8
Tpt 2
.!
3
f
"
>
On
0
"
ppp
/W
7
"
.!
!
On
W
8
earth
3
!
we shall
W
8
.!
!
we shall
burn
burn
!
7
"
"
"
"
ppp
o*
:
xY
6
W
W
W
W
W
W
,
*
W
W
,
*
W
W
ppp
Vln II
div.
unis.
-Y
- !
7
:
x !
Vla
div.
pp
unis.
-Y
- !
Y
7
W
ppp
<
9
front
2 desks
Yx
7
W
(3 players)
<
9
Vc.
7
Y
W
altri
div.
7
Y
"
7
Y
ppp
(3 players)
<
9
8
7
.Y
. !
8
.Y
. W
"
"
ppp
unis.
8
unis. pizz.
altri
ppp
Db.
>
N
N
"
1st desk
N
7
"
7
W
"
pp
ppp
3
!
On
B
3
8
:
earth
tutti, unis.
Vln I
3
mf
! 0
/!
W
3
mf
W
7
pp
burn
3
f
mp pi marc., poco pi cantab.

! 0
:
.!
X
!
mp
M-Sop.
3
pp
W
mf
2
!
W
W
mp
/!
Rototom
=
2
!
3
f
Perc.
"
ff
:
>
! 0
mf
ff
52114ins.qxd
10/07/2002
10:24
Page 55
55
21
W
=
8
"
-!
! 0
poco f
Picc.
"
-W
8
-W
1
6
W
W 0
-W
-W
ff
"
6
1
8 0
6
1
3
mp
!
9
+
Fl.
a2
1
2
9
:
3
)
W 0
W
.W
)
W
W
W
Cl.
solo
:
W 0
6
2
W
"
1
W
mp
7
<
8
-!
W 0
-!
pp
Cb. Cl.
marc.
7
marc.
2
W
>
8
8
.!
p
3
p
3
a2
3
4
a2
:
)
W
!
W
7
W
3
:
3
W
.W
7
pp
W
W
3
.!
ff
pp
."
2
"
pp
3
W
legatiss.
mf
!
7
6
+
3
7
pp
3
whisper mute
<
mf
8
.W
7
mf
!
!
ppp
3
)
W 0
3
!
<
ff
Tpt
<
"
pp
(a2)
6
."
ppp
M2
W
8
"
ppp
"
.W 0
1
2
.!
W 0
9
:
pp
Hn 2
9
:
3
=
pp
.!
1
2
Bsn
mf
)
2
! 0
mp
/W
!
mf
ppp
2
! 0
W
23
.!
B. Cl.
W 0
pp
ppp eco
.!
6
.W 0
mp
3
)
7
W
pp solenne (play mf molto cantab.)
Tbn.
<
2
3
>
2
"
."
2
pp solenne (play mf molto cantab.)
con sord.
<
Tba
legatiss.
whisper mutes a2
7
W
"
ppp
Rototom
=
Perc.
8
:
>
3
9
W
8
2
W
pp
mf pp
3
! 0
W
mf
Hp
<
9
9
7
W
"
f
9
l.v.
pp
Pno
<
9
pppp
8
."
-!
M-Sop.
.!
!
mf pi a pi appassionato
3
W
.W
7
mf
2
2
.W
On
earth
earth
"
"
shall
we
-W
pizz.
W
7
burn
-W
Y 0
Y
- W
Y
"
W 0
!
Vln II
div.
2
!
pizz.
pizz.
-Y
Y 0
p
Y
Y
<
!
!
pizz.
Y 0
6
W 0
ff
-W
-W
mf
pp
-W
ff
7
8
flaut.
-W
pp
front
2 desks
-!
! 0
- !
mf
;
arco
8
Vla
div.
pp
mf
8
-!
(3 players)
<
flaut.
Vc.
altri
div.
(3 players) ppp
<
-!
ppp
flaut.
8
.Y
. !
N
>
-!
ppp
ppp
(1st desk)
7
ppp
pizz.
tutti, unis. arco, flaut.

8
-!
ppp
/W
9
2
shall
W
6
we
ppp
8
;
3
W 0
ppp
flaut.
9
:
mf
3 pp
.W
-!
flaut.
Y 0
ppp
pp
"
W
6
W 0
!
burn
pp
-Y
mf
-Y
- W
6
shall
we
ff
3
Y
"
burn
3
Y
Vln I
div.
we shall
"
:
Db.
mf
3
W
.W
W
2
burn
/W
+
52114ins.qxd
10/07/2002
10:24
Page 56
56
26
=
1
:
! 0
3
)
W 0
"
.W
"
ppp
Fl.
.!
ppp
3
2
:
W 0
W
8
9
W 0
!
9
W
"
B. Cl.
.!
"
Cb. Cl.
"
.!
ppp
Bsn
.W
.!
1.
segreto
8
"
"
!
3
W
a2
=
6
<
9
"
W
W
.W
)
:
7
.!
3N
7
.!
"
3
<
W
"
pp
ppp
"
pp
W 0
3N
ppp
8
!
ppp
W 0
.!
N
ppp
:
! K
W
.!
N
*
Hn 3
pp
1
2
.!
>
3
W
leggiero
.!
!
pp
.!
ppp
Cbsn
mp
8
.!
"
a2
<
1
2
."
!
.!
mp
3
8
8
W
."
!
3
7
! 0
3
"
.!
.!
ppp
ppp
3
W
"
ppp
<
.!
.!
8
"
.!
!
W
!
.!
2
.!
!
mp
(play f)
Tbn.
(a2)
<
2
3
3
W
.!
"
!
!
.!
!
W
!
.!
.!
!
mp
(play f)
<
Tba
3
9
8
>
pp
=
r
Perc.
>
2
3
!
2
3
8
8
.!
"
.!
.!
!
Tam-tam
8
ppp
3
9
.!
Hp
<
mf
3
0
"
mf
pp
3
"
.!
W
8
"
.!
."
!
.!
.!
W
pp
Pno
3
<
7
.!
M-Sop.
:
.W
W
+
3
W
we
shall
.W
7
3
!
burn
we
Vla
8
!
"
mf
3
7
.!
!
3
!
"
shall
-W
W
6
.W
.W
2
burn
3
W
we
shall
3
)
.!
!
W
3
!
burn
/W
.!
we
shall
6
W
burn
W
W
shall
We
ff
3
)
turn
unis. arco
)
7
.Y
. W
ppp
<
9
ord.
*
. W
]
8
.W 0
pppp
arco, ord.
1st desk
8
!
pp
Db.
arco, sul tasto, flaut.
>
sul pont.
<
altri
ppp
tutti, div.
Vc.
.Y
8
!
ppp
.!
52114ins.qxd
10/07/2002
10:24
Page 57
57
31
=
1
W
1
W
1
W
1
W
1
W
3
7
7
pp leggierissimo sempre
Picc.
9
1
W
13
W
1
W
1
W
1
W
1
W
1
W
1
W
1
W
1
W
W
7
.W
!
1
W
1
W
1
:
!y
Fl.
8
8
ppp
sf
1
W
3
6
2
:
!y
W
.W
!
pp
7
1
W
32
12
1
W
1
W
1
W
W
W
.W
<
8
"
y!
<
Bsn 1
!y
.W W W
pp
<
1
W
7
1
1
W
1
W
1
W
1
W
1
W
1
W
1
W
.W
1
W
1
W
1
W
1
W
1
W
.W
W
6
1
W
1
W
3
W
1
W
1
W
1
W
1
W
1
W
1
W
W 0
1
W
W
W
W
6
1
W
1
W
1
W
1
W
1
W
1
W
1
W
W 0
3
!
ppp
W
1
W
1
W
1
W
W K
W
W
W
1
W
1
W
1
W
1
W
3
1
W 0
7
5
W
1
W
W
6
+
1
W
1
W
ppp
3
W 0
1
W
pp 5
(pp poss.)
3
1
3
1
-W
pp
pp
1
3
pp
1
W
.! 0
W
1
W
7
W 0
-W
W
1
W
5
ppp
9
.W
2
!
(play ff)
2
!
mp
pp
6
+
ppp
2
!
12
.W
W
(play ff)
!y
.!
pp mp
<
ppp
2
W
sff
mp
!y
Tbn. 2
/!
.!
2
!y
3
8
p
<
1
W
8
.W
6
:
1
W
sff
a2
3
4
1.
6
/W W W
Hn
ppp
a2
=
1
2
ppp
mp
1
W
6
3
ppp leggierissimo sempre
!
2
.!
2
>
1
W
"
!
ppp
mp
Cb. Cl.
.!
1
W
6
1
W
.W
B. Cl.
3
ppp
.W
1
W
3
mf
!
.W
8
pp
.W
) 6
ppp
sf
Cl.
13
W
3
/!
.W
h
.W
6
solo
8
/!
.W
h
.W
6
7
6
6
,
1
W
ppp
3
<
Tba
>
.!
p
9
Hp
.!
W
y!
<
7
Pno
mp
<
.!
pp
!
!
!
2
."
:
W
8
yW
M-Sop.
mf
mf
W
mp
/W
p semplice
12
/W
/"
!
shall
to ash
turn
turn
shall
Vln I
div.
3
9
-Y
9
Y
ppp
-Y
l
ppp
pl. 10,12,14,16
*
ppp
ppp
Vln II
div.
pl. 1,3,5
a
div.
Yy
y
("
pizz.
*
Yy
^ 5
pp
.Y
. W
.W
pl. 2,4,6
Y
W
Y
W
Y
W
Y
W
Y
W
Yy
y
b
div.
]
Y
Y
W
Y
W
Y
W
^ 5
Y
W
7
!
7
!
"
8
.Y
"
-Y
- W
0
8
"
) 6
7
yW
.W
1st desk
Db.
>
y!
W
6
+
p
9
Y
W
3 ppp
1
ppp
.
2
W
ppp
6
sul tasto
<
-Y
- W
on the string
ppp
7
Y
pppp
.
.W
Yy
.Y
W
Vc.
div.
3
6
Y
!
"
3
6
Y
!
pppp
W 0
Y
!
)
Y 0
3
^ 5
*
]
Yy
<
)
.W
pl. 8,10,12
;
^ 5
3
*
ppp
Vla
div.
arco, on the string

8
on the string
arco
ppp
. !
.Y
5
Y
ppp
.W
pl. 7,9,11
y
^ 5
pizz.
*
]
;
altri
ash
l
8
pl. 9,11,13,15
div. pl. 2,4,6,8
arco
on the string
231
to
div. pl. 1,3,5,7
con sord.
:
turn
con sord.
9
:
"
shall
21
.W
D
=
3
W
."
!
W
6
52114ins.qxd
10/07/2002
10:24
36
Page 58
58
=
7
.W
.W
1
W
ppp
/W
1
W
1
W
W
5
1
W
3
1
1
W
-W
1
W
1
W
1
W
1
W
1
W
1
W
3
-W
8
W
W
1
ppp
W
1
1
W
1
W
-W
1
W
W
1
W
1
W
Picc.
W
1
W
1
7
1
W
1
W
1
W
1
W
6
W
pp
W
1
W
1
W
1
W
1
W
1
W
1
6
1
1
W
W
6
1
W
1
W
1
W
1
W
1
W
1
W
1
W
1
W
1
W
senza vib.
ppp
ppp
1
W
1
W
1
W
W
6
1
W
1
W
6
,
pppp
6
8
6
+
W
W
1
W
pppp
W 0
6
W 0
W
W
W
1
W
1
W
1
W
1
W
1 1 1
W W W
1
W
1
W
1
W
1
W
1
W
1
W
1
7
1
W
1
W
3
6
+
7
.W
3
ppp
1
W
7
6
.W
6
3
mp
!
7
ppp
1
W
3
W
ppp
ppp
1
3
ppp
!
W
W
W
.W 0
5
pp
1
W
pppp
1
W
1
W
W
N
3
1
Fl.
.W
1
W
3
mp
W
W
+
-W
1
ppp
.W
1
pp
.W
.W 0
ppp
Cl.
W 0
>
p
:
/!
7
2
!
1
W
1
W
1
W
1
8
Drift
ppp
arco, on the string
-Y
6
6
+
3
a
div.
pl. 9,11,13,15
-Y
- W
xY
!
8
mp
Y
W
1
W
mf
! 0
1 solo
player 1
=
.W
W
W
6
shall
Drift
pp
"
8
ppp
mf
W
+
shall
W
!
8
+
pppp
M-Sop.
W
W
W
W
W
7
Vln I
div.
1 solo
player 2 I Y
9
pl. 10,12,14,16
on the string
Yx
-Y
-Y
- W
Y
W
Y
W
Y 0
6
b
div.
-Y
-Y
- !
8
player 1
on the string
9
1 solo
pp
-Y
- W
W
,
mp
a
players 3,5,7,9,11,13,15
9
altri
-Y
- !
ppp
Vln II
div.
pl. 2,4,6,8
9
-Y
- !
6
ppp
b
div.
pl. 10,12,14,16
W
7
W
6
pp
W 0
Y 0
Y
W
ppp
Y
5
Y
W
3
5
ppp
Y
W
Y 0
6
W 0
Y
W
,
W 0
mp cantab.
a
div.
Y 0
Y
"
pl. 7,9,11
)
pp
Vla
div.
pl. 2,4,6
9
;
b
div.
>
pl. 8,10,12
;
.Y K
. W K
pp
3
W
-Y
- !
ppp
1 solo
W 0
-Y
- W
7
Y 0
pl. 1,3,5
;
on the string
8
:
pp
Y
W
Y
W
52114ins.qxd
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59
40
7
1
W
W
1
W
1
1
W
1
W
1
W
3
1
)
mf
pp
-W
)
pp
W 0
W
W
5
W
W
W
+
ppp
Picc.
1
W
1
W
1
W
1
6
.W
6
1
W
1
W
1
W
1
W
.W
1
W
/W
1
W
5
.W
ppp
mp
-W
6
pp
W
6
W
W
ppp
3
W
yW 0
1
W
1
W
1
W
1
W
.W
1
1
W
Fl.
1
1
W
1
W
3
1
1
.W 0
1
senza vib.
6
N
W
1
W
1
W
8 0
7
-W
W
5
1
W
1
W
.W
1
W
1
W
.W
1
1
W
.W
1
W
.W
1
W 0
pppp
3
p sub.
W
!
/W
ppp
p sub.
W K
ppp
1
W
ppp
.W
"
W 0
!
12
W
N
-W K
pp
.W
7
7
1
W
pp
/W
6
mp
.W
pppp
Cl.
1
.W
1
W
1
W
-W
6
:
>
W 0
1
W
1
W
1
W
pppp
ppp
pp
W 0
8
W
W
+
W 0
pppp
mf
2
!
0
"
!
!
cross
the
land,
pl. 1,3,5,7
tutti (arco)
(1 solo)
-Y
Y
W
Y
W
Y
8
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
-Y
Y
W
6
pp
a
div.
- W
W
W
8
Y
W
Y
W
Y
W
Y
W
Y
W
Y
8
on the string
6
Y
.W
Y
W
6
W
.Y
. W
mp
b
div.
Y
W
Y
W
Y
W
Y
W
Y
W
W
W
Y
W
pp 3
xY
ppp
-Y
W
Y
Y
W
Y
W
1 solo
Y
W
Y
W
Y
W
5
Y
W
6
Y
W
pl. 1,3,5,7
tutti, con sord.
Y
-Y
- W
2
Y
Y
W
W
W
)
6
Y
W
6
7
2
Y
mf
.W
6
3
-Y
W
mp
5
pp
pp
-Y
- W
3
Y
5
*
pl. 10,12,14,16
:
tutti, pl. 2,4,6,8

)
W
5
(1 solo)
6
+
3
ppp
Vln I
div.
.W
II
9
2
Y
pl. 9,11,13,15
:
W
!
pppp
3
"
M-Sop.
a. div.
pl. 9,11,13,15
tutti, con sord.
players 3,5,7,9,11,13,15
altri
xY
6
-Y 0
- W 0
5
ppp
pl. 2,4,6,8
x
:
W
6
xY
6
W
con sord.
7
pl. 1,3,5
tutti
.Y 0
. W 0
Y
a
div.
pl. 7,9,11
ppp
Y
W
W 0
W
Y 0
Y
-Y
Y
W
- W
Y
W
ppp
Y
W
Y
W
Y 0
W 0
ppp
5
Y
mp
-Y
*
Y
Y
6
-Y 0
W 0
pp
pp
5
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
mp
pp
mp
Y 0
pl. 8,10,12
W 0
5
-
"
pp
Y
W
mp
- W
mp
Y
W
Y
W
Y
W
Y
W
3
5
ppp
/Y
/ W
mp
b
div.
-Y
W 0
7
Y 0
8
tutti
W
pl. 2,4,6
Y
Y
-Y
mp
ppp
Vla
div.
8
*
W
mf
>
-Y
- W
.W
5
7
1 solo
6
W
mf
Y
W
ppp
Y
W
7
ppp
pl. 10,12,14,16
:
con sord.
xY
b
div.
3
!
7
Vln II
div.
- 0
" 0
pp
Y 0
W 0
/Y
/ W
mp
52114ins.qxd
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60
E
=
1
2
ppp lontano
43
0
"
9
:
7
7
."
9
W
k
.!
7
k
3
ppp lontano
0
"
9
Ob. 3
:
.W
W
8
.!
."
ppp lontano
ppp lontano
W
W 0
!
Cl.
W 0
6
solo
Cb. Cl.
>
8
!
"
"
9
:
>
a3
(whisper mutes)
=
Tpt 1.2.3
"
22
ppp
."
.!
<
8
Pno
ppp
<
8
"
"
18
18
8
W
"
"
M-Sop.
molto f
W 0
6
3
!
W
W
W
W
the
ver
2
W
2
! 0
W
moun
tains,
E
=
9
a
div.
pl. 9,11,13,15
9
-Y 0
- W 0
6
ppp
Vln I
div.
Y 0
pl. 2,4,6,8
8
W 0
"
sul tasto
ppp
b
div.
W 0
"
pl. 1,3,5,7
8
.Y
. W
Y
W
+
pl. 9,11,13,15
6
Y
5
Y
W
5
)
6
Y
.W
Y
pl. 2,4,6,8
3
*
7
:
6
Y
Y
W
.Y
. W
6
3
6
pl. 10,12,14,16
:
ppp
b
div.
Y
W
Y
W
Y
W
Y
W
Y
W
- W
Y
W
Y
W
Y
W
Y
W
-Y
xY
W
Y
W
Y
W
Y
W
<
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
6
W
sul tasto
W 0
]
Y
W
+
-Y
- W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
Y
W
6
W
Y
W
W
6
Y
W
.Y
.Y
. W
Y
W
Y
W
Y
W
3
3
Y
W
3
Y
5
ppp
ppp
-Y
Y
W
Y
W
Y
W
3
3
Y
W
Y
W
3
Y
-Y 0
- W 0
3
W
3
W
Y
W
Y
W
3
Y
Y
W
7
Y
.
. "
Y 0
.
. "
Y 0
W 0
Y
W
Y
W
5
ppp
5
pp
3
3
pp
pp
-Y
Y
3
6
- W
Y
W
pp
-Y
- W
-Y
Y
W
W
3
6
. W
-Y
- W
6
Y
W
3
3
3
Y
3
Y
pppp
-Y
- W
6
3
Y
ppp
Y
W
Y
W
ppp
W 0
Y
W
Y 0
-Y
- W
Y
W
ppp
-Y
- W
)
6
Y
W
7
W
-
- "
6
W 0
pp
pp
<
>
Y
W
Y 0
.W 0
Vc.
div.
ppp
7
Y
mp
6
W
7
Y
pl. 8,10,12
O
Y
6
Y
- W
Y
-Y
- W
Y
W
mp
pp
b
div.
.W
Y
W
/W
pl. 2,4,6
;
Vla
div.
mf
Y
Y
W 0
5
Y
Y 0
pp
-
- "
-Y
6
Y
Y 0
pl. 7,9,11
Y
W
xY
a
div.
Y
Y
pl. 1,3,5
;
-Y
pp
mp
Vln II
div.
8
:
/Y
/ W
7
pp
ppp
a
div.
-Y
- W
6
ppp
W 0
pppp
Y 0
pl. 10,12,14,16
]
6
W 0
-Y 0
W 0
ppp
52114ins.qxd
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61
46
senza vib.
=
9
.W
!
!
.W
.W
ppp
Fl.
senza vib.
9
3
2
1
2
"
:
.!
W 0
7
7
l
3
3
Ob.
:
1
2
:
"
a2
Cl.
pp
9
8
.W
"
+
ppp
3
Cb. Cl.
<
"
"
8
"
p
<
9
Bsn 2
mf
8
"
p
<
9
8
6
!
Cbsn
>
"
"
(a3)
W
y"
:
pp poss.
mf
7
W
Tpt 1.2.3
W 0
12
.!
W
6
senza sord.
<
Tba
>
0
"
mp
<
9
"
( )
Pno
W
+
18
<
" 0
.W
"
( )
ff
8
M-Sop.
.!
7
out
unis. sul tasto

=
"
to
ord.
]
7
ppp
Vln I
div.
!
]
8
unis.
.Y
. W
:
3
Y
W
(div.)
7
W
Y
W
6
W
Y Y
W
W !
Y
W
7
W
unis.
Y
W
W
6
6
pl. 10,12,14,16
pl. 7,9,11
.Y 0
W 0
.
;
Vla
div.
players 2,4,6,8,10,12
unis.
.
;
W
7
Y
!
.W
6
.W
pp
.W
6
:
O
"
.W
W
W
pppp
.W
O
"
pppp
Db.
div.
5
ppp espr.
molto sul pont.

7
mp
on the string
W
,
ppp espr.
Y
W
.W
molto sul pont.
xY
<
.W
6
ppp
Vc.
div.
ppp espr.
W 0
6
mf
"
Y 0
Y
/W
W 0
3
7
Y
!
on the string
"
"
.W
!
pp
ppp
Y
!
ppp
<
Y 0
.Y 0
W 0
W
7
on the string
.W
7
.W
^
+
W 0
7
W
.W
7
Y 0
^
!
]
ppp
Y
!
a
div.
.W
.W
mp
.W
W 0
]
pl. 1,3,5)
Yx 1
x W 0
pl. 2,4,6,8
Y 0
mp
"
7
:
ord.
mp
Vln II
div.
3
Y
.W
^
+
ppp
3
Y
.W
7
pp
3
3
p
unis.
:
vib. norm.
" 0
sea
W
]
7
:
.W
poco a poco
senza vib.
legato sempre
>
6
9
W
pppp
6
W
6
W
52114ins.qxd
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Page 62
62
mf
7
49
2.
=
9
1
Picc.
2
Fl.
pp cresc.
6
yW K
1
2
:
1
2
:
"
"
W
7
mp
mf
y"
"
W 0
"
(1.)
! 0
(a2)
Cl.
. W
5
"
pp
W 0
1.
0
"
ff
0
"
fff
<
7
B. Cl.
"
mp
-"
!
. W
fff
mf
ff
2
-"
Cb. Cl.
. "
0
. "
mf
ff
a2
<
1
2
. W
0
!
. "
!
"
mf
Bsn
<
. !
!
fff
mf
. !
"
"
fff
Cbsn
fff
6
7
>
"
. W 0
. W
pp
.!
"
fff
1
2
9
:
3
)
a2
8
=
.W
7
"
!
7
mf
Hn
ff
3
3
a2
3
4
:
<
7
!
!
.W
!
ff
mf
<
1
2
soli 1.
2.3. ff
8
!
/W
! 0
!
W
! W
mf legatissimo
<
. ! 0
ff
senza sord.
7
W
ff
3
<
Tba
."
W
W
+
2
Tbn.
ff
.!
senza sord.
8
senza sord.
:
ff
pp
7
mf
Tpt 1.2.3
W
!
>
. "
Tenor drum(s)
r
ff
mf
mp
=
!
!
3
3
lontanissimo
3
W
Tenor drum(s)
(ensure Tam-tam is not damped)

r
Perc.
0
"
N
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
! 0
7
0
"
pppp
y"
Bass drum
(ensure Tam-tam is not damped)

r
>
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV VVVVVVVVVVVVVVVVVVVVV
lontanissimo
0
"
legato to trumpet if possible

"
M-Sop.
:
div.
. W
y W KK
=
]
^
"
]
^
"
W 0
"
"
N
W
"
"
]
]
,
Vln I
:
cresc.
W 0
. W
yW K
]
:
"
^
W
]
^
"
]
^
"
]
mp
N
W 0
Vln II
div.
Y
"
I
8
+
5
(X )
mp
unis.
.W
3
W
3
W
W
^
Vla
div.
.W
poco a poco cresc.
W
^
.W
! 0
W
! 0
]
yW
.W
.W
^
W
W
W
+
! 0
"
^
W
!
!
]
]
]
mf
mp
W
]
3
]
W
W
3
y"
;
.W
intenso
Vc.
div.
y"
;
! 0
! 0
]
!
*
O
]
^
.W
.W K
pp
pppp
Db.
div.
W
W
W
W
W
W
W
W
W
W
ppp
6
W
W W
W
-W
!
!
. W
ff
mp
W W
mf
W
>
. W
! 0
]
]
mp
! 0
!
mf
mp
3
W
6
W
W W
fff
W W
52114ins.qxd
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Page 63
63
)
ff
W
6
!
3
k
7
"
7
W
"
52
=
Picc. 1
2
Fl. 1
2
+
7
ff
fff
.W
fff
a4 bells up
Ob. 1-4
:
Cl. 1
2
:
"
<
W 0
!x
!x
/!
. W
fff
W
!
7
fff
ff
(a2)
!
2
/ W
2
!
6
Cb. Cl.
. !
fff
ff
W 0
!
"
. !
.!
/!
!
!
!
!
fff
8
<
1
2
. !
. W
"
W
. W
. !
fff
Bsn
k
2
3
3
3
3
<
)
!y
y!
>
! 0
! 0
. W
fff
Cbsn
2
W
fff
B. Cl.
.W
fff
3
9
+
6
a2
9
:
.W
W
=
7
.!
:
"
"
:
!
/! 0
!
!
fff
ff
"
"
."
fff
ff
"
!
0
ff
f
!
"y
ff
ff
fff
-!
! 0
W
. W
-!
!
7
!
fff
"
3
7
y"
1
2
Tpt
ff
7
ff
"
fff
)
W
7
/ W
/!
Hn
!
!
fff
pp
ff
3
)
! 0
. W
!
2
3
)
fff
3
. W
. !
3
)
"
"
!
ff
ff
6
Tbn.
ff
W
"
W W
. !
/ !
mf
7
! 0
W
ff
6
W
! 0
W
fff
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<
ff
7
"
Tba
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. !
<
.W
Wy W
y
3
)
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1
2
ff
6
7
3
)
>
W
. !
Timpani
=
<
W
W
W
W
W
W
W
W
"
! 0
3
W
ord.
W
pp
mfp
. W
3
W
3
W
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
W
"
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
"
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
3
W
ff
3
mp
T.D.
2
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
r
fff
. W
ppp
Perc.
3
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pl. 5,7
Db.
div.
7
0
.W
0
]
pppp
(fff)
5
)
sul tasto
/ W
+2
W 0
"
+
6
)
x!
flaut. pppp
3
"
W
6
W
5
<
>
/W W
-W
)
- W
-W
- W
2
)
W
]
]
2)
5
)
-W
-W
W
^
3 ppp
3
<
6
7
/W
3]
ppp
div. sul tasto

8
.W
. W
. W
.W
div.
.W
3
;
weep
.W
]
W
. W
W
^
.W
Vla
W
+
molto calando
. W
. W
"
.W
loco
"
)
^
. W
-W
Weep
loco
!
,
molto con Ped.

8
(div.)
! 0 0 0
"
k
W
W
.W
7
-W
- W
f senza3 espr.
3
9
:
pppp
)
6
pp
M-Sop.
pppp
solo lontanissimo ma molto cantabile
Pno
stick damp
W 0
mp
B.D.
r
>
pppp
pppp
3
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
fff
fff
cresc. sempre
pppp
3
W 0
!
0
"
stick damp
*
. !
fff
(ff)
. W
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
Perc.
/ W
!
3
W
+ 2
ff
mf
3
/ W
S VVVVVVVVV
)
- W
ord.
- W
- W
!
2
3
2
W
<
/ W
2 )
W
3
3
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
-W
>
W
+ 2
5
)
3
)
-W
W
- W
5
<
W 0
W
.W
fff
5
6
Tbn.
W 0
W
6
+
fff
)
W
W
2
W
-W 0
W 0
-W
/W
3
ff
1
2
!
W
.W
.W W
W
ffff
52114ins.qxd
10/07/2002
10:24
Page 67
67
66
Giusto, molto pi grave
=
9
"
."
!
W 0
6
pp
Fl.
9
"
0
"
pp
"
ppp
9
.!
!
8
W
!
ppp
Cl.
pppp
3
9
!
. "
"
W
!
ppp
9
"y
"
ppp
<
B. Cl.
pppp
. !
9
8
. !
!
"
ppp
Cb. Cl.
>
! 0
"
ppp
pp
con sord.
=
1
2
a2
8
8
"
"
. "
!
"
!
"
pp
Hn
"
!
a2
con sord.
3
4
<
:
>
8
"
"
."
8
9
ppp soft
X
8
9
X
W
7
2
"
<
Hp
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
)
)
3
7
ppp soft
Tam-tam
r
>
W
W
!
!
y"
<
\
6
X
8
X
W
7
2
"
ppp
M-Sop.
ppp
-!
"
poco vib.
poco f
7
-W
-!
But
weep
"
p sub., marcato sempre

7
0
"
7
-!
this
know
know
But
7
-!
this
But
know
this
"
. !
"
est
vic
to
. W
ppp sempre, non marc.
est
to
ria
"
. !
qua
est
vic
to
!
!
est
qua
)
to
.W
7
1
N
"
ppp
!
ppp
9
"
pppp
ppp
9
N
"
."
!
"
:
N
W
ord.
unis. sul tasto

9
"
"
Yx
9
9
x !
sul tasto
N
. "
7
-
pl. 1
8
"
7
"
"
pl. 2
8
.!
>
pppp
7
"
0
!
"
.!
8
8
.!
"
.!
"
sul tasto
8
!
! 0
!
ppp
"
! 0
"
1 solo, last desk
9
Y
unis.
ppp
*
5
"
]
W
.!
ord.
8
sul tasto
7
pppp
pl. 4,6,8
Y
"
3
0
"
"
"
ppp
0
"
ord.
8
W
]
pppp
sul tasto
7
pppp
ppp
-Y 0
! 0
ord.
Db.
div.
1 solo
pppp
pl. 3,5,7
altri
-! 0
.Y
ppp
sul tasto
ord.
8
1 solo
ppp
sul tasto
9
pppp
<
pppp
<
Vc.
div.
unis. sul tasto
Vla
.!
7
ppp
]
x!
altri
!
8
ppp
Vln II
div.
!
!
sul tasto
9
ord.
8
"
qua
sul tasto
9
ria
Giusto, molto pi grave
"
ria
"
vic
Vln I
div.
. W
3
"
sul tasto
=
9
"
Haec
. W
"
vic
"
>
qua
ria
Haec
<
!
!
"
B.
3
"
Haec
Chorus
q
0
"
"
"
"
well:
8
"
T.
this
7
.W
know
But

9
:
"
A.
( )
Haec
W
W
.W 0

=
S.
- "
( )
ff senza vib.
6
1
S VVVVVVVVVVVVVV
pppp
pp
Pno
ppp
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV )
6
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
Tenor drum(s)
r
Perc.
S VVVVVVVVVVVVV )
Tenor drum(s)
r
8
"
pp
"
!
"
ppp
52114ins.qxd
10/07/2002
10:24
Page 68
68
73
Picc. 1
)
8
pppp
W
7
ppp
:
"
"
3
.!
pppp
6
W
!
breathy
. "
!
"
.!
7
9
senza vib.
pppp
9
Fl.
W
!
"
!
ppp
1
molto rit., colla voce
to Fl. 4
senza vib.
W 0
. !
!
breathy
Cl.
6
2
:
!
. !
W 0
3
<
"
B. Cl.
ppp
"
7
7
W 0
pp
. W
"
.!
"
ppp
<
3
6
Bsn 1.2.3
ppp
Cb. Cl.
.W
ppp
9
9
>
(a2)
=
1
2
3
)
. W
. !
<
Hn
(a2)
<
3
4
W
>
*
W
3
)
.W
.!
W
Tam-tam
8
6
1
! 0
7
r
>
8
9
<
9
Hp
6
8
!
W
7
9
6
1
8
9
"
8
6
3
6
:
!y
.!
W 0
. W
. W
fi
dum
)
. W 0
mun
. W
W
dum
. W
.W
mun
. W
.W 0
W
)
W
W
W
cit
mun
dum
fi
no pain
stra
1
W
W
1
2
des
vin
W
6
stra
no
W
W
W
2
. W
3
)
.W
W
des
3
/ W
stra
no
. W
fi
)
)
7
W
dum
3
W
no
des
W
2
. W
fi
)
cit
)
. W
3
)
des
3
cit
! 0
8
W
W 0
W
feels
7
W
. W
. W
)
!
Ash
3
<
mun
vin
>
)
W
)
. W 0
cit
3
!
W
3
Ash
3
!
. W
pp ) espr.
6
! 0
mf
vin
Ash
)
7
)
W
ff
W
W
3
! 0
Ash
vin
:
senza vib.
6
W
3
!
Chorus
=
W
12
Ash
7
W
Eb
0
/ - W W
M-Sop.
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV )
VVVVVVVVVVVVVVVVVVVVVVVVVVVVV )
S VVVVVVVVVVVVVVVVVV )
T.D. 2
Perc.
3
6
W
!
3
)
"
S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
)
T.D. 1
no
stra
molto rit., colla voce

1 solo
=
9
molto flaut.
W
.!
8
.!
8
.!
8
.!
8
ppp
Vln I
div.
1 solo molto flaut.

Y
!
8
W
7
ppp
ord. IV
Vln II
div.
"
Y
(ppp)
( )
ppp
1 solo molto flaut.
sul tasto
9
ppp
(ppp)
ppp
molto flaut.
div. (sul tasto)

9
;
W
7
"
"
Vla
W
7
. !
IV
8
:
1 solo molto flaut.
3
9
8
:
1 desk
."
!
k
. !
7
8
."
ppp
1 desk
<
9
Y
8
ppp
Vc.
div.
sul tasto
<
9
7
9
. W
"
ppp
"
3N
!
9
8
ppp
pppp
Db.
div.
>
6
8
"
pp
W 0
IV
W
pppp
o
W
!
W 0
.!
ppp
)
"
"
ppp
IV
"
.!
pppp
o
W
W 0
)
W
pppp
52114ins.qxd
10/07/2002
10:24
Page 69
69
Grave assai
ppp
Grave
W 0
1
2
)
.W
Fl.
"
7
.W
"
Cl.
1
2
:
! 0
solo mp pesante
)
6
"
)
6
"
)
6
4
8
"
"
mp pesante
<
)
4
8
8
"
"
"
"
"
0
!
"
0
"
"
"
p pesante
4
)
8
>
"
senza sord.
"
"
p pesante
a2
)
4
"
0
0
!
"
0
!
"
"
"
pp pesante
senza sord.
<
"
<
a2
8
"
1
2
Hn
3
4
"
Cbsn
Bsn 1.2.3
Cb. Cl.
B. Cl.
W 0
ppp
<
"
pp
N
W 0
a2
1
2
.W
! 0
pp
Ob.
W 0
4
)
.W
"
pp
+
7
:
a2
4
! 0
pp
a2
3
4
! 0
7
:
)
N
78
a2
4
8
"
8
"
pp pesante
bucket mute
growl (leggierissimo)
]
1
:
.W
!
! 0
.W
pp
Tpt
.W
"
! 0
pp
bucket mute
<
.W
"
. W
W 0
growl (leggierissimo)
. W
! 0
!
]
W
4
*
W
4
)
7
:
]
W 0
sim.
bucket mutes
a2
2
3
]
! 0
! 0
pp
W 0
sim.
bucket mutes
Tbn.
a2 *
<
2
3
. !
! 0
. W
4
con sord.
<
W 0
sim.
. W
"
! 0
. W
4
>
! 0
pp sempre
Tba
"
W 0
ppp
Timpani
4
=
<
"
0
"
9
0
"
pp
4
r
Perc.
(no splash)
Tam-tam
8
. W
W
mp pesante
M
! 0
fff
8
9
6
W
p cantab., lontano
4
)
8
pp
/
/ "
"
"
pp
/ "
- "
"
mp
- "
"
mp pesante
M
M
- W
<
7
W
ppp
l.v.
Hp
W 0
r
>
rubber ball on surface

smooth, continuous arc or straight
line
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
S VVVVVVVVVVV
B.D.
4
7
9
ffff solo
Pno
pp pesante
3
- W
-
<
7
"
"
"
"
Grave
M2
- Y
4 0
"
"
Grave assai
tutti, ord.
=
)
8
poco f
Ped.
sim.
4
<
"
"
0
"
0
"
7
:
mp
mf
Vln I
div.
tutti, ord.
7
legato to bass
4 0
M2
-Y
"
"
0
"
legato to bass
4
7
-
-Y
"
W
2
i
tutti, ord.
"
"
0
0
"
legato to bass
pp
mp
IV
4
)
7
:
tutti, ord.
Vln II
div.
"
mp
.W
"
! 0
.W
"
.W
W 0
W 0
pppp
tutti, ord.
8
Vla
N
W 0
! 0
W
(unis.) III
IV
4
6
+
7
;
ppp
tutti
<
Y
W
Y
!
Y 0
! 0
"
7
.
Y 0
.Y
"
! 0
W
6
!
0
"
W
!
pp
W
<
ppp sempre
Vc.
div.
div.
4
)
.Y
ppp
*
! 0
4
6
*
7
Y
W
ppp
.Y
W
Y 0
"
W 0
Y
W
ppp
)
4
"
"
"
8
"
0
"
W
!
0
"
W
!
p pesante
Db.
div.
>
)
8
!
"
p pesante
* gentle, sleepy bend; flat and sharp only very slight; not especially unanimous.
"
"
52114ins.qxd
10/07/2002
10:24
Page 70
70
82
1
2
a2
4
.W
! 0
pppp
a2
6
.W
)
! 0
a2
4
8
7
:
0
." " 0
pp
" "
"
0
"
"
ppp
pp
4
4
<
7
8
B. Cl.
" 0
p
"
"
"
"
ppp
pp
4
4
7
8
Cb. Cl.
" 0
p
"
0
"
" 0
pp
"
"
"
"
pp
ppp
4
<
Bsn 1.2.3
"
"
"
" "
"
" "
"
" "
W W
"
pp
ppp
4
Cbsn
N
4
1
2
pppp
Cl.
8
:
Fl.
3
4
"
>
7
8
"
"
pp
"
"
ppp
pp
a2
=
<
1
2
4
4
."
8
"
0
"
0
"
"
7
W
ppp
pp
Hn
a2
4
<
3
4
8
"
"
0
"
"
"
"
"
ppp
pp
<
Tba
[ad lib. omit]

4
4
7
>
"
."
"
"
"
pp
pp
ppp
4
<
."
0
"
/" 0
ppp
Hp
"
0
"
"
ppp
4
4
7
8
- -" "
"
0
0
[Db ad lib.]
" "
-"
"
"
ppp
Pno
4
9
"
pp
<
<
ppp
4
7
8
0
." "
" "
0
"
Vln I
:
Vln II
:
"
"
4
;
8
0
"
7
0
"
"
ppp
0
"
"
pppp
ppp
Vla
div.
4
;
8
."
7
"
"
ppp
trail away
)
. W
! 0
. W
ppp
"
Y
!
0
"
"
pppp
8
7
/"
N
"
"
pppp
ppp
4
"
ppp
0
"
low B where possible
0
"
(" 0 )
"
(" 0 )
(" )
(X )
pppp
ppp
Db.
div.
4
>
7
W
4
6
! 0
0
"
ppp
)
Y 0
pppp
"
0
"
"
)
.Y
Vc.
div.
8
"
Y 0
.Y
ppp
<
ppp
unis.
<
"
."
ppp
* see footnote on p. 69
"
"
7
"
"
low B where possible (
0
0
ppp
"
("
0
0
"
(" )
(X )
pppp

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52114ins.

Texts from the books of Chilam Balam (Mayan)

2002 by Faber Music Ltd

all flutes require low B

6 sizes of field drum (without snares), optionally tom-toms,

Burn, burn, burn

Haec est victoria qua vincit mundum fides nostra

English text (mezzo-soprano):

to Contrabassoon (al fine)

Bass drum con sord.,

ff senza espress., molto marc.

hard vibraphone sticks

[lowest strings: Cb and D]

grace notes: as fast as possible (virtually simultaneous)

Copyright 2002 by Faber Music Ltd.

This music is copyright. Photocopying is illegal.

1.2 con sord.

3.4 con sord.

Fl. 3 to Picc. 2, Fl. 4 to Picc. 1

(sempre con sord.)

(sempre con sord.)

solo sost. legatiss.

senza sord. soli

* at least two play low C

bells down (a2)

unis. sul tasto

B.D. senza sord.

sempre appass., espr.

sempre appass., espr.

Picc. 1 to Fl. 4, Picc. 2 to Fl. 3

6 Field drums (S.D. sticks)

4 Suspended Camel bells

4 Suspended Camel bells

solo, senza vib.

molto ritmico sempre

Timp. dead centre, no pitch, very light sticks

pppp non chiaro

B.D. (hard sticks)

pppp non chiaro

molto ritmico sempre

molto ritmico sempre

molto ritmico sempre

sul tasto, flaut.

legato, senza portamento sempre

senza vib. sempre

ppp senza colore

ppp senza colore

legato, senza portamento

sul tasto, flaut.

sul tasto, flaut.

ord. legato, senza portamento

ppp very dark sound

molto sul tasto

sul tasto, flaut.

molto sul tasto

ppp very dark sound

leggieriss., legato (senza port.)

4. ppp (senza sord.)

flaut. senza vib.

back desk only

1 solo from back desk

flaut. senza vib.

ppp (match Hns)

R.H.: stop string between