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2. Simplicity & Tips: One thing you may notice about the formation of the
Perfect Middle is its simplicity; it only takes 3 morphemes to build it. You will
notice right away probably that there is no Neutral (connecting / contracting)
Morpheme here. You will also notice the Reduplicated Morpheme at the front of
the word. Take note also that unlike other Middle Voice paradigms, the 2nd
Person Singular here does not contract, that is, it retains its “sai” ending. Let’s get
an idea of what we’re working with by looking at the table for the Perfect Middle
Indicative:
3. Finality: Remember, when you are translating Perfects that they are attempting
to show finality or completion! However, this is not to say that what happened in
the past has no present or future ramifications. Indeed, the (Middle) Perfect may
very well emphasize that what happened in the past still has bearing.
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4. 5 Principle Part: Much has been made about the Perfect Middle being the 5th
Principal Part, for a great visual overview of the 6 Principal Parts, see “Notes”
#37.
5. Consonant Stems: One of the irregularities of the Perfect is that in Middle and
Passive words which end with a consonant. In general, we shall apply the rules of
aspiration here. For the sake of sounding good (grammatically referred to as
euphony), words such as grafw, which, in the Perfect Middle is gegraf + tai is
actually rendered gegraptai. The same happens with bebavptiz + mai which is
rendered bebavptismai.